Bliss from beyond: Nescafe Basement presents all-instrumental rendition of ‘Aadat’

Updated 19 March 2019
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Bliss from beyond: Nescafe Basement presents all-instrumental rendition of ‘Aadat’

  • The new version of the classic ballad has been winning praise all over web
  • Stirs nostalgia with tribute to the original song

ISLAMABAD: Do you remember where you were when you first heard the initial plucking of strings which would introduce the world to ‘Aadat’ -- one of the most recognizable Pakistani love ballads of all time? It was 2003 and crooner Atif Aslam, then front man of Jal, lit our hearts, ears, souls and car drives (where we belted out lyrics like no one was listening) on fire. 

‘Aadat’ in itself became an aadat (habit) with non stop replays and the launching of Atif Aslam into an international (we talking brown people worldwide) superstar and eventually lead to his success over the border in Bollywood.

Nescafé Basement, in it’s fifth season, has given ‘Aadat’ a reintroduction into our lives, produced by Zulfiqar Khan aka Xulfi and performed by an ensemble piece band, the full instrumental take on the angst ridden classic was fronted by former Jal member Goher Mumtaz. The instrumental, which brilliantly managed to mesh sitars, drums and flutes (oh my!) was followed up with Mumtaz singing a ‘Bhanwaray.’

Since being uploaded on Monday to Nescafé Basement’s official YouTube page, the video has racked up over 100,000 views, with comments and social media overwhelmingly loving the song.

With both Nescafé Basement and Coke Studio often taking the risky route with varied success (Atif Aslam’s ‘Taj Dare Haram,' a clear winner, Ahad Raza Mir and Momina Mustehsen’s ‘Ko Ko Korina,’ decidely not) the choice to go instrumental was applauded in the comments of the video.

‘Cover’s ruin the original song feel,’ joked one user, ‘[Xulfi] hold my Nescafe.’

A user from India wrote about the nostalgia, ‘My heart was just waiting for Atif’s voice to go like, ‘Judaa hote ke bhi.’

Another user spoke about not even being a fan of Nescafé Basement but not being able to deny their appreciation for the track, ‘What a brilliant brilliant execution’ they wrote. ‘It feels as if we all have grown up with the song…this is a case study on how to make a lovely instrument ensemble work.’

Twitter was equally appreciative.

Writer Atiya Abbas wrote about the song’s original passion (it’s #angst) being respected in the instrumental, ‘This instrumental conveyed the longing even more beautifully if that were even possible.’

Faraz Ahmed Tweeted to produce Xulfi, ‘Love what you’ve done with the song of my teens, the song that made many of us pick up guitars.’

‘Missing Atif Aslam’s voice but the nostalgia still hit hard,’ wrote Twitter using going by ’N’ who called the piece phenomenal.

Another Twitter user wrote about the ‘monumental value’ the song held in Pakistani music.

Of course it was not all praise but finding negative reviews were few and hard to come by.

‘This song is so beautiful and nostalgic, I don’t think there was any need of it’s rendition,’ wrote one user.

Nescafé Basement has released two songs into it’s fifth session: the first, ‘Resistance,’ winning producer Xulfi high praise, even from fellow artist Meesha Shafi.

‘You genius!,’ wrote Shafi attaching a link to the first release by Nescafé Basement ‘Resistance.’


Review: ‘Relay’

Updated 21 December 2025
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Review: ‘Relay’

RIYADH: “Relay” is a thriller that knows what its role is in an era of overly explained plots and predictable pacing, making it feel at once refreshing and strangely nostalgic. 

I went into the 2025 film with genuine curiosity after listening to Academy Award-winning British actor Riz Ahmed talk about it on Podcrushed, a podcast by “You” star Penn Badgley. Within the first half hour I was already texting my friends to add it to their watchlists.

There is something confident and restrained about “Relay” that pulls you in, and much of that assurance comes from the film’s lead actors. Ahmed gives a measured, deeply controlled performance as Ash, a man who operates in the shadows with precision and discipline. He excels at disappearing, slipping between identities, and staying one step ahead, yet the story is careful not to mythologize him as untouchable. 

Every pause, glance, and decision carries weight, making Ash feel intelligent and capable. It is one of those roles where presence does most of the work.

Lily James brings a vital counterbalance as Sarah, a woman caught at a moral and emotional crossroads, who is both vulnerable and resilient. The slow-burn connection between her and Ash is shaped by shared isolation and his growing desire to protect her.

The premise is deceptively simple. Ash acts as a middleman for people entangled in corporate crimes, using a relay system to communicate and extract them safely. 

The film’s most inventive choice is its use of the Telecommunications Relay Service — used by people who are deaf and hard of hearing to communicate over the phone — as a central plot device, thoughtfully integrating a vital accessibility tool into the heart of the story. 

As conversations between Ash and Sarah unfold through the relay system, the film builds a unique sense of intimacy and suspense, using its structure to shape tension in a way that feels cleverly crafted.

“Relay” plays like a retro crime thriller, echoing classic spy films in its mood and pacing while grounding itself in contemporary anxieties. 

Beneath the mechanics and thrills of the plot, it is about loneliness, the longing to be seen, and the murky ethics of survival in systems designed to crush individuals. 

If you are a life-long fan of thrillers, “Relay” might still manage to surprise you.