These Pakistani women artists are using social media to #LeadChange

Updated 13 March 2019
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These Pakistani women artists are using social media to #LeadChange

ISLAMABAD: In the past few years, social media, particularly Instagram, has emerged as the social media platform of choice for many contemporary Pakistani women artists who use it to promote their art and create a space for a meaningful exchange of dialogue and ideas about women’s rights and issues. Here are some Pakistani women artists and designers to follow on Instagram for their creativity as much as their activism on and offline.
SHEHZIL MALIK




Shehzil Malik shared a photo after plastering a large scale poster of 1 of the 3 original artworks she created for Aurat March 2019 in Lahore. (Photo courtesy: Shehzil Malik/Instagram)




In collaboration with Nigat Dad of Digital Rights Foundation, Malik created this original piece for a new web portal Dad's organisation was launching to make reporting harassment in the digital sphere easier for women. (Photo courtesy: Shehzil Malik/Instagram)




Inspired by Meesha Shafi's 'Me Too' story and the subsequent harassment Shafi faced, Malik created a portrait of the singer which was later used as the backdrop of Shafi's performance on 'Pepsi Battle of the Bands'. (Photo courtesy: Shehzil Malik/Instagram)




'Women in Public Spaces,' one of Malik's comics she drew in 2015 reflecting her experience as a woman occupying public space in Pakistan. (Photo courtesy: Shehzil Malik/Instagram)


Did you see the Aurat March posters plastered around Lahore? That was the genius of Shehzil Malik. In 2015, Malik drew a viral comic inspired by her experience as a woman in public spaces in Pakistan, which gained her a large following. Her graphic, high-color saturated pieces have since captured the public imagination. Malik has also launched a fashion line with a feminist bent and her drawing of Meesha Shafi was used as stage art atPepsi Battle of the Bands.
SAMYA ARIF




Samya Arif was commissioned to create art work for Pakistani rock Sufi band Junoon for their reunion concert in December of last year. (Photo courtesy: Samya Arif/Instagram)




Arif's second book cover was for Sabyn Javeri's collection of short stories 'Hijabistan,' the chosen cover was Arif's piece titled 'Cosmic Ninja'. (Photo courtesy: Samya Arif/Instagram)




Arif's piece aiming to depict a powerful and hopeful image of the future for women. (Photo courtesy: Samya Arif/Instagram)




Arif's piece aiming to depict a powerful and hopeful image of the future for women. (Photo courtesy: Samya Arif/Instagram)
Cover art for Nadia Akbar's 'Goodbye Freddie Mercury'. (Photo courtesy: Samya Arif/Instagram)

Karachi-based Samya Arif’s list of clients and collaborators reads like a drool-inducing menu of the who’s who of the Pakistani music scene: Junoon, Mooroo and the Mekaal Hasan Band, that small unknown indie band by the name of Coldplay, as well as mega brands like Coke Studio, Al Jazeera and Magnum. Arif, who teaches part time at her alma mater the Indus Valley School of Art & Architecture uses visual art and illustration to make eye catching designs such as the cover arts of novels ‘Hijabistan’ and ‘Goodbye Freddie Mercury,’ and to celebrate womanhood.
MALIHA ABIDI




Cover of Maliha Abidi's book 'Pakistan for Women' a collection of illustrations by Abidi depicting 50 of Pakistan's most iconic women. (Photo courtesy: Maliha Abidi/Instagram) 




Inspired by UN Women's 'end Dowry abuse' campaign, Abidi created this illustration with a bride's jewellery strewn with the word 'dowry'. (Photo courtesy: Maliha Abidi/Instagram)




The late Asma Jehangir is one of the many women Abidi has illustrated and whose story she has included in her book 'Pakistan for Women'. (Photo courtesy: Maliha Abidi/Instagram)




An in process shot of a painting of Madam Noor Jehan, one of Pakistan's most revered singers. (Photo courtesy: Maliha Abidi/Instagram)


Maliha Abidi paints colorful and arresting portraits celebrating Pakistan’s women icons. Based in the UK, Abidi compiled her illustrations, such as those of the late Asma Jehangir, Noor Jehan, Nazia Hassan, Malala Yousafzai and Pakistan’s first female firefighter Shazia Parveen, into a book called ‘Pakistan for Women’ showcasing 50 Pakistanis who have contributed to the fabric of the nation. Abidi has also used her work to highlight women’s issues like dowry abuse, domestic violence and child marriage.
AREEBA SIDDIQUE




An illustration of a girl's wall including a poster of a girl with the words "Girls Just Wanna Have Their Revenge Mostly". (Photo courtesy: Areeba Siddique/Instagram)




A portrait Areeba Siddique made of her mom. (Photo courtesy: Areeba Siddique/Instagram)




Siddique's illustrations are clever commentary on life for some girls in Pakistan with strict parents and a lifestyle mix of both the traditional and contemporary. (Photo courtesy: Areeba Siddique/Instagram)




Siddique illustrates women getting ready for a wedding. (Photo courtesy: Areeba Siddique/Instagram)

Areeba Siddique’s drawings on her Instagram page have the most clever detailing: A cell phone lit up with texts from mom next to fingers applying the words “Follow me on Instagram” in henna on another person; inside the intricate pattern of the mehndi design is this sentence: “no more boys name in our henna. ONLY INSTAGRAM USER NAMES.’ With nearly 67,000 followers, Karachi’s Siddique shares not only her feminist artwork and illustrations depicting the delightfully mundane happenings in the lives of mostly hijab-clad women but also presents glimpses of her own personal style and design process. She most recently collaborated with a homeware line that put her artwork on mugs and dishes.
FATIMA BAIG




A take on 'Rosie the Riveter' Fatima Baig's work focusses on portraying South Asian beauty and strength. (Photo courtesy: Fatima Baig/Instagram)




A common theme in Baig's work is the relationship between women and spirituality showcased with the inclusion of cosmic elements like the moon and stars in her pieces. (Photo courtesy: Fatima Baig/Instagram)




Similar to many of the contemporary artists listed here, Baig is using her talent to share shine on Brown women and their many reiterations. (Photo courtesy: Fatima Baig/Instagram)




A portrait of living legend Sufi-Qawal master, Abida Parveen by Fatima Baig. (Photo courtesy: Fatima Baig/Instagram)


The beauty of the body, of diversity and of spirituality are the main stays in the art created by Fatima Baig. A native of Rawalpindi, she creates power-packed, color-saturated images depicting strong women of diverse backgrounds, ethnicities, skin tones and body sizes. There are recognizable shout outs in her work to regional dress, jewelry, people (including her portrait of Abida Parveen) and a playful approach to incorporating the cosmos and the connection between women and the spirit. 
MAHOOR JAMAL




In a unique take on fashion editorials, Jamal used illustrations atop of fashion photography for this spread. (Photo courtesy: Mahoor Jamal/Instagram)




South Asian women presented in unexpected ways is a common theme in Jamal's work, like this painting with a renaissance vibe but Pakistani aesthetics in the subjects clothing and features. (Photo courtesy: Mahoor Jamal/Instagram)




Dark skin, dark hair, South Asian shapes and sizes are prominent features of Jamal's work, like this illustration she posted on Eid with the caption, 'Eid Mubarak'. (Photo courtesy: Mahoor Jamal/Instagram)




Mixing the elements of fashion photography with her gift of illustration. (Photo courtesy: Mahoor Jamal/Instagram)

Combining the worlds of illustration, design and photography Mahoor Jamal has become a person to watch in both the art and fashion worlds. With a unique approach to artistry Jamal has worked with fashion campaigns and editorials in both photography and text. Her work depicts women both realistic and fantastical, incorporating desi aesthetics like jewelry and clothing with breathtaking control.
HAFSA KHAN




Pop art like that made popular by Andy Warhol has been reimagined with a Pakistani twist by artist Hafsa Khan. (Photo courtesy: Hafsa Khan/Instagram)




Khan contrasts current happenings (like pizza) against classic South Asian ones (like a background of henna motifs) to create graphic pieces that play around with identity. (Photo courtesy: Hafsa Khan/Instagram)




Khan includes lots of jewellery in her pieces as a part of South Asian identity and in particular to show the regality of South Asian women. (Photo courtesy: Hafsa Khan/Instagram)

 




Titled 'Louis Vuitton Khan,' Khan shares on her Instagram projects which are painted or drawn on designer boxes and utilizing popular high end designer prints like this one. (Photo courtesy: Hafsa Khan/Instagram)

US-based Hafsa Khan has grown a strong following across social media for capturing the beauty of South Asian women, drawn in pop art. When talking about her work on her website Khan said, “I want you to notice the regality of the women.” Hands wearing mehndi and decked out in rings and bangles, nose rings and teekas, and traditional dresses skilfully reimagine the classic pop art graphics of yesteryear and merge them with South Asian aesthetics. The images of brown skinned women and their hands contrast against neon pops of colors, bold backgrounds and even at times designer logos leave a lasting impression.


Authorities warn of floods, landslides as monsoon currents likely to penetrate parts of Pakistan

Updated 27 July 2024
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Authorities warn of floods, landslides as monsoon currents likely to penetrate parts of Pakistan

  • This year, Pakistan recorded its ‘wettest April since 1961,’ with 59.3mm rainfall and 144 deaths in thunderstorms, house collapses
  • A top UN official last month warned that an estimated 200,000 people in Pakistan could be affected by the upcoming monsoon season

ISLAMABAD: Pakistan’s National Disaster Management Authority (NDMA) on Saturday warned of flash floods and landslides as monsoon currents were likely to penetrate upper parts of the country over the next five days.
The monsoon currents from Arabian Sea may cause heavy rains from July 27 till July 31. Under the influence of this system, rainfall could trigger landslides, mudslides and cause boulders to fall, potentially disrupting roads, according to the NDMA.
The areas that are likely to be affected include upper parts of the Khyber Pakhtunkhwa province, Galiyat, Murree, Gilgit-Baltistan and Azad Kashmir. The rainfall can trigger hill torrents in Sulaiman and Kirthar mountain ranges as well as in DG Khan and Rajanpur regions.
“Flash floods can strike suddenly, catching people off guard,” the NDMA said in a statement. “Population at risk is advised to avoid flood waters and find a safe location away from flood-prone areas.”
The authority said it had issued instructions to all relevant departments to take necessary precautions to mitigate the possible effects of flooding and extreme weather.
“Even a mere six inches of moving water can knock you off your feet, and just one foot of moving water can sweep away a vehicle,” the NDMA noted in its advisory for the masses.
“Bridges can be hazardous during floods. Avoid crossing them if water is flowing rapidly. Avoid staying in weak structures. In case of intense rain, seek shelter in safe places such as schools, government buildings, or any concrete buildings.”
Pakistan is recognized as one of the most vulnerable countries to climate change effects in the world. This year, the South Asian country recorded its “wettest April since 1961,” with 59.3 millimeters rainfall and at least 144 deaths in thunderstorms and house collapses, mostly in Khyber Pakhtunkhwa, according to the authorities.
Last month, a UN official warned that an estimated 200,000 people in Pakistan could be affected by the upcoming monsoon season, which is expected to bring heavier rains than usual.
The United Nations, with help from local authorities, has prepared a contingency plan, with $40 million set aside to respond to any emergencies, said Mohamed Yahya, the newly appointed Resident Coordinator and Humanitarian Coordinator in Pakistan.
Unusually heavy rains in June 2022 triggered flash floods in many parts of the country, killing over 1,700 people, inflicting losses of around $30 billion, and affecting at least 30 million people.


Pakistani religious party vows to continue sit-in in Rawalpindi despite government’s offer for talks

Updated 27 July 2024
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Pakistani religious party vows to continue sit-in in Rawalpindi despite government’s offer for talks

  • Jamaat-e-Islami supporters have been holding a sit-in at a key intersection in Rawalpindi since Friday
  • The party wants the government to address cost-of-living crisis, remove additional taxes in the budget

ISLAMABAD: Jamat-e-Islami (JI), a Pakistani religio-political party, on Saturday vowed to continue its sit-in in Rawalpindi against the rising cost of living and additional taxes imposed in the latest budget, despite the government forming a negotiation committee for talks with the protesters.
The JI, led by Hafiz Naeem-ur-Rehman, announced the sit-in in Islamabad to call for a reduction in power tariff amid soaring inflation and to review Pakistan’s agreements with independent power producers (IPPs).
The party’s caravans entered the capital from different directions as the district administration closed the capital’s Red Zone, which houses top government offices and the diplomatic enclave, with shipping containers and roads leading to parliament.
“Our dharna will continue as long as the government accepts our demands for a significant reduction in inflation and electricity prices,” Aamir Baloch, a JI spokesperson, told Arab News.
“The party chief Hafiz Naeem-ur-Rehman will be announcing a fresh strategy for the protests, dharna and engagement with the government today afternoon.”
The government has formed a three-member committee, which includes Information Minister Attaullah Tarar and two senior members of the ruling Pakistan Muslim League-Nawaz (PML-N) party, to hold talks with the JI leadership.
“We are ready for negotiations, but don’t disrupt public life,” Tarar said at a news conference on Friday. “The government’s three-member committee will talk to you. Amir Muqam, Tariq Fazal Chaudhry and I will negotiate with you. Whenever you express willingness, we are ready for the negotiations.”
But Baloch said the party would continue its protest and JI chief Rehman would join the sit-in at Zero Point — a major intersection in the city where various key roads and highways connect with each other — on Saturday.
He said thousands of JI workers had already reached the area, despite the government’s “brutalities.”
“The police have arrested dozens of our peaceful workers from D-Chowk,” he said, referring to a key spot close to the parliament building in Islamabad.
“The government wants to incite the peaceful protesters through such strong-arm tactics. It will be responsible for any law-and-order situation, if our workers are not released immediately.”
Police in the capital have deployed additional contingents, including personnel with riot gears, to prevent any untoward incident.
The Rawalpindi-Islamabad Expressway has also been closed with shipping containers near the Zero Point bridge, where the JI protesters have gathered.
Baloch said the party leadership would announce their future course of action after reaching Zero Point.
“One thing is for sure,” he said. “We are here to stay and will definitely stage a sit-in to press the government to meet our legitimate demands regarding inflation and taxes.”


Protesters in northwest Pakistan end weeklong sit-in after CM assures no military operation being launched

Updated 27 July 2024
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Protesters in northwest Pakistan end weeklong sit-in after CM assures no military operation being launched

  • Pakistan’s government last month announced a new campaign to counter a fresh surge in militancy in areas along the border with Afghanistan
  • The announcement raised fears among locals as past operations displaced hundreds of thousands of people and destroyed livelihoods in region

PESHAWAR: Thousands of protesters, who had been staging a sit-in in Pakistan’s Bannu district for a week, on Friday called off their protest after Chief Minister Ali Amin Gandapur assured them that no military operation was being launched in the northwestern Khyber Pakhtunkhwa (KP) province.
Pakistan’s government last month announced a new campaign to counter a fresh surge in militancy in areas along the border with Afghanistan. Major opposition parties opposed the operation and in Bannu — where eight soldiers were killed in a suicide bombing last week — thousands held rallies to call for peace and security.
One of the key demands of the protesters in Bannu was for the government to not launch any new military operation in the province. They demanded that a spike in militant attacks in the region be tackled by empowering and better equipping civilian agencies like the police and the counter-terrorism department (CTD).
On Friday, CM Gandapur traveled to Bannu where he spoke to the protesters and announced at a rally that all their demands had been accepted in letter and spirit, lauding local elders for helping avert violence when two protesters were killed after gunfire triggered a stampede at the rally on June 19.
“I have a signed copy [of the demands]. It has been done the way you [protesters] wanted,” he told the gathering. “I’m the owner of this soil and land, no one can oppress me or coerce me. As chief minister, I declare that there will be no operation in the province.”
The announcement came a day after the provincial apex committee, which comprises civilian leaders and military commanders in the province, met to discuss the situation in Bannu. The KP government later clarified that police and the CTD would be tasked to take action against militants amid a surge in violence in the area.
The resentment for military operation stems from past displacement of hundreds of thousands of people and destruction of countless homes and businesses in successive military campaigns in KP that began in 2014. But Pakistani military spokesman Lt Gen Ahmed Sharif Chaudhry dispelled the fears this week, saying the newly proposed Azm-e-Istehkam campaign was not meant to be a full-scale military operation.
“We have offered sacrifices for our homeland and stood loyal to the country and its people. We left our homes and became nomads for our land and for the sake of peace,” Gandapur said. “We will offer sacrifices again but we will make the decisions ourselves and will not allow anyone to impose their decisions.”
The chief minister appreciated police for taking swift action against illegal armed groups in Bannu.
Provincial Minister for Public Health Engineering Pakhtunyar Khan, who hails from Bannu, said the people of the region had experienced “unspeakable hardships” for the sake of peace.
“We want peace for the entire province and we will not back down from this demand,” Khan said at the rally.
On Thursday, the apex committee said the judiciary would be requested to hold an inquiry into the Bannu shooting incident, a demand that had been put forward by protesters and Pakistan’s opposition alliance.
“Meanwhile, the government will hold its own inquiry and identify the persons responsible,” it said in a statement.


Pakistan plans to launch panda bonds, seeks cooperation of Chinese capital market investors

Updated 27 July 2024
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Pakistan plans to launch panda bonds, seeks cooperation of Chinese capital market investors

  • The bonds are denominated in China’s currency and will provide Pakistan access to Chinese capital markets
  • The finance minister also discusses the next CPEC stage, expected to emphasize business-to-business ties

ISLAMABAD: Federal Minister for Finance and Revenue Muhammad Aurangzeb briefed Governor of People’s Bank of China (PBoC) Pan Gongsheng on Pakistan’s plan to launch panda bonds during a meeting in Beijing on Friday in which they discussed a wide range of economic issues.
Panda bonds are sold in China’s domestic market and are denominated in its currency, though they are issued by non-Chinese entities. Pakistan plans to issue these bonds to diversify its funding sources and strengthen its foreign exchange reserves by attracting Chinese investors.
According to local media reports, the initial issuance is expected to raise between $250 million and $300 million, helping Pakistan improve its financial stability amid economic challenges like high inflation and declining forex reserves.
The minister spoke about the government’s economic policy during the meeting in which reprentatives of other financial institutions were also present.
“Underlining Pakistan’s plan to launch panda bonds, Minister for Finance briefed PBoC and other Financial Institutions about the steps taken so far and sought cooperation of the Chinese institutional investors in the capital market to seek benefit from the pro-business policies of the new [Pakistani] Government,” said a statement issued by the finance division after the meeting.
The Pakistani official also highlighted his country’s improving macroeconomic indicators, reforms in tax collection and energy sector and privatization of loss-making state-owned enterprises.
He applauded Chinese President Xi Jinping’s Belt and Road Initiative while reviewing the progress of its flagship China-Pakistan Economic Corridor (CPEC) project.
The minister noted the next phase of CPEC would focus on strengthening business-to-business cooperation, with private sector playing the central role in the development and economic growth.
He arrived in China on Thursday to open talks on power sector structural reforms suggested by the International Monetary Fund, two government sources quoted by Reuters.
Aurangzeb is also accompanied by Pakistan’s Power Minster Awais Ahmed Khan Leghari.
According to Reuters, both officials are expected to take up several proposals with the Chinese side, including reprofiling of nearly $15 billion energy sector debt.


Pakistani craftsman strives to preserve antiques in a dying industry

Updated 27 July 2024
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Pakistani craftsman strives to preserve antiques in a dying industry

  • Based in Rawalpindi’s Bhabra Bazaar, Mohammad Shakeel Abbasi has restored centuries-old bugles, decorative dishes, jars, vases and teapots 
  • Artefacts at Abbasi’s shop sell for anywhere between $40 to $1,000, many collectors place orders after coming across antiques online

RAWALPINDI: Antiquarian Mohammad Shakeel Abbasi pulled open the shutter of his shop in the Pakistani city of Rawalpindi to reveal a small space choke-full of bugles, decorative dishes, jars, vases, teapots, bowls and plates inscribed with ancient motifs.
Located in the historic Bhabra Bazaar, Abbasi’s shop, lit up by a few naked light bulbs, is among a dwindling number of antique restoration workshops in the garrison city. The 71-year-old inherited the craft from his forefathers and set up the shop nearly 40 years ago in 1985, now employing three workers who help him repair, polish and electroplate copper and brass relics to be sold to customers in Pakistan and abroad.
“Since then [1985] I’ve been in this business,” Abbasi told Arab News at his shop earlier this month as he dusted an antique bugle. “We purchase antique items and repair them and polish them and then sell them to our dedicated customers.” 
Buyers reach out to him from as far as the UK and US, he added. 
Abbasi mainly sources copper and brass items from households and scrap dealers, who scour heaps of imported items that first land at the port in Pakistan’s commercial hub of Karachi. 
“The traders who buy them, they contact us,” the craftsman said. “They are broken items, and we have to repair them and polish and recondition them to the extent that you cannot even tell that this was an old item.”
Antiques at Abbasi’s shop can sell for anywhere between $40 to $1,000, but the art of antique preservation and restoration is now at risk of being lost as the new generation is opting out of the profession. 
“The problem is that the craftsmen who used to work [on antiques] are no longer available. Not a lot of attention is given to this craft, The government has also not prioritized training craftsmen,” Abbasi lamented. 
“Antiquarians quit the business due to lack of business, and some passed away and the new generation isn’t interested in this line of work.”
Customers and collectors who frequent Abbasi’s shop often place orders after coming across antique items on the Internet.
“I have liked an antiques page [on social media]. I searched for an item on the Internet and told him [Abbasi] about it and he arranged it for me,” Dr. Ahmad Ali, an antique collector, told Arab News. “It was the same thing that I had ordered.”
Shamas Rehman, who has been a collector for over two decades, praised Abbasi’s fine craftsmanship. 
“My forefathers were collecting antiques, it was their hobby, and now I have been collecting them since 2003,” he said, “and from wherever we can get the antiques, we buy them, collect them and place them in our homes, and this goes on.”