AIX-EN-PROVENCE, France: Two former French air force pilots went on trial in France on Monday six years after they fled the Dominican Republic following a spectacular drugs bust on a private jet in the Caribbean nation.
In what has become known as the “Air Cocaine” case, Pascal Fauret and Bruno Odos are accused along with seven other defendants of trying to smuggle 680 kilogrammes (1,500 pounds) of the drug out of the country.
Dominican police found the narcotics packed into 26 suitcases onboard a Falcon 50 jet as it prepared to fly from the Dominican beach resort of Punta Cana to Saint-Tropez in the south of France in March 2013.
While out on bail, the two men managed to flee the Dominican Republic to French territory in the Caribbean in mysterious circumstances, but were re-arrested upon their return to the French mainland in November 2015.
They, along with two passengers, were found guilty in absentia and sentenced to 20 years in jail for drug-trafficking in the Dominican Republic in 2015.
All of them deny they knew that the cocaine was on board the flight.
The French court will hear scores of witnesses and experts over seven weeks and the defendants face up to 30 years in prison.
Only one suspect, Ali Bouchareb, is in detention in the case while the other eight were granted bail pending the trial.
’Air Cocaine’ smuggling trial starts in France
’Air Cocaine’ smuggling trial starts in France
- Only one suspect, Ali Bouchareb, is in detention in the case while the other eight were granted bail pending the trial
AI reshaping the battle over the narrative of Maduro’s US capture
- Since the US captured Venezuelan leader Nicolas Maduro in early January, pictures and videos chronicling the events have been crowded out by those generated with artificial intelligence
CARACAS: Since the US captured Venezuelan leader Nicolas Maduro in early January, pictures and videos chronicling the events have been crowded out by those generated with artificial intelligence, blurring the lines between fiction and reality.
The endless stream of content ranges from comedic memes to dramatic retellings.
In one, a courtroom illustration of Maduro in a New York courthouse springs to life and announces: “I consider myself a prisoner of war.”
In another, an AI-generated Maduro attempts to escape a US prison through an air duct, only to find himself in a courtroom with US President Donald Trump, where they dance with a judge and an FBI agent to a song by American rapper Ice Spice.
Maduro was captured alongside his wife Cilia Flores during US strikes in the Venezuelan capital of Caracas on January 3.
They have since been taken to a prison in New York where they are being held on drug trafficking charges.
While some have celebrated Maduro’s ouster, the “Chavismo” movement he leads — named after his predecessor Hugo Chavez — has worked to reframe what his fall means for Venezuela’s future.
- ‘ Confuse, combat, and silence’ -
Leon Hernandez, a researcher at Andres Bello Catholic University, told AFP that with AI’s rapid creation of content, we see development of “disinformation labs” that flood social media platforms.
“There were things that circulated that were not real during the capture (of Maduro), and things that circulated which were real that generated doubt,” Hernandez said.
“That was the idea: to create confusion and generate skepticism at the base level by distorting certain elements of real things.”
The goal, he added, is for the content to overwhelm audiences so they cannot follow it.
Even legacy media such as the Venezuelan VTV television channel are in on it, with the broadcaster playing an AI-animated video narrated by a child recounting Maduro’s capture.
“AI has become the new instrument of power for autocrats to confuse, combat, and silence dissent,” said Elena Block, a professor of political communication and strategy at the University of Queensland in Australia.
- ‘Greatest threat to democracy’ -
Block pointed out the use of cartoons, specifically, had been a medium of propaganda used in both authoritarian and democratic states.
Long before his arrest, Maduro was depicted as the illustrated superhero “Super Bigote” or “Super Mustache,” donning a Superman-like suit and fighting monsters like “extremists” and the “North American empire.”
The cartoon’s popularity spawned toys that have been carried by Maduro’s supporters during rallies advocating for his return.
And much like his predecessor, Maduro continued a practice of “media domination” to stave off traditional media outlets from airing criticism of Chavismo.
“With censorship and the disappearance or weakening of news media, social media has emerged as one of the only spaces for information,” Block said.
Maduro is not the only leader to use AI propaganda — Trump has frequently posted AI-generated pictures and videos of himself with “antagonistic, aggressive, and divisive language.”
“These digital and AI tools end up trivializing politics: you don’t explain it, you diminish it,” Block said. “AI today is the greatest threat to democracy.”
The endless stream of content ranges from comedic memes to dramatic retellings.
In one, a courtroom illustration of Maduro in a New York courthouse springs to life and announces: “I consider myself a prisoner of war.”
In another, an AI-generated Maduro attempts to escape a US prison through an air duct, only to find himself in a courtroom with US President Donald Trump, where they dance with a judge and an FBI agent to a song by American rapper Ice Spice.
Maduro was captured alongside his wife Cilia Flores during US strikes in the Venezuelan capital of Caracas on January 3.
They have since been taken to a prison in New York where they are being held on drug trafficking charges.
While some have celebrated Maduro’s ouster, the “Chavismo” movement he leads — named after his predecessor Hugo Chavez — has worked to reframe what his fall means for Venezuela’s future.
- ‘ Confuse, combat, and silence’ -
Leon Hernandez, a researcher at Andres Bello Catholic University, told AFP that with AI’s rapid creation of content, we see development of “disinformation labs” that flood social media platforms.
“There were things that circulated that were not real during the capture (of Maduro), and things that circulated which were real that generated doubt,” Hernandez said.
“That was the idea: to create confusion and generate skepticism at the base level by distorting certain elements of real things.”
The goal, he added, is for the content to overwhelm audiences so they cannot follow it.
Even legacy media such as the Venezuelan VTV television channel are in on it, with the broadcaster playing an AI-animated video narrated by a child recounting Maduro’s capture.
“AI has become the new instrument of power for autocrats to confuse, combat, and silence dissent,” said Elena Block, a professor of political communication and strategy at the University of Queensland in Australia.
- ‘Greatest threat to democracy’ -
Block pointed out the use of cartoons, specifically, had been a medium of propaganda used in both authoritarian and democratic states.
Long before his arrest, Maduro was depicted as the illustrated superhero “Super Bigote” or “Super Mustache,” donning a Superman-like suit and fighting monsters like “extremists” and the “North American empire.”
The cartoon’s popularity spawned toys that have been carried by Maduro’s supporters during rallies advocating for his return.
And much like his predecessor, Maduro continued a practice of “media domination” to stave off traditional media outlets from airing criticism of Chavismo.
“With censorship and the disappearance or weakening of news media, social media has emerged as one of the only spaces for information,” Block said.
Maduro is not the only leader to use AI propaganda — Trump has frequently posted AI-generated pictures and videos of himself with “antagonistic, aggressive, and divisive language.”
“These digital and AI tools end up trivializing politics: you don’t explain it, you diminish it,” Block said. “AI today is the greatest threat to democracy.”
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