Egypt unveils Pharaonic tomb, home to 50 mummies

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An archaeologist brushes a newly-discovered mummy laid inside a sarcophagus, part of a collection found in burial chambers dating to the Ptolemaic era (305-30 BC) at the necropolis of Tuna El-Gebel in Egypt’s southern Minya province, about 340km south of Cairo. (AFP)
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Mummies wrapped in linen found in burial chambers dating to the Ptolemaic era at the necropolis of Tuna El-Gebel in Egypt’s southern Minya province. (AFP)
Updated 03 February 2019
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Egypt unveils Pharaonic tomb, home to 50 mummies

  • The mummies, 12 of which were of children, were discovered inside four, nine-meter deep burial chambers in the Tuna El-Gebel archaeological site and are in good condition

MINYA, Egypt: Egyptian archaeologists uncovered a Pharaonic tomb containing 50 mummies dating back to the Ptolemaic era (305-30 BC), in Minya, south of Cairo, the ministry of antiquities said on Saturday.
The mummies, 12 of which were of children, were discovered inside four, nine-meter deep burial chambers in the Tuna El-Gebel archaeological site.
The identities of the mummies were still unknown, said Mostafa Waziri, secretary-general of the Supreme Council of Antiquities.




Egypt’s Antiquities Minister said that a joint mission from the ministry and Minya University’s Archaeological Studies Research Center found upon a collection of Ptolemaic burial chambers engraved in rock and filled with a large number of mummies of different sizes and genders. (Reuters)

“We have not found names written in hieroglyphics,” he said, adding it was obvious from the mummification method that the individuals whose remains were found had to some extent held important or prestigious positions.
Egypt’s Antiquities Minister said on February 2 that a joint mission from the ministry and Minya University’s Archaeological Studies Research Center found upon a collection of Ptolemaic burial chambers engraved in rock and filled with a large number of mummies of different sizes and genders. The minister added that the newly discovered tombs may be a familial grave for a family from the elite middle class.
Visitors, including ambassadors from several countries, gathered at the discovery site where 40 of the mummies were exhibited during the announcement ceremony.
Some of the mummies were found wrapped in linen while others were placed in stone coffins or wooden sarcophagi.




A partially-uncovered skull of a newly-discovered mummy wrapped in linen found in a burial chamber dating to the Ptolemaic era (305-30 BC) at the necropolis of Tuna El-Gebel in Egypt’s southern Minya province, about 340km south of Cairo. (AFP)

The mummies are in good condition and some were decorated with “demotic handwriting” — a form of ancient Egyptian script used by ordinary people. Pottery, papyri and colorful mummy cases were also unearthed.
The archaeological finding was the first of 2019 and was unearthed through a joint mission with the Research Center for Archaeological Studies of Minya University.
Egypt has made a series of archaeological finds recently, and it has been heavily promoting them to revive its tourism industry, a staple of its economy that was decimated by the chaos that followed its 2011 uprising.


Review: ‘Sorry, Baby’ by Eva Victor

Eva Victor appears in Sorry, Baby by Eva Victor, an official selection of the 2025 Sundance Film Festival. (Supplied)
Updated 27 December 2025
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Review: ‘Sorry, Baby’ by Eva Victor

  • Victor makes a deliberate narrative choice; we never witness the violence of what happens to her character

There is a bravery in “Sorry, Baby” that comes not from what the film shows, but from what it withholds. 

Written, directed by, and starring Eva Victor, it is one of the most talked-about indie films of the year, winning the Waldo Salt Screenwriting Award at Sundance and gathering momentum with nominations, including nods at the Golden Globes and Gotham Awards. 

The film is both incisive and tender in its exploration of trauma, friendship, and the long, winding road toward healing. It follows Agnes, a young professor of literature trying to pick up the pieces after a disturbing incident in grad school. 

Victor makes a deliberate narrative choice; we never witness the violence of what happens to her character. The story centers on Agnes’ perspective in her own words, even as she struggles to name it at various points in the film. 

There is a generosity to Victor’s storytelling and a refusal to reduce the narrative to trauma alone. Instead we witness the breadth of human experience, from heartbreak and loneliness to joy and the sustaining power of friendship. These themes are supported by dialogue and camerawork that incorporates silences and stillness as much as the power of words and movement. 

The film captures the messy, beautiful ways people care for one another. Supporting performances — particularly by “Mickey 17” actor Naomi Ackie who plays the best friend Lydia — and encounters with strangers and a kitten, reinforce the story’s celebration of solidarity and community. 

“Sorry, Baby” reminds us that human resilience is rarely entirely solitary; it is nurtured through acts of care, intimacy and tenderness.

A pivotal scene between Agnes and her friend’s newborn inspires the film’s title. A single, reassuring line gently speaks a pure and simple truth: “I know you’re scared … but you’re OK.” 

It is a reminder that in the end, no matter how dark life gets, it goes on, and so does the human capacity to love.