What We Are Reading Today: The Promise and Peril of Credit by Francesca Trivellato
Updated 26 January 2019
The Promise and Peril of Credit takes an incisive look at pivotal episodes in the West’s centuries-long struggle to define the place of private finance in the social and political order.
It does so through the lens of a persistent legend about Jews and money that reflected the anxieties surrounding the rise of impersonal credit markets.
By the close of the Middle Ages, new and sophisticated credit instruments made it easier for European merchants to move funds across the globe.
Bills of exchange were by far the most arcane of these financial innovations. Intangible and written in a cryptic language, they fueled world trade but also lured naive investors into risky businesses.
Francesca Trivellato recounts how the invention of these abstruse credit contracts was falsely attributed to Jews, and how this story gave voice to deep-seated fears about the unseen perils of the new paper economy, says a review on the Princeton University Press website.
Contemporary Emirati artist Ebtisam Abdulaziz mixes maths with art
Contemporary Emirati artist Ebtisam Abdulaziz is set to unveil her latest mathematics-inspired piece for the UAE’s Al-Burda Endowment exhibition
The Al-Burda Endowment exhibition will showcase the work of 10 selected artists awarded the grant in 2018
Updated 17 November 2019
DUBAI: Contemporary Emirati artist Ebtisam Abdulaziz is set to unveil her latest mathematics-inspired piece for the UAE’s Al-Burda Endowment exhibition — organized by the UAE Ministry of Culture and Knowledge Development — on Nov. 21.
Abdulaziz, who often explores issues of identity and culture through her work, spoke to Arab News about her latest project and her path toward becoming an artist.
“Unfortunately, when I finished high school, I couldn’t get the chance to study art since there were no art colleges in the UAE. I decided to get a degree in mathematics because it is an interesting subject to me, as I believe art and maths are connected with each other,” the artist, whose work was exhibited as part of the UAE Pavilion at the 53rd Venice Biennale, said.
In 1999, she kicked off a career in the arts and hasn’t looked back since. The artist works in a variety of mediums, including installations, performance pieces and works on paper, all of which explore “human nature, culture, religion… and the workings of the human brain,” according to the artist.
“There is a connection between art and maths,” she added, explaining the link between her two passions. “I merged the two parts of my brain to get ideas and (build on this) mixture between art and maths.”
The Al-Burda Endowment exhibition will showcase the work of 10 selected artists awarded the grant in 2018 and Abdulaziz is particularly excited about her new piece.
“My piece for Al-Burda is a dream come true. I had this idea of making a huge installation work that involves maths, geometry and Islamic patterns. The idea… started from just a sketch… to a big acrylic painting on canvas and now it has become a 3-D work.”
The optical illusion-style work is almost trippy to look at due to its accordion-style surface and multitude of bright, block-printed colors and that boldness is also visible in her advice to budding Emirati artists.
“My advice to them is to go for it, think big, go crazy with your art. It is who you are, it is your way to express yourself,” she said.