From New Orleans to Tehran: Life of detained Iran newscaster Marzieh Hashemi

As a newscaster for Press TV, Marzieh Hashemi has been conducting interviews and reading the news as written by government loyalists in Iran. (AP)
Updated 17 January 2019
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From New Orleans to Tehran: Life of detained Iran newscaster Marzieh Hashemi

  • Hashemi studied journalism at Louisiana State University in Baton Rouge
  • Hashemi ended up in Iran working at Iran’s state broadcaster

WASHINGTON: She is largely unknown in the US. But the American anchorwoman for Iran’s state-run broadcaster, detained last weekend by US authorities, is a familiar face on its English-language channel.
As a newscaster for Press TV, Marzieh Hashemi has been conducting interviews and reading the news as written by government loyalists in Iran. It’s a long way from New Orleans, where she was born Melanie Franklin in 1959 to a Christian family.
In college in Louisiana, encounters with Iranian students in the wake of Iran’s 1979 Islamic Revolution saw her convert to Islam. A marriage brought her to Iran, where she learned fluent Farsi and began working for the country’s state broadcaster 25 years ago.
Her journalism and her public comments mirror her host country’s official ideology.
“When I got familiar with Islamic Revolution in Iran, and I saw it was a political and religious revolution, I was attracted to this,” Hashemi once told an interviewer in Farsi. “I saw this as a political movement to the revolution.”
Now, after her apparent arrest by the FBI, her family is questioning why the 59-year-old grandmother was imprisoned by the US Her detention comes at a time of escalating US-Iran tensions, including President Donald Trump’s maximalist approach to Iran after pulling America out of its nuclear deal.
Hashemi was detained Sunday in St. Louis, where she had filmed a Black Lives Matter documentary after visiting relatives in the New Orleans area. She was then taken to Washington by the FBI on a material witness warrant, according to her elder son, Hossein Hashemi.
The FBI said in an email that it had no comment.
Federal law allows judges to order witnesses to be arrested and detained if the government can prove their testimony has extraordinary value for a criminal case and that they would be a flight risk and unlikely to respond to a subpoena. The statute generally requires those witnesses to be promptly released once they are deposed.
Hashemi studied journalism at Louisiana State University in Baton Rouge. A yearbook photo shows her smiling with other colleagues at WPRG, now KLSU, the student-run radio station.
“When we were in school together, that was during the Iran hostage crisis. LSU had a sizeable number of Iranian students who were going to school there,” said radio newsman Jim Engster of Baton Rouge, who was also in the photograph.
“The time we were in school was less than 25 years from LSU being an all-white school. So Melanie was a trailblazer too as a black female journalist. There were a few others but not many.”
Hashemi said that’s where she learned about Iran’s revolution, which saw Shah Mohammad Reza Pahlavi replaced by an Islamic Republic led by Ayatollah Ruhollah Khomeini, a Shiite cleric who had final say on state matters as the country’s supreme leader.
“I started to ask them about the revolution, because there were many demonstrations by pro-Khomeini demonstrators and also against the revolution in that university,” she later recounted. “I wanted to know that what they are doing and find out who is the Ayatollah Khomeini, and it was very interesting for me as an activist.”
Hashemi ended up in Iran working at Iran’s state broadcaster, the Islamic Republic of Iran Broadcasting, or IRIB.
There are no private television or radio stations in Iran. Satellite dishes, while widespread, also are illegal. That leaves IRIB with a monopoly on domestic airwaves.
Since the revolution, IRIB has been in the hands of hard-liners who back Iran’s government. Their broadcasts mirror those of other state-run channels across the Mideast, with direct criticism of leaders incredibly rare.
Press TV, launched in June 2007, is IRIB’s English-language service. While airing in Iran, it focuses predominantly on international affairs through the lens of how leaders in the Islamic Republic see the world. The hashtag “FreePalestine” accompanies stories on the conflict between Israelis and Palestinians. Fierce criticism of British and American foreign policy is common.
Its broadcasts have drawn Western criticism.
In 2012, the Anti-Defamation League described the channel as “one of the world’s leading dispensers of conspiratorial anti-Semitism in English.”
The channel was pulled from the air in Britain in 2011 after a complaint by Maziar Bahari, a Canadian-Iranian journalist for Newsweek who was imprisoned by Iran after the 2009 disputed re-election of hard-line President Mahmoud Ahmadinejad became the Green Movement protests. Bahari said the channel aired an interview that had been scripted by his captors, who threatened to execute him unless he cooperated.
For her part, Hashemi both helmed newscasts critical of the West and offered her own criticisms as well.
In 2009, she said she believed Western media exaggerated popular support in Iran for Mir Hossein Mousavi, a reformist who was later put under house arrest, where he has languished for years after challenging Ahmadinejad in 2009 and leading the Green Movement protests.
“What is shown many times in the West, for example, when people saw that there was a very large demonstration supporting Mr. Mousavi, people got the feeling that the country was falling apart and that the majority of Iranians actually supported Mr. Mousavi,” Hashemi told NPR. “No, the majority of them did not, and the other side of the spectrum has not been shown as much, I believe.”
It remains unclear why Hashemi was arrested. However, it isn’t the first time she’s been questioned by US authorities, her son said.
For the past decade, “she has been harassed on a regular basis when she goes to airports,” he said. “Whenever she boards a plane, prior to it she will have interviews or interrogation, if we might call it that— things that are not very typical is what she’s had to deal with for some time.”


Gems of Arabia magazine launched to spotlight talents shaping Saudi Arabia’s evolving cultural landscape

Updated 15 January 2026
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Gems of Arabia magazine launched to spotlight talents shaping Saudi Arabia’s evolving cultural landscape

  • The publication features established and emerging talents elevating the region across design, fashion, art, tech, music, architecture and media
  • Saudi fashion designer Hatem Alakeel seeks to highlight the richness of the Kingdom, and wider modern Arab culture to global audiences

DUBAI: When Saudi fashion designer Hatem Alakeel interviewed Princess Reema bint Bandar Al-Saud before her appointment as Saudi ambassador to the US, the longtime advocate of women’s empowerment made a powerful prediction: “I look forward to the day that the Saudi woman is no longer the story but rather a phenomenal achievement.”

That moment would become the foundation for Gems of Arabia, an arts and culture audio-visual podcast that spotlights the creative talents shaping the landscape of Saudi Arabia and the broader region.

Over six years, Gems of Arabia has documented the sweeping transformation of the Kingdom’s art and culture scene, and is now evolving into a full-fledged magazine.

Hatem Alakeel is a Saudi fashion designer. (Supplied)

“It started off as a column I used to write, and from there, it turned into a podcast. Now it is growing into a magazine,” Dubai-based Alakeel, the magazine’s founder and editor-in-chief, told Arab News ahead of the launch of the digital publication on Thursday.

Besides spotlighting celebrated regional artists, Alakeel said Gems of Arabia is in search of the “hidden gems” elevating the region across design, fashion, art, tech, music, architecture and media.

The magazine serves as a platform for talented, authentic creatives and tech entrepreneurs unable to articulate their work “because they don’t have the public relations or capacity to promote themselves even through social media.”

Alakeel added: “Our job is to identify all these authentic people; you don’t have to be famous, you just have to be authentic, and have a great story to tell.”

The digital publication offers a dynamic blend of short-form podcasts, coverage of regional cultural events, in-depth features and editorials, long-form interviews and artist profiles — spotlighting both celebrated and emerging talents. This is complemented by social media vox pops and bite-sized coverage of art events across the region.

Alakeel, who also runs Authenticite, a consulting and creative production agency connecting creators and brands who want to understand Saudi culture, said the magazine content is “carefully curated” to feature topics and personalities that resonate in the region.

What differentiates Gems of Arabia, he said, is its story of continuity and substance amassed over the years that has captured the evolution of the wider regional landscape.

“The website represents an archive of nearly 150 articles compiled through years of podcasts and long-form conversations that show continuity and depth changes,” he said.

“So, it’s an evolution and it’s another home for all our content and our community.”

Growing up in France, Alakeel said his mission started early on when he felt the need to represent his Saudi culture “in a way where it can hold its own internationally.”

Through his first brand, Toby, he sought to bring the traditional thobe into modern designs and introduce it to the luxury fashion world. This mission was accomplished when his thobe designs were placed alongside global labels such as Harvey Nichols, Dolce & Gabbana and Prada.

What began as a personal design mission would soon expand into a broader platform to champion Saudi talent. 

“I was articulating my culture through fashion and it just felt natural to do that through the incredible people that the region has,” Alakeel said, adding that the magazine aims to highlight the richness of the Kingdom, and wider modern Arab culture to global audiences.

“Art is such a great way of learning about a culture and a country,” he said. 

On the ground in Saudi Arabia, the publication hosts GEMS Forum, a series of live cultural gatherings that bring together prominent artistic figures for in-depth conversations later transformed into podcast episodes recorded with a live audience.

Alakeel said the print edition of Gems of Arabia will debut in March, designed as a collectible coffee-table quarterly distributed across the Gulf.

He envisions the platform growing into a long-term cultural record.

“It's a Saudi-centric magazine, but the idea is to make it inclusive to the region and everyone authentic has a seat at the table,” said Alakeel.