‘White Sauce, Hot Sauce’ celebrates New York’s halal street vendors

A still from the film "White Sauce, Hot Sauce." (Supplied)
Updated 24 December 2018
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‘White Sauce, Hot Sauce’ celebrates New York’s halal street vendors

  • A new short documentary in Arabic, co-directed by Egyptian New Yorker Salah Anwar, serves up two of their stories and allows people to go deeper into the lives of those serving these curbside plates
  • The New York Times estimated that there are 10,000 halal food carts in the city, mostly run by immigrants, many of whom come from Egypt

NEW YORK: If you’re on the streets of New York City, you’ll probably notice the long lines in front of small outdoor food carts. If the aroma doesn’t catch your attention, the blasting of bombastic Arabic music might. The New York Times estimated that there are 10,000 halal food carts in the city, mostly run by immigrants, many of whom come from Egypt. A new short documentary in Arabic, co-directed by Egyptian New Yorker Salah Anwar, serves up two of their stories and allows people to go deeper into the lives of those serving these curbside plates.




Salah Anwar. (Owise Abuzaid)

The title refers to the phrase vendors shout when someone places an order: “White sauce, hot sauce?” Many of these vendors don’t speak much English and rushed New Yorkers don’t really have time to chat anyway. The secret sauces are just as much a staple as the meats themselves, offering flavorful puddles in which to mix with the fluffy rice and tender meat. The plates themselves are conveniently divided into compartments, reminiscent of the frozen dinner plates made popular in the 1950s in the US. People eat their food in covered boxes with disposable forks while standing up, or at their offices. It even carries well on train rides home.

The halal street carts are now seen as quintessentially “New York.” But halal is also, of course, a religious term referring to the way the meat is prepared. The food carts are 100 percent Muslim-run. because the word “halal” refers to the way in which the meat is prepared, a religious practice.

New York City has a strong street-vendor culture. The Food Vendor Project says that there are around 20,000 street vendors in the city — meaning, according to the NYT figures above, that about half of them run halal food carts, offering quick and economic options for busy residents and tourists alike. These vendors stand or sit for long hours in tiny cubicles on the sidewalks, in the rain, snow or summer heat. For just a few dollars, you can be well fed for a fraction of the cost of an eat-in restaurant.

The halal food vendor in NYC is one of the longest-running success stories of Muslim Egyptian immigrants who came to the city to feed both New Yorkers and their American Dream. This short film is in Arabic, with English subtitles, allowing the men who pull these carts to speak about their experience in their own words, perhaps for the first time.

The filmmakers visit one of the vendors at his home, to meet his wife and young children and hear how America changed his life for the better. The second vendor talks fondly about the hustle of the city and how he feeds all kinds of people and never judges any of them. These stories show Muslims who keep their heads down and try to feed more than stomachs. But, the film asks at the end, why are some Americans — particularly President Trump and his ardent supporters — judging them?


The film, Anwar told Arab News, “depicts an immigrant narrative full of heartbreak and hardship in a country that welcomes only bits and pieces of their traditions while leaving others stuck in a game of political tug-of-war.”

“There’s something about that authentic voice, having them speak in their first language,” Anwar said.

Both Anwar and co-director Mark Ibragimov said that it was essential to tell the vendors’ stories in their native tongue:




Mark Ibragimov. (Angel Chevrestt)

“I tried approaching them in English and knew right away it wouldn’t work that way,” said Ibragimov. “The purpose of the film is to bring it to people who might be seeing these vendors every day, but never really know them in ‘a day in the life’ kind of way. To be able to do it in the viewpoints of two different men in the same position, but living two different lifestyles, shows that not every single person that is working on the carts lives the same type of lifestyle. You have somebody who made somthing for himself, and you have somebody who has nobody here and is just seeing this as something to pay the bills.”

This film, like that six-dollar plate of halal meat over rice with “white sauce, hot sauce” feeds minds and the American Dream.


REVIEW: ‘Returnal’ — a thoughtful and challenging sci-fi adventure

Updated 23 April 2024
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REVIEW: ‘Returnal’ — a thoughtful and challenging sci-fi adventure

LONDON: Right from the start, before you even take control of Selene Vassos, a reconnaissance scout who has crash landed on a prohibited and mysterious planet, you are warned that “Returnal” (available originally for PS5 but now PC too) is “intended to be a challenging experience.” Such difficulty may deter the casual gamer used to a steady progression of character and exploration through a games environment. However, “Returnal” is a thoughtful and rewarding adventure that lays claim to much originality of thought in its set up. The key theme is that when you die, you return! But not to the same environment that you were in before. Instead, each new cycle postures new challenges and progress can only be made by unlocking upgrades that allow you to make more meta progress in Selene’s journey.

Selene herself is a super professional, unfazed character who doesn’t appear too bothered when she comes across a body of her former self that died in this strange world where the laws of physics and time appear not to apply. Staying alive is obviously crucial, particularly as it allows her to retain better weapons for longer. In addition, avoiding damage allows for boosts of agility, vision and more, making for a more lethal Selene. The environment is varied and surprising with each incarnation and the weapons on offer come complete with a range of exciting alternative fire mechanisms such as homing missiles or laser-like items. A hostile environment where even plants are a threat to life is mitigated by your technology, the core of which you can improve despite the reset of deaths, through fancy smart “xeno-tech” that becomes integrated with alien kit left around.

There is a paradox in “Returnal” described by Selene herself that she is trapped in an environment that is “always the same, always changing,” which literally makes no sense. Players have to be patient in the early chapters getting used to the sapping dynamic of death and return. Once that makes more sense, the loneliness of both her alien environment and the impossibility of even dying to escape it make for a pretty special atmosphere that a smart shooting engine then complements.


Artist Abdullah Al-Saadi represents the UAE at Venice Biennale

Updated 22 April 2024
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Artist Abdullah Al-Saadi represents the UAE at Venice Biennale

VENICE: Emirati conceptual artist Abdullah Al-Saadi is representing the UAE at the 60th Venice Biennale, curated this year by Adriano Pedrosa under the theme of “Foreigners Everywhere. Stranieri Ovunque.” The pavilion’s exhibition, which opened on April 20 and runs until Nov. 24, was curated by Tarek Abou El-Fetouh.

Al-Saadi has played a pivotal role in the development of the UAE’s evolving art scene — his multidisciplinary practice includes the mediums of painting, drawing, sculpture, performance and photography, as well as collecting and cataloguing found objects and the creation of new alphabets.

“Since I was a student, four decades ago, art has been an integral part of my daily life,” Al-Saadi said in a statement. “My art is the result of interactions with places, people, ideas, and aesthetics that I encounter every day where I live and in my journeys. I find myself driven to document these experiences visually or in written diaries and contemplations, seeking to transfigure the ordinary with the passage of time.”

“I am representing myself in Venice as an artist foremost and then as a local Emirati artist,” Al-Saadi told Arab News. “This pavilion will showcase my artistic journey over a long period of time since after university through eight works, two of which are new commissions,” he said of the ongoing show titled “Abdullah Al-Saadi: Sites of Memory, Sites of Amnesia.”

One of the artistic journeys he made that will serve as a new artwork took place amid the Arabian landscape.

“I spent seven days in the valley studying the tea, the coffee, and bread,” Al-Saadi explained to Arab News. “Then after one week I rode my bicycle, and I went to the mountains. During that time, I was reading a book on the Silk Road and trying to imagine how it was to travel on the Silk Road and I compared my way of traveling with how it was to travel on the Silk Road long ago.”

“Abdullah’s work is comprised of multiple aspects, from his diaries to sketches, to landscapes, scrolls and other objects that he creates,” Laila Binbrek, Director of the National Pavillion UAE, explained to Arab News. “They all stem from his diary — a diary he has been keeping for the last 40 years. Every day he writes in his diary.” 


Christie’s Art of the Islamic and Indian Worlds auction highlights rare finds in London

Updated 22 April 2024
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Christie’s Art of the Islamic and Indian Worlds auction highlights rare finds in London

LONDON: Christie’s Art of the Islamic and Indian Worlds spring sale will see 261 lots —including paintings, ceramics, metal work, works on paper, textiles, rugs and carpets — go under the hammer at a live auction at their London headquarters on April 25.

Arab News was given an exclusive viewing of some of the works prior to their public pre-sale showing from April 21-24.

Sara Plumbly, Christie’s Head of Department for Islamic and Indian Art, gave her expert insights into some selected pieces.

These included lot 45, an exquisite miniature octagonal Qur’an, dated AH 985/1577-8 AD, which was made in Madinah, the Qur’an has an estimate of $13,000-19,000.

“We very rarely see manuscripts that were copied in the holy cities. So this being copied in Madinah makes it very rare,” she explained.

“It has a Naskh script. This a very steady, cursive script which is relatively easy to read — unlike some of the others. For example, Nastaliq script, which is copied on the diagonal, is much trickier to read. For Qur’ans you would almost always see a Naskh script for ease of reading. Nastaliq is usually reserved for poetic manuscripts,” she said.

This miniature Qur’an would be small enough to carry with the owner on a daily basis, usually around the neck. Alternatively, they would be hung in their silver boxes on an ‘alam (standard or flag) and carried into battle.

Plumbly, who completed her master’s degree in Islamic Art and Archaeology at the University of Oxford, has lived and travelled extensively across the Middle East and North Africa, including extended periods in Egypt, Syria, Lebanon, Saudi Arabia and Sudan.

Another stunning item in the sale is a Watercolor Album depicting a selection of known prestigious and rare Iznik ceramics from the Louis Huth collection. It comprises 44 single and double-page watercolor paintings of Iznik bowls, flasks, ewers and dishes.

Watercolor paintings of Iznik bowls, flasks, ewers and dishes will go under the hammer. (Supplied)

It was also fascinating to see a rare and complete illustrated manuscript copy of the Khamsa of Nizami by 12th century Persian poet Nizami Ganjavi, together with the Khamsa of Amir Khusraw Dihlavi, a 13th century Persian Sufi singer, musician, poet and scholar. The colors in the illuminations leap off the pages as though created yesterday.

Plumbly also pointed out the exceptional workmanship of an early 13th century Kashan pottery bowl, excavated in Iran’s Kashan in 1934.

A Khashan pottery bowl inscribed with three Persian quatrains, or poetic verses. (Supplied)

“This type of Kashan ceramics have a wonderful luster. It’s a very difficult technique to perfect. This bowl has a really beautiful dark gold color which is very well controlled. The condition is remarkable. It’s one of those ‘best of type’ objects,” Plumbly observed.


Merwas — Riyadh’s beating heart of creativity

Updated 20 April 2024
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Merwas — Riyadh’s beating heart of creativity

  • World’s largest music production studio is nurturing Saudi talent, streamlining local industry

RIYADH: Riyadh’s Merwas, considered the biggest art and entertainment factory globally, is proving to be one of Saudi Arabia’s greatest music industry assets.

Nada Al-Tuwaijri, co-founder and CEO of Merwas, told Arab News that the facility, which holds the Guinness World Record for the largest music production studio, “is home to all artists.”

She added: “The methodology behind it is to create solutions through the subsidiaries, and invest in both talent and infrastructure.

“Alongside it being a one-stop shop for all content creators, we strive to take our local talents from local to global and create a unique stamp in the industry.”

Spread across almost 5,000 square meters, Merwas fosters creativity, collaboration, and the production of multimedia content, along with hosting workshops, networking sessions, and community events. (AN photos by Abdulrhman Bin Shalhoub/Supplied)

The entertainment zone and audiovisual production studio, located in Boulevard Riyadh City, houses 22 main studios alongside its academy.

Some of the top musicians in the world have visited Merwas since it opened in 2022. These include DJ Khaled, the acclaimed Saudi singer Rabeh Saqer, and the Emirati singer Ahlam. Afrojack, a world-renowned Dutch DJ and producer, also led an electronic music boot camp to nurture local talent and inspire a new generation of Saudi artists.

HIGHLIGHTS

• Merwas, located in Boulevard Riyadh City, houses 22 main studios alongside its academy.

• The academy’s classes offer local creatives and artists direct access to seasoned expertise.

• The Earth Sound Studio, or ESS, named after the late Saudi composer Talal Maddah.

Spread across almost 5,000 square meters, the culture factory fosters creativity, collaboration, and the production of multimedia content, while providing artists with access to top-tier services, facilities and industry expertise.

Spread across almost 5,000 square meters, Merwas fosters creativity, collaboration, and the production of multimedia content, along with hosting workshops, networking sessions, and community events. (AN photos by Abdulrhman Bin Shalhoub/Supplied)

The Earth Sound Studio, or ESS, named after the late Saudi composer Talal Maddah, features state-of-the-art technology, such as the SSL console, which is used to create depth on music tracks and ensures the true soul of the artist’s voice is protected.

This live recording space is booked almost every day by various artists, and has been used by some of the Arab region’s biggest stars.

The facility, which holds the Guinness World Record for the largest music production studio, is home to all artists according to co-founder Nada Al-Tuwaijri. (Supplied)

One of the only five Neve consoles in the world can be found in the Neve Studio. The panel is known for its high-quality sound and warmth, and is ideal for music recording, vocal tracking, and mixing for exceptional audio quality.

Its live studio can accommodate over 120 orchestra members and their instruments to provide a unique recording experience.

Spread across almost 5,000 square meters, Merwas fosters creativity, collaboration, and the production of multimedia content, along with hosting workshops, networking sessions, and community events. (AN photos by Abdulrhman Bin Shalhoub/Supplied)

Specifically designed for electronic music production, the EMP Suite is a DJ’s dream, with cutting edge synthesizers and digital audio workstations ensuring an artist leaves the room with a fully produced track.

Merwas is also home to three production suites, designed for content creators who require a comfortable and professional environment for music production, editing, and mixing. Each suite is equipped with industry-standard gear, software, and acoustics to support a wide range of projects.

Nada Al-Tuwaijri, Merwas cofounder and CEO

The studio also provides private rehearsal spaces to ensure Saudi talents are nourished to their full potential. The versatile space is designed for musicians, performers, and other artists to rehearse and refine their craft within a comfortable environment with access to instruments and equipment.

Part of the charm of recording studios is the live jam sessions that have given birth to some of the most iconic records to date. Merwas’ Band Live/Control Room also captures the spontaneity of live performance within its soundproof walls.

Alongside (Merwas) being a one-stop shop for all content creators, we strive to take our local talents from local to global and create a unique stamp in the industry.

Nada Al-Tuwaijri, Merwas cofounder and CEO

Championing audiovisual pursuits, the studio has made space for high-quality podcasts and videos to come to life.

The podcast suite and FM radio recording spaces are tailored to immerse listeners with unbeatable audio clarity, while the 25-meter-long Green Screen room helps ideas come to life, whether commercial, film, or music video.

Spread across almost 5,000 square meters, Merwas fosters creativity, collaboration, and the production of multimedia content, along with hosting workshops, networking sessions, and community events. (AN photos by Abdulrhman Bin Shalhoub/Supplied)

Material can then be edited at the color-grading suite, which is essentially a small theater with 4K projector. Producers, directors, writers, and engineers gather here to put the final visual touches on video projects through its DaVinci color grading software and hardware.

Academy Classes offers local creatives and artists direct access to seasoned expertise. These feature advanced stations for sound production, engineering, and technical programs, with everything necessary for a basic understanding and training of music production.

The studio hosts workshops, networking sessions, and community events in an effort to flourish the music industry locally while making it a magnet for international talent. Anyone can be a part of this community by booking a suite or signing up for a workshop on their website merwas.sa.

Merwas has positioned itself at the the forefront of the entertainment industry being the first of its kind in the MENA region. In less than a year since its launch, it has already became a hotspot for musicians across the globe to visit and utilize its services, from rising talents to international A-listers.

Founded by Al-Tuwaijri and Chief Content Officer Rumian Al-Rumayyan in partnership with Sela, Merwas treasures Saudi creativity and is a vital part of building an ecosystem and community for local artists.

Their partnership with the Saudi Authority for Intellectual Property has set a new focus on preserving the rights of local creatives, pillared by the aim to enrich the culture of the Kingdom while empowering its citizens and their creativity in an environment of abundant knowledge, education in culture, art, entertainment and music.

 


Hollywood Arab Film Festival: Showcasing Arab cinema in Los Angeles

Updated 20 April 2024
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Hollywood Arab Film Festival: Showcasing Arab cinema in Los Angeles

LOS ANGELES: The third annual Hollywood Arab Film Festival began this week, bringing the best of 2024’s Arab cinema to Los Angeles and giving fans a chance to see the films in theaters as well as introducing a new audience to the Arab world’s top talent.

The event, which runs until April 21, was attended by a number of celebrity guests including Egyptian producer and screenwriter Mohamed Hefzy, Tunisian actor Dhaffer L’Abidine, renowned Egyptian star Elham Shahin and Egyptian producer Tarek El-Ganainy.

 

 

At the event, Hefty said: “Arab cinema really needs a platform to tell our stories and to show who we are, our identity, our hopes and dreams, our pains, and all the different social topics that are tackled in some of the films that are being presented are maybe more relevant today than ever. So I think it’s a great opportunity to have this dialogue.”

Hefzy’s film “Hajjan” was showing at the event. It is a Saudi Arabia-based film directed by Egyptian filmmaker Abu Bakr Shawky.

“Hajjan is a film about a young boy who got a very special connection to his camel, who has a brother who was a camel jockey and races,” Hefzy said. “And, one day when something really unexpected happens to his brother, and shatters his world, it forces him to step into his brother’s shoes and become a camel jockey, and so starts racing himself.”

The movie is a co-production between the Kingdom’s King Abdulaziz Center for World Culture, or Ithra, and Hefzy’s Film Clinic.

“It was a film made in Saudi Arabia with Saudi talents and actors with an Egyptian director, but with the Saudi co-writer and Saudi actors and shot mostly in Saudi Arabia,” Hefzy said. “So I think it’s, it was a great experience, and learned a lot about Saudi Arabia, learned a lot about the culture.”

The festival featured cinema from various Arab countries, presenting films from 16 different nations. Marlin Soliman, strategic planning director of HAFF, highlighted the inclusion of six feature films, ten short films and six student films.

Spanning five days, HAFF offered its audience a vibrant experience, including a red-carpet affair, panel discussions on filmmaking and diversity in Hollywood, and, of course, screenings of high-profile films.

The festival also saw several filmmakers singing the praises of Saudi Arabia’s expanding film industry.

L’Abidine, the writer and director of “To My Son,” said: “I’m thrilled to be back again with my second feature film ‘To My Son,’ a Saudi film… I think there is a great evolution of Saudi cinema that’s been happening in the last few years.”