Pakistan’s fashion brand helps Afghan women weave their dreams into reality

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Updated 30 November 2018
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Pakistan’s fashion brand helps Afghan women weave their dreams into reality

  • Collaborates with UNHCR for initiative to empower refugees staying in the country
  • Program will teach students to market their handmade products in the international market

KARACHI: Shareefa was 35 when she lost her husband to an illness almost a decade ago. 

Uneducated, alone and left with the responsibility of taking care of her two sons, age 8 and 5, and a two-year-old daughter, the Afghan refugee hailing from the Kandahar province and currently residing in Pakistan, said she had no choice but to work as a domestic help for a meager amount, using her earnings to fund her children’s education. 

When her eldest son, Akmal Hayatullah completed his primary school, the board of secondary education in Karachi refused to issue him a certificate for further studies.

“I visited the board several times for six months before I finally decided to discontinue my son’s education and sent him to work [as a mechanic] at a local workshop,” she said.

When things took a turn for worse and with so many mouths to feed, Shareefa was once again forced to stand on life’s crossroads, ultimately stopping the education of her second son, Zabihullah, and daughter, Arifa, too. 

“Zabihullah is now working as a waiter in a restaurant,” she said.

Together, the family of four earn enough to get by, as Afghan nationals have very few or no opportunities for employment in the mainstream sectors.

Therefore, when Shareefa was selected by the UNHCR for the “train the trainers” program, her happiness knew no bounds.

After completing the three-month training program, where designer Huma Adnan took her under her wings in May, Shareefa, along with two other women, is now training 18 other Afghan refugees at the AHAN (Aik Hunar Aik Nagar) center, at Chhota Plaza, in Sohrab Goth.

Shareefa is hopeful that through the initiative she too will soon have her own small business. 

Stitching the same set of dreams, one piece at a time, is Najeeba, one of Shareefa’s students, who says she is confident that one day she will start contributing financially to her family, too. 

“My father works on daily wages. Like other Afghan nationals, my father is being offered little wages due to which he is finding it difficult to run the household. Give us the skill and we will show you how we can make many things,” Najeeba told Arab News.

She added that even though she wanted to continue her studies, lack of educational facilities and tough financial conditions were forcing her to stay at home. “If we have skills, we will also spend our lives according to our wishes,” she said. “Finally, we are having it,” she said.

Currently, three trainers -- Shareefa, Sitara and Sakina -- are teaching a group of six women each at the center. However, designer Adnan says she will select more trainers to reach and impact more women refugees through the program.

She added that the skillsets which these women will eventually acquire will help make them self-reliant in the long run. For that, one of the most important aspects of the program is to market the world-class handicrafts which these women are making. “To sell these in the international market, the best marketing practices should be adopted,” she told Arab while showing sample photographs from a fashion shoot for the jewelery made by the women.

The focus should be on “more quality and not on the quantity of crafts” made, she said, adding that the Afghan women “have shown that they can create the best” handicrafts.

“They are ready to learn, ready to improve and ready to improve their standard of living by working hard to earn a living. All they need is direction and mentorship,” she said.

Pakistan is host to 1.4 million refugees. “We will have to accept that they may hardly return to their homes. So, the best way to make them self-reliant and productive for the society where they live in is to turn them into skillful artisans,” she said, adding that it is the “collective responsibility” of all, including refugees’ agencies and non-government organizations, to realize this dream.

Adnan says every design created by the refugee women holds a special meaning for her. “I know the stories and hard work that is going into this project. Each piece represents beauty and love, loss, fears, and tears and you can see it in the perfection of their finished product,” she said.

Shareefa, on her part, said that the present seems like a dream. “The Afghan women remain at home. Even if educated they hardly come out of work. This program will lead them towards becoming self-reliant and ultimately changing their destiny.”


Stars of Haifaa Al-Mansour’s ‘Unidentified’ hit the red carpet in Saudi Arabia

Updated 08 December 2025
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Stars of Haifaa Al-Mansour’s ‘Unidentified’ hit the red carpet in Saudi Arabia

JEDDAH: Cast members from Saudi director Haifaa Al-Mansour’s latest film, “Unidentified,” took to the red carpet at the Red Sea International Film Festival in Jeddah on Sunday.

Aziz Gharbawi, Somaya Al-Shareef, Intisar Al-Shareef, Othoub Sharar, and Abduallah Al-Qahtani attended the premiere alongside co-producer and co-scriptwriter Brad Niemann.

Lead star Mila Al-Zahrani and director Al-Mansour did not attend the event.

Aziz Gharbawi at the premiere. (Getty Images)

The screening in Saudi Arabia comes after the crime thriller premiered at the Toronto International Film Festival in September.

“Nawal Al-Saffan, a 29-year-old divorcee, returns to her small hometown for a fresh start. A fan of true crime podcasts, she gets a mundane clerical job at the local police station, digitizing old files,” the film’s official logline states.

“Her life changes when a teenage girl’s body is found in her school uniform, with no ID. Haunted by the girl’s senseless death, Nawal decides to investigate.

“She uses her insight into the hidden world of women to identify the victim, befriending a group of women and other characters that all seem connected to the crime.

“To solve the mystery, she must challenge her preconceived notions about women and their threats.”

Intisar Al-Shareef. (Getty Images)

The film was co-written by Al-Mansour, who also directed “The Perfect Candidate.”

This summer, the pioneering Saudi filmmaker was appointed to the Academy of Motion Picture Arts and Sciences’ board of governors.

In 2012, Al-Mansour made history with the release of her first feature film, “Wadjda.” It was the first feature film shot entirely in the Kingdom, and made by a female Saudi director.

Al-Mansour has become one of the most in-demand television directors in Hollywood, helming episodes of hit series including “Archive 81,” “City of Fire,” “Tales of the Walking Dead,” and “Bosch: Legacy.”

In 2019, Al-Mansour’s feature film “The Perfect Candidate” was submitted as Saudi Arabia’s entry for the International Feature Film Award at the 92nd Academy Awards, but was not nominated.