Pakistan’s fashion brand helps Afghan women weave their dreams into reality

1 / 26
2 / 26
3 / 26
4 / 26
5 / 26
6 / 26
7 / 26
8 / 26
9 / 26
10 / 26
11 / 26
12 / 26
13 / 26
14 / 26
15 / 26
16 / 26
17 / 26
18 / 26
19 / 26
20 / 26
21 / 26
22 / 26
23 / 26
24 / 26
25 / 26
26 / 26
Updated 30 November 2018
Follow

Pakistan’s fashion brand helps Afghan women weave their dreams into reality

  • Collaborates with UNHCR for initiative to empower refugees staying in the country
  • Program will teach students to market their handmade products in the international market

KARACHI: Shareefa was 35 when she lost her husband to an illness almost a decade ago. 

Uneducated, alone and left with the responsibility of taking care of her two sons, age 8 and 5, and a two-year-old daughter, the Afghan refugee hailing from the Kandahar province and currently residing in Pakistan, said she had no choice but to work as a domestic help for a meager amount, using her earnings to fund her children’s education. 

When her eldest son, Akmal Hayatullah completed his primary school, the board of secondary education in Karachi refused to issue him a certificate for further studies.

“I visited the board several times for six months before I finally decided to discontinue my son’s education and sent him to work [as a mechanic] at a local workshop,” she said.

When things took a turn for worse and with so many mouths to feed, Shareefa was once again forced to stand on life’s crossroads, ultimately stopping the education of her second son, Zabihullah, and daughter, Arifa, too. 

“Zabihullah is now working as a waiter in a restaurant,” she said.

Together, the family of four earn enough to get by, as Afghan nationals have very few or no opportunities for employment in the mainstream sectors.

Therefore, when Shareefa was selected by the UNHCR for the “train the trainers” program, her happiness knew no bounds.

After completing the three-month training program, where designer Huma Adnan took her under her wings in May, Shareefa, along with two other women, is now training 18 other Afghan refugees at the AHAN (Aik Hunar Aik Nagar) center, at Chhota Plaza, in Sohrab Goth.

Shareefa is hopeful that through the initiative she too will soon have her own small business. 

Stitching the same set of dreams, one piece at a time, is Najeeba, one of Shareefa’s students, who says she is confident that one day she will start contributing financially to her family, too. 

“My father works on daily wages. Like other Afghan nationals, my father is being offered little wages due to which he is finding it difficult to run the household. Give us the skill and we will show you how we can make many things,” Najeeba told Arab News.

She added that even though she wanted to continue her studies, lack of educational facilities and tough financial conditions were forcing her to stay at home. “If we have skills, we will also spend our lives according to our wishes,” she said. “Finally, we are having it,” she said.

Currently, three trainers -- Shareefa, Sitara and Sakina -- are teaching a group of six women each at the center. However, designer Adnan says she will select more trainers to reach and impact more women refugees through the program.

She added that the skillsets which these women will eventually acquire will help make them self-reliant in the long run. For that, one of the most important aspects of the program is to market the world-class handicrafts which these women are making. “To sell these in the international market, the best marketing practices should be adopted,” she told Arab while showing sample photographs from a fashion shoot for the jewelery made by the women.

The focus should be on “more quality and not on the quantity of crafts” made, she said, adding that the Afghan women “have shown that they can create the best” handicrafts.

“They are ready to learn, ready to improve and ready to improve their standard of living by working hard to earn a living. All they need is direction and mentorship,” she said.

Pakistan is host to 1.4 million refugees. “We will have to accept that they may hardly return to their homes. So, the best way to make them self-reliant and productive for the society where they live in is to turn them into skillful artisans,” she said, adding that it is the “collective responsibility” of all, including refugees’ agencies and non-government organizations, to realize this dream.

Adnan says every design created by the refugee women holds a special meaning for her. “I know the stories and hard work that is going into this project. Each piece represents beauty and love, loss, fears, and tears and you can see it in the perfection of their finished product,” she said.

Shareefa, on her part, said that the present seems like a dream. “The Afghan women remain at home. Even if educated they hardly come out of work. This program will lead them towards becoming self-reliant and ultimately changing their destiny.”


US Kuwaiti artist Latifa Alajlan — ‘I used to compare myself to other artists’ 

Updated 1 min 19 sec ago
Follow

US Kuwaiti artist Latifa Alajlan — ‘I used to compare myself to other artists’ 

  • The third in this year’s series focusing on contemporary Arab-American artists in honor of Arab-American Heritage Month

DUBAI: Kuwaiti artist Latifa Alajlan moved to America in 2016 to study art at Grossmont College in San Diego, followed by a Master of Fine Arts program at the School of the Art Institute of Chicago, where alumni include major American artists Georgia O’Keeffe, Joan Mitchell and Grant Wood.  

Now, Alajlan is based in New York, where she is represented by Franklin Parrasch Gallery. “New York is the Makkah of the art world,” she tells Arab News. “You have so many galleries and institutions — that’s what I do every Friday. It’s very meditative for me and I enjoy walking around the city.”    

Alajlan, Latifa, Ishq, 2024. (Supplied)

But she is also aware of the competition in such an established artistic environment. “In New York, when you’re a young artist what’s dangerous about it is that you compare yourself to other artists,” she says. “I used to do that a lot and I had to take a step back and realize it was unhealthy. Everyone has their own journey.” 

Hers began in Kuwait, where her parents, especially her strict father, would “force” Alajlan and her siblings to visit museums and write essays on artworks. “I just didn’t understand. People were enjoying their summer, and we were going to museums,” she says. “That was boring.”  

Now, however, Alajlan can look back on her childhood and understand her parents’ intentions. “That’s what I appreciate: the fact that they kept pushing me,” she says. 

Lilith's Garden, 2024. (Supplied)

As for her creative practice, Alajlan has experimented with ceramics, glass-blowing, blacksmithing and sculpting. But such labor-intensive mediums weren’t for her. “I almost lost my fingers,” she says. “It’s intense. . . I’ve realized painting is my thing.” 

Through her abstract work, Alajlan addresses political, cultural and architectural attributes of her homeland. But she finds inspiration everywhere, she says — from her friends to conversations with strangers. There is an element of mystery to her canvases; she might hide certain parts of her composition with splodges of paint, filling them with gentle gestural strokes and motifs from mosques.  

“To me, painting is very therapeutic,” she says. “It’s my way of praying.” 


Recipes for success: Chef Lorenzo Buccarini offers advice and a pasta and caviar recipe 

Updated 6 min 45 sec ago
Follow

Recipes for success: Chef Lorenzo Buccarini offers advice and a pasta and caviar recipe 

DUBAI: “I discovered my passion for cooking at a young age, being drawn to the sights and smells from my family’s kitchen,” Zenon Dubai’s executive chef Lorenzo Buccarini tells Arab News. “My earliest memory of cooking is helping my grandmother prepare lasagna. Those moments ignited a lifelong love affair with the culinary arts.”. 

Zenon, located at Kempinski Central Avenue in the heart of Downtown Dubai, offers Mediterranean and Asian cuisine. 

“Working with Zenon Dubai has been an enriching experience filled with creativity and collaboration, allowing me to push boundaries,” said Buccarini. 

Zenon is located at Kempinski Central Avenue in the heart of Downtown Dubai. (Supplied)

From the vibrant culinary scene of London in 2012 to Istanbul in 2014, Bali in 2016, and Morocco in 2018, Buccarini has dabbled in an array of cuisines over the years. Here, he discusses his go-to dish, favorite cuisine and most challenging dish to prepare. 

Q: When you started out, what was the most common mistake you made? 

A: Underestimating the importance of proper seasoning. Achieving the perfect balance of flavors is essential in every dish, and mastering seasoning techniques was a valuable lesson early in my career. 

What’s your top tip for amateur chefs? 

Invest in quality ingredients and don’t be afraid to experiment. Additionally, learn fundamental cooking techniques such as knife skills and proper seasoning, as they form the foundation of any great dish. 

Zenon offers Mediterranean and Asian cuisine. (Supplied)

What one ingredient can instantly improve any dish? 

Fresh herbs — whether it’s parsley, basil, cilantro, or thyme, incorporating fresh herbs adds depth and complexity to your cooking. They elevate the flavor of any dish. 

When you go out to eat, do you find yourself critiquing the food?  

Naturally, as a chef, I pay attention to the details if I’m dining out. 

What’s the most common issue that you find in other restaurants? 

Something I often notice is inconsistency in execution — whether it’s undercooked proteins, over-seasoned dishes, or lackluster presentation. Consistency is key to delivering memorable dining experiences. 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Zenon Dubai (@zenondubai)

And what’s your favorite cuisine when you go out? 

I do enjoy exploring different cuisines, but if I had to choose a favorite, it would have to be classic Italian cuisine. There’s something inherently comforting and soul-satisfying about dishes like homemade pasta or a perfectly cooked risotto that never fails to delight the palate. 

What’s your go-to dish if you have to cook something quickly at home? 

Spaghetti aglio e olio. It’s a simple yet flavorful pasta dish made with garlic, olive oil, chili flakes, and parsley. It’s quick to prepare and showcases the beauty of minimalistic Italian cooking. 

What customer behavior most annoys you? 

It can be frustrating when customers request significant modifications to a dish without considering the integrity of the recipe. While accommodating dietary restrictions is important, excessive alterations can compromise the intended flavors and balance of the dish. 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Zenon Dubai (@zenondubai)

What’s your favorite dish to cook? 

One of them is osso buco. It’s a classic Italian dish made with braised veal shanks, aromatic vegetables, and a rich tomato-based sauce. The slow cooking process allows the flavors to meld together beautifully, resulting in a dish that’s hearty, flavorful, and deeply satisfying. 

What’s the most difficult dish for you to get right? 

For me, mastering the perfect risotto has always been a challenge. Achieving the ideal balance of creaminess and texture while ensuring the rice is cooked to perfection requires precision and attention to detail. It’s a dish that demands patience and practice to get just right. 

As a head chef, what are you like? Are you a disciplinarian? Or are you more laidback? 

I try to maintain a balance between discipline and approachability. I do set high standards for my team, and I expect professionalism in the kitchen, but I believe in fostering a supportive and collaborative environment. Effective communication and mutual respect are essential for success in any kitchen. 

Chef Lorenzo’s pasta, cream reduction and caviar 

Chef Lorenzo’s pasta, cream reduction and caviar. (Supplied)

INGREDIENTS 

For the cream reduction: 1L double cream; 500g dried porcini; 1L water 

For the fresh pasta (can be substituted for store-bought pasta): 600g semolina flour; 1400g 00 flour; 8 fresh eggs; 300g water 

INSTRUCTIONS 

1. To reduce the cream, add it to a pan and gradually reduce the heat to a slow boil, stirring frequently. As the water boils off, the cream will be reduced. You want to reduce it by half. Then place the pan to one side. 

2. For mushroom stock, add the dried porcini to a pan with the water and simmer for one hour. Strain immediately. Reduce the stock by ¾. 

3. For the pasta, mix all ingredients together to make a dough. Put in the fridge for one hour. Remove from the fridge and shape it as you like (here at the restaurant we do rigatoni). You can just use standard, store-bought pasta too.  

4. Cook the pasta in boiling water for five or six minutes (or as instructed for store-bought pasta), then drain. 

5. Put 250g of the cream reduction and 20g of reduced mushrooms into a hot shallow pan. Add a pinch of salt. Add the pasta to the sauce. Stir. Add a little parmesan and top with caviar.


REVIEW: Netflix’s ‘Crashing Eid’

Updated 19 April 2024
Follow

REVIEW: Netflix’s ‘Crashing Eid’

Shying away from the traditional, comedy television show “Crashing Eid” presents quite a progressive viewpoint — but certainly not an uncommon one.

The four-episode series follows the story of Razan, an independent young Saudi woman who fled her old life and built a new one in London along with her teenage daughter Lamar — only to find herself in love with a Pakistani Brit, Sameer.

The show opens with a surprise spin as Razan takes it upon herself to initiate a proposal to Sameer, who she has known for two years. She and her daughter then plan to take a short trip back to hometown Jeddah during Ramadan, without her family knowing that she has no plans to move back home — or that she is engaged.

Sameer decides to return the surprise by showing up to her family’s home, only to be met by Razan’s father, who mistakes him for a maintenance worker. This spurs the show into a flurry of misunderstandings and awkward interactions that surface some rather crucial unresolved family issues and traumas.

As Saudi has become more global in its population, in many ways including international marriages, the issues in “Crashing Eid” have become more vital to discuss than ever.

Rather than focusing on the difficulties that come with marrying a foreigner, such as lengthy legal procedures and official marriage approvals, the show hones in on societal acceptance. The aspects of honor and locality of marriage are brought to the surface.

The show also uses the main plot to dig up some underlying issues prevalent in any society, not just in Saudi Arabia. Through Razan’s homecoming, she is forced to revisit the reality of her previous marriage to Lamar’s father, who had been physically abusive. Choosing to leave him and start a new life abroad, she is met with societal condemnation and victim blaming.

While Razan’s brother Sofyan battles divorce and child custody issues, the family reveals the challenges of generational gaps. It also demonstrates the common shift to the globalization of younger generations and the tight hold on traditions within older ones.

The show has a unique way of making difficult or rather taboo topics palatable for a general Saudi audience. It sets the table for conversation, at the very least.

Sure, some of the acting seemed fairly novel, reminiscent of early 2000s sitcoms sans the laugh track, and the show also had a peculiar style of direction and editing.

But certainly, “Crashing Eid” must be applauded for its bold statements, proving that it is not afraid to rock the boat for the chance to tell authentic Saudi stories. For anyone looking to get a deeper sense into the modern-day Saudi household, the show is a must-watch.


Tunnel, fortification wall unearthed by archaeologists in Jeddah

Updated 18 April 2024
Follow

Tunnel, fortification wall unearthed by archaeologists in Jeddah

  • Findings linked to expansion of city’s defenses in 18th and 19th centuries
  • New evidence of human settlement discovered in Umm Jirsan cave in Madinah

RIYADH: A series of archaeological discoveries in Jeddah and Madinah were revealed on Thursday by the Historic Jeddah Program and the Saudi Heritage Commission.

The finding of new evidence of human settlement in Umm Jirsan Cave, located in Madinah’s Harrat Khaybar, was announced by the commission, and the remnants of an ancient underground tunnel and a fortified wall, which once encircled the city, were announced by the program as part of the inaugural phase of Jeddah’s Archaeology Project.

Situated in the northern sector of historic Jeddah, adjacent to Al-Kidwa Square and in close proximity to Al-Bayaa Square, these historical structures date back several centuries.

Some estimations put Jeddah becoming a fortified city during the late 10th to early 11th century, but laboratory analyses suggest that the new finds belong to a later phase of fortification, likely constructed during the 18th and 19th centuries.

Archaeological excavations revealed that by the mid-19th century, the tunnel had become unusable and was quickly filled with sand. However, the wall remained standing until 1947, and some parts of the tunnel’s supporting wall remained intact up to a height of three meters.

Imported European ceramics dating back to the 19th century were also found, highlighting the historic commercial connections of Jeddah. Additionally, a pottery fragment dating back to the 9th century was discovered in Al-Kidwa Square.

These findings are part of a broader collection of archaeological discoveries announced by the Historic Jeddah Program as outcomes of the first phase of its Archaeology Project — a collaborative effort that involves specialized national teams, Saudi experts from the Heritage Commission, and foreign archaeologists.

Their combined expertise has revealed a trove of 25,000 artifacts across four sites, marking a significant development in understanding the cultural evolution of historic Jeddah.

In Madinah, the Heritage Commission announced the discovery of new evidence of human settlement in Umm Jirsan Cave following research conducted by its archaeologists in cooperation with King Saud University, Germany’s Max Planck Institute and Saudi Arabia’s Geological Survey, as part of the Green Arabian Peninsula Project, which focuses on multidisciplinary field research.

It is the Kingdom’s first study that looks into archeological research inside caves, and involved archeological surveys and excavations in several parts of the cave, revealing evidence dating back to the Neolithic period.

The oldest piece of evidence dates back to between 7,000 to 10,000 years ago, encompassing the Copper and Bronze Age periods.

The study of the cave proved that it has been utilized by pastoral groups.

The artifacts discovered include wood, fabric, and some stone tools, in addition to rock art facades depicting scenes of grazing goats, sheep, cows and dogs, as well as hunting activities with different types of wild animals.

The commission noted that the scientific discoveries represent evidence of human settlement in the cave, and a great number of animal bones, including those of striped hyenas, camels, horses, deer, caribou, goats, cows, and wild and domestic donkeys were also identified.

The analysis of human skeletal remains using radioactive isotopes revealed that ancient humans relied on a predominantly carnivorous diet but that, over time, plants were introduced, suggesting the emergence of agriculture.


Saudi Cinema Encyclopedia prints first batch of film books

Updated 18 April 2024
Follow

Saudi Cinema Encyclopedia prints first batch of film books

  • Initial run of 22 titles part of plan to release 100 books by the end of the year
  • First set of releases will be available to the public during the 10th Saudi Film Festival, held May 2-9 this year

RIYADH: The Saudi Cinema Encyclopedia, an initiative launched by the Saudi Cinema Association, will kick off with an initial release of its first 22 books, written by an international group of authors, as its first batch of publications.

The project aims to release 100 books in its first year, published by Josour Al-Thaqafah Publishing House.

The first set of releases will be available to the public during the 10th Saudi Film Festival, held May 2-9 this year.

The aim is to establish a periodic program for book production in Arabic to elevate the Kingdom’s film industry writing from amateur to an area known own for its professionalism and specialization.

Abdulwhab Aloryad, editorial director of the Saudi Cinema Encyclopedia and the bulletin of the Saudi Film Festival “Saafa,” told Arab News that the books were published to enhance knowledge among filmmakers.
“This encyclopedia aims to add to what the Saudi Film Festival has started and be an active contributor in Saudi cinema, reinforcing the beliefs of the festival organizers and their efforts to create a competitive film industry on a global level,” he said.

“The series will continue to be an icon in film knowledge, with its central goals of unveiling Saudi and Arab talent in authorship, presenting the latest new books in Arabic, and transferring specialized knowledge in this field from various other languages into Arabic to be available to those interested in the film industry.”

Aloryad said: “Since its launch in 2008, the Saudi Film Festival has believed in its authentic role in cultural and intellectual development aimed at professionals in the film industry. It has focused on the project of knowledge and has driven the wheel of authoring and translation in all fields related to the film industry in order to elevate all stages of the film industry.

“Based on this belief, the festival has adopted a periodic program for book production, presenting more than 50 books in its previous editions that shed light on various aspects of the film industry.”