What We Are Reading Today: Guide to the Manta and Devil Rays of the World

Updated 08 August 2018
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What We Are Reading Today: Guide to the Manta and Devil Rays of the World

Manta and devil rays are some of the most intriguing creatures in the ocean.

Driven forward by powerful beats of wing-like pectoral fins, these filter feeders search the waters for prey, their horn-like head fins giving rise to ancient mariners’ tales of fearsome devilfish dragging boats into the ocean depths.

Beloved by scuba divers and marine biologists alike, these impressive animals have never had a comprehensive field guide dedicated to them—until now.

Guide to the Manta and Devil Rays of the World includes detailed information on the identification, characteristics, threats, and distribution for each species in this family.

Illustrated with more than 200 color photos, drawings, and plates, this guide also contains an expansive introduction to the general taxonomy, biology, and behavior of these iconic animals.

This book — authored by  Guy Stevens, Daniel Fernando, Marc Dando & Giuseppe Notarbartolo di Sciara — will be an essential resource for fisheries management and international trade enforcement, and for anyone involved in ongoing manta and devil ray research and conservation.


The Eurovision Song Contest kicked off with pop and protests as the war in Gaza casts a shadow

Updated 5 sec ago
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The Eurovision Song Contest kicked off with pop and protests as the war in Gaza casts a shadow

MALMO, Sweden: Competition in the 68th Eurovision Song Contest kicked off Tuesday in Sweden, with the war in Gaza casting a shadow over the sequin-spangled pop extravaganza.
Performers representing countries across Europe and beyond took the stage in the first of two semifinals in the Swedish city of Malmo. It and a second semifinal on Thursday will winnow a field of 37 nations to 26 who will compete in Saturday’s final against a backdrop of both parties and protests.
Ten of the 15 acts performing Tuesday were voted through to the final by viewers. They include Croatian singer-songwriter Baby Lasagna, whose infectious electro number “Rim Tim Tagi Dim” is the current favorite to win, and Ukrainian duo alyona alyona and Jerry Heil, flying the flag for their war-battered nation with the anthemic “Teresa & Maria.”
Also making the cut were goth-style Irish singer Bambie Thug, 1990s-loving Finnish prankster Windows95man and Portuguese crooner Iolanda. Iceland, Azerbaijan, Poland, Moldova and Australia were eliminated.
Other bookmakers’ favorites who will perform Thursday include nonbinary Swiss singer Nemo, Italian TikTok star Angelina Mango and the Netherlands’ Joost Klein with his playful pop-rap song “Europapa.”
Security is tight in the Swedish city, which expects an influx of some 100,000 Eurovision fans, along with tens of thousands of pro-Palestinian protesters. Israel is a Eurovision participant, and demonstrations are planned on Thursday and Saturday against the Israel-Hamas war, which has left almost 35,000 Palestinians dead.
Israel’s government warned its citizens of a “tangible concern” Israelis could be targeted for attack in Malmo during the contest.
Organizers told Israel to change the lyrics of its entry, originally titled “October Rain” in apparent reference to Hamas’ cross-border Oct. 7 attack that killed some 1,200 Israelis and triggered the war. The song was renamed “Hurricane” and Israeli singer Eden Golan was allowed to remain in the contest.
Jean Philip De Tender, deputy director-general of Eurovision organizer the European Broadcasting Union, told Sky News that banning Israel “would have been a political decision, and as such (one) which we cannot take.”
Police from across Sweden have been drafted in for Eurovision week, along with reinforcements from neighboring Denmark and Norway.
Sweden’s official terrorism threat level remains “high,” the second-highest rung on a five-point scale, after a string of public desecrations of the Qur’an last year sparked angry demonstrations across Muslim countries and threats from militant groups. The desecrations were not related to the music event.
Eurovision’s motto is “United by Music,” but national rifts and political divisions often cloud the contest despite organizers’ efforts to keep politics out.
Flags and signs are banned, apart from participants’ national flags and the rainbow pride flag. That means Palestinian flags will be barred inside the Malmo Arena contest venue.
Some musicians seem determined to make a point. Eric Saade, a former Swedish Eurovision contestant who performed as part of Tuesday’s show, had a keffiyeh, a headscarf associated with the Palestinian cause, tied around his wrist as he sang.
Afterwards, organizers said in a statement that “we regret that Eric Saade chose to compromise the non-political nature of the event.”
Performers are feeling political pressure, with some saying they have been inundated with messages on social media urging them to boycott the event.
“I am being accused, if I don’t boycott Eurovision, of being an accomplice to genocide in Gaza,” Germany’s contestant, Isaak, said in an interview published by broadcaster ZDF. He said he did not agree.
“We are meeting up to make music, and when we start shutting people out categorically, there will be fewer and fewer of us,” he said. “At some point there won’t be an event anymore.”
One person who knows how Eurovision unity can collide with bitter reality is singer Manizha Sangin, who represented Russia at the contest in 2021. The country was expelled the following year over its invasion of Ukraine.
Manizha, who performs under her first name, spoke out against the war. As a result, her performances were canceled in Russia and her music banned from public spaces. The singer remains in Russia but has found it all but impossible to work.
“People are afraid to work with me here because they’re afraid to have consequences after, problems after that,” she said.
Despite the difficulties, Manizha has recorded a single, “Candlelight,” which she is releasing on Wednesday as “a message of hope.”
“Music cannot stop war,” she said. But “what music can do is inspire people.”
Manizha thinks Russia will one day return to the Eurovision fold – but not soon.
“Maybe next generation,” she said. “But for now, relationships are too complicated. And then that makes me sad, you know, because that’s why people are not hearing each other. Because we are separated from each other. And the thing, is music should unite.”

Luxury jewelry brands dazzle at Riyadh showcase

Updated 07 May 2024
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Luxury jewelry brands dazzle at Riyadh showcase

  • Larsen said that House of GOL specializes in high-end jewelry and many people buy it to reflect their heritage and to pass it down to future generations

RIYADH: Saudi International Luxury Week, which is taking place in Riyadh until May 9, showcases a selection of fine jewelry from around the world.

The event offers a unique opportunity for Saudi clients to acquire exclusive and sophisticated pieces.

FerriFirenze, an Italian brand, is gaining significant acceptance among Saudi clients during the event. (Supplied)

House of GOL, a New York-based brand known for its colorful diamonds, has shown a rare pink diamond at the event.

Anna Larsen, head of business development at House of GOL, has been visiting Saudi Arabia for the past three years to meet clients.

Maitraya is an Indian brand that specializes in Khaleeji and Saudi pearls, led by Sanghvi Maitarya, the seventh-generation representative of his family business. (Supplied)

Larsen said that House of GOL specializes in high-end jewelry and many people buy it to reflect their heritage and to pass it down to future generations.

The brand had previously visited the ZAH creative hub in Riyadh and continued its tours across the Kingdom. House of GOL's participation in the luxury week was in collaboration with Clea Nasr, ZAH's head of marketing.

Maitraya is an Indian brand that specializes in Khaleeji and Saudi pearls, led by Sanghvi Maitarya, the seventh-generation representative of his family business. (Supplied)

"We're here today with House of GOL to support them at a luxury jewelry event, following our earlier private event at ZAH. We support local and international designers through all PR and marketing activities, creating targeted strategies to drive exposure and growth, especially in Saudi Arabia," Nasr said.

The brand stands out by involving its clients in the jewelry creation process, hand drawing and painting the designs and then allowing clients to keep the drawings, adding a personal touch to the design experience.

House of GOL, a New York-based brand that specializes in colorful diamonds, brought a rare pink diamond to the exhibition. The brand had previously visited ZAH Creative Hub in Riyadh and continued its tour across the Kingdom during Saudi International Luxury Week. (Supplied)

Another standout brand at the event is Maitraya, an Indian company specializing in pure Gulf pearls, including khaleeji and Saudi pearls.

The brand is led by Sanghvi Maitarya, a seventh-generation representative of his family’s pearl business.

House of GOL, a New York-based brand that specializes in colorful diamonds, brought a rare pink diamond to the exhibition. The brand had previously visited ZAH Creative Hub in Riyadh and continued its tour across the Kingdom during Saudi International Luxury Week. (Supplied)

“My great-grandfather used to travel by boat,” said Maitarya. “This was before the Second World War and the discovery of oil. The oyster industry had declined and no longer produced these kinds of pearls. These are Saudi natural lulu pearls.”

He said that the pearls were no longer found in the Gulf, adding: “We collected them from grandmothers, maharajas, royal families, and other sources around the world.”

FerriFirenze, an Italian brand, is also impressing Saudi clients at the event.

Giulia Lina Callegari, owner of FerriFirenze, said: “We came to Saudi for the first time five years ago. We’ve seen the changes, the enthusiasm, the projects, and we’re always excited to meet local ladies who know jewelry, appreciate style, and often become our guests in Florence.”

FerriFirenze is a family business that began 10 years ago, and Callegari added: “We create jewelry that moves, physically moves when touched, is flexible, and so on. This style of jewelry can only be made by hand in Italy.”

 


Macklemore shares teaser for new song in support of Gazans

Updated 08 May 2024
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Macklemore shares teaser for new song in support of Gazans

DUBAI: American rapper Macklemore is set to release a new song this week in support of Palestine.

Titled “Hind’s Hall,” the track honors Hind Rajab, the 6-year-old Palestinian girl who was killed by Israeli soldiers in Gaza while waiting to be rescued.

 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by BEN (@macklemore)

 

Drawing its inspiration from the global student protests, the singer released a teaser of the track on his Instagram feed and said that all proceeds from its sale would be donated to UNRWA.

“The people, they won’t leave / What is threatening about divesting and wanting peace? / The problem isn’t the protests, it’s what they’re protesting / It goes against what our country is funding / Block the barricade until Palestine is free,” he sings.

“What you willing to risk? / What you willing to give? / What if you were in Gaza? / What if those were your kids? You’d want the world to stand up / And the students finally did.”

The full song has yet to be released on streaming platforms.


Gigi Hadid, Imaan Hammam turn heads at the Met Gala

Updated 07 May 2024
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Gigi Hadid, Imaan Hammam turn heads at the Met Gala

NEW YORK: A-listers at Monday’s Met Gala in New York included US Dutch Palestinian catwalk star Gigi Hadid, Dutch Moroccan Egyptian model Imaan Hammam, Jennifer Lopez, Zendaya and a parade of others dressed in a swirl of flora and fauna looks on a green-tinged carpet lined by live foliage.

Hadid brought the drama in a look by the drama king himself, Thom Browne. Her white gown was adorned with 2.8 million microbeads with yellow flowers and green thorns. She was high glam in a wavy bob and crimson lips.

Hammam donned a two-piece ensemble. (Getty Images)

Hammam donned a two-piece ensemble — her outfit featured a cape, drawing inspiration from Swarovski's Gema collection, and a satin column skirt adorned with gold crystals.

Crafting the cape was an intricate process spanning 14 days. The cape incorporated over 3,000 crystals in six cuts and five vibrant hues while the skirt boasted over 100,000 crystals. 

Lopez went for silver leaves in a second-skin gown by Schiaparelli. (Getty Images)

Meanwhile, Lopez went for silver leaves in a second-skin gown by Schiaparelli and Zendaya was all vamp and fantasy in a rare double appearance on the steps of The Metropolitan Museum of Art.

Lopez went with Tiffany & Co. diamonds, including a stunning bird motif necklace with a diamond of over 20 carats at its center.

Zendaya was all vamp and fantasy in a rare double appearance on the steps of The Metropolitan Museum of Art. (Getty Images)

Zendaya put on her fashion face in peacock hues of blue and green, with a head piece to match and leaf accents. The look was Maison Margiela by John Gallliano. She walked again to close the carpet in black Givenchy Haute Couture gown also by Galliano with a head piece stuffed with flowers by Alexander McQueen.

Mindy Kaling is sure to make the best-dressed lists in sand-colored swirls that towered over her head at the back. Her look was by Indian couturier Gaurav Gupta.

Mindy Kaling is sure to make the best-dressed lists in sand-colored swirls that towered over her head at the back. (Getty Images)

Penelope Cruz, meanwhile, went goth in black by Chanel. It had a bustier top and a Sleeping Beauty-like off-shoulder silhouette. There was another Sleeping Beauty-ish guest: Kendall Jenner in a Givenchy look done by Alexander McQueen in 1999.

Kendall’s sister, Kylie Jenner, was in an Oscar de la Renta low-cut strapless look, a white bloom in her clicked-back updo and a train behind. Older sister Kim Kardashian tightly covered up her silver corset look with a leaf motif by Maison Margiela with a gray sweater.


Riyadh forum highlights importance of cultural identity and Arab heritage

Updated 06 May 2024
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Riyadh forum highlights importance of cultural identity and Arab heritage

  • Scholars, officials, experts explore and celebrate Arabian Peninsula
  • Katakura Kunio said that both Japanese and Islamic cultures had historic roots in promoting peace

RIYADH: The Al-Marwiyah Al-Arabiyah Conference, called “Desert Culture,” concluded on Monday in Riyadh. The two-day event brought together a diverse group of scholars, officials, and experts to explore and celebrate the rich cultural heritage of the Arabian Peninsula.

Prince Turki Al-Faisal, the chairman of the King Faisal Center for Research and Islamic Studies, said that nomadism was central to Arab culture, emphasizing its roots in values over materialism. He noted that Arabs were natural storytellers, adept at turning chaos into clarity.

Katakura Kunio, president of the Motoko Katakura Foundation for Desert Culture in Japan, delivered a speech in memory of his late wife, anthropologist Motoko Katakura, which highlighted her research in Saudi Arabia.

Kunio said: “Motoko’s enduring passion for comfort inspired our foundation to establish the Comfort Prize, aimed at supporting both Japanese and international researchers and artists. This award honors individuals who dedicate their lives to enriching desert culture.

“In the current climate of positive change within Saudi Arabia, including the increased societal participation of women and the focus on tourism development, it is natural to re-evaluate the traditional value of comfort. Perhaps, in a world increasingly driven by hyper-capitalism, comfort can offer a remedy for the global population yearning for a slower pace.”

Kunio said that both Japanese and Islamic cultures had historic roots in promoting peace. He noted that Prince Shotoku of Japan endorsed “respect for peace” in his 17-Article Constitution, while the Prophet Muhammad established the Madinah Charter, which also emphasized peace and tolerance. These parallels suggested a common ground for fostering cross-cultural understanding, he added.

Abdullah Hamidaddin, assistant secretary-general for scientific affairs at the KFCRIS, described Al–Marwiyah Al-Arabiyah as a research initiative which aimed to address confusion about Arab civilization. It sought to combat attempts to undermine and marginalize Arab culture.

Hamidaddin said that the project used scientific methods to study Arab narratives and the origin of language in the Arabian Peninsula, while promoting dialogues, field studies, and critical analyses in various fields, including history, archaeology, sociology, philosophy, literature, and art.

The conference aimed to highlight the civilizational and cultural significance of the Arabian Peninsula, while seeking to strengthen the sense of Arab identity for future generations. It also promoted cultural exchange between the Arab world and neighboring regions.

A lecture titled “Gifts of God (Camels),” by Sulaiman Al-Theeb, cultural adviser at the center, was presented during the conference.

He spoke of the Arabian Peninsula’s deep connection with camels through three key concepts: rock and mural art; archaeological finds, like daily tools; and references to camels in ancient Arabic inscriptions, especially Thamudic writings.

Al-Theeb highlighted the significant status of camels in the region, which has earned them the moniker “the ship of the desert.”

Mohammed Al-Rowaily, a member of the Cultural Council at the Abdulrahman Al-Sudairy Cultural Center, said that the Arabic narrative played a crucial role in sharing ideas with others. He noted that Arabic storytelling enhanced cross-cultural understanding by conveying elements from history, oral literature, civilization, arts, and other creative works.

Hajar Al-Shammari, a linguistic researcher in Saudi history, said that the event boosted cultural engagement by fostering dialogue and cultural exchange among academics. Through the sharing of ideas it helped to establish a foundation for field studies and critical analyses focused on Arab perceptions and identity.

Al-Shammari added that Arabic storytelling played a significant role in promoting social cohesion, fulfilling the search for roots, and reinforcing values. This was especially important in the context of cultural identity and Arab heritage.