Severe weather forced fans at Beyonce and Jay-Z’s concert out of their seats to wait inside MetLife Stadium because of bad weather in the area.
Officials said Thursday night in East Rutherford, New Jersey — where the New York Giants and New York Jets play — that concertgoers must head inside while it rained before the performers took the stage. Officials said a thunderstorm was on its way.
DJ Khaled performed Thursday, bringing Fabolous, Jim Jones, Bazzi and Freeway onstage. The duo Chloe x Halle, who are signed to Beyoncé’s Parkwood Entertainment, also performed.
The concert started at 11:08 p.m. and Beyonce thanked the crowd for staying around.
Beyonce and Jay-Z also have a show planned Friday at MetLife.
Bad weather forces Beyonce and Jay-Z concert fans inside
Bad weather forces Beyonce and Jay-Z concert fans inside
Highlights from Saher Nassar’s ‘Chronicles from the Storm’ exhibition in Dubai
DUBAI: Here are three highlights from Saher Nassar’s ‘Chronicles from the Storm,’ which runs until March 18 at Zawyeh Gallery in Dubai.
‘Chronicles No. 1’

In his latest solo exhibition, the Palestinian artist “reimagines events that push past emotional capacity toward moral exhaustion, questioning the ethical certainty of the human spirit when faced with immense suffering,” according to the show catalogue, with works that “contemplate the devaluation of hope as a fundamental factor of human survival, sometimes revealed as currency for escape, sometimes seen in people resorting to their primal instincts to endure.”
‘Chronicles No. 8’

“Drawing from both personal and collective experiences, the exhibition unfolds as a layered reflection on how repeated trauma reshapes perception, belief, and the instinct to survive,” a press release for the show states. “Nasser translates lived realities into visual studies that move beyond immediate reaction. Rather than seeking resolution or catharsis, the works dwell in a state of moral exhaustion.”
‘Chronicles No. 3’

In “Chronicles from the Storm,” the UAE-based multidisciplinary artist is not attempting to offer answers, the press release suggests; rather, he is “bearing witness” and “inviting viewers to sit with unresolved questions and the uneasy persistence of the human spirit in the aftermath of the storm.” The works on show “carry a restrained intensity, resisting spectacle in favor of contemplation,” the release continues.









