Tom Cruise lifts Mission: Impossible — Fallout to a new series best

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The Mission: Impossible – Fallout is eyeing a North American debut between $50 million and $65 million. (Paramount Pictures)
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“Fallout” is by far the most expensive film in the Mission: Impossible series with a $178 million price tag. (Paramount Pictures)
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“Fallout” is by far the most expensive film in the Mission: Impossible series with a $178 million price tag. (Paramount Pictures)
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“Fallout” is by far the most expensive film in the Mission: Impossible series with a $178 million price tag. (Paramount Pictures)
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Tom Cruise, who performs all his own stunts, has described the Abu Dhabi skydive as “one of [my] most dangerous stunts yet.” (Paramount Pictures)
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The Mission: Impossible – Fallout is eyeing a North American debut between $50 million and $65 million. (Paramount Pictures)
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The Mission: Impossible – Fallout is eyeing a North American debut between $50 million and $65 million. (Paramount Pictures)
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“Fallout” is by far the most expensive film in the Mission: Impossible series with a $178 million price tag. (Paramount Pictures)
Updated 26 July 2018
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Tom Cruise lifts Mission: Impossible — Fallout to a new series best

  • With the series, Tom Cruise was, as its producer, very consciously launching his own action franchise
  • This series is a set-piece delivery mechanism, and its stories and central character are only there to make those moments happen

Through 22 years and six entries, there is no question as to what the driving force of the Mission: Impossible film franchise is—it’s Tom Cruise. With the series, Cruise was, as its producer, very consciously launching his own action franchise, and each entry since has been guided first and foremost by what stunt he wanted to perform next.
Writers on the second entry in 2000 said that the script was mainly a matter of fitting together the action set pieces that Cruise had already mandated and planned for the film. Now, 18 years later, writer/director Christopher McQuarrie has stated that the latest entry, “Mission: Impossible - Fallout,” featuring a skydiving sequence filmed in Abu Dhabi, began with Cruise saying he would like to pilot a helicopter in a chase.
It’s no wonder that the plots of this series feel so incidental. American poet Maya Angelou once said, “People will forget what you said, people will forget what you did, but people will never forget how you made them feel.” I’m near certain that she was talking about this film franchise. What you remember, as the story of each film self-destructs five seconds after you leave the cinema, is the moments—Cruise hanging from the ceiling, Cruise dangling off the Burj Khalifa, Cruise strapped to the side of a plane. This series is a set-piece delivery mechanism, and its stories and central character—the IMF agent Ethan Hunt—are only there to make those moments happen.


What is Fallout about? The previous installment’s terror group is back, they’ve got plutonium, and they plan to set off nuclear bombs. Ethan Hunt must pose as a terrorist and try to get the plutonium before they have the chance. That’s the plot, anyways. What this film is really about is Ethan Hunt, and how he goes about achieving his goals.

In Fallout, the name of the franchise is the key—each task that Hunt must complete starts off seeming difficult, and as it plays out, quickly seems truly impossible. Each sequence sets the stakes and then continues to raise them, giving this film a palpable tension unlike any action film has delivered in recent memory. But even as the odds get longer, and we the audience question how Hunt will manage to succeed, Hunt himself, even through all the punishment he takes, never loses faith—he will, simply, find a way.
This resonates because we believe it, too—not in the character, but in Cruise himself. In a series that has always relied on practical effects, we know, and are told over and over again, that this is really a 56-year-old Tom Cruise up there, risking his life, defying age, doing what no other person on Earth would dream of doing. Cruise is still the world’s best movie star, and best action star, because he decides he can be. It’s a faith that’s truly infectious. As stressful as this film is, it’s also, without a doubt, the year’s most uplifting, and life-affirming.

 

 


What to expect at the AlUla Arts Festival 2026

Updated 31 December 2025
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What to expect at the AlUla Arts Festival 2026

DUBAI: The AlUla Arts Festival returns for its fifth anniversary edition from Jan. 16 to Feb. 14, 2026, bringing a month-long program of contemporary art, design, performance and immersive experiences to Saudi Arabia’s oasis city.

A major highlight is the fourth Desert X AlUla show from Jan. 16 to Feb. 28. The open-air exhibition will feature 10 newly commissioned, site-specific works by Saudi Arabia and international artists.

Curated around the theme “Space Without Measure,” and inspired by the poetry of Kahlil Gibran, the artworks will be embedded across AlUla’s landscape, exploring imagination, scale and humanity’s relationship with place. This year, it is curated by Neville Wakefield and Raneem Farsi.

The festival will also present an exhibition from the pre-opening program of AlUla’s forthcoming contemporary art museum, developed in collaboration with Centre Pompidou and AFALULA.

Design Space at the Al-Jadidah Arts District. (Supplied)

Titled “Arduna” (meaning “Our Land”), the exhibition opens on Feb. 1 and will showcase more than 80 artworks from Saudi Arabia and beyond, including pieces from the Royal Commission for AlUla collection and the Musee National d’Art Moderne, with works by artists including Kandinsky and Picasso.

Design takes center stage with the festival’s largest program yet, led by the AlUla Design Exhibition at Design Space AlUla. The showcase highlights outcomes from the AlUla Artists Residency Program and AlUla Design Award, alongside retail collections developed with local artisans.

The AlUla Music Hub from Nov. 1 to Jan. 31 will present a series of concerts featuring Arabic, fusion, vocal and jazz performances, while the ATHR Gallery will exhibit works by Saudi contemporary artist Sara Abdu.

The open-air Cinema Al-Jadidah will present a special series of art-themed documentaries, shorts and feature films.

Visitors can also expect live music, immersive performances, film screenings, workshops and public art installations across the Al-Jadidah Arts District, Villa Hegra and Wadi Al-Fann.