Tom Cruise lifts Mission: Impossible — Fallout to a new series best

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The Mission: Impossible – Fallout is eyeing a North American debut between $50 million and $65 million. (Paramount Pictures)
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“Fallout” is by far the most expensive film in the Mission: Impossible series with a $178 million price tag. (Paramount Pictures)
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“Fallout” is by far the most expensive film in the Mission: Impossible series with a $178 million price tag. (Paramount Pictures)
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“Fallout” is by far the most expensive film in the Mission: Impossible series with a $178 million price tag. (Paramount Pictures)
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Tom Cruise, who performs all his own stunts, has described the Abu Dhabi skydive as “one of [my] most dangerous stunts yet.” (Paramount Pictures)
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The Mission: Impossible – Fallout is eyeing a North American debut between $50 million and $65 million. (Paramount Pictures)
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The Mission: Impossible – Fallout is eyeing a North American debut between $50 million and $65 million. (Paramount Pictures)
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“Fallout” is by far the most expensive film in the Mission: Impossible series with a $178 million price tag. (Paramount Pictures)
Updated 26 July 2018
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Tom Cruise lifts Mission: Impossible — Fallout to a new series best

  • With the series, Tom Cruise was, as its producer, very consciously launching his own action franchise
  • This series is a set-piece delivery mechanism, and its stories and central character are only there to make those moments happen

Through 22 years and six entries, there is no question as to what the driving force of the Mission: Impossible film franchise is—it’s Tom Cruise. With the series, Cruise was, as its producer, very consciously launching his own action franchise, and each entry since has been guided first and foremost by what stunt he wanted to perform next.
Writers on the second entry in 2000 said that the script was mainly a matter of fitting together the action set pieces that Cruise had already mandated and planned for the film. Now, 18 years later, writer/director Christopher McQuarrie has stated that the latest entry, “Mission: Impossible - Fallout,” featuring a skydiving sequence filmed in Abu Dhabi, began with Cruise saying he would like to pilot a helicopter in a chase.
It’s no wonder that the plots of this series feel so incidental. American poet Maya Angelou once said, “People will forget what you said, people will forget what you did, but people will never forget how you made them feel.” I’m near certain that she was talking about this film franchise. What you remember, as the story of each film self-destructs five seconds after you leave the cinema, is the moments—Cruise hanging from the ceiling, Cruise dangling off the Burj Khalifa, Cruise strapped to the side of a plane. This series is a set-piece delivery mechanism, and its stories and central character—the IMF agent Ethan Hunt—are only there to make those moments happen.


What is Fallout about? The previous installment’s terror group is back, they’ve got plutonium, and they plan to set off nuclear bombs. Ethan Hunt must pose as a terrorist and try to get the plutonium before they have the chance. That’s the plot, anyways. What this film is really about is Ethan Hunt, and how he goes about achieving his goals.

In Fallout, the name of the franchise is the key—each task that Hunt must complete starts off seeming difficult, and as it plays out, quickly seems truly impossible. Each sequence sets the stakes and then continues to raise them, giving this film a palpable tension unlike any action film has delivered in recent memory. But even as the odds get longer, and we the audience question how Hunt will manage to succeed, Hunt himself, even through all the punishment he takes, never loses faith—he will, simply, find a way.
This resonates because we believe it, too—not in the character, but in Cruise himself. In a series that has always relied on practical effects, we know, and are told over and over again, that this is really a 56-year-old Tom Cruise up there, risking his life, defying age, doing what no other person on Earth would dream of doing. Cruise is still the world’s best movie star, and best action star, because he decides he can be. It’s a faith that’s truly infectious. As stressful as this film is, it’s also, without a doubt, the year’s most uplifting, and life-affirming.

 

 


How science is reshaping early years education 

Updated 27 December 2025
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How science is reshaping early years education 

DUBAI: As early years education comes under renewed scrutiny worldwide, one UAE-based provider is making the case that nurseries must align more closely with science.

Blossom Nursery & Preschool, which operates 32 locations across the UAE, is championing a science-backed model designed to close what it sees as a long-standing gap between research and classroom practice.

“For decades, early years education has been undervalued globally — even though science shows the first five years are the most critical for brain development,” said Lama Bechara-Jakins, CEO for the Middle East at Babilou Family and a founding figure behind Blossom’s regional growth, in an interview with Arab News.

Lama Bechara-Jakins is the CEO for the Middle East at Babilou Family and a founding figure behind Blossom’s regional growth. (Supplied)

She explained that the Sustainable Education Approach was created to address “a fundamental gap between what we know from science and what actually happens in nurseries.”

Developed by Babilou Family, the approach draws on independent analysis of research in neuroscience, epigenetics, and cognitive and social sciences, alongside established educational philosophies and feedback from educators and families across 10 countries. The result is a framework built around six pillars; emotional and physical security, natural curiosity, nature-based learning, inclusion, child rhythms, and partnering with parents.

Two research insights, Bechara-Jakins says, were particularly transformative. “Neuroscience shows that young children cannot learn until they feel safe,” she said, adding that stress and inconsistent caregiving can “literally alter the architecture of the developing brain.” 

Equally significant was evidence around child rhythms, which confirmed that “pushing children academically too early is not just unhelpful — it can be counterproductive.”

Feedback from families and educators reinforced these findings. Across regions, common concerns emerged around pressure on young children, limited outdoor time and weak emotional connections in classrooms. What surprised her most was that “parents all sensed that something was missing, even if they couldn’t articulate the science behind it.”

At classroom level, the strongest body of evidence centres on secure relationships. Research shows that “secure attachments drive healthy brain development” and that children learn through trusted adults. At Blossom, this translates into practices such as assigning each child “one primary educator,” prioritising calm environments, and viewing behaviour through “a neuroscience lens — as stress signals, not misbehaviour.”

Bechara-Jakins believes curiosity and nature remain overlooked in many early years settings, despite strong evidence that both accelerate learning and reduce stress. In urban centres such as Dubai, she argues, nature-based learning is “not a luxury. It is a developmental need.” 

For Blossom, this means daily outdoor time, natural materials, gardening, and sensory play — intentional choices aimed at giving children what science says they need to thrive.