Tom Cruise lifts Mission: Impossible — Fallout to a new series best

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The Mission: Impossible – Fallout is eyeing a North American debut between $50 million and $65 million. (Paramount Pictures)
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“Fallout” is by far the most expensive film in the Mission: Impossible series with a $178 million price tag. (Paramount Pictures)
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“Fallout” is by far the most expensive film in the Mission: Impossible series with a $178 million price tag. (Paramount Pictures)
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“Fallout” is by far the most expensive film in the Mission: Impossible series with a $178 million price tag. (Paramount Pictures)
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Tom Cruise, who performs all his own stunts, has described the Abu Dhabi skydive as “one of [my] most dangerous stunts yet.” (Paramount Pictures)
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The Mission: Impossible – Fallout is eyeing a North American debut between $50 million and $65 million. (Paramount Pictures)
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The Mission: Impossible – Fallout is eyeing a North American debut between $50 million and $65 million. (Paramount Pictures)
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“Fallout” is by far the most expensive film in the Mission: Impossible series with a $178 million price tag. (Paramount Pictures)
Updated 26 July 2018
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Tom Cruise lifts Mission: Impossible — Fallout to a new series best

  • With the series, Tom Cruise was, as its producer, very consciously launching his own action franchise
  • This series is a set-piece delivery mechanism, and its stories and central character are only there to make those moments happen

Through 22 years and six entries, there is no question as to what the driving force of the Mission: Impossible film franchise is—it’s Tom Cruise. With the series, Cruise was, as its producer, very consciously launching his own action franchise, and each entry since has been guided first and foremost by what stunt he wanted to perform next.
Writers on the second entry in 2000 said that the script was mainly a matter of fitting together the action set pieces that Cruise had already mandated and planned for the film. Now, 18 years later, writer/director Christopher McQuarrie has stated that the latest entry, “Mission: Impossible - Fallout,” featuring a skydiving sequence filmed in Abu Dhabi, began with Cruise saying he would like to pilot a helicopter in a chase.
It’s no wonder that the plots of this series feel so incidental. American poet Maya Angelou once said, “People will forget what you said, people will forget what you did, but people will never forget how you made them feel.” I’m near certain that she was talking about this film franchise. What you remember, as the story of each film self-destructs five seconds after you leave the cinema, is the moments—Cruise hanging from the ceiling, Cruise dangling off the Burj Khalifa, Cruise strapped to the side of a plane. This series is a set-piece delivery mechanism, and its stories and central character—the IMF agent Ethan Hunt—are only there to make those moments happen.


What is Fallout about? The previous installment’s terror group is back, they’ve got plutonium, and they plan to set off nuclear bombs. Ethan Hunt must pose as a terrorist and try to get the plutonium before they have the chance. That’s the plot, anyways. What this film is really about is Ethan Hunt, and how he goes about achieving his goals.

In Fallout, the name of the franchise is the key—each task that Hunt must complete starts off seeming difficult, and as it plays out, quickly seems truly impossible. Each sequence sets the stakes and then continues to raise them, giving this film a palpable tension unlike any action film has delivered in recent memory. But even as the odds get longer, and we the audience question how Hunt will manage to succeed, Hunt himself, even through all the punishment he takes, never loses faith—he will, simply, find a way.
This resonates because we believe it, too—not in the character, but in Cruise himself. In a series that has always relied on practical effects, we know, and are told over and over again, that this is really a 56-year-old Tom Cruise up there, risking his life, defying age, doing what no other person on Earth would dream of doing. Cruise is still the world’s best movie star, and best action star, because he decides he can be. It’s a faith that’s truly infectious. As stressful as this film is, it’s also, without a doubt, the year’s most uplifting, and life-affirming.

 

 


Incoming: The biggest TV shows coming your way before summer 2026 

Updated 02 January 2026
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Incoming: The biggest TV shows coming your way before summer 2026 

  • From the return of an iconic comedy to the end of TV’s most twisted superhero saga, here are the series you need to see 

‘A Knight of the Seven Kingdoms’ 

Starring: Peter Claffey, Dexter Sol Ansell, Finn Bennett 

HBO may be taking its George R.R. Martin tribute a little too far with the delayed release of their latest venture into the “Game of Thrones” universe, based on Martin’s “Tales of Dunk and Egg” novellas.The show follows hedge knight Ser Duncan the Tall (Dunk) and his young squire Aegon Targaryen (Egg) — who will grow up to become King Aegon V — on their adventures across Westeros. It’s finally set to drop Jan. 11. The reception for HBO’s other “GoT” spinoff, “House of the Dragon,” the third season of which is due this summer, has been lukewarm. Can “A Knight of the Seven Kingdoms” recapture the old magic? 

‘The Pitt’ 

Starring: Noah Wyle, Tracy Ifeachor, Patrick Ball 

The winner of 2025’s Emmy for Outstanding Drama Series returns (along with its Emmy-winning regular cast members — Wyle and Katherine LaNasa) Jan. 8 for another glimpse into the lives of the staff at the fictional Pittsburgh Trauma Medical Center, led by attending physician Dr. Michael “Robby” Robinavitch. The tense, claustrophobic first season covered a single 15-hour shift in real time. This second outing will do the same, set on Independence Day nearly 10 months after the events of season one, on the first day back at work after attending rehab for Robinavitch’s right-hand man, senior resident Dr. Langdon (Ball).  

‘The Night Manager’ 

Starring: Tom Hiddleston, Olivia Colman, Alistair Petrie 

Nearly a decade on from its acclaimed first season, this spy thriller — inspired by the work of John Le Carré — sees Hiddleston returning as Jonathan Pine; although he’s now living as Alex Goodwin, a low-level MI6 officer, in London. But when that new identity is threatened by a face from the past, he’s plunged into a twisty plot involving arms deals, guerillas, and a new nemesis, Colombian businessman Teddy Dos Santos (Diego Calva). Due out on Amazon Prime on Jan. 11. 

‘Industry’  

Starring: Myha’la Herrold, Marisa Abela, Kit Harrington 

The ‘special relationship’ between the US and the UK may be cooling, but this HBO/BBC joint production, at least, is thriving. Season four of the high-stakes finance drama, which debuts Jan. 11, sees a new fintech executive, Whitney Halberstram (Max Minghella, best known as Nick in “The Handmaid’s Tale”) shaking up London, while the employees of investment bank Pierpoint & Co continue to navigate their chaotic personal and professional lives. Charlie Heaton, fresh from “Stranger Things,” also joins the cast as financial journalist Jim Dycker. 

‘Scrubs’  

Starring: Zach Braff, Donald Faison, Sarah Chalke 

February sees the return of Bill Lawrence’s much-loved medical sitcom, with many of the original cast members returning, at least for cameos, and the three main characters — Dr. John “J.D.” Dorian (Braff), surgeon Chris Turk (Faison), and Dr. Elliot Reid (Chalke) — taking center stage once again, 16 years after the season nine finale. This time around, they’ll be the ones teaching the interns how to do their jobs, attempting to emulate their mentor Dr. Perry Cox (John C. McGinley), who’s still knocking around Sacred Heart hospital.