The Blue Whale striking fear in the heart of Saudi Arabia

‘He was everything a parent could ask for in a child’:Abu Sa’ad Al-Ahmari with his 12-year-old son Abdul.
Updated 04 July 2018
Follow

The Blue Whale striking fear in the heart of Saudi Arabia

  • The death of a Saudi student is thought to be related to an online game linked to more than 130 fatalities worldwide
  • Psychologists have urged parents to keep a close eye on their children’s behavior, checking if there are any markings on their arms or legs, monitoring their sleep patterns, and speaking with school counsellors

JEDDAH: Times have changed since the introduction of the Internet in the 1990s: Now, more than ever, people are exposed to the world via a laptop or mobile screen.
But behind these screens lurk dangers — unknown and disturbing features of the Internet that can’t always be detected — and children are the most vulnerable.
For the past two years, the term “Blue Whale game” has been popping up increasingly on social media. The game can’t be found on app stores and is not commercially available.
Named after the beaching of blue whales, a natural phenomenon by which the great mammals end their lives, the game implies the same — a death to end the game.
The game made its first appearance in 2016 and has many other names as well: “A Sea of Whales”, “Wake Me Up at 4:20 a.m.” and “A Silent House.”
A former Russian psychology student, Philipp Budeikin, 21, was reported to have been expelled from university after claiming he invented the game to “cleanse society” and rid it of “biological waste.” In other words, prey on the weak and vulnerable, and those with low self-esteem, and push them to their deaths.

 

Last year, a game “administrator” was sentenced to three years’ jail in Russia after he pleaded guilty to inciting 16 teenage girls to kill themselves.
The game consists of 50 daily challenges for precisely 50 days, asking people to show proof of their commitment or risk exposure and become a pariah in society. It is a game where teenagers are brainwashed and forced to commit horrendous acts, including self-harm.
The challenges, which vary from cutting one’s lip to carving the shape of a blue whale on one’s arm, encourage participants to gradually succumb to the administrator’s requests, ending in tragedy, as has been reported worldwide. An estimated 130 victims have killed themselves as part of the game’s final challenge.
This year has brought a rise in self-inflicted deaths in the region, sounding alarm bells. In early April, the 18-year-old son of a former Egyptian MP, Hamdy Al-Fakhrany, is believed to have been a victim of the suicide-linked game. A few weeks later, a 17-year-old girl from the Egyptian city of Sohag set fire to her family home, killing her mother and disabled brother in a suspected challenge issued by the game.

As many as 10 teenagers this year are suspected to have killed themselves in Egypt. Two Dubai-based teens were found dead in April after their social media accounts showed them discussing their suicides. India, the US, the UK, Brazil and Bangladesh have also reported suspicious deaths related to the Blue Whale game.
On June 30, tragedy struck in Saudi Arabia. Abdul Rahman Al-Ahmari, a 12-year-old in grade 7, died after a self-inflicted injury. Initial reports suggested the injury was prompted by the Blue Whale game. In an interview with Saudi official news channel Al-Ekhbariya, the boy’s father confirmed his son’s death, but said Blue Whale wasn’t involved, but something similar.
“I confirm that it wasn’t the Blue Whale game,” said Abu Sa’ad Al-Ahmari. “It was a gaming platform that held other games. I could see my son playing the game, but I didn’t see a pattern. There was no change in his behavior. He was everything a parent would ask for in a child. He was happy, loving, smart and witty. Everyone loved him.”
Al-Ahmari said he was aware of his child’s addiction to the game, but didn’t notice any change in his behavior. “He was secluding himself and not playing with his friends, although he did still play with his siblings,” Al-Ahmari said.
Small signs, but not enough to cause alarm.
“After his death, I asked them to open the game to see for myself. It was a devastating game. It breaks you. It (the game’s design) makes you believe that you are weak, taken for granted, neglected, alone and raises suspicion about everyone.”
With growing fears over Blue Whale and similar games in the UAE and Egypt, a school administrator at a Jeddah girls’ school said she planned to raise awareness about the games’ dangers.
Calling for parents to be vigilant, child development experts and family therapists were invited to speak to children about the importance of avoiding games that “don’t feel right” and to parents about how to recognize behavior changes in their children.
It’s not clear how children are finding the Blue Whale game since there are no websites or mobile apps available. Egypt’s National Telecom Regulatory Authority announced last month it was banning Blue Whale’s challenges from online sources. The UAE’s Telecommunications Regulatory Authority has also banned the game. However, it still manages to slip through the cracks.
Meanwhile, psychologists have urged parents to keep a close eye on their children’s behavior, checking if there are any markings on their arms or legs, monitoring their sleep patterns, and speaking with school counsellors about their academic progress and behavior in class.

 

Decoder

Daily tasks and a deadly challenge

The Blue Whale game is conducted primarily through social media platforms and lasts 50 days. “Players” are presented with daily tasks or challenges that start easily but gradually increase in intensity. Tasks include watching horror movies, staying up late, mutilating the skin and carving a whale symbol on your arms, ending with a life-threatening challenge.


Joy Awards 2026 spotlights arts in the Arab world

Updated 18 January 2026
Follow

Joy Awards 2026 spotlights arts in the Arab world

RIYADH: Riyadh hosted its annual Joy Awards, bringing together stars and creative projects from across the Arab world as part of an event that has been held annually since 2022. The 2026 ceremony continued its focus on recognizing storytelling and creative work, while highlighting projects released over the past year.
As audiences anticipated the winners following the release of the nominees, awards were presented across six sectors; music, cinema, series, directors, sports and influencers. In addition to category awards, the ceremony also honored recipients of special accolades including Personality of the Year, Lifetime Achievement, and Joy Honorary awards.
Previous events have recognized Arab and international figures for their contributions to the arts, including Matthew McConaughey, who received the Personality of the Year Award in 2025.
Amid the Kingdom’s expansion of its entertainment sector — spanning film, music and sports — the Joy Awards reflected Riyadh Season’s role in hosting large-scale cultural events.
This year’s fan-favorite nominees, many of whom were Saudi nationals, were cheered on as they walked the Joy Awards’ iconic lavender carpet, where fashion once again took center stage as a key expression of the region’s evolving creative identity.
Among winners who took home the Joy Awards was Saudi 14 year old Rateel Alshehri, who won Favorite Female Influencer. Speaking to Arab News on the lavender carpet, Rateel shared her excitement towards Joy Awards:
“I’m so excited about being at Joy Awards today, it’s something I’ve been looking forward to (…) Everyone here deserves to be here.” On her beautiful sky-blue gown, Rateel shared that she was wearing Saudi designer, Adnan Akbar.
Rateel’s excitement towards the awards was echoed by both Arab and non-Arab guests on the lavender carpet as many took in the unique atmosphere that Riyadh offers Joy Awards; where Arab entertainment and art is celebrated.
Lebanese actress Laila Abdullah also shared her enthusiasm towards both the award show and the Kingdom’s ambitions in hosting the Joy Awards and creating a hub for creative voices.
Speaking to Arab News she emphasized Saudi’s unique qualities: “It’s this mix of culture and luxury (…) It has that Gulf Arab character, the Saudi touch, you know? And that’s what really makes it stand out” Joy Awards was filled with a bustling energy that was eager and excited to give a platform to dreamers, artists, and talents who have been waiting to showcase their visions within the Arab world. It was a celebration that went beyond mere award-giving, reflecting the same ambition and creative momentum that defines Riyadh Season.
The lavender carpet paved way for international guests to speak to Saudi media on how it feels to be a part of an artistic celebration of Arab talent. Speaking to Arab News, Australian actor Luke Arnold shared his excitement towards attending the Joy Awards: “What I’m most excited about is kind of what I love about film and television, which is people from all over the world coming together to tell stories and share their expertise (…) It’s really exciting hearing about some of the potential projects happening, meeting some of the local talent here…just really excited to have more stories out in the world.”
Speaking to Arab News, Lebanese fashion influencer Karen Wazen reiterated the sentiment on Riyadh giving Joy Awards a special and unique energy for the arts, saying: “I am so impressed, I’m so proud to be at an event like this in our region, in Saudi Arabia. This is probably the most impressive and big carpet that I’ve ever seen (…) I’m very excited to watch the ceremony, but also I think to just meet so many people from our industries, it’s a beautiful place to do so.”
That vibrant atmosphere was on full display at the Joy Awards as the ceremony continued with stars like Millie Bobby Brown winning the Personality of the Year Award and the Lifetime Achievement Honor presented to acting legend Forest Whitaker. The stardom was not limited to the film sector, as American pop star Katy Perry performed her iconic songs live; and British singer Robbie Williams took to stage to give a standout performance.
The Joy Awards 2026 once again proved that setting new benchmarks in entertainment and creative expression is not only achievable, but celebrated when driven by local talent and support. As stars from around the world took to Riyadh’s lavender carpet, Arab culture was placed firmly at the forefront — spanning film, music, and digital creativity. The Joy Awards stand as a symbol of the broader cultural transformation that Riyadh is championing across the Arab world’s entertainment industry.