Saudi Arabia in discussions with FIFA to secure right of citizens in watching World Cup matches

Saudi Arabia's defender Omar Hawsawi plays the ball during the international friendly football match between Germany and Saudi Arabia at the BayArena stadium in Leverkusen, western Germany, on June 8, 2018. (AFP)
Updated 09 June 2018
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Saudi Arabia in discussions with FIFA to secure right of citizens in watching World Cup matches

  • Monday is the deadline for negotiations to determine how Saudis will watch national team

JEDDAH: Negotiations between the General Sports Authority (GSA) and FIFA to allow coverage of the World Cup in the Kingdom, a Saudi Arabian sports official has told Arab News. 

The Middle East rights to show the tournament are held by Qatar-owned beIN Sports, which is not authorized to air in Saudi Arabia. But with the big kick-off just four days away FIFA is under pressure to find a solution which will allow Saudi football fans to watch the Green Falcons’ progress in Russia. 

The hope is that Saudi Arabia will be able to air 22 World Cup clashes, including all of Juan Antonio Pizzi’s side’s Group A matches. The Arab News source revealed that the final deadline to find a solution is tomorrow.

In a recent interview with Bloomberg in Zurich, GSA chief Turki Al-Shaikh accused Qatar of backtracking from a FIFA-brokered deal to let the Kingdom air the opening and closing games as well as 20 other encounters for $35 million. He said details of the agreement had been relayed by FIFA officials. But the Qataris, who later met with FIFA and Saudi Arabian representatives at the FIFA headquarters this month, said agreement had not been reached on the sum.

 “Saudi Arabia has shown good faith” Al-Shaikh said.

The Green Falcons face hosts Russia in the opening match of the tournament in Moscow on Thursday. It is the first time the side have been in the World Cup for 12 years, with hopes and excitement high. But that has all been seemingly dealt a knee-high tackle by the dispute. 

And many Saudis are understandably upset. 

“I am annoyed an disappointed at the political interference in sport,” Abdullah Al-Hudaithi told Arab News.

“This World Cup is the biggest sporting event for the country in a long time and everyone should be able to watch it free of charge, let alone having to pay for it. 

“There are black market alternatives but a lot of people stand to miss out on watching Saudi Arabia at the World Cup. It’s a shame and I am disappointed.”

That view was echoed by Pat Janssen, CEO of Al-Shabab, who said the dispute was getting in the way of a big sporting moment for the country. "Of course, the people in Saudi Arabia have to see the World Cup,” he told Arab News. 

“This is a country that lives and breathes football like I've never seen.  “The fact that there may be limitations from BeIn Sports is a big shame, a huge shame. Remember, apart from the final, the opening game is the most watched after the final. Fans in Saudi Arabia need to see it. They deserve it.”

One leading commentator has called on FIFA to find a solution so fans  such as Al-Hudaithi can watch their beloved side take on the world’s best, such is the importance of the World Cup. 

“Economics and politics aside, mega-events such as the World Cup are so important to national and international well-being and self-esteem, that it is vital as many people as possible get the opportunity to watch the tournament,” Simon Chadwick, professor of Sports Enterprise at Salford University, said. “As such, FIFA needs to be decisive and assertive, it should not be cautious in feeling that it may need to take sides. In many respects, it is arguable that watching the World Cup is, in essence, a basic human right.”

Arab News asked FIFA for comment but did not hear back from football’s governing body. 


To infinity and beyond: Grendizer’s 50 years of inspiring Arabs

Updated 27 December 2025
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To infinity and beyond: Grendizer’s 50 years of inspiring Arabs

  • ⁠ ⁠50 years after its creation, the Grendizer anime series continues to capture Arab imagination
  • ⁠ ⁠⁠Arab News Japan speaks to creator Go Nagai, Middle Eastern fans and retells the story behind the UFO Robot tasked with protecting our planet

LONDON: Few cultural imports have crossed borders as unexpectedly, or as powerfully, as Grendizer, the Japanese giant robot that half a century ago became a childhood hero across the Arab world, nowhere more so than in Saudi Arabia.

Created in Japan in the mid-1970s by manga artist Go Nagai, Grendizer was part of the “mecha” tradition of giant robots. The genre was shaped by Japan’s experience during the Second World War, and explored themes of invasion, resistance and loss through the medium of science fiction.

But while the series enjoyed moderate success in Japan, its true legacy was established thousands of kilometers away in the Middle East.

By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. (Supplied)

The anime “UFO Robot Grendizer” arrived on television in the region in 1979, dubbed into Arabic and initially broadcast in Lebanon during the Lebanese civil war. The story it told of the heroic Duke Fleed, a displaced prince whose planet had been destroyed by alien invaders, struck a chord with children growing up amid regional conflict and occupation by Israel.

Its themes of defending one’s homeland, standing up to aggression and protecting the innocent were painfully relevant in the region, transforming the series from mere entertainment into a kind of emotional refuge.

Much of the show’s impact came from its successful Arabization. The powerful Arabic dubbing and emotionally charged voice-acting, especially by Lebanese actor Jihad El-Atrash as Duke Fleed, lent the show a moral gravity unmatched by other cartoons of the era.

While the series enjoyed moderate success in Japan, its true legacy was established thousands of kilometers away in the Middle East. (Supplied)

The theme song for the series, performed by Sami Clark, became an anthem that the Lebanese singer continued to perform at concerts and festivals right up until his death in 2022.

By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. For many, it was not only their first exposure to anime, it also delivered lessons on values such as justice and honor.

Grendizer was so influential in the region that it became the subject of scholarly research, which in addition to recognizing the ways in which the plight of the show’s characters resonated with the audience in the Middle East, also linked the show’s popularity to generational memories of displacement, particularly the Palestinian Nakba.

By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. (Supplied)

Half a century later, “Grendizer” remains culturally alive and relevant in the region. In Saudi Arabia, which embraced the original version of the show wholeheartedly, Manga Productions is now introducing a new generation of fans to a modernized version of the character, through a video game, The Feast of The Wolves, which is available in Arabic and eight other languages on platforms including PlayStation, Xbox and Nintendo Switch, and a new Arabic-language anime series, “Grendizer U,” which was broadcast last year.

Fifty years after the debut of the show, “Grendizer” is back — although to a generation of fans of the original series, their shelves still full of merchandise and memorabilia, it never really went away.

 

Grendizer at 50
The anime that conquered Arab hearts and minds
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