KIEV: Ukraine sought to justify faking the death of an anti-Kremlin journalist who appeared alive and well at a press conference in Kiev less than 24 hours after he was “murdered,” citing an alleged Russian plot to kill him.
Onlookers gasped and applauded as Arkady Babchenko re-appeared on Wednesday, introduced by the head of Ukraine’s security service, who said the murder had been staged in order to foil an attempt on his life by Moscow.
Less than 24 hours earlier, Ukraine said the reporter had died from three gunshots to the back in the stairwell of his apartment building in a contract-style killing in a case that provoked an outpouring of grief and a diplomatic spat.
“Thanks to this operation we were able to foil a cynical plot and document how the Russian security service was planning for this crime,” security service head Vasyl Grytsak said at the press conference.
Grytsak announced authorities had arrested the alleged mastermind of the plot, saying a Ukrainian citizen named only by the initial G. had offered to pay a hitman to carry out the killing after being recruited by Russian special forces and paid $40,000.
Ukrainian President Petro Poroshenko later met Babchenko and wrote triumphantly on Facebook that “millions of people are celebrating” the journalist’s new lease of life.
The planned attack was “organized from Russian territory” with the aim of “destabilising the situation in Ukraine” and “killing one whom Russia fears most of all,” he said.
“Thanks to Arkady and the Ukrainian security chiefs, for not allowing this scenario to be carried out in our country.”
Anton Guerachtchenko, an adviser to Ukraine’s interior minister, likened the plot to a story from a crime novel, saying on Facebook that “Sherlock Holmes successfully used the method of staging his own death to efficiently solve complicated crimes.”
But Moscow, later Wednesday, condemned the plot, with the foreign ministry saying “now the true motives are beginning to be revealed for this staging, which is totally obviously yet another anti-Russian provocation.”
Foreign ministry spokeswoman Maria Zakharova said it was “great news” that Babchenko was alive but on Twitter she slammed the “propagandistic effect” of the set-up.
Grytsak, during his press conference, thanked Babchenko and his family, who he said were in the loop about the secret operation.
The reporter, however, apologized to his wife for putting her through “this hell she had to live through for three days...but there was no other option.”
He later defiantly promised on Twitter to “die at 96 after dancing on Putin’s grave.”
“God, it got so boring being dead,” he wrote. “Good morning.”
News of the “death” of the prominent Russian war correspondent and former soldier set off a series of recriminations between Kiev and Moscow, and pictures and flowers were laid by mourners at the Russian embassy in Kiev.
Ukrainian officials led by Prime Minister Volodymyr Groysman accused Russia of being behind the killing of the Kremlin critic, a charge that Moscow batted back.
Reporters Without Borders also condemned the faked death.
“It is pathetic and regrettable that the Ukrainian police have played with the truth, whatever their motive... for the stunt,” Christophe Deloire, the head of the Paris-based media watchdog, told AFP.
And Russian investigative journalist Andrei Soldatov, a former colleague of Babchenko, also questioned the value of the operation.
“To me, it’s crossing a line big time. Babchenko is a journalist not a policeman, for Christ sake, and part of our job is trust, whatever Trump & Putin say about fake news,” he wrote on Twitter.
“I’m glad he is alive, but he undermined even further the credibility of journalists and the media,” he added.
A number of Kremlin critics have been killed in Ukraine in recent years, with one gunned down on a Kiev street in broad daylight and another whose car exploded.
Babchenko fought in Russia’s two Chechen campaigns in the 1990s and early 2000s before becoming a war correspondent and author. He repeatedly said he faced death threats.
He has contributed to a number of media outlets including top opposition newspaper Novaya Gazeta and is an avid blogger, accusing Russian authorities of killing Kremlin critics and unleashing wars in Ukraine, Syria and elsewhere.
He wrote about his experience as a young soldier in the Chechen campaigns in a book published in English under the title “One Soldier’s War.”
Babchenko left Russia in February 2017 after receiving threats, living first in the Czech Republic, then in Israel, before moving to Kiev.
He has hosted a program on the Crimean Tatar TV station ATR for the past year.
Babchenko made a name for himself with his poignant reportages from the frontlines, including the conflict in eastern Ukraine that has killed more than 10,000 people.
In recent years his increasingly bombastic posts pushed the boundaries of good taste and some of his colleagues and followers stopped reading him on Facebook.
Anti-Kremlin journalist back from the dead as Ukraine admits set-up
Anti-Kremlin journalist back from the dead as Ukraine admits set-up
- It was initially reported that Arkady Babchenko was killed in Ukraine after leaving Russia
- Reporters Without Borders also condemned the faked death
Gems of Arabia magazine launched to spotlight talents shaping Saudi Arabia’s evolving cultural landscape
- The publication features established and emerging talents elevating the region across design, fashion, art, tech, music, architecture and media
- Saudi fashion designer Hatem Alakeel seeks to highlight the richness of the Kingdom, and wider modern Arab culture to global audiences
DUBAI: When Saudi fashion designer Hatem Alakeel interviewed Princess Reema bint Bandar Al-Saud before her appointment as Saudi ambassador to the US, the longtime advocate of women’s empowerment made a powerful prediction: “I look forward to the day that the Saudi woman is no longer the story but rather a phenomenal achievement.”
That moment would become the foundation for Gems of Arabia, an arts and culture audio-visual podcast that spotlights the creative talents shaping the landscape of Saudi Arabia and the broader region.
Over six years, Gems of Arabia has documented the sweeping transformation of the Kingdom’s art and culture scene, and is now evolving into a full-fledged magazine.
“It started off as a column I used to write, and from there, it turned into a podcast. Now it is growing into a magazine,” Dubai-based Alakeel, the magazine’s founder and editor-in-chief, told Arab News ahead of the launch of the digital publication on Thursday.
Besides spotlighting celebrated regional artists, Alakeel said Gems of Arabia is in search of the “hidden gems” elevating the region across design, fashion, art, tech, music, architecture and media.
The magazine serves as a platform for talented, authentic creatives and tech entrepreneurs unable to articulate their work “because they don’t have the public relations or capacity to promote themselves even through social media.”
Alakeel added: “Our job is to identify all these authentic people; you don’t have to be famous, you just have to be authentic, and have a great story to tell.”
The digital publication offers a dynamic blend of short-form podcasts, coverage of regional cultural events, in-depth features and editorials, long-form interviews and artist profiles — spotlighting both celebrated and emerging talents. This is complemented by social media vox pops and bite-sized coverage of art events across the region.
Alakeel, who also runs Authenticite, a consulting and creative production agency connecting creators and brands who want to understand Saudi culture, said the magazine content is “carefully curated” to feature topics and personalities that resonate in the region.
What differentiates Gems of Arabia, he said, is its story of continuity and substance amassed over the years that has captured the evolution of the wider regional landscape.
“The website represents an archive of nearly 150 articles compiled through years of podcasts and long-form conversations that show continuity and depth changes,” he said.
“So, it’s an evolution and it’s another home for all our content and our community.”
Growing up in France, Alakeel said his mission started early on when he felt the need to represent his Saudi culture “in a way where it can hold its own internationally.”
Through his first brand, Toby, he sought to bring the traditional thobe into modern designs and introduce it to the luxury fashion world. This mission was accomplished when his thobe designs were placed alongside global labels such as Harvey Nichols, Dolce & Gabbana and Prada.
What began as a personal design mission would soon expand into a broader platform to champion Saudi talent.
“I was articulating my culture through fashion and it just felt natural to do that through the incredible people that the region has,” Alakeel said, adding that the magazine aims to highlight the richness of the Kingdom, and wider modern Arab culture to global audiences.
“Art is such a great way of learning about a culture and a country,” he said.
On the ground in Saudi Arabia, the publication hosts GEMS Forum, a series of live cultural gatherings that bring together prominent artistic figures for in-depth conversations later transformed into podcast episodes recorded with a live audience.
Alakeel said the print edition of Gems of Arabia will debut in March, designed as a collectible coffee-table quarterly distributed across the Gulf.
He envisions the platform growing into a long-term cultural record.
“It's a Saudi-centric magazine, but the idea is to make it inclusive to the region and everyone authentic has a seat at the table,” said Alakeel.









