Microchips get under the skin of technophile Swedes

Hands fitted with microchip implants could cause immune system reactions, some microbiologists warn. (AFP)
Updated 14 May 2018
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Microchips get under the skin of technophile Swedes

STOCKHOLM: It’s the size of a grain of rice but could hold the key to many aspects of your life.
A tiny microchip inserted under the skin can replace the need to carry keys, credit cards and train tickets.
That might sound like an Orwellian nightmare to some but in Sweden it is a welcome reality for a growing number who favors convenience over concerns of potential personal data violations.
The small implants were first used in 2015 in Sweden — initially confidentially — and several other countries.
Swedes have gone on to be very active in microchipping, with scant debate about issues surrounding its use, in a country keen on new technology and where the sharing of personal information is held up as a sign of a transparent society.
Twenty-eight year-old Ulrika Celsing is one of 3,000 Swedes to have injected a microchip into her hand to try out a new way of life.
To enter her workplace, the media agency Mindshare, she simply waves her hand on a small box and types in a code before the doors open.
“It was fun to try something new and to see what one could use it for to make life easier in the future,” she told AFP.
In the past year, the chip has turned into a kind of electronic handbag and has even replaced her gym card, she said.
If she wanted to, she could also use it to book train tickets.
Sweden’s SJ national railway company has won over some 130 users to its microchip reservation service in a year.
Conductors scan passengers’ hands after they book tickets online and register them on their chip.
Sweden has a track record on the sharing of personal information, which may have helped ease the microchip’s acceptance among the Nordic country’s 10 million-strong population.
Citizens have long accepted the sharing of their personal details, registered by the social security system, with other administrative bodies, while people can find out each others’ salaries through a quick phone call to the tax authority.

The implants use Near Field Communication (NFC) technology, also used in credit cards, and are “passive,” which means they hold data that can be read by other devices but cannot read information themselves.
Although still small, they have the capacity to hold train tickets, entry pass codes as well as access certain vending machines and printers, promoters say.
When Celsing’s innovatively minded media company organized an event where employees could get the implants, she followed the crowd.
She said she felt nothing but a slight sting when the syringe inserted the chip into her left hand, which she now uses on an almost daily basis and does not fear hacking or possible surveillance.
“I don’t think our current technology is enough to get chip hacked,” she says.
“But I may think about this again in the future. I could always take it out then,” she adds.
However, for Ben Libberton, a microbiologist working for MAX IV Laboratory in the southern city of Lund which provides X-rays for research, the danger is real.
The chip implants could cause “infections or reactions of the immune system,” he warned.
But the biggest risk, he added, was around the data contained in the chip.
“At the moment, the data collected and shared by implants is small, but it’s likely that this will increase,” the researcher said.
The real question, he added, is what data is collected and who shares it. “If a chip can one day detect a medical problem, who finds out and when?” he asked.
Libberton worried that “the more data is stored in a single place as could happen with a chip, the more risk it could be used against us.”
But Jowan Osterlund, a piercings specialist and self-proclaimed champion of chip implantation, brushes off fears of data misuse and conspiracy theories.
He advocates the opposite view, arguing that if we carried all our personal data on us, we would have better control of their use.
Despite unanswered questions however about how the technology will progress, the appeal of being part of a futuristic experience is a strong draw for some users.
“In Sweden, people are very comfortable with technology and I would say there is less resistance to new technology here than in most other places,” Libberton said.
At an “implant party” organized by Osterlund in Stockholm, 59-year-old Anders Brannfors stands out with his salt-and-pepper hair among the curious 30-something hipsters.
Delighted to have become a 2.0 version of himself, he has yet however to find a use for his chip several weeks after the implant.


‘Goodbye Julia’ wins big at Critics Awards for Arab Films in Cannes

Updated 19 May 2024
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‘Goodbye Julia’ wins big at Critics Awards for Arab Films in Cannes

DUBAI: Sudanese first-time director Mohamed Kordofani’s “Goodbye Julia” won the best feature film and best screenplay awards at the eighth Critics Awards for Arab Films that took place on the sidelines of the Cannes Film Festival on Saturday.

French-Tunisian composer Amin Bouhafa, who worked on “Hajjan,” won the best music award for the Saudi Arabia-based film. 

Tunisian director Kaouther Ben Hania’s hybrid docudrama “Four Daughters,” which missed out on the Best Documentary win at this year’s Academy Awards, scored three prizes: Best director for Ben Hania, best documentary and best editing.

Amjad Al-Rasheed’s “Inshallah a Boy” picked up the best actress prize for Palestinian star Mouna Hawa and best cinematography for Kanamé Onoyama.

Palestinian actor Saleh Bakri nabbed the best actor prize for his role in “The Teacher” while Egyptian filmmaker Morad Mostafa’s “I Promise You Paradise” came out on top in the best short film category.

The awards ceremony is organized by the Cairo-based Arab Cinema Centre (ACC) and winners are voted on by 225 critics from more than 70 countries.  


Saudi Arabia’s RSIFF hosts ‘Women in Cinema’ gala in Cannes

Updated 19 May 2024
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Saudi Arabia’s RSIFF hosts ‘Women in Cinema’ gala in Cannes

  • Rosie Huntington Whitley, Richard Gere, Minnie Driver, Alexa Chung, Uma Thurman and Eiza González attended the event, among other international celebrities

DUBAI: Saudi Arabia’s Red Sea International Film Festival (RSIFF) hosted the “Women in Cinema” Gala in partnership with Vanity Fair Europe in Cannes on Saturday, attracting celebrities from across the world.

Richard Gere poses with Mohammed Al-Turki. (Ammar Abd Rabbo)

The glitzy gala dinner took place after RSIFF presented the “Women in Cinema” panel discussion during the Variety Global Conversations event earlier in the day.

The panel featured Egyptian actress and model Salma Abu Deif, Indian actress Kiara Advani,  Thai actress, model and singer Sarocha Chankimha (also known as Freen), Saudi actress Adhwa Fahad, Saudi singer and actress Aseel Omran, and French-Senegalese director Ramata Toulaye-Sy. The talents spoke about their early beginnings, their career breakthroughs and their sources of inspiration during the panel talk.

Aseel Omran pictured at the event. (Ammar Abd Rabbo)

Those stars and many more attended the evening’s festivities at the iconic Hotel Du Cap.

“The Ministry of Ungentlemanly Warfare” actress Eiza González, model Ikram Abdi, supermodel Naomi Campbell and actress Dorra Zarrouk were among the star-studded guest list.

Rosie Huntington Whitley, Richard Gere, Minnie Driver, Raya Abirashed, Alexa Chung, Wallis Day, Lucas Bravo and Uma Thurman also attended the event. 

Yousra attended the event in Cannes. (Ammar Abd Rabbo)

“The Red Sea International Film Festival (#RedSeaIFF) and Vanity Fair Europe reunited to host the #WomenInCinema Gala, championing the achievements of rising female talent on both sides of the camera who are reshaping the film industry in Saudi Arabia, Africa, Asia and the Arab world,” the Red Sea Film Foundation posted on Instagram.

Saudi Arabia is playing a key role at the 77th edition of the Cannes Film Festival, having supported four projects that are screening at the event.

Eva Longoria and Eiza González snap a selfie. (Ammar Abd Rabbo)

“Norah,” “The Brink of Dreams,” “To A Land Unknown” and “Animale” will screen as part of the Un Certain Regard, Directors’ Fortnight and Critic’s Week programs at Cannes. The Red Sea Film Foundation supported the projects through the Red Sea Fund and the Red Sea Souk.

RSIFF CEO Mohammed Al-Turki has been spotted on multiple red carpets throughout the event so far and walked the opening night’s red carpet alongside Jomana Al-Rashid, CEO of the Saudi Research and Media Group.

 


Day 2 highlights of Red Sea Fashion Week: A historic swimwear show and elegant lace

Updated 19 May 2024
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Day 2 highlights of Red Sea Fashion Week: A historic swimwear show and elegant lace

RED SEA: Moroccan label EAU made history when it kicked off the second set of Red Sea Fashion Week shows on Friday, marking the first time swimwear has featured on a Saudi runway.

With the glistening St. Regis pool and swaying palm trees as a backdrop, the second RSFW began by highlighting one of summer’s essential pieces.

EAU. (Supplied)

The collection featured simple swimwear that ranged from one-pieces with deep V-cuts and off-shoulder motifs to bandeau tops and various sarongs. Royal blues, mustard yellows, hunter greens and maroon reds dominated the collection, setting a rather curious, but not unwelcome, fall palette for the upcoming summer season.

Some of the sleek looks were coupled with silky headwear and sophisticated handbags, including woven baskets dotted with rhinestones, straw beach bags, and fringe clutches.

Sarah Altwaim. (Supplied)

More fashion flowed as the Red Sea glowed. Sara Altwaim brought her silhouettes to the poolside runway. The collection kicked off with a number of white flowing lace and chiffon dresses, each catching the eye with individual flair, subtle beaded pearls, layered cuts or mix of fabrics.

Altwaim introduced an underwater-inspired chiffon fabric featuring sketches of seabed creatures, such as fish, shrimp, and crab, that made its way into a variety of ensembles.

 

 

Heavily-layered pearl neck pieces, sarong-like skirts, bejeweled fishnets, metallic fabrics, and flowing garments also drew their inspiration from marine life.

Saudi designer Yasmina Q introduced loungewear to the mix, ending the shows with a collection of knitted rib dresses in mint greens, seafoam blues, bright yellows, corals, and more.

 

 

The signature silhouette featured flared sleeves and a fitted waist that flowed into an A-line shape, while some of the pieces were also sleeveless for a more daytime summer look. Her collection, styled with summery bucket hats and sunglasses, also showcased an array of loungewear, from ribbed bottoms to simple fitted tops, fitted ribbed button-downs, kimono tops, and loose sweaters.


Tina Kunakey fronts Amina Muaddi’s latest campaign

Updated 18 May 2024
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Tina Kunakey fronts Amina Muaddi’s latest campaign

DUBAI: French model Tina Kunakey this week starred in Romanian Jordanian footwear designer Amina Muaddi’s latest summer-inspired campaign.

Kunakey, who has Moroccan origins, showcased Muaddi’s new BRITO slipper, a single block of plexiglass carved into the designer’s signature flared heel.

The handcrafted square-toed heels, made in Italy, come in hues of orange, purple, blue, pink, black and transparent.

The model shared pictures of the campaign on Instagram. (Instagram)

This marks Kunakey’s third collaboration with Muaddi. The model shared her thoughts on Instagram about working with the part-Arab designer once again.

“My admiration for you only deepens,” Kunakey wrote, sharing a picture of herself in the pool for the shoot.

“Season after season, each new campaign your talent shines brighter. You continuously push boundaries, and your commitment to excellence is as inspiring as it is contagious,” she added. “I couldn’t be prouder to be part of this journey and am so grateful to share this path with you, not just as your model, but as your friend.

“Thank you for trusting me since the very beginning. I love you. I am so proud of you and I am excited, and so full of love for what you’ve built and what’s to come.”

In addition to her collection of shoes, Muaddi’s jewelry and bag lines are also gaining acclaim among her celebrity clientele. The shoemaker’s label has garnered a loyal list of famous fans, including Dua Lipa, Gigi Hadid, Kylie Jenner and Hailey Bieber Baldwin.

Muaddi launched her eponymous footwear line in August 2018, about one year after departing from her role as co-founder and creative director of luxury footwear label Oscar Tiye.

The creator also helped design the shoes for Rihanna’s Fenty collection. The collaboration received the Collaborator of the Year award at the 34th edition of the FN Achievement Awards in 2020.

A year later, she landed a spot on Women’s Wear Daily and Footwear News’ 50 Most Powerful Women list.

Her jewelry collection encompasses rings, earrings and bangles, while her handbag range includes a variety of styles, from sleek clutches with striking embellishments to bold totes and crossbody bags.

Some of the bags are embellished with sparkling crystals or intricate sequins, while others are made from satin or leather and feature metallic finishes. The color palette includes classic cream, brown, black, red and silver.


Hoor Al-Qasimi appointed artistic director of the Biennale of Sydney

Updated 18 May 2024
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Hoor Al-Qasimi appointed artistic director of the Biennale of Sydney

DUBAI: The Biennale of Sydney announced this week that Emirati creative Hoor Al-Qasimi will become its artistic director for 2026.

The 25th edition of the biennale will run from March 7 to June 8.

Since its inception in 1973, the biennale has grown to become one of the longest-running exhibitions of its kind and was the first biennale established in the Asia-Pacific region.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by IBA (@biennialassociation)

Al-Qasimi created the Sharjah Art Foundation in 2009 and is currently its president and director. Throughout her career, she acquired extensive experience in curating international biennials, including the second Lahore Biennale in 2020 and the UAE Pavilion at the 56th Venice Biennale in 2015.

In 2003, she co-curated the sixth edition of Sharjah Biennial and has remained the director of the event since.

Al-Qasimi has been president of the International Biennial Association since 2017 and is also president of the Africa Institute. She has previously served as a board member for MoMA PS1 in New York and the UCCA Center for Contemporary Art in Beijing, among other roles.

She is also the artistic director of the sixth Aichi Triennale, scheduled to take place in Japan in 2025.