Incentives for filming in Saudi Arabia announced at Cannes

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More details will be shared on the General Culture Authority's website within the next few weeks, including the criteria, guidelines for application and other issues. (Ammar Abd Rabbo / Arab News)
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Ahmad Al-Maziad, CEO of General Culture Authority of Saudi Arabia, announced a rebate program of a minimum of 35 per cent for foreign productions filming in Saudi Arabia. (Ammar Abd Rabbo / Arab News)
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Faisal Baltyuor, left, CEO of the Saudi Film Council, and Ahmad Al-Maziad, CEO of the General Culture Authority, at a press conference in Cannes announced that Saudi Arabia is “open for business” to the global film industry with a number of initiatives. (Ammar Abd Rabbo / Arab News)
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More details will be shared on the General Culture Authority's website within the next few weeks, including the criteria, guidelines for application and other issues. (Ammar Abd Rabbo / Arab News)
Updated 12 May 2018
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Incentives for filming in Saudi Arabia announced at Cannes

  • General Culture Authority will be “funding 50 per cent of all money spent on Saudi talent”
  • Details on partners and content guidelines will be announced in the coming weeks

CANNES: At a special VIP breakfast on the sidelines of the 71st Cannes Film Festival on Friday, Ahmad Al-Maziad, CEO of the General Culture Authority, announced that Saudi Arabia is “open for business” to the global film industry, with a number of initiatives to promote locations and develop talent, from funding to scholarships.

Al-Maziad announced a rebate program of at least 35 per cent for foreign productions filming in Saudi Arabia. “We’re developing guidelines on how to get even higher than 35 per cent. That will be for all spend used and consumed in Saudi Arabia,” said Maziad at a press conference held at the Carlton Hotel.

In addition, Maziad announced that the General Culture Authority will be “funding 50 per cent of all money spent on Saudi talent.” This offer, which will apply to Saudis employed on productions in the Kingdom, will also be offered as a rebate, and is designed to incentivize using local crews, which will help develop Saudi Arabia’s domestic talent pool.

“We believe the combination of the two make us the most attractive incentive program in the world,” said Maziad. “This extends from film to documentaries, animation, scripted programs and much more. Putting a handsome rebate on local talent is about developing the local talent in Saudi. We believe that the more local talent used with global film crews will help them develop faster. We’re welcoming the best in the world to come shoot in Saudi, which will expedite the use of local talent beyond what we have today.”

According to Maziad, the rebate program will drive greater visibility of the country as Saudi Arabian locations are featured in films and TV programs, which will in turn further attract international productions and impact the country’s developing tourism sector.

“As in-country spend grows, it is expected to have a follow-on effect on industry infrastructure development such as studios and service providers, including hotels and accommodation, catering, transportation and other support services,” the General Culture Authority said in a statement.

Maziad promised that more details will be shared on the General Culture Authority’s website within the next few weeks, including the criteria, guidelines for application and other issues. It will also develop training programs, in conjunction with the University of Southern California, the Studio School and Film Independent in the United States, and La Femis and Les Gobelins in France.

In 2018, trainings and multi-week summer camps will take place in Saudi Arabia, Los Angeles and Paris through these education partners, covering the full spectrum of skills required for film production, including directing, editing, screenwriting, sound design, VR/AR and 2D/3D animation.

“Details will be shared on our website in the next few weeks. The criteria, the application, everything will be shared. This is one aspect that aims to attract international filmmaking to come to Saudi.”

Maziad also announced a national grant program “aimed at developing Saudi talent to help them produce movies in Saudi.” The program will be open to KSA nationals who produce or post-produce content in the Kingdom and meet eligibility criteria, the details of which “will be shared shortly on our website,” Maziad said.

Details on partners and content guidelines will also be announced in the coming weeks, Maziad promised. “Every country has its own content guidelines. We're developing a content guideline and it will be shared. We're developing based on what will be acceptable in the society. Already there are women wearing western dresses within Saudi. In terms of censorship and content guidelines, we will also be publishing them within the next few weeks. 

“The guidelines are derived from what is accepted in the society. The content guidelines are also evolving guidelines: they are not stagnant. They will evolve as the society changes and evolves. What was not accepted two years ago is accepted now.”

Speaking to Arab News after the announcement, Saudi filmmaker Hajar Alnaim was most excited about the 50 per cent rebate for hiring Saudi nationals. “This is what we need,” she said. “I believe that education is really essential to follow up with the local talent, to make better content, but working on sets is the most beneficial way to educate. When you do that, you’re not only getting education, you’re not only getting experience, you’re getting inspired. You’re learning the process.

“We have directors, great cinematographers, and more. We have great talent already, but for the upcoming generation, you need them to step up the ladder,” she said.

“I really think that the Saudi Film Council and the General Culture Authority—their objective is to invest in their talent, and that makes me happy. They are putting their local talent as their main priority, and that is exactly what we need as Saudis. We have great talent, and we need to show the world our talent, and our great stories too,” Alnaim continued, noting that it is her dream to shadow a filmmaker such as David Fincher or David Lynch on a Saudi Arabian co-production. Alnaim also hopes that she and her peers will be able to show their feature films in Saudi Arabian cinemas.

“The announcement was very progressive and very unique,” added Dr. Mohamed Ghazala, chair of the visual and digital production department at Effat University in Jeddah. “So far I have never seen an offer like this from another country, to provide this kind of support. For investors from around the world to come and get a minimum of 35 per cent for shooting inside the country—this will encourage many big players in cinema to come and to take advantage of this opportunity, and ultimately support Saudi film.”

Ghazala also believes that future Saudi Arabian productions and international co-productions will help change the world’s view of Saudi Arabia and educate the international community with more empowering depictions of Saudi Arabians, as well as all the region’s Muslims and Arabs.


Arab stars, designers steal the spotlight in Cannes 

Saudi influencer Yara Alnamlah posed on the red carpet. (Getty Images)
Updated 15 May 2024
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Arab stars, designers steal the spotlight in Cannes 

DUBAI: As the curtain rose on the 77th edition of the Cannes Film Festival, Arab stars and designers once again stole the spotlight in the glamorous French Riviera setting.

The festival kicked off with the premiere of the film “The Second Act,” but not before Saudi influencer Yara Alnamlah hit the red carpet in a look by designer Rami Kadi. She sported jewels by Chaumet, including the Wheat necklace from Le Jardin de Chaumet High Jewellery collection.

Saudi influencer Yara Alnamlah posed on the red carpet. (Getty Images)

Shanina Shaik, the Australian-born model of Saudi, Pakistani, and Lithuanian descent, graced the opening night red carpet in a head-turning scarlet dress by Lebanese couturier Zuhair Murad. Her strapless gown, featuring a sweetheart neckline and a dramatic overskirt, was from the designer’s ready-to-wear Fall 2024 collection.

Shanina Shaik, the Australian-born model of Saudi, Pakistani, and Lithuanian descent, graced the opening night red carpet in a head-turning scarlet dress by Lebanese couturier Zuhair Murad. Her strapless gown, featuring a sweetheart neckline and a dramatic overskirt, was from the designer’s ready-to-wear Fall 2024 collection.

Shaik was not the only star on the red carpet championing an Arab designer. 

US German model and TV host Heidi Klum stunned on the red carpet in a bold red gown by Lebanese designer Saiid Kobeisy. The dress gathered at the waist, revealing one leg, with silk fabric draping around her. 

Meanwhile, US actress Jane Fonda donned a black jumpsuit adorned with crystal embroidery from Lebanese designer Elie Saab’s Fall 2019 collection. Completing her look, she opted for a leopard-print overcoat.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by ELIE SAAB (@eliesaabworld)

“The Second Act” is a French comedy starring Lea Seydoux, Vincent Lindon, Louis Garrel and Raphaël Quenard. They play squabbling actors filming a movie directed by artificial intelligence.

The festival’s first lengthy standing ovation, though, went to Streep, who was awarded an honorary Palme d’Or during Tuesday’s opening ceremony. After Juliette Binoche introduced her, Streep shook her head, fanned herself and danced while the crowd thunderously cheered.

“I’m just so grateful that you haven’t gotten sick of my face and you haven’t gotten off of the train,” said Streep, who soon thereafter declared Cannes officially open with Binoche.


Saudi director Shahad Ameen’s ‘Hijra’ set to wrap filming

Updated 15 May 2024
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Saudi director Shahad Ameen’s ‘Hijra’ set to wrap filming

  • This is the director’s second movie following her debut feature film “Scales,” which premiered at the 76th edition of the Venice Film Festival
  • Once filming wraps, editing will take place in Paris under the guidance of Hervé de Luz

DUBAI: Saudi filmmaker Shahad Ameen is in the production phase of her latest film, “Hijra,” with the film set to be edited in Paris after filming wraps in May.  

This is the director’s second movie following her debut feature film “Scales,” which toured international festivals and premiered at the 76th edition of the Venice Film Festival, where it received the Verona Film Club Award. “Scales” was also submitted to the Best International Feature Film category by the Kingdom at the 93rd Academy Awards. 

Ameen began filming “Hijra” in March and is anticipated to wrap up shooting on May 24, according to a released statement.

A photograph taken on the set of 'Hijra.' (Supplied/ Ziyad Alzayer)

The shooting locations encompass eight cities in the Kingdom: Taif, Jeddah, Madinah, Wadi Al-Faraa, AlUla, Tabuk, NEOM, and Duba.

The film follows the journey of a grandmother with her two granddaughters from Taif to Makkah. When the eldest granddaughter goes missing, they embark on a quest to the north of the Kingdom.

The film stars Saudi talents Khairiya Nazmi, Nawaf Al-Dhufairi and Lamar Feddan. 

Once filming wraps, editing will take place in Paris under the guidance of Hervé de Luz, known for his work on “Jacques,” “Ghost Writer” and “The Pianist.” 

The film’s crew also includes Chilean cinematographer Miguel Littin Menz and British set designer Chris Richmond. 

In a released statement, Ameen said: “‘Hijra’ is one of the most difficult films I have worked on, and we are still halfway through. We are filming in eight different cities and remote areas. Still, the team and I fully believe in the importance of this story, which tells the story of Saudi women from different generations, and the conflict that ensues.

“All of this is in the plot of a road film that highlights the cultural and historical diversity of the Kingdom and stresses that the Kingdom was and still is a refuge for all people who sought safety in this holy land,” she added. 

For “Hijra,” Ameen is teaming up with Iraqi filmmaker Mohamed Al-Daradji, Biet Ameen Production, the Iraqi Independent Film Center, Ideation Studio by Saudi producer Faisal Baltyuor, veteran Egyptian Mohamed Hefzy, Abboud Ayyash, Sayed Abou Haidar, the Red Sea Fund and Film AlUla for the production of the movie. 

Hefzy said: “Having collaborated with Shahad on ‘Scales,’ we feel Shahad is onto something very special and more ambitious with ‘Hijra,’ and are only proud and eager to complete the journey with her and her producing team.” 

The film has also received support from the Daw Initiative Saudi Film Commission, Ithra and NEOM.


DCT Abu Dhabi chairman awarded Legion of Honour by France

Updated 15 May 2024
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DCT Abu Dhabi chairman awarded Legion of Honour by France

DUBAI: Mohamed Khalifa Al-Mubarak, the chairman of the Department of Culture and Tourism – Abu Dhabi, has been awarded the prestigious French Legion of Honour.

Al-Mubarak received the award in a private ceremony at Louvre Abu Dhabi.

The medal was presented by Rachida Dati, France’s Minister of Culture, on behalf of French President Emmanuel Macron.

This is not the first time the Legion of Honour, considered the most distinguished merit in France, has been bestowed on an Emirati official.

Noura Al Kaabi, Minister of State, was awarded the merit earlier this year. Sheikh Dr Sultan bin Muhammad Al Qasimi, Ruler of Sharjah, received the award last year.


Saudi Arabia’s Red Sea Film Fest CEO, Lebanon’s Nadine Labaki attend Cannes opening night

Updated 15 May 2024
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Saudi Arabia’s Red Sea Film Fest CEO, Lebanon’s Nadine Labaki attend Cannes opening night

DUBAI: Mohammed Al-Turki, the CEO of Saudi Arabia’s Red Sea Film Festival, attended the opening ceremony of 77th edition of the Cannes Film Festival as Lebanese actress-director Nadine Labaki posed on the red carpet alongside her fellow Cannes jury members.

Al-Turki took to social media to post pictures from the red carpet, where he posed alongside Jomana Al-Rashid, CEO of the Saudi Research and Media Group. He captioned the post, “Beautiful and inspiring opening night @festivaldecannes repping @redseafilm with @jomanaalrashid! Congratulations Thiery and Iris for a great start for what I’m sure will be an edition that exceeds all expectations,” referring to artistic director Thierry Fremaux and festival president Iris Knobloch.

Mohammed Al-Turki posed alongside Jomana Al-Rashid, CEO of the Saudi Research and Media Group. (Getty Images)

The opening night film was “The Second Act,” a comedy starring Léa Seydoux and Louis Garrel.

However, before “The Second Act” was screened for the audience, Cannes presented its jury, which includes Omar Sy, Lily Gladstone, Nadine Labaki, Ebru Ceylan, Hirokazu Kore-eda, J.A. Bayona and Greta Gerwig.

The Cannes Film Festival jury features Lebanese director-actress Nadine Labaki (fourth from the left). (Getty Images)

The star of the night was US veteran actress Meryl Streep, on hand to receive an honorary Palme d’Or. Taking the stage to receive her honor, the Oscar-winner was greeted with a two-minute standing ovation. Addressing the crowd, Streep remembered words from her mother: “Darling, you’ll see, it all goes so fast.” 

Meanwhile, a film from Saudi Arabia will be screened at the film festival for the very first time.

“Norah,” Saudi director Tawfik Alzaidi's feature debut, has been selected in the Un Certain Regard section and will screen with 19 other entries from around the world.


What is the celebrity ‘blockout’ over the war in Gaza?

Updated 15 May 2024
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What is the celebrity ‘blockout’ over the war in Gaza?

  • For the blockout, users put a block on seeing any and all content from the accounts of certain celebrities on social media platforms

NEW YORK: Some social media users are calling out celebrities for what they say is inaction in the face of a humanitarian crisis in Gaza — and they’ve taken to a “blockout” to pressure the stars to take a stand.
For the blockout, users put a block on seeing any and all content from the accounts of certain celebrities on social media platforms including X, TikTok and Instagram. Some have posted about the celebrities they’ve blocked, using a hashtag such as #blockout, #blockout2024, or #celebrityblockout, while others have shared posts from users lambasting attendees of high-glamor events like the Met Gala and contrasting it with the situation in Gaza.
Blockout participants say it’s a protest because the celebrities either haven’t spoken up or haven’t said enough against Israel’s actions in Gaza during its war with Hamas. Since the war erupted Oct. 7 with Hamas’ deadly attacks, Israel’s military has killed more than 35,000 people in Gaza, according to Gaza’s Health Ministry, which doesn’t distinguish between civilians and combatants.
How does the blockout work?
On social media platforms, users see content from people they follow, as well as from those chosen for them by algorithms. In both instances, users can select options to mute or block a person or account.
Blocking the accounts of celebrities or influencers means not seeing any of the content they produce on social media — no posts, no photos or videos, no collaborations with sponsors. The number of people interacting with content brings in money, so the blocks are meant to affect views, engagement and — ultimately — paychecks.
The blockout also is meant to target celebrities’ brands by taking eyeballs and attention away from their content.
Who is being blocked?
There is no single organized list of celebrities being blocked. Some users are offering celebrity suggestions, while others are deciding on their own. Celebrities in the US and beyond have been named in the blockout.
Blocking is up to each social media user. And every celebrity, influencer or content creator must be blocked individually on each platform.
How did the blockout start?
Protests around the Israel-Hamas war have grown, with encampments on college campuses around the country. Amid those movements, attention to what celebrities and influencers were, or weren’t, saying got a boost after the Met Gala last week.
The annual party draws a host of famous faces from the worlds of fashion, movies, music, sports and more. It’s known for its over-the-top arrivals carpet and the elaborate outfits celebrities wear. This year, the gala was circled by protesters for much of the evening.
Social media was flooded with images from the star-studded event. Around the same time, images circulated as Israel launched a military operation in the southern Gaza city of Rafah. That led to some users calling out the contrast between the gala’s celebrity opulence and the situation in Gaza — using images from both — and condemning celebrities for not using their platforms to speak up for those who are suffering.
Will the blockout be effective?
The effectiveness and staying power of the blockade are yet to be seen, said Beth Fossen, assistant professor of marketing at Indiana University. It might depend on the celebrity and what they’re known for — a famous person whose “brand” is tied to humanitarian causes may be more affected than one known primarily for talent, she added.
“If your identity is really tied to promoting something that is key to the boycotting, then this could potentially have really serious consequences for you,” Fossen said. “There might be some influencers that gain their fame by sort of promoting peace and then they’re being silent on this issue — followers may not forgive them.”
Is there blockout backlash?
There has been criticism of the blockout, with some saying the focus on celebrities takes attention away from what’s happening on the ground in Gaza. Others question what the parameters are for judging whether someone should be blocked — and what would constitute a well-known person speaking out or doing enough.