Throwback Thursday: Godard’s masterpiece Le Mépris still smoulders

Brigitte Bardot (R) and Jean-Luc Godard (L) on the set of Godard's 'Masculin-Feminin' in 1965. (AFP)
Updated 10 May 2018

Throwback Thursday: Godard’s masterpiece Le Mépris still smoulders

  • Director Jean-Luc Godard proved a master at thrusting bare-faced Marxist ideology onto cinema screens
  • With “Le Mépris” (Contempt), which turns 55 in December, Godard also proved a master manipulator of human emotion

ROTTERDAM: Director Jean-Luc Godard is a master of many things. With his stylish, noir-ish debut “Breathless” (À bout de soufflé, 1960), he was established as the French New Wave’s master of moody, monochrome, cigarette-sucking, fedora-touting cool.

With his later, post-1968 protest works, Godard proved a master at thrusting bare-faced Marxist ideology onto cinema screens. And throughout his entire, six-decade career, Godard has proved a master of tearing up the rulebook — pioneering a fiercely original, cerebral, grainy, jump-cut, narrative-free and often impenetrable approach which best embodies every cliché, good or bad, about so-called arthouse cinema.

But with “Le Mépris” (Contempt), which turns 55 in December, Godard also proved a master manipulator of human emotion. I recently had the chance to re-watch this 1963 masterpiece on a big screen. It’s a film I've seen perhaps a dozen times before, but even anticipating every bitter conversational turn and faux-profound witticism, the emotional rigor of Godard’s sixth picture remained undiminished. I left the cinema in a nervy but electrified state, needing an hour in a quiet café to steady and appreciate the tragic freewheeling chain of thoughts unravelling.

Michel Piccoli plays a French scriptwriter, recently arrived in Rome to sell his soul, and maybe his beautiful young wife — a timeless turn from Brigitte Bardot — to a crass American movie producer (Jack Palance) making a narcissistic version of Homer’s “Odyssey”. With stately satire, German expressionist master Fritz Lang, of “Metropolis” authorship, plays himself as the project’s cynically aloof director.

A movie about moviemaking, but also about love. And hate. The breakdown of Piccoli and Bardot’s marriage — over a single, real-time, 31-minute conversation, inside the claustrophobic, barren walls of their new apartment — is the film’s emotional core, a stunningly virtuoso second act of three.

But there’s so much more to chew on: “Le Mépris” is about Greek gods and movie goddesses. About integrity, lust and power. About America and postwar Europe. About the poetry of Technicolor sunlight. “Le Mépris” is about humans — and how vicious, cruel and transactional we truly are.


Giroud and Mbappe guide France past Poland and into World Cup quarter-finals

Updated 04 December 2022

Giroud and Mbappe guide France past Poland and into World Cup quarter-finals

  • Mbappe’s lethal strike in the 74th minute killed off any prospect of a Poland comeback and he netted again at the death to move to nine goals in just 11 World Cup appearances
  • The threat of Robert Lewandowski was snuffed out by the French defense although the 34-year-old Poland captain did get the consolation of scoring a stoppage-time penalty

DOHA: Kylian Mbappe set up a history-making goal for Olivier Giroud and then scored two himself as holders France eased into the quarter-finals of the World Cup with a 3-1 win over Poland on Sunday.
Giroud’s opening goal a minute before half-time was his 52nd for his country, allowing him to pass Thierry Henry and become France’s all-time record marksman.
Mbappe’s lethal strike in the 74th minute killed off any prospect of a Poland comeback and he netted again at the death to move to nine goals in just 11 World Cup appearances, the second-most for a French player at the tournament.
At the other end the threat of Robert Lewandowski was snuffed out by the French defense although the 34-year-old Poland captain did get the consolation of scoring a stoppage-time penalty.
France, though, march on to the quarter-finals and remain on course to become the first team to successfully defend the World Cup since Brazil 60 years ago.
France were overwhelming favorites against a Poland side who had limped through the group stage, but the memory of their exit from Euro 2020 served as a warning.
France had been 3-1 up and cruising in that last-16 tie against Switzerland only to concede two late goals and end up losing on penalties, with Mbappe missing the crucial spot-kick.
Mbappe returned on Sunday as one of nine changes following their inconsequential defeat by Tunisia, with goalkeeper and captain Hugo Lloris also returning to win his 142nd cap.
That saw him equal the record for most France appearances held by Lilian Thuram, whose son Marcus came off the bench here.
It was a history-making occasion for France but what coach Didier Deschamps wanted above all was a routine victory and progression to the quarter-finals.
The sky should be the limit for a French side led by Mbappe, but it is not just him.
Ousmane Dembele and Antoine Griezmann were lively in a strong start amid a hushed atmosphere at Al Thumama Stadium.
The fans were happy to sit back and be thrilled as the big screen at one point showed that Mbappe had reached a top speed of 35 kilometers per hour.
France’s pace and pressing was too much for Poland as Przemyslaw Frankowski gave possession away, leading to Dembele crossing to the back post for Giroud to somehow put the ball wide.
Poland, who have not won a World Cup knockout match since 1982, recovered from a tentative start to almost go ahead in the 38th minute as Lloris blocked a shot by Piotr Zielinski and Jakub Kaminski’s follow-up was stopped on the line by Raphael Varane.
Those misses proved crucial as France seized the lead a minute before half-time.
Patient build-up play ended with Mbappe having a glance as he received the ball just outside the box before playing in Giroud who took a touch and finished into the far corner.
Poland were left to chase the game in the second half and they sent on Juventus striker Arkadiusz Milik to support Lewandowski for the final half hour.
However, their attack was simply no match for France, who picked off Poland to make it 2-0.
A Griezmann clearance was brought down by Giroud and he released Dembele whose ball into the middle was controlled before being blasted home by Mbappe.
It was an emphatic finish and was followed by another of a similar calibre from a Thuram assist in stoppage time.
Only Just Fontaine, who scored 13 in 1958, has scored more World Cup goals for France.
Lewandowski then pulled one back right at the end, converting a retaken penalty that was awarded for a handball by Dayot Upamecano.


Second phase of Pakistan T20 Women's Cricket Tournament to kick off from Monday

Updated 04 December 2022

Second phase of Pakistan T20 Women's Cricket Tournament to kick off from Monday

  • Tournament matches will be played at two Lahore venues, final to take place on December 9
  • PCB says tournament winners will bag Rs1 million, runners-up team to receive Rs0.5 million

ISLAMABAD: The second phase of the Pakistan T20 Women's Cricket Tournament is scheduled to kick off from December 5, the Pakistan Cricket Board (PCB) announced on Sunday.
The first phase of the tournament concluded earlier this week on Friday.
The second phase, which will begin from Monday, will be held at two venues in Lahore: The Lahore Gymkhana and the LCCA Ground, the PCB confirmed.
"Four teams namely Blasters, Challengers, Dynamites and Strikers will feature in the event where Pakistan's elite cricketers will take part," the country's cricket board said in a statement.
The second phase will be played on a single-league basis, where two matches will be held everyday on 5, 6 and 7 December.
The final of the tournament will take place at Lahore's Gaddafi Stadium on December 9 which will also be live-streamed for viewers on the PCB's YouTube channel.
“The tournament provides a great opportunity for players to kick-start their preparations for the ICC Women's T20 World Cup in South Africa later next year and hone their skills in the format," it added.
The contest will feature a blend of Pakistani cricketers who have represented their country internationally along with the emerging talent in the game.
In order to incentivize domestic performers, the best player of every match will continue to receive Rs20,000 as they were getting in the first phase of the tournament. The player of the tournament will bag Rs50,000. The winning team will receive Rs1 million, while the runner-up will get Rs0.5 million.
Blasters squad:
Fatima Sana (Captain), Aima Saleem, Anam Amin, Ayesha Bilal, Ayesha Naseem, Bismah Maroof, Fareeha Mehmood, Gul Rukh, Huraina Sajjad, Maham Manzoor, Mahnoor Aftab, Masooma Zehra, Shawal Zulfiqar, Sidra Amin and Amber Kainaat
Team management – Mauhtashim Rashid (head coach), Shahid Mehmood (assistant coach), Mahlika Mansoor (manager)
Challengers squad:
Omaima Sohail (Captain), Aiman Anwar, Aliya Riaz, Anoosha Nasir, Ayesha Zafar, Dua Majid, Ghulam Fatima, Hamna Bilal, Javeria Wadood, Khadija Chishti, Lubna Behram, Najiha Alvi, Noreen Yaqoob, Rameen Shamim and Rida Aslam
Team management – Azam Khan (head coach), Nazim Khan (assistant coach), Asiya Khan (manager)
Dynamites squad:
Umm-e-Hani (Captain), Aleena Shah, Gull-e-Uswa, Gull Feroza, Kainat Imtiaz, Nahida Khan, Nida Dar, Sadaf Shamas, Sadia Iqbal, Saima Malik, Saira Jabeen, Sidra Nawaz, Tuba Hassan, Waheeda Akhtar and Yusra Amir
Team management – Taufiq Umar (head coach), Jawad Hamid (assistant coach), Hina Azam (manager)
Strikers squad:
Muneeba Ali (Captain), Aroob Shah, Ayesha Irfan, Eymaan Fatima, Fatima Khan, Iram Javed, Javeria Rauf, Kaynat Hafeez, Maham Tariq, Nashra Sundhu, Natalia Parvaiz, Neha Sharmeen, Saba Nazir, Soha Fatima and Zunera Shah
Team management – Waqar Orakzai (head coach), Rehmat Gull (assistant coach), Aisha Jalil (manager)


Pakistan's Grammy-winning artist goes looking for childhood home in Saudi Arabia

Updated 04 December 2022

Pakistan's Grammy-winning artist goes looking for childhood home in Saudi Arabia

  • Arooj Aftab was born to Pakistani parents in the kingdom where she spent the first few years of her life
  • The Pakistani singer gained recognition through fusion music before winning the biggest prize in April

ISLAMABAD: Pakistan's first Grammy-winning music artist Arooj Aftab shared her quest to find her childhood home in Saudi Arabia with her fans on Instagram along with interesting pictures and videos of the place.
The Brooklyn-based vocalist, who bagged the most prestigious international music award for her song "Mohabbat" in April, was born to Pakistani parents in the kingdom where she spent the first few years of her life.
Aftab pursued a degree in music production and engineering in Boston before settling down in New York where she became part of the city's "new music" scene.
"Searching for my childhood home in Riyadh with no address, just a couple of landmarks from memory - a park, a mosque, a hill and a hotel," she wrote on Instagram last week along with a bunch of photographs and videos documenting her experience.
"I think I found it," she continued. "Almost 30 years later, the once sweet neighborhood full of villas and elegant apartments, home to well offish and upcoming young immigrant families - is now just a few abandoned villas, empty squares of demolished house, sleepy old apartment buildings, and construction sites as the city is packing in affordable apartment housing into the area. The vibe of this place is unmistakable though. These are the streets. These are definitely the streets."

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Arooj Aftab (@aroojaftab)

Aftab shared the image of the back gate of her villa, showed the streets surrounding her childhood residence along with an abandoned building structure which she said looked like the place where she once lived.
"This space between memory and sadness, between the past and the excitement to return to it, between seeing change and the relief it brings …. this space is perfect," she added.
The Pakistani singer, who has gained international recognition through fusion music, got over 8,850 likes on the post which clearly captivated her Instagram fanbase.
Apart from becoming the first and only Grammy winner for her country, Aftab also debuted at the prestigious Coachella music festival this year.


Saudi Arabia’s NEOM attracts first Bollywood shoot with ‘Dunki’

‘Dunki’ stars Bollywood superstar Shah Rukh Khan. (AFP)
Updated 04 December 2022

Saudi Arabia’s NEOM attracts first Bollywood shoot with ‘Dunki’

DUBAI: NEOM has attracted its first Bollywood shoot, with “Dunki,” starring Shah Rukh Khan, having filmed at the location.

The announcement was made at the second edition of the Red Sea International Film Festival in Jeddah on Sunday, with Wayne Borg, the managing director of NEOM, adding that 200-episode-a-year Saudi soap opera “Exceptional,” produced by MBC, would also be shot at one of the region’s new sound stages.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Shah Rukh Khan (@iamsrk)

Borg also addressed nearby competitor Abu Dhabi, which has turned into a hotspot for Hollywood shoots in recent years, saying: “I think our ambitions are much greater than theirs,” according to Variety.

Neom has hosted an estimated 26 productions over the past 18 months, including “Desert Warrior,” which stars US actor Anthony Mackie and is directed by Rupert Wyatt.


Pakistan to verify Daesh claim of organizing attack on diplomatic facility in Kabul — official

Updated 04 December 2022

Pakistan to verify Daesh claim of organizing attack on diplomatic facility in Kabul — official

  • Ambassador Mohammad Sadiq calls such acts of extremist violence detrimental to Afghan and regional peace and stability
  • The Pakistani official maintains the two countries 'must act resolutely' by joining their collective might to defeat militancy

ISLAMABAD: Pakistan will try to verify if Daesh was behind a recent attack on its diplomatic mission in Afghanistan, said a senior official on Sunday, after the militant group said it made the attempt to target the country's envoy in Kabul.

The Pakistan embassy came under attack on Friday, making the authorities in Islamabad describe the incident as an "assassination attempt" against its top diplomat in Afghanistan.

While the country's Chargé d'Affaires, Ubaid-ur-Rehman Nizamani, was not hurt in the attack, a Pakistani security guard got "critically injured" and was later flown to Peshawar for medical treatment.

Daesh's regional chapter, which calls itself the Islamic State of Khorasan Province (IS-KP), purportedly acknowledged in a statement, cited by the SITE monitor, that it had "attacked the apostate Pakistani ambassador and his guards" in Afghanistan.

"The IS-KP have accepted responsibility for the terrorist attack on Pakistan Embassy compound on 2 December," said the country's special representative for Afghanistan, Ambassador Mohammad Sadiq, in a Twitter post. "Independently and in consultation with the Afghan authorities, Pakistan will verify the veracity of these reports."

Regardless of who was behind the attack, Sadiq continued, the incident was another reminder that such instances of extremist violence posed a major threat to the peace and stability of Afghanistan and the region.

"We must act resolutely with all our collective might to defeat this menace," he said, adding: "On our part, Pakistan remains steadfast in its commitment to fighting terrorism."

 

 

 

The acting foreign minister of Afghanistan, Amir Khan Muttaqi, said on Saturday his country would "bring the perpetrators of this heinous attack to justice" while condemning the incident.

Pakistan's interior minister Rana Sanaullah recently maintained that another proscribed militant entity, Tehreek-e-Taliban Pakistan (TTP), was enjoying "all sorts of facilities in Afghanistan" after the TTP leadership said it was behind a recent suicide bombing in southwestern Balochistan province that targeted police personnel protecting polio workers.

The TTP leaders are based in Afghanistan and the Pakistani minister said the group's activities should be "a matter of concern" for the administration in Kabul.