Rashid Al-Khalifa: The artist formally known as Prince

From the “Shape of Time” series, 2015. Matte enamel on aluminum.
Updated 08 May 2018
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Rashid Al-Khalifa: The artist formally known as Prince

  • My artwork is a form of communication and sensorial engagement for self-exploration, for myself and the viewer, Al-Khalifa said.
  • Al-Khalifa's work in the past 10 years or so has focused on abstract and color-field art.

DUBAI: “Hybrids,” a new solo exhibition by Bahraini artist (and member of the royal family) Rashid Al-Khalifa opened last night at Ayyam Gallery in Dubai International Financial Centre.

“Hybrids” presents wall-mounted installations from six of Al-Khalifa’s series dating from 2010 to 2017.

Since beginning his career in the late 1960s, Al-Khalifa has established himself as a major player in the Middle Eastern art scene. His “quasi-kinetic” works, which Ayyam Gallery’s press release describes as “seminal,” were presented in Washington, DC, in 1982. Over the past four decades, Al-Khalifa has exhibited all over the world.

His work in the past 10 years or so has focused on abstract and color-field art, examples of which can be seen in “Hybrids” — an apt title for works that blend painting and sculpture.

The press release stated that circles serve as a starting point for much of Al-Khalifa’s work, as seen in his “Into a Different Dimension” series, in which “the artist creates folds with detached sections of the circles, highlighting fragile connections between the shapes.”

Earlier this year, Al-Khalifa told Bahraini daily Gulf Today that he would have been an architect had he not become a painter — “Architecture is closest to my heart,” he said — and that interest is clear in his carefully constructed work.

“My artwork is a form of communication and sensorial engagement for self-exploration, for myself and the viewer,” Al-Khalifa said in a statement about the exhibition.

“Hybrids” runs until June 28. The exhibition is set to run until June 28 at Ayyam Gallery, which was founded in 2006 with a mission to “expand the parameters of international art,” according to its website.


Alia Bhatt, Sigourney Weaver talk love for authenticity, strong women

Updated 10 December 2025
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Alia Bhatt, Sigourney Weaver talk love for authenticity, strong women

JEDDAH: On the seventh day of the ongoing Red Sea International Film Festival, two actresses — set apart by geography and time — spoke of their love for telling authentic stories and depicting strong women.

Bollywood superstar Alia Bhatt and Hollywood great Sigourney Weaver, on their respective In Conversation panels, reflected on their varied careers and the choices that led them to enduring success.

From a teenager stepping onto her first film set to a respected actress in her early thirties, Bhatt’s journey is a testament to the power of curiosity and instinct.

Bollywood superstar Alia Bhatt. (Getty Images)

“When I started out, I was ... maybe 17, 18,” she said. “I was way more enthusiastic and full of beans, trying really hard because I was just starting out.”

Her approach has evolved, but the core remains unchanged. “I’m still enthusiastic, still full of beans, but the approach is more silent. It comes with a little more sense of intent,” she said.

“I approach my work truly through pure instinct. The way I choose a part is like, ‘Oh, I've done this. Now I want to do this.’”

This approach, she said, led her to take creative risks — from “Highway” to “Udta Punjab” to Gangubai Kathiawadi” — always seeking variety.

Turning producer with Eternal Sunshine Productions was a natural progression of that curiosity. “I have a real strong passion for stories, so I like to get into it.

“And I like to think, ‘Okay, this has this potential, or this has that potential,’ and either I’m in it or I’m not, but I like to assess the initial stages of a story which is just a synopsis or first draft on paper.”

 Hollywood heavyweight Sigourney Weaver. (Getty Images) 

Weaver said she never set out to become an action hero. Initially shy and unsure, she was drawn not to specific roles but compelling stories.

When “Alien” came along, she approached the script with an open mind, unaware she was about to redefine female characters in science fiction.

“We were just trying to make a good, small movie,” she recalled. “The writers had cleverly crafted a script with a mixed-gender crew of “dirty space truckers,” deliberately subverting expectations by making the young woman the survivor and hero.

Weaver did not see it as a feminist statement at the time, but as a natural storytelling choice. Her character, Ellen Ripley, represented the idea that women could be self-reliant.

“She reminds us all that we can rely on ourselves and we don’t need a man to fly in and save us,” said Weaver.