NEW YORK: Reuters won Pulitzer Prizes on Monday for international reporting and photography while the New York Times and Washington Post shared honors for exposing sexual harassment in America and detailing the US investigation of Russia’s involvement in the 2016 presidential election.
The Pulitzers, the most prestigious awards in American journalism, recognized Reuters in international reporting for exposing the methods of police killing squads in Philippines President Rodrigo Duterte’s war on drugs, and for feature photography documenting the Rohingya refugee crisis in Myanmar and Bangladesh.
“In a year in which many Pulitzers were rightly devoted to US domestic matters, we’re proud at Reuters to shine a light on global issues of profound concern and importance,” Reuters Editor-in-Chief Stephen J. Adler said.
It was the first time Reuters has won two prizes in one year.
In the Philippines coverage, Reuters reporters Clare Baldwin, Andrew R.C. Marshall and Manuel Mogato “demonstrated how police in the president’s ‘drug war’ have killed with impunity and consistently been shielded from prosecution,” Adler said.
The coverage included a report that revealed how a police anti-drug squad on the outskirts of Manila had recorded an unusually high number of killings. Many members of the squad came from a distant place that was also Duterte’s hometown, where the campaign’s brutal methods originated during his time as mayor there.
Asked on Monday for comment on the Pulitzer award, Duterte’s spokesman Harry Roque offered his congratulations to the Filipino member of the Reuters team, but stood by a campaign he said was lawful and necessary.
“Definitely, I’d have to congratulate Manuel Mogato but the fact remains that the policy of the president on the drug war is that the drug war is legitimate, intended to protect the youth from the ill effect of drugs,” Roque said during a regular news briefing.
Roque said the government would defend state officials involved in drug-related killings who had followed the law, but not those who had broken it.
“If the killings are contrary to law and unjustified, it will cause the criminal prosecution of the policemen themselves,” Roque said.
The Reuters photography staff was honored for images of the violence endured by the Rohingya, a Muslim minority, as they fled Myanmar for Bangladesh.
“The extraordinary photography of the mass exodus of the Rohingya people to Bangladesh demonstrates not only the human cost of conflict but also the essential role photojournalism can play in revealing it,” Adler said.
Reuters reporters Wa Lone and Kyaw Soe Oo have been jailed in Myanmar since Dec. 12, charged under the colonial-era Official Secrets Act, while investigating the killing of 10 Rohingya Muslim men in Rakhine state.
In the US, major media took other Pulitzers for reporting that shaped the political and cultural agenda.
The New York Times and the New Yorker magazine shared the honor for public service for their reporting on sexual harassment allegations against Hollywood producer Harvey Weinstein.
New York Times reporters Jodi Kantor and Megan Twohey won for their report on Weinstein, which triggered a series of similar allegations against influential men in politics, journalism and show business and gave rise to the #MeToo and #TimesUp movements that have encouraged victims to come forward.
The New Yorker’s Ronan Farrow was recognized for a Weinstein report that detailed the allegations of a woman who reported her accusations to New York police. Authorities have since renewed a criminal investigation of Weinstein.
The Washington Post won the investigative reporting prize for breaking the story that the Alabama US Senate candidate Roy Moore had a history of courting teenage girls. The Moore report came as stories of men abusing their power over women abounded, contributing to changing public attitudes. Moore, a Republican backed by President Donald Trump, had been favored to win the special election but lost to Democrat Doug Jones.
The New York Times and the Washington Post shared the honor for national reporting for their coverage of the investigation into Russian involvement in the 2016 US presidential election.
Reuters wins Pulitzers for Rohingya photography, Philippine coverage of ‘drug war’
Reuters wins Pulitzers for Rohingya photography, Philippine coverage of ‘drug war’
Gems of Arabia magazine launched to spotlight talents shaping Saudi Arabia’s evolving cultural landscape
- The publication features established and emerging talents elevating the region across design, fashion, art, tech, music, architecture and media
- Saudi fashion designer Hatem Alakeel seeks to highlight the richness of the Kingdom, and wider modern Arab culture to global audiences
DUBAI: When Saudi fashion designer Hatem Alakeel interviewed Princess Reema bint Bandar Al-Saud before her appointment as Saudi ambassador to the US, the longtime advocate of women’s empowerment made a powerful prediction: “I look forward to the day that the Saudi woman is no longer the story but rather a phenomenal achievement.”
That moment would become the foundation for Gems of Arabia, an arts and culture audio-visual podcast that spotlights the creative talents shaping the landscape of Saudi Arabia and the broader region.
Over six years, Gems of Arabia has documented the sweeping transformation of the Kingdom’s art and culture scene, and is now evolving into a full-fledged magazine.
“It started off as a column I used to write, and from there, it turned into a podcast. Now it is growing into a magazine,” Dubai-based Alakeel, the magazine’s founder and editor-in-chief, told Arab News ahead of the launch of the digital publication on Thursday.
Besides spotlighting celebrated regional artists, Alakeel said Gems of Arabia is in search of the “hidden gems” elevating the region across design, fashion, art, tech, music, architecture and media.
The magazine serves as a platform for talented, authentic creatives and tech entrepreneurs unable to articulate their work “because they don’t have the public relations or capacity to promote themselves even through social media.”
Alakeel added: “Our job is to identify all these authentic people; you don’t have to be famous, you just have to be authentic, and have a great story to tell.”
The digital publication offers a dynamic blend of short-form podcasts, coverage of regional cultural events, in-depth features and editorials, long-form interviews and artist profiles — spotlighting both celebrated and emerging talents. This is complemented by social media vox pops and bite-sized coverage of art events across the region.
Alakeel, who also runs Authenticite, a consulting and creative production agency connecting creators and brands who want to understand Saudi culture, said the magazine content is “carefully curated” to feature topics and personalities that resonate in the region.
What differentiates Gems of Arabia, he said, is its story of continuity and substance amassed over the years that has captured the evolution of the wider regional landscape.
“The website represents an archive of nearly 150 articles compiled through years of podcasts and long-form conversations that show continuity and depth changes,” he said.
“So, it’s an evolution and it’s another home for all our content and our community.”
Growing up in France, Alakeel said his mission started early on when he felt the need to represent his Saudi culture “in a way where it can hold its own internationally.”
Through his first brand, Toby, he sought to bring the traditional thobe into modern designs and introduce it to the luxury fashion world. This mission was accomplished when his thobe designs were placed alongside global labels such as Harvey Nichols, Dolce & Gabbana and Prada.
What began as a personal design mission would soon expand into a broader platform to champion Saudi talent.
“I was articulating my culture through fashion and it just felt natural to do that through the incredible people that the region has,” Alakeel said, adding that the magazine aims to highlight the richness of the Kingdom, and wider modern Arab culture to global audiences.
“Art is such a great way of learning about a culture and a country,” he said.
On the ground in Saudi Arabia, the publication hosts GEMS Forum, a series of live cultural gatherings that bring together prominent artistic figures for in-depth conversations later transformed into podcast episodes recorded with a live audience.
Alakeel said the print edition of Gems of Arabia will debut in March, designed as a collectible coffee-table quarterly distributed across the Gulf.
He envisions the platform growing into a long-term cultural record.
“It's a Saudi-centric magazine, but the idea is to make it inclusive to the region and everyone authentic has a seat at the table,” said Alakeel.









