MILAN: Italian fashion house Versace rocked Milan with bright tartans, leather and studs in its fall-winter 2018 collection runway show, echoing college chic and punk style.
The loud and colorful looks by creative director Donatella Versace were part of “The Versace clan” collection, showcased in a palazzo overlooking the city’s Duomo cathedral, and picked up on the menswear designs presented in January.
In the first part of the collection, models wore tartan skirts and matching tops, cardigans, berets and football scarves, like college students coming out of classes.
Long brown leather coats were worn with high heeled shoes and camel trousers paired with short leather jackets.
Models strutted in what was once a ballroom on platform shoes, zippered loose boots and stiletto shoes worn with colorful socks.
The fashion house, known for its bold and glamorous designs, did not fail to impress with bright tasselled dresses with matching earrings and short black outfits worn with tight belts with golden buckles.
“The Versace clan dares and says what it believes and sets itself apart from the crowds thanks to its style choices ... there are no in-betweens, no compromises,” a style note by the brand said.
Versace rocks Milan’s fashion week with loud college style
Versace rocks Milan’s fashion week with loud college style
Rhea Seehorn opts for Elie Saab look in Los Angeles
DUBAI/ LOS ANGELES: US actress Rhea Seehorn attended this weekend’s American Film Institute Awards Luncheon in Los Angeles in a monochrome look by Lebanese designer Elie Saab.
The “Pluribus” and “Better Call Saul” actress opted for an ankle-length daytime dress from Saab’s Pre-Fall 2025 collection that featured a sharp collar, cap sleeves and two pockets placed on the bodice.
She was dressed by celebrity stylist Jessica Paster, who regularly works with the liked of Emily Blunt and Quinta Brunson.
Other attendees at the luncheon event included Leonardo DiCaprio, Ryan Coogler, Timothee Chalamet and George Clooney.
According to The Associated Press’s Jonathan Landrum Jr., the institute celebrated the collaborative nature of film and television by honoring creative teams — in front of and behind the camera.
Inside the ballroom on Friday there were no acceptance speeches in the traditional sense and no suspense over envelopes. Instead, the AP reported, AFI’s ceremony unfolded as a series of thoughtfully written tributes: eloquent rationales for each honored film and television program, followed by brief clips designed to place the year’s work within a broader cultural and artistic context.
Films honored include “Avatar: Fire and Ash,” “Bugonia,” “Frankenstein,” “Hamnet,” “Jay Kelly,” “Marty Supreme,” “One Battle After Another,” “Sinners,” “Train Dreams” and “Wicked: For Good.”
Television shows recognized were “Adolescence,” “Andor,” “Death by Lightning,” “The Diplomat,” “The Lowdown,” “The Pitt,” “Severance,” “The Studio” and “Task.”
Closing the ceremony was US comedian and actress Carol Burnett, who delivered AFI’s annual benediction, celebrating the honorees’ achievements while reflecting on her own lifelong love of cinema and television.
“I’ve never lost the deep respect and love that I have for all the stories we tell through cinema and television and by all of those behind and in front of the camera,” Burnett said. “Creative collaboration has always remained at the heart of our work, and AFI brings us all together. The world is a better place for having heard your voices.”
The luncheon also featured AFI’s signature March of Time video montage, a sweeping look at cinematic and television milestones from decades past, situating this year’s honorees within the evolving history of the medium.
