‘Black Panther’ presales outpacing previous superhero movies

Chadwick Boseman with comic book artist Stan Lee, left, creator of the ‘Black Panther’ superhero character. (AP)
Updated 01 February 2018
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‘Black Panther’ presales outpacing previous superhero movies

NEW YORK: Advance ticket sales to Marvel’s “Black Panther” were outpacing all superhero movies on Fandango.
The online ticket service said that “Black Panther” was outselling its previous record-holder for presale, 2016’s “Batman v Superman.”
Following gushing early reaction from Monday night’s premiere, Ryan Coogler’s film is the top daily ticket-seller on Fandango.
“Black Panther” doesn’t open until Feb. 16, but anticipation is especially strong for the first superhero movie in years starring a black lead character.
The premiere in Los Angeles was attended by the film’s cast decked in regal African-themed attire. Analysts are forecasting a President’s Day weekend debut for “Black Panther” of at least $100 million in North America.
On Tuesday, “Black Panther” star Chadwick Boseman revealed that doubters had tried to convince him not to give the superhero an African accent — and how proud he was to prove them wrong.
Boseman was speaking at a Beverly Hills news conference along with director Coogler, co-stars Michael B Jordan, Lupita Nyong’o and Danai Gurira and the rest of the cast the morning after Monday’s glittering Hollywood premiere.
The 41-year-old American stars in the titular role in the 18th movie in the Marvel Cinematic Universe — the first black superhero to get his own standalone movie.
“There was a time period where people would ask me questions about whether or not an audience could sit through a movie with a lead character that spoke with that accent,” Boseman said of the east African inflection he gives the superhero — alias King T’Challa.
“I became adamant about the fact that it’s not true,” he added, stressing that none of the naysayers had come from Marvel itself.
“The intonations and melodies inside an African accent are just as classical as a British one or a European one.”
The actor got his break after a decade as an obscure television and indie film actor when Marvel came calling in 2014 with a lucrative five-picture deal to play Black Panther.
His appearance in “Captain America: Civil War” (2016) brought Boseman his first taste of real fame and his celebrity looks set to skyrocket when “Black Panther” opens this month, followed in May by “Avengers: Infinity War.”
T’Challa, king and protector of the technologically advanced fictional African nation of Wakanda, has been characterized as the first black superhero, which is partly true.
Around 30 black characters have donned the lycra for the big screen since the early 1990s, including Marvel’s Falcon (Anthony Mackie since 2014), Wesley Snipes’s titular vampire hunter in “Blade” (1998) and Halle Berry’s Kenyan princess Storm in four “X-men” movies.
The Wakandan royal can claim to be the first black superhero to land a standalone movie in the MCU and the first in mainstream American comics, having been featured in “The Fantastic Four” in 1966.
Critical and celebrity reactions to “Black Panther” after Monday’s premiere were about as good as could be expected, with reviewers hailing the movie as “iconic” and “astonishing.”
Donald Glover, who is due to star as Lando Calrissian in the upcoming “Solo: A Star Wars Story,” called it “beautiful” while “Ant-Man” director Peyton Reed said it was “soulful, thoughtful and of the moment.”
Marvel Studios president Kevin Feige, who produces every MCU movie, agreed that the messages of the movie — which posits Wakanda taking in refugees and extending its culture and technology to poorer nations — were particularly topical, but added that most of the script was written 18 months ago.
Coogler and the producers came in for particular praise at the news conference for their decision to feature a clique of powerful female characters — dubbed “the badass women of Wakanda” front and center.
“I was so pleased that this story... that it supported that. In African culture, they feel as if there is no king without a queen and this story, it highlights the queen, the warrior, the general, the young sister,” said Angela Bassett, who plays T’Challa’s mother Ramonda.
“I was so proud to have my daughter and my son there last night, because in their faces, in their spirit, they were feeling themselves. They stood taller after last night.”
Gurira (“The Walking Dead“) spoke of her trepidation over having her head shaved to play Okoye, the head of Wakanda’s Dora Milaje special forces, but how she saw it as “subversive in the right way.”
“In theory, it sounded amazing, and then the day came... It happened. Then you walk into the restroom to wash your hands, look up like, ‘What the?’
“It took a few days... Then the pride started to grow, there’s pride around it, and the embracing of this symbol of power and these women.”


Filipinos master disaster readiness, one roll of the dice at a time

Updated 29 December 2025
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Filipinos master disaster readiness, one roll of the dice at a time

  • In a library in the Philippines, a dice rattles on the surface of a board before coming to a stop, putting one of its players straight into the path of a powerful typhoon

MANILA: In a library in the Philippines, a dice rattles on the surface of a board before coming to a stop, putting one of its players straight into the path of a powerful typhoon.
The teenagers huddled around the table leap into action, shouting instructions and acting out the correct strategies for just one of the potential catastrophes laid out in the board game called Master of Disaster.
With fewer than half of Filipinos estimated to have undertaken disaster drills or to own a first-aid kit, the game aims to boost lagging preparedness in a country ranked the most disaster-prone on earth for four years running.
“(It) features disasters we’ve been experiencing in real life for the past few months and years,” 17-year-old Ansherina Agasen told AFP, noting that flooding routinely upends life in her hometown of Valenzuela, north of Manila.
Sitting in the arc of intense seismic activity called the “Pacific Ring of Fire,” the Philippines endures daily earthquakes and is hit by an average of 20 typhoons each year.
In November, back-to-back typhoons drove flooding that killed nearly 300 people in the archipelago nation, while a 6.9-magnitude quake in late September toppled buildings and killed 79 people around the city of Cebu.
“We realized that a lot of loss of lives and destruction of property could have been avoided if people knew about basic concepts related to disaster preparedness,” Francis Macatulad, one of the game’s developers, told AFP of its inception.
The Asia Society for Social Improvement and Sustainable Transformation (ASSIST), where Macatulad heads business development, first dreamt up the game in 2013, after Super Typhoon Haiyan ravaged the central Philippines and left thousands dead.
Launched six years later, Master of Disaster has been updated this year to address more events exacerbated by human-driven climate change, such as landslides, drought and heatwaves.
More than 10,000 editions of the game, aimed at players as young as nine years old, have been distributed across the archipelago nation.
“The youth are very essential in creating this disaster resiliency mindset,” Macatulad said.
‘Keeps on getting worse’ 
While the Philippines has introduced disaster readiness training into its K-12 curriculum, Master of Disaster is providing a jolt of innovation, Bianca Canlas of the Department of Science and Technology (DOST) told AFP.
“It’s important that it’s tactile, something that can be touched and can be seen by the eyes of the youth so they can have engagement with each other,” she said of the game.
Players roll a dice to move their pawns across the board, with each landing spot corresponding to cards containing questions or instructions to act out disaster-specific responses.
When a player is unable to fulfil a task, another can “save” them and receive a “hero token” — tallied at the end to determine a winner.
At least 27,500 deaths and economic losses of $35 billion have been attributed to extreme weather events in the past two decades, according to the 2026 Climate Risk Index.
“It just keeps on getting worse,” Canlas said, noting the lives lost in recent months.
The government is now determining if it will throw its weight behind the distribution of the game, with the sessions in Valenzuela City serving as a pilot to assess whether players find it engaging and informative.
While conceding the evidence was so far anecdotal, ASSIST’s Macatulad said he believed the game was bringing a “significant” improvement in its players’ disaster preparedness knowledge.
“Disaster is not picky. It affects from north to south. So we would like to expand this further,” Macatulad said, adding that poor communities “most vulnerable to the effects of climate change” were the priority.
“Disasters can happen to anyone,” Agasen, the teen, told AFP as the game broke up.
“As a young person, I can share the knowledge I’ve gained... with my classmates at school, with people at home, and those I’ll meet in the future.”