‘Three Billboards’ sweeps female-focused SAG Awards

SAG statues appear on the red carpet at the 24th annual Screen Actors Guild Awards at the Shrine Auditorium & Expo Hall on Sunday, Jan. 21, 2018, in Los Angeles. (AP)
Updated 22 January 2018
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‘Three Billboards’ sweeps female-focused SAG Awards

LOS ANGELES: The Western-inspired revenge tale “Three Billboards Outside Ebbing, Missouri” swept the female-focused and led Screen Actors Guild Awards Sunday with wins for best ensemble, best actress for Frances McDormand and best supporting actor for Sam Rockwell.
It was almost an exact repeat of the major Golden Globe Awards wins with Gary Oldman also winning best actor for his portrayal of Winston Churchill in “Darkest Hour” and Allison Janney taking supporting actress for playing Tonya Harding’s mother in “I, Tonya.”
As with many of the awards shows this season, it was the treatment of women in Hollywood that stayed at the forefront of the show, which featured a roster of nearly all female presenters and Kristen Bell as its inaugural host.
“We are living in a watershed moment,” Bell said in her opening monologue, which stayed light and mostly clear of politics. “Let’s make sure that we’re leading the charge with empathy and diligence.”
With many prominent men in Hollywood facing accusations of sexual misconduct, virtually every aspect of awards season has been impacted by the scandal — from questions on the red carpet to anxiety over who might win.
Both James Franco and Aziz Ansari two weeks ago won Golden Globe Awards while wearing Time’s Up pins before being accused of sexual misconduct and in Ansari’s case, aggressive sexual behavior by an anonymous accuser. Both were nominated Sunday and lost, Franco to Oldman and Ansari to William H. Macy for “Shameless.”
Rockwell, who beat out his co-star Woody Harrelson for the award, took his moment on stage to give a shout out to McDormand.
“Frances, you’re a powerhouse,” Rockwell said. “I stand shoulder to shoulder with you and all the incredible women in this room who are trying to make things better. It’s long overdue.”
Most of the comments in the evening were forward-looking. SAG-AFTRA President Gabrielle Carteris said, “This is not a moment in time. This is a movement.”
Big television winners included NBC’s “This Is Us,” which took the ensemble award for drama and won Sterling K. Brown the outstanding actor award, and HBO’s “Veep,” which got outstanding comedy ensemble and a best actress win for Julia Louis-Dreyfus.
HBO’s “Big Little Lies” picked up best actor in a minizeries wins for both Alexander Skarsgard and Nicole Kidman.
“I’m so grateful today that our careers can go beyond 40 years old,” Kidman said in her acceptance speech. “We are potent and powerful and viable. I just beg that the industry stays behind us because our stories are finally being told.”
“The Crown’s” Claire Foy won best female actor in a drama series for her portrayal of Queen Elizabeth II.
Lifetime achievement award recipient Morgan Freeman kept his remarks brief after a moving highlight reel of his expansive career and an introduction by Rita Moreno. The Oscar-winner for “Million Dollar Baby” and four-time nominee has over 80 films to his name.
“I’m gonna tell you what’s wrong with this statue,” he said as he wrapped up. “From the back it works, from the front it’s gender specific. Maybe I started something.”
The day’s first awards went to “Game of Thrones” and “Wonder Woman,” which were honored for best stunt ensemble honors.
Producers say the female-forward approach was inspired by last year’s Women’s March, but the show arrived at a time when some of the industry’s biggest names are leading the Time’s Up and Me Too movements to address gender inequality, sexual misconduct, pay disparities and other issues.
The show comes two weeks after a black-dress protest at the Golden Globe Awards, and several stars including Meryl Streep, Emma Stone and Michelle Williams bringing activists to the show. The SAG red carpet saw the return of colorful frocks and far fewer Time’s Up pins — although some actors, like Kumail Nanjiani and Gina Rodriguez, were still sporting theirs.
E! host Giuliana Rancic asked “GLOW” actress Alison Brie about recent allegations of misconduct against her brother-in-law James Franco (Brie is married to actor Dave Franco.)
“I think that above all what we’ve always said is it remains vital that anyone who remains victimized should have the right to speak out and come forward,” Brie said, adding that in the case of Franco, “Not everything that has come forward is fully accurate.”
Franco has also called some of the accusations inaccurate, but after two days of facing questions about the claims on late-night television, “The Disaster Artist” star has kept a lower profile, although he was in attendance at the SAG Awards. He did not attend last week’s Critics’ Choice Awards.
The Globes were the first major awards show forced to confront the sexual misconduct scandal since it exploded in October with dozens of women accusing Harvey Weinstein of harassment and in some instances, rape. (Weinstein has denied all allegations of non-consensual sex.)
Weinstein accusers Marisa Tomei and Rosanna Arquette used some of their time presenting an award Sunday to name some of the “silence breakers” in the movement including Asia Argento, Annabella Sciorra, Ashley Judd, Daryl Hannah, Mira Sorvino, Anthony Rapp and Olivia Munn.
“So many powerful voices are no longer silenced by the fear of retaliation,” Arquette said. “We can control our own destiny.”
The SAG Awards are a reliable predictor of the winner for the best actor and actress Academy Awards; this year’s show comes two days before Oscar nominations are announced.
While “Three Billboards Outside Ebbing, Missouri” now has the Golden Globe and SAG win to its name, it lost out to Guillermo del Toro’s fantasy romance “The Shape of Water” at the Producers Guild Awards Saturday night, which is often the most accurate gage of what will ultimately win best picture at the Academy Awards on March 4.


At Jazan festival, Suad Al-Asiri paints memory, land and leadership

Updated 13 January 2026
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At Jazan festival, Suad Al-Asiri paints memory, land and leadership

  • Local artist channels personal hardship into works that reflect Jazan’s identity, heritage
  • Jazan: A Nation and a Prince, places region at the heart of a composition featuring Prince Mohammed bin Abdulaziz and Prince Nasser bin Mohammed bin Abdullah bin Jalawi

RIYADH: At the Ahad Al-Masarihah pavilion at Jazan Festival 2026, Suad Al-Asiri’s paintings blend memory, place and personal history, offering visual narratives shaped by beauty and hardship. 

A novelist and visual artist, Al-Asiri has long used art as a storytelling tool. After a near-fatal car accident in March 2024, her work took on a new urgency. Bedridden for 11 months, cut off from the public world for more than a year, she describes that period as one of the most painful in her life — yet also transformative. 

“First of all, praise be to God for granting me life, as the accident was extremely severe,” she said. “By God’s grace, I was given a new life. All my thinking after the accident was about becoming an inspiration to others — about enduring pain and obstacles, and still leaving an impact.” 

Her return to public life came in 2025, when she participated in National Day celebrations with the ministry of interior. By the time she arrived at Jazan Festival, she was ready to channel that experience into her art. 

The centerpiece of her display, “Jazan: A Nation and a Prince,” places the region at the heart of a composition featuring Prince Mohammed bin Abdulaziz and Prince Nasser bin Mohammed bin Abdullah bin Jalawi, governor and deputy governor of Jazan respectively. 

Visitors linger over the details: the painting incorporates coffee beans, sesame and khudair — materials drawn from local products.

“I wanted people to recognize these products immediately,” she said. “They are part of Jazan’s daily life, and using them makes the work more tangible, more connected to everyday experience.” 

The painting sparks conversation. Visitors discuss leadership, identity, and the intimate relationship between people and their environment. 

Beyond the central piece, Al-Asiri presents individual portraits of the two princes, expanding the dialogue into a broader exploration of heritage and memory.  

Her journey into art is tied to her life as a storyteller. Early experiments with charcoal and pencil evolved into abstract art, drawn by its expressive freedom. 

From there, she explored realism, surrealism, and eventually modern art, particularly pop art, which has earned her wide recognition in artistic circles. Her novels and media work complement her visual practice, earning her the title “the comprehensive artist” from the governor.

Yet what stands out most in this exhibition is how Al-Asiri’s personal resilience flows through each piece. Her experience of surviving a devastating accident, enduring months of immobility, and returning to the public eye informs every brushstroke. 

Visitors sense not just her artistic skill, but her determination to turn life’s hardships into inspiration for others. 

Walking through the pavilion, one can see it in the way she blends heritage symbols, southern landscapes, and scenes of daily life. 

Each painting becomes both a document and a dialogue — a celebration of Jazan’s culture, a reflection on identity, and a testament to the power of human perseverance. 

At Jazan Festival 2026, Suad Al-Asiri’s art is a quiet, persistent inspiration for anyone who pauses long enough to listen.