President Macron attends Abu Dhabi Louvre’s official opening

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Chairman of Abu Dhabi’s Tourism and Culture Authority, Mohamed Khalifa Al-Mubarak, 2nd left, and French President Emmanuel Macron, center, listen to project designer French architect Jean Nouvel, 2nd right, as they visit the Louvre Abu Dhabi Museum during its inauguration in Abu Dhabi, United Arab Emirates, Wednesday, Nov. 8, 2017. (Ludovic Marin/Pool photo via AP)
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Chairman of Abu Dhabi’s Tourism and Culture Authority, Mohamed Khalifa Al-Mubarak, left, project designer French architect Jean Nouvel, center, and French President Emmanuel Macron attend the inauguration of the Louvre Abu Dhabi Museum in Abu Dhabi, United Arab Emirates, Wednesday, Nov. 8, 2017. (Ludovic Marin/Pool photo via AP)
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Abu Dhabi Crown Prince Mohammed bin Zayed Al-Nahayan, 2nd right, Chairman of Abu Dhabi’s Tourism and Culture Authority, Mohamed Khalifa Al-Mubarak, left, French President Emmanuel Macron, 2nd left, and his wife Brigitte Macron visit the Louvre Abu Dhabi Museum during its inauguration in Abu Dhabi, United Arab Emirates, Wednesday, Nov. 8, 2017. (Ludovic Marin/Pool photo via AP)
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A general view shows part of the Louvre Abu Dhabi Museum designed by French architect Jean Nouvel during its inauguration in Abu Dhabi, United Arab Emirates, Wednesday, Nov. 8, 2017. (Ludovic Marin/Pool photo via AP)
Updated 09 November 2017
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President Macron attends Abu Dhabi Louvre’s official opening

DUBAI: The Louvre Abu Dhabi saw its official opening on Wednesday, drawing French President Emmanuel Macron to the Middle East on his first official visit.

Pausing to shake hands on a red carpet lining the all-white path leading to the museum, Macron and France’s First Lady walked side by side with Abu Dhabi Crown Prince Sheikh Mohammed bin Zayed and Vice President and Prime Minister of the UAE and Ruler of Dubai Sheikh Mohammed bin Rashid.

Macron, who is also scheduled to hold talks with UAE officials, toured the 12-gallery museum – the first to carry the famed Louvre brand outside France – shortly after touching down in Abu Dhabi, along with the heads of state of Morocco and Afghanistan.

The new museum was a “bridge between civilizations,” he said at the opening. “Those who seek to say that Islam is the destruction of other religions are liars.”
Sheikh Mohammed said: “The Louvre Abu Dhabi will be a meeting point for lovers of art, culture and beauty all around the world. With the opening of this museum, Abu Dhabi has become the capital of art, architecture and mankind’s heritage.”

The opening comes a decade after France and the UAE agreed to a 30-year partnership initially reported to be worth $1.1 billion, including nearly half a billion dollars for the rights to the Louvre brand alone. It is the first to the carry the Louvre brand outside of France.

However Jean-Luc Martinez, president-director of the Louvre Museum in Paris, said at an earlier press conference that the Louvre Abu Dhabi was an Emirati museum.

“This is an Emirati project, in keeping with the UAE leaders’ vision of a knowledge movement in the 21st century, and France shares its knowledge,” he said.

The design of the building is the work of by France’s Pritzker prize-winning architect Jean Nouvel.

A silver-toned dome with perforated arabesque patterns appears to float over the white galleries, creating what Nouvel describes as a “rain of light.”
To reach the ground, each ray of light must cross eight layers of perforations, creating a constantly shifting pattern that mimics the shadows cast by palm trees or the roof of a traditional Arab market.

The Louvre Abu Dhabi is the first of three museums to open on Saadiyat Island, where the UAE plans to launch the Guggenheim Abu Dhabi, designed by Frank Gehry, and Norman Foster’s Zayed National Museum.

About five percent of the museum, which opens to the public on Saturday, Nov. 11, is dedicated to contemporary and modern art, including a piece by China’s Ai Weiwei.

His 23-foot-high “Fountain of Light” is a spiraling structure draped in crystals inspired by communist plans for a massive monument that never actually saw the light of day.

But the museum’s main focus is world history and religions. Among the exhibits are an early Qur’an, a gothic Bible and a Yemenite Torah, facing each other and open at verses carrying the same message.

Sheikh Mohammed later tweeted: “The dome of the Louvre Abu Dhabi contains a collection of astounding art collated from various cultures over thousands of years. The light it shines beckons civilizations to come together again in this cradle of humanity.”

Martinez said the new museum was designed “to open up to others, to understand diversity” in “a multipolar world.”

There are 300 pieces on loan, including an 1887 self-portrait by Vincent van Gogh and Leonardo da Vinci’s “La Belle Ferronniere.”

But the Emirates have also built its own permanent collection.

The Louvre Abu Dhabi is displaying more than 235 works of art from the Emirati collection, including Edouard Manet’s “The Gypsy” and works by Dutch abstract artist Piet Mondrian and Turkey’s Osman Hamdi Bey.

The authorities have put in place strict measures to protect the art from the heat as summer temperatures soar well above 40 degrees Celsius.

The artworks are also guarded by Emirati forces in coordination with French experts.

The museum is expecting somewhere in the region of 5,000 visitors in the first few days, according to Mohammed Al-Mubarak, chairman of the Abu Dhabi Culture and Tourism Authority.

“Because this is an international museum, we’re expecting visitors from around the world,” Mubarak had said at a media preview on Tuesday.

“So a museum visitor from China will find something that speaks to her, to her history. A visitor from India will find the same.”

(With AFP)


Hafez Galley’s exhibition pays tribute to two Egyptian artists who shaped a visual era

Both artists emerged in an era when newspapers and magazines played a central role in shaping Egypt’s visual culture. (Supplied)
Updated 17 January 2026
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Hafez Galley’s exhibition pays tribute to two Egyptian artists who shaped a visual era

  • Artworks by Attyat Sayed and El Dessouki Fahmi will be on display until Feb. 28

JEDDAH: Hafez Gallery in Jeddah has opened an exhibition showcasing the works of influential Egyptian artists Attyat Sayed and El Dessouki Fahmi. The exhibition runs until Feb. 28.

Kenza Zouari, international art fairs manager at the gallery, said the exhibition offers important context for Saudi audiences who are becoming increasingly engaged with Arab art histories.

Artworks by Attyat Sayed and El Dessouki Fahmi will be on display at Hafez Gallery until Feb. 28. (Supplied)

“Attyat Sayed and El Dessouki Fahmi’s decades-long practice in Cairo established foundational models for how artists across the region approach archives, press, and ultimately collective memory,” Zouari told Arab News. 

Both artists emerged in an era when newspapers and magazines played a central role in shaping Egypt’s visual culture. Their early work in press illustration “demanded speed, clarity, the ability to distill complex realities into a single, charged image,” the gallery’s website states.

Seeing the works of both artists side-by-side is breathtaking. It’s fascinating to witness how press illustration shaped such profound and lasting artistic voices.

Lina Al-Mutairi, Local art enthusias

Heba El-Moaz, director of artist liaison at Hafez Gallery, said that this is the second time that the exhibition — a posthumous tribute to the artists —has been shown, following its debut in Cairo.

“By placing their works side by side, it highlights how press illustration, often considered ephemeral, became a formative ground for artistic depth, narrative power, and lasting influence, while revealing two distinct yet deeply interconnected artistic paths within modern Egyptian visual culture,” she told Arab News. 

Artworks by Attyat Sayed and El Dessouki Fahmi will be on display at Hafez Gallery until Feb. 28. (Supplied)

Sayed’s work evolved from black-and-white illustration into “layered, dynamic compositions that translate lived emotion into physical gesture, echoing an ongoing negotiation between the inner world and its outward form,” the website states. Viewed together, the works of Sayed and Fahmi “reveal two distinct yet deeply interconnected artistic paths that contributed significantly to modern Egyptian visual culture.”

The exhibition “invites visitors into a compelling dialogue between instinct and intellect, emotion and structure, spontaneity and reflection; highlighting how artistic rigor, cultural memory, and sustained creative exploration were transformed into enduring visual languages that continue to resonate beyond their time,” the gallery states.

Lina Al-Mutairi, a Jeddah-based art enthusiast, said: “Seeing the works of both artists side-by-side is breathtaking. It’s fascinating to witness how press illustration shaped such profound and lasting artistic voices. The exhibition really brings their vision and influence to life.”