Book Review: The dangerous life and times of Pablo Escobar

Learn about history’s most infamous narcotics kingpin through the words of his own son.
Updated 22 August 2017
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Book Review: The dangerous life and times of Pablo Escobar

This tale of love, blood and money is turning out to be one of this year’s international bestsellers. The narrative offers escapism and the chance to read about delicious scandals. Twenty-four years after Columbian drug lord Pablo Escobar’s death, his son recounts the dangerous life of one of the most infamous criminals of all time. At the height of his career, he was responsible for 80 percent of the cocaine entering the US.
From the beginning of “Pablo Escobar: My Father,” Juan Pablo Escobar writes that he wishes to be remembered for his own deeds, not his father’s. This book “is a quest, an attempt, to get closer to my father’s life. It is a personal, intimate investigation. It is the rediscovery of a man with all of his virtues, but also with all of his faults.”
Readers may be surprised to learn that the drug lord’s wife and children were treated more harshly by Pablo Escobar’s own family than by his worst enemies. The author accuses his uncle, Roberto, of betrayal, an allegation reconfirmed by two former American Drug Enforcement Administration (DEA) agents. It is perhaps even more difficult to understand the dire financial problems the family faced merely two weeks after the infamous man’s death, partially due to the security measures needed at the time.
Juan had always been close to his father. Although he claims to have rejected his father’s activities and opposed violence, he considered him a friend, a guide, a teacher and a trusted adviser. Despite his young age, the father trusted his son and told him about two different hiding places stocked with cash in case of an emergency.
However, when the cash was retrieved, it amounted to a small sum. Where had the money gone? Despite the lack of funds, members of cartels and paramilitary groups who had been fighting against Pablo Escobar demanded reparations. It would take six months to make peace with the cartels. Soon after, Juan, his mother and siblings were given new identities which dented the family’s savings. They left for Mozambique and then moved on to Buenos Aires. Their inheritance would finally be settled in 2014. Juan, whose new name was Sebastian Marroquin, told a court that “not a single member of my paternal family ever made a living on his own. All of them, without exception, have what they have today because of my father, not through their efforts. Columbia hasn’t forgotten who Pablo Escobar was, but his own family has.”
Pablo’s criminal career began when he found out how to forge his high school diplomas. He managed to steal blank diplomas with the school’s seal and had a copy of the seal made.
During this period, he adopted four habits which he kept for the rest of his life. First, he left his shirt unbuttoned down to the middle of his chest. Second, he cut his own hair. Third, he always used the same small tortoiseshell comb and, finally, he took very long showers which could take up to three hours. It also took him 45 minutes to brush his teeth with a child’s toothbrush and he said: “Son, as a fugitive, I don’t have the luxury of being able to go to the dentist. You do.”
Pablo went on to steal cars and found that crime paid off. He opened his first savings account in 1973 with a $50 deposit. That same year, 24-year-old Pablo fell in love with a 13-year-old slender and attractive girl, Maria Victoria Eugenia Henao Vallejo. She hailed from one of the wealthiest families in La Paz. Maria Victoria’s mother was extremely upset that her daughter was dating a man who was eleven years her senior, from a bad family and without a decent job. Despite the challenges, they married and had an intense and turbulent relationship which ended with Pablo’s death.
When Juan asked his mother why she fell in love with her husband, she replied: “Because of his naughty smile, the way he looked at me. I fell in love because he was so romantic. He was a poet with me, very thoughtful… He was affectionate and sweet. A great seducer… I fell in love with his desire to help people and his compassion for their hardship. When we were dating, we used to drive to the places where he dreamed of building universities and schools for the poor. I can’t think of a single time he ever said anything cruel to me or mistreated me. From beginning to end, he was always a gentleman to me.”
The romance was interrupted when the police stopped Pablo in a stolen car. He was incarcerated for two months and during that time he became friendly with Alberto Prieto, known as the “Godfather.” The Godfather eventually arranged for the evidence from the stolen car to disappear so the judge was forced to dismiss the proceedings and release Pablo from prison. This is when Pablo entered the dangerous world of narcotics.
His business grew fast and in 1975, at the age of 26, he deposited a check for 100 million Columbian pesos. On several occasions, his son asked his father about the size of his fortune and he always gave the same answer: “At a certain point, I had so much money that I lost count. Once I knew I was a money-making machine, I stopped worrying about counting it.”
Fit for a narcotics kingpin
Pablo went on to build himself an estate called Hacienda Napoles.
The estate had its own gas station and body shop for repairing and painting cars and motorcycles. It had 27 artificial lakes and 100,000 fruit trees, Latin America’s largest motocross track, two heliports and a 1000-yard airstrip, 1,700 employees and covered 7,500 acres with three zoos and ten residences. It also had a Jurassic Park-themed park with life-size dinosaurs. These huge, brightly-colored cement animals were punched with holes during a raid because authorities thought they were stuffed with cash.
When his father decided to turn himself in on June 19, 1991, his son believed he would no longer commit crimes but this did not turn out to be the case. He lived a comfortable life in prison and managed to run his operations from behind bars. Despite his illegal activities, Pablo also financed the construction of football fields, basketball and volleyball courts and health clinics and had also planted trees in poor areas of the country. “My father wanted the boys in those communities to get involved in sports instead of, paradoxically, drugs or crime,” his son wrote.
Pablo escaped from the cushy prison but died on Dec. 2, 1993, when he was shot on a roof while trying to evade the authorities. The fatal bullet entered his right ear but his son believes Pablo fired the shot himself, committing suicide to avoid capture.
Juan was 16-years-old when his father died. He is now a successful architect, is married and lives in Argentina. Although he has no desire to relive the past, this book gives him the opportunity to denounce his father’s actions while reminding readers that there was a hidden side to this infamous criminal.


What We Are Reading Today: A Monetary and Fiscal History of the United States, 1961–2021

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Updated 19 April 2024
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What We Are Reading Today: A Monetary and Fiscal History of the United States, 1961–2021

Author: Alan S. Blinder

In this book, Alan Blinder, one of the world’s most influential economists and one of the field’s best writers, draws on his deep firsthand experience to provide an authoritative account of 60 years of monetary and fiscal policy in the US. Spanning 12 presidents, from John F. Kennedy to Joe Biden, and eight Federal Reserve chairs, from William McChesney Martin to Jerome Powell, this is an insider’s story of macroeconomic policy that hasn’t been told before—one that is a pleasure to read, and as interesting as it is important.
Focusing on the most significant developments and long-term changes, Blinder traces the highs and lows of monetary and fiscal policy, which have by turns cooperated and clashed through many recessions and several long booms over the past six decades. From the fiscal policy of Kennedy’s New Frontier to Biden’s responses to the pandemic, the book takes readers through the stagflation of the 1970s, the conquest of inflation under Jimmy Carter and Paul Volcker, the rise of Reaganomics, and the bubbles of the 2000s before bringing the story up through recent events — including the financial crisis, the Great Recession, and monetary policy during COVID-19.

A lively and concise narrative that is sure to become a classic, A Monetary and Fiscal History of the United States, 1961–2021 is filled with vital lessons for anyone who wants to better understand where the economy has been—and where it might be headed.

 


What We Are Reading Today: The Empire of Climate

Updated 18 April 2024
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What We Are Reading Today: The Empire of Climate

Author: David N. Livingstone

Scientists, journalists, and politicians increasingly tell us that human impacts on climate constitute the single greatest threat facing our planet and may even bring about the extinction of our species. Yet behind these anxieties lies an older, much deeper fear about the power that climate exerts over us. 

“The Empire of Climate” traces the history of this idea and its pervasive influence over how we interpret world events and make sense of the human condition, from the rise and fall of ancient civilizations to the afflictions of the modern psyche.

Taking readers from the time of Hippocrates to the unfolding crisis of global warming today, David Livingstone reveals how climate has been critically implicated in the politics of imperial control and race relations; been used to explain industrial development, market performance, and economic breakdown; and served as a bellwether for national character and cultural
collapse. 


REVIEW: Amazon Prime Video’s ‘Fallout’ takes gaming adaptations to next level

Updated 18 April 2024
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REVIEW: Amazon Prime Video’s ‘Fallout’ takes gaming adaptations to next level

LONDON: Don’t say it too loud, but we might, finally, have reached the point when good TV adaptations of hit videogames become the norm, rather than the exception. Hot on the heels of “The Last of Us” and “The Witcher” comes “Fallout,” an eight-part series based on the post-apocalyptic world explored in the series of famed Bethesda games.

In an alternate future, with the world devastated by a global nuclear war, a community of wealthy individuals retreats to a series of underground vaults to ride out the fallout. Some 200 years later, wide-eyed vault dweller Lucy (Ella Purnell) is forced to leave the safety of her underground home when her father is kidnapped by raiders from the surface, kickstarting a journey that will not only make her confront the horrors of the unlawful society above, but also sees her meet a revolving door of eccentric (yet equally horrifying) characters along the way. Among these are Maximus (Aaron Moten), a squire in the militaristic Brotherhood of Steel, and The Ghoul (Walton Goggins), a terrifyingly mutated former actor now forging his way as a bounty hunter.

The key to the success of “Fallout” is that your enjoyment of the show is not dependent on whether or not the previous paragraph made any sense to you whatsoever. Rather, creators Graham Wagner and Geneva Robertson-Dworet, along with developers (and executive producers) Christopher Nolan and Lisa Joy have taken the wise decision to create a world wherein knowledge of the wider “Fallout” universe is a bonus, but not a prerequisite. So even if this is your first introduction to the world of Pip-Boys, gulpers and Vaulters, you won’t be penalized, and you certainly won’t feel like you’re missing out.

The world of “Fallout” is a gloriously gritty, bloody and savage one, but it’s also one of razor-sharp humor and fiendish satire — not least thanks to Goggins’ phenomenal turn as The Ghoul. Acerbic and frighteningly violent, The Ghoul is the very embodiment of the savage, unforgiving wasteland, and Goggins has a blast with perhaps the role of his career to date. Lucy is the polar opposite, and Purnell is equally as great as the naïve-yet-capable young woman entirely unprepared for the muck and murder she emerges into. Throw the two together with a razor-sharp, witty script and top-drawer production values and you have a show that’s about as much fun as you can have without a controller of your own.


What We Are Reading Today: Basic Equality

Updated 17 April 2024
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What We Are Reading Today: Basic Equality

Author: Paul Sagar

What makes human beings one another’s equals? That we are “basic equals” has become a bedrock assumption in Western moral and political philosophy. 

And yet establishing why we ought to believe this claim has proved fiendishly difficult, floundering in the face of the many inequalities that characterise the human condition. 

In this provocative work, Paul Sagar offers a novel approach to explaining and justifying basic equality. Rather than attempting to find an independent foundation for basic equality, he argues, we should instead come to see our commitment to this idea as the result of the practice of treating others as equals. 

Moreover, he continues, it is not enough to grapple with the problem through philosophy alone — by just thinking very hard, in our armchairs; we must draw insights from history and psychology as well.


What We Are Reading Today: ‘Lord of the Flies’

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Updated 16 April 2024
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What We Are Reading Today: ‘Lord of the Flies’

  • The novel explores themes of human nature, civilization, power and the inherent darkness within individuals

Author: William Golding

“Lord of the Flies” is a coming of age novel by British novelist William Golding. First published in 1954, the title has since become a classic of modern literature.

It tells the story of a group of British boys who find themselves stranded on an uninhabited island after their plane crashes during a wartime evacuation.

The novel explores themes of human nature, civilization, power and the inherent darkness within individuals. As the boys struggle to survive and establish order on the island, their society gradually descends into chaos and savagery.

The title refers to a severed pig’s head, symbolizing the evil and primitive instincts that take hold of the boys.

The main characters in the novel include Ralph, a charismatic and responsible boy who tries to maintain order and establish a signal fire to attract rescuers; Jack, a power-hungry and savage boy who becomes the leader of a group of hunters; Piggy, an intelligent but socially marginalized boy who serves as Ralph’s adviser; and Simon, a quiet and introspective boy who experiences a deep connection with nature.

As the story progresses, the boys’ civilization erodes, and they succumb to their primal instincts, engaging in violence and tribal warfare.

“Lord of the Flies” explores the destructive potential of unchecked power, the loss of innocence, and the conflict between civilization and savagery.

The novel has always been subject to various interpretations and perspectives by different readers and scholars. Much of it has been analyzed through the lens of allegorical human nature, political and social commentary, and even Freudian psychology.

“Lord of the Flies” has left a lasting impact on literature and popular culture through its exploration of universal themes, and its enduring relevance in contemporary society.

Its portrayal of the human condition and the fragility of civilization continues to resonate with readers, making it a classic that is worthy of being read again.