LONDON: British detectives investigating the 2007 disappearance of Madeleine McCann in Portugal on Monday published two new electronic images of a man they want to contact, in a major appeal, which will also be shown in Germany and the Netherlands.
Police said the man is of “vital importance,” with the images having been drawn up based on descriptions from two witnesses who saw the man in the area of Praia da Luz town the night Madeleine went missing.
A primetime British television program will also present a fresh timeline of events surrounding Madeleine’s disappearance from her family’s holiday apartment in the Portuguese resort just a few days before her fourth birthday.
The witnesses described the man in the e-fit as being white, aged between 20-40 years old, with short brown hair, of medium build, medium height and clean shaven. One image shows him with a fuller jaw than the other.
Portuguese authorities closed their investigation in 2008, but London’s Metropolitan Police spent two years reviewing the evidence and opened their own probe in July this year.
“Whilst this man may or may not be the key to unlocking this investigation, tracing and speaking to him is of vital importance to us,” said Detective Chief Inspector Andy Redwood, Scotland Yard’s senior investigating officer in the case.
“We have witnesses placing him in the resort area around the time of Madeleine’s disappearance.” Further e-fits of other people they want to trace who were “seen on the day of Madeleine’s disappearance and the days leading up to it” will also be released, Redwood said.
The German television program “Aktenzeichen XY” on the public broadcaster ZDF will show the e-fits on Wednesday.
Two of the suspects are German-speaking, according to the German tabloid Bild and the British newspaper The Times.
Praia da Luz is a “popular holiday destination for many nationalities,” Redwood said, adding that he would be traveling to the Netherlands, Germany and Ireland “to seek the support of the public there.” The BBC Crimewatch show on Monday night will include a new 25-minute reconstruction as well as live interviews with Madeleine’s parents Gerry and Kate McCann, who launched a global media campaign to find their daughter and still hold out hope she is alive.
Ahead of the broadcast the McCanns told the BBC of the pain they still feel.
“When it’s a special occasion, when you should be at your happiest, and Madeleine’s not there, that’s when it really hits home,” Gerry McCann said.
“Obviously, Madeleine’s birthday goes without saying.” Kate McCann added: “It’s when you have big family occasions really. That’s it, isn’t it? ‘Family occasion’ and you haven’t got your complete family.” Police said at the weekend that the timeline around the incident had also significantly changed, with further details to be released during the show.
Redwood said detectives were focused on the time between 8:30 p.m. on May 3, 2007, when Kate and Gerry McCann left the apartment to dine at a nearby tapas restaurant with friends, to when Kate McCann found Madeleine was missing at 10:00pm.
Last week, British police said analysis of mobile phone data from thousands of people who were in Praia da Luz when Madeleine disappeared could provide a new lead.
The detectives have interviewed 442 people over the last couple of years and have identified 41 potential suspects, although no arrests have been made.
Last week the McCanns said they were “greatly encouraged by new information coming to light” and said they hoped the BBC appeal would take them closer to find Madeleine.
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UK police issue images of man in Madeleine McCann case
UK police issue images of man in Madeleine McCann case
AI reshaping the battle over the narrative of Maduro’s US capture
- Since the US captured Venezuelan leader Nicolas Maduro in early January, pictures and videos chronicling the events have been crowded out by those generated with artificial intelligence
CARACAS: Since the US captured Venezuelan leader Nicolas Maduro in early January, pictures and videos chronicling the events have been crowded out by those generated with artificial intelligence, blurring the lines between fiction and reality.
The endless stream of content ranges from comedic memes to dramatic retellings.
In one, a courtroom illustration of Maduro in a New York courthouse springs to life and announces: “I consider myself a prisoner of war.”
In another, an AI-generated Maduro attempts to escape a US prison through an air duct, only to find himself in a courtroom with US President Donald Trump, where they dance with a judge and an FBI agent to a song by American rapper Ice Spice.
Maduro was captured alongside his wife Cilia Flores during US strikes in the Venezuelan capital of Caracas on January 3.
They have since been taken to a prison in New York where they are being held on drug trafficking charges.
While some have celebrated Maduro’s ouster, the “Chavismo” movement he leads — named after his predecessor Hugo Chavez — has worked to reframe what his fall means for Venezuela’s future.
- ‘ Confuse, combat, and silence’ -
Leon Hernandez, a researcher at Andres Bello Catholic University, told AFP that with AI’s rapid creation of content, we see development of “disinformation labs” that flood social media platforms.
“There were things that circulated that were not real during the capture (of Maduro), and things that circulated which were real that generated doubt,” Hernandez said.
“That was the idea: to create confusion and generate skepticism at the base level by distorting certain elements of real things.”
The goal, he added, is for the content to overwhelm audiences so they cannot follow it.
Even legacy media such as the Venezuelan VTV television channel are in on it, with the broadcaster playing an AI-animated video narrated by a child recounting Maduro’s capture.
“AI has become the new instrument of power for autocrats to confuse, combat, and silence dissent,” said Elena Block, a professor of political communication and strategy at the University of Queensland in Australia.
- ‘Greatest threat to democracy’ -
Block pointed out the use of cartoons, specifically, had been a medium of propaganda used in both authoritarian and democratic states.
Long before his arrest, Maduro was depicted as the illustrated superhero “Super Bigote” or “Super Mustache,” donning a Superman-like suit and fighting monsters like “extremists” and the “North American empire.”
The cartoon’s popularity spawned toys that have been carried by Maduro’s supporters during rallies advocating for his return.
And much like his predecessor, Maduro continued a practice of “media domination” to stave off traditional media outlets from airing criticism of Chavismo.
“With censorship and the disappearance or weakening of news media, social media has emerged as one of the only spaces for information,” Block said.
Maduro is not the only leader to use AI propaganda — Trump has frequently posted AI-generated pictures and videos of himself with “antagonistic, aggressive, and divisive language.”
“These digital and AI tools end up trivializing politics: you don’t explain it, you diminish it,” Block said. “AI today is the greatest threat to democracy.”
The endless stream of content ranges from comedic memes to dramatic retellings.
In one, a courtroom illustration of Maduro in a New York courthouse springs to life and announces: “I consider myself a prisoner of war.”
In another, an AI-generated Maduro attempts to escape a US prison through an air duct, only to find himself in a courtroom with US President Donald Trump, where they dance with a judge and an FBI agent to a song by American rapper Ice Spice.
Maduro was captured alongside his wife Cilia Flores during US strikes in the Venezuelan capital of Caracas on January 3.
They have since been taken to a prison in New York where they are being held on drug trafficking charges.
While some have celebrated Maduro’s ouster, the “Chavismo” movement he leads — named after his predecessor Hugo Chavez — has worked to reframe what his fall means for Venezuela’s future.
- ‘ Confuse, combat, and silence’ -
Leon Hernandez, a researcher at Andres Bello Catholic University, told AFP that with AI’s rapid creation of content, we see development of “disinformation labs” that flood social media platforms.
“There were things that circulated that were not real during the capture (of Maduro), and things that circulated which were real that generated doubt,” Hernandez said.
“That was the idea: to create confusion and generate skepticism at the base level by distorting certain elements of real things.”
The goal, he added, is for the content to overwhelm audiences so they cannot follow it.
Even legacy media such as the Venezuelan VTV television channel are in on it, with the broadcaster playing an AI-animated video narrated by a child recounting Maduro’s capture.
“AI has become the new instrument of power for autocrats to confuse, combat, and silence dissent,” said Elena Block, a professor of political communication and strategy at the University of Queensland in Australia.
- ‘Greatest threat to democracy’ -
Block pointed out the use of cartoons, specifically, had been a medium of propaganda used in both authoritarian and democratic states.
Long before his arrest, Maduro was depicted as the illustrated superhero “Super Bigote” or “Super Mustache,” donning a Superman-like suit and fighting monsters like “extremists” and the “North American empire.”
The cartoon’s popularity spawned toys that have been carried by Maduro’s supporters during rallies advocating for his return.
And much like his predecessor, Maduro continued a practice of “media domination” to stave off traditional media outlets from airing criticism of Chavismo.
“With censorship and the disappearance or weakening of news media, social media has emerged as one of the only spaces for information,” Block said.
Maduro is not the only leader to use AI propaganda — Trump has frequently posted AI-generated pictures and videos of himself with “antagonistic, aggressive, and divisive language.”
“These digital and AI tools end up trivializing politics: you don’t explain it, you diminish it,” Block said. “AI today is the greatest threat to democracy.”
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