One young contender created the world’s largest sequin mosaic using 325,000 of the sparkly discs.
Two other youths achieved 123 consecutive badminton passes in one minute. And 1,450 participants broke the record for the most people arm wrestling.
Such are the skills that Guinness World Records are made of in Pakistan, where thousands of young people are groomed to establish their unique feats for posterity.
Last week, the contestants came together for the annual Punjab Youth Festival to show their stuff — many in athletics, but others in downright quirky displays, including a boy who achieved fame by kicking 50 coconuts from atop the heads of a row of people.
It seems Pakistan has become a world record-creating machine, with the coordinated effort reaping an impressive 23 world records, event organizers boasted.
The push for inclusion of Pakistanis in the venerable Guinness World Records entries (which began in book form in 1955) stems in part from festival organizers’ desire to boost the image of a country often associated with militancy, religious strife and economic decline.
There is a patriotic element, as well: Last October, 42,813 Pakistanis gathered in a Lahore hockey stadium to sing the national anthem and create yet another world record for the most people singing their country’s anthem.
Days later, another 24,200 people held green and white boxes — the colors of the national flag of Pakistan — to set the world record for creating the largest human flag.
Although some of the records might seem amusing to others — coconut kicking champ Mohammad Rashid of Karachi last week claimed his fourth world record by breaking 34 pine boards in 32 seconds with his head — the competitions were no laughing matter to participants.
Usman Anwar, director of the Punjab Youth Festival, explained that the kids have been training for eight months.
“We started at the neighborhood and village level so that children could come out and participate,” said Anwar. “Our main objective was to inculcate interest for sports in the public.”
Young people from 55,200 neighborhood and village councils vied for a chance to compete in the games. “We were able to select the best of the best to train for the world records,” said Anwar. Because of terrorism, political upheaval and widespread unemployment, many young people have little hope for the future, says Hafeez Rehman, a professor in the anthropology department at Quaid-i-Azam University in Islamabad.
Sports competitions, he said, create an opportunity for youth to excel personally and also to improve Pakistan’s image.
“We have energetic youth. Pakistan has more than 55 million young people. It becomes an asset for the country, ” said Rehman.
The festival itself has become part of the record-setting mania. It was recognized for having more participants — 3.3 million, according to Anwar, most of whom registered online — a world record for sporting events.
Kicking coconuts and other Pakistani world records
Kicking coconuts and other Pakistani world records
Monumental art displayed in shade of Egypt’s pyramids
- “There is an estimate that it’s more or less five million people reached by the message of the Third Paradise”
- A thousand small cylindrical acrylic mirrors planted in the sand compose a Morse code poem imagining a dialogue between Tangun, the legendary founder of the first Korean kingdom, and an Egyptian pharaoh
CAIRO: Installations by renowned international artists including Italy’s Michelangelo Pistoletto and Portugal’s Alexandre Farto have been erected in the sand under the great pyramids of Giza outside Cairo.
The fifth edition of the contemporary art exhibition “Forever is Now” is due to run to December 6.
The 92-year-old Pistoletto’s most famous work, Il Terzo Paradiso, comprises a three-meter-tall mirrored obelisk and a series of blocks tracing out the mathematical symbol for infinity in the sand.
“We have done more than 2,000 events all around the world, on five continents, in 60 nations,” said Francesco Saverio Teruzzi, construction coordinator in Pistoletto’s team.
“There is an estimate that it’s more or less five million people reached by the message of the Third Paradise.”
The Franco-Beninese artist King Houndekpinkou presented “White Totem of Light,” a column composed of ceramic fragments recovered from a factory in Cairo.
“It’s an incredible opportunity to converse with 4,500 years — or even more — of history,” he told AFP.
South Korean artist Jongkyu Park used the measurements of the Great Pyramid of Giza to create the geometric structures of his installation “Code of the Eternal.”
A thousand small cylindrical acrylic mirrors planted in the sand compose a Morse code poem imagining a dialogue between Tangun, the legendary founder of the first Korean kingdom, and an Egyptian pharaoh.
Farto, better known as Vhils, collected doors in Cairo and elsewhere in the world for a bricolage intended to evoke the archaeological process.
Six other artists, including Turkiye’s Mert Ege Kose, Lebanon’s Nadim Karam, Brazil’s Ana Ferrari, Egypt’s Salha Al-Masry and the Russian collective “Recycle Group,” are also taking part.
