DUBAI: From scenes of local village life to images inspired by the cosmos, the late Egyptian modern artist Menhat Helmy’s oeuvre was a varied one.
Helmy was born in Cairo in 1925 into a large family of seven sisters and two brothers. She died in May 2004.
One relative who remembers her fondly is her eldest grandson, Canada-based journalist Karim Zidan, who grew up with her paintings hanging in his family’s house.
“Though she passed away when I was 12 years old, I still have vivid memories of her and our interactions. I remember her helping me build Lego sets and complete jigsaw puzzles,” Zidan, who manages Helmy’s estate, tells Arab News.
Long before she became a grandmother, Menhat was a bright young woman who studied at the Egyptian capital’s High Institute of Pedagogic Studies for Art in the 1940s. Next came a great opportunity to study at the famed Slade School of Fine Arts in London, during the 1950s, reportedly making her only the second Egyptian woman to study there.
“London played a pivotal role in her career,” notes Zidan. “It was during her time at the Slade School of Fine Arts that she discovered printmaking, the art form that would come to define her work and legacy. My grandmother produced her first etchings at the school.”
The 1970s saw Helmy delve into abstraction, as in her 1973 masterpiece “Space Exploration.”
“During this time, my grandmother was fascinated with space and technological developments such as the computer,” explains Zidan. “She sought to depict her newfound fascinations in her work, but the geometric synergy in it is rooted in her appreciation for Islamic art. All of this is clearly represented in ‘Space Exploration,’ which can be viewed as a depiction of the night sky; constellations in perfect formation; a universe in flux; or even electrons flowing through a circuit board.”
Today, Helmy’s artworks can be found in the UAE’s Barjeel Art Foundation, the Jordan National Gallery of Fine Arts and the UCL Art Museum in London.
“The variety of her oeuvre, coupled with the sheer complexity and avant-garde nature of the work, is precisely what makes her such a pioneering figure in modern Egyptian art,” Zidan concludes.