Arab stars celebrate women at Red Sea Film Festival and Vanity Fair’s Cannes gala

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(L-R) Razane Jammal, Fatima Al-Banawi, Sara Ali Khan, Mohammed Al-Turki, Simone Marchetti, Tara Emad, Mila Al-Zahrani and Jade Osiberu attend the Red Sea International Film Festival’s ‘Women’s Stories Gala’ in partnership with Vanity Fair Europe . (Getty Images)
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Alessandra Ambrosio at the gala. (Ammar Abd Rabbo/Arab News)
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Fan Bingbing at the gala. (Ammar Abd Rabbo/Arab News)
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Eva Herzigova at the gala. (Ammar Abd Rabbo/Arab News)
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Hend Sabri at the gala. (Ammar Abd Rabbo/Arab News)
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Updated 21 May 2023
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Arab stars celebrate women at Red Sea Film Festival and Vanity Fair’s Cannes gala

CANNES: Saudi Arabia’s Red Sea International Film Festival and Vanity Fair on Thursday hosted a “women’s stories gala after party” during the Cannes Film Festival to celebrate female talent in the region. 

The star-studded event was attended by Leonardo DiCaprio, Katie Holmes, Maiwenn, The Weeknd, Gaspar Noe, Storm Reid, Tobey Maguire, Gurinder Chadha, Fan Bingbing, Freida Pinto, Simone Marchetti, Eva Herzigova, Naomi Campbell and more. 




Naomi Campbell at the gala. (Ammar Abd Rabbo/Arab News)

The event, held at the famed Hotel du Cap-Eden-Roc in Cap d’Antibes, honored six stars from the region: Saudi actresses Mila Al-Zahrani and Fatima Al-Banawi, Lebanese actress Razane Jammal, Indian star Sarah Ali Khan, Egyptian-Montenegrin actress and model Tara Emad and Nigerian filmmaker Jade Osiberu. 

In an interview with Arab News, Emad said: “I am very proud of myself, of each and every women here that is an honoree. I am proud of our industry, of Egypt (and) of the Arab world. I am glad to be able to represent Egypt and the Arab word in general. 

“I am happy to be able to see the representation that I always sought to see as a young girl,” she said. “I hope that the six of us can be that representation to all the girls and all the women in the Arab region that seek to see themselves in the spotlight in any career that they choose.”

Khan believes it was a “privilege” to be part of the event. “I think if I had to identify myself in three words it would probably be: Indian, woman (and) actor. And I am here to celebrate all three today,” she said. 

To Al-Banawi, moments like these are no longer a surprise. 

 

 

“I reached to a point where I am really not surprised because Saudi Arabia is trying to prove that we are creating stories that are inspiring, magical and that push for change and development,” she said. “I am very happy that we are here in Cannes Film Festival, celebrating each other and  celebrating with each other.

“I feel like the narrative we represented in the light that was always on us was a very specific one and I don’t think women were part of it. I think it was written by others,” she said. “Today, I am celebrating women that are writing, that are creating and challenging and honoring themselves and other fellow women.

“I think it takes so much courage to tell one story, let alone if there was so many stories that were shaping you in a specific discourse or a specific channel or a specific light. It takes more courage to unleash, to unfold new possibilities and new opportunities. I always remind myself to be OK with taking up space, with speaking my opinion, with addressing what I feel could be wrong or should be changed,” Al-Banawi said. 

 

 

Jammal said that she never differentiated between a man and a woman. 

“Maybe because I lived in a little bubble because I was raised by a man that empowered me and told me that there was no difference between me and my brother. So maybe I never grew up feeling that being a woman is a challenge. If anything, I felt like it was a superpower,” she said. 

But when she joined the workforce, she realized that women faced challenges. 

 

 

“I am learning now as I am more exposed to a wider audience, and depending on their reactions I can learn about them more,” she said. “As a woman, I am really happy to be representing a person who chased her dreams, who is self-made, who is independent, and I am just trying to do my best and I am just really happy that the best is just working for me right now.”

Portugese model Sara Sampaio, who also attended, said that being part of the women’s stories gala was “so special.” 

“Women are amazing, and for the longest time we didn’t have stories told by our point of views. It’s very important,” she said. 

Mohammed Al-Turki, CEO of the Red Sea Film Festival, told Arab News: “We are very happy to be celebrating women. We are very proud that we can share stories from our region. Today, we are highlighting six females from our region: two from Saudi — Mila Zahran and Fatima Al-Banawi — from Egypt Tara Emad, from Lebanon Razane Jammal, from Nigeria Jade and from India Sara Ali Khan.

“It is quite an interesting mix and for us to be able to showcase these talents to the world, to be in a room tonight with the likes of Katie Holmes and more, is a big incredible moment for us,” he said. 

 

 

“I think the dream has come true. I never thought a Saudi co-production would open Cannes with a female director of Algerian descent,” he said. “So it is an indicator that we are going. And if this is just three years of Red Sea, I think we should just fasten our seatbelt and go for a ride because we are going to see incredible things moving forward.”

This year, Cannes Film Festival opened with the screening of Johnny Depp’s “Jeanne du Barry,” which was backed by the Red Sea International Film Festival. 


'Material Woman' exhibition in London creates synergy of Arab women’s fashion and art

Updated 3 min 9 sec ago
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'Material Woman' exhibition in London creates synergy of Arab women’s fashion and art

  • Curation tells a “story about how women use their hands to craft their destinies,” Shoucair says

LONDON: The worlds of fashion and art from Arab female creatives converged this week at the “Material Woman” exhibition in London.

The exhibition, held from May 17 to May 19 at Soho Revue, is the brainchild of the art collective Hayaty Diaries, in collaboration with the fashion platform and pop-up series 3eib.

"Thulathia" (2024) and "The Warmth of My Bed" (2023) by Lebanese artist Yasmina Hilal. (Supplied)

Featuring an eclectic mix of sculptural art, mixed media, projection installations, fashion and jewelry, the exhibition explored craftsmanship and materiality.

“Each element came together to tell a cohesive and beautiful story about how women use their hands to craft their destinies and honor their heritages through both creative worlds of art and fashion,” Lebanese curator and Hayaty Diaries co-founder, Christina Shoucair, told Arab News. 

The curatorial process began with the pairing of artists and designers, creating a harmony between the works. 

"Communion" (2023) and "Wound" (2023) by Bahraini artist Zayn Qahtani

Bahraini artist Zayn Qahtani’s shrine-like objects, featuring delicate ethereal drawings on date paper, explore themes of venerative mourning. These are paired alongside a series of rustic sculptures and draped garments by Egyptian designer Nadine Mos.

Lebanese artist Yasmina Hilal’s photo sculptures, which incorporate her distinctivve metalwork and soldering technique, are complemented by a curated display of contemporary silver and gold accessories by Celine Dagher, a Lebanese jewelry designer.

Meanwhile, Egyptian artist Hanya Elghamry examines the process of remembering by graphically recreating various details and narratives in her installation “Abandoned Projection.” Set as a backdrop against her floating “Tampered Redux” series, along with Moroccan designer Hanan Sharifa’s mesh and delicate dresses, the space offers visitors an immersive experience.

Garments designed by Nadine Mos on display at "Material Woman" in London. (Jules Foad)

“Christina and Kinzy presented the vision for The Material Woman and I loved the idea of blending the worlds of fashion and art together and utilizing the theme of materiality as a vehicle of creative empowerment and liberation,” 3eib founder, Dania Arafeh, told Arab News. 

Hayaty Diaries, which focuses on celebrating the artwork of Arab women, marked its debut last December with its inaugural exhibition, “Through Their Eyes: Perspectives Unveiled,” in the British capital. 

“Our Hayaty Diaries journey has been incredible. We’ve had the privilege of meeting many creatives from the region and have felt the warmth and support of the community. We are immensely grateful for all the encouragement we have received along the way,” Egyptian-Saudi curator and Hayaty Diaries cofounder Kinzy Diab told Arab News.

The London-based collective is now preparing for its exhibition “Levitate,” which will run from June 6 to June 16 and center around themes of fantasy and imagination.
 


Ithra celebrates ‘creative voices’ at Cannes Film Festival

According to film director Hamza Jamjoom, the present opportunities for Saudi directors have greatly improved.
Updated 20 May 2024
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Ithra celebrates ‘creative voices’ at Cannes Film Festival

  • Panel discussion was held within the Saudi pavilion of the Film Commission, with attendees from the global cinematic industry
  • Panelists discussed the 15 projects that won support from the Ithra Film Production Program

RIYADH: Ithra organized a panel discussion entitled “Creative Voices” to shed light on young Saudi cinematic talents on the sidelines of the 77th Cannes Film Festival.

It was held within the Saudi pavilion of the Film Commission, with attendees from the global cinematic industry.

The panelists discussed the 15 projects that won support from the Ithra Film Production Program, including 11 short films and four feature-length films.

According to film director Hamza Jamjoom, the present opportunities for Saudi directors have greatly improved compared to previous years, allowing them to showcase local stories through cinematic works that reflect the Saudi culture internationally. 

Raneem Al-Muhandis, the director who debuted her film “Swing” in 2022 with support from Ithra, said Saudi Arabia boasts a rich pool of narratives ripe for cinematic exploration with worldwide appeal.   

Ithra cinema coordinator Mansour Al-Badran said that this program has taken local filmmaking to a new level.

“We produced the film ‘Hajjan’ within IFPP which has so far won nine awards in local and regional film festivals and was chosen to be the opening or closing film in prestigious festivals,” he said.

Al-Badran added that “Hajjan” is a prime example of the cinematic projects Ithra is working on.

He highlighted that Ithra is interested in stories that draw inspiration from the rich Saudi culture and aims to raise the standards of filmmaking in the local community through workshops and seminars.

Additionally, he highlighted Ithra’s collaboration with the Cinema Society to host the Saudi Film Festival, which is as a major platform for showcasing up-and-coming talents in the film industry. 

The Ithra event at the Saudi pavilion featured a luncheon bringing together representatives of organizations that support filmmakers in Saudi Arabia. The aim was to strengthen relationships and promote the exchange of cinematic experiences between industry professionals and enthusiasts. 


Dubai Fashion Week announces Spring/Summer 2025 edition dates

Updated 20 May 2024
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Dubai Fashion Week announces Spring/Summer 2025 edition dates

DUBAI: Dubai Fashion Week (DFW) has announced its Spring/Summer 2025 dates, with international labels set to hit the runway from Sept. 1-5, 2024.

 “By positioning it ahead of the fashion weeks of New York, London, Milan and Paris, DFW provides an opportunity for participating designers to set the season’s trends and capture the attention of buyers,” organizing bodies the Arab Fashion council and Dubai Design District said in a released statement.  

Previous iterations of DFW saw New York-based label Carolina Herrera as the guest of honor last October with a presentation by the brand’s Creative Director Wes Gordon; supermodel Naomi Campbell closing the October edition by walking for Rizman Ruzaini; and Moroccan designer Maison Sara Chaibi making her DFW debut in February after presenting her collection at Paris Haute Couture Week.


Emirati actress Meera AlMidfa reflects on Cannes and her first feature-length film, co-starring Saudi actor Fahad Al-Butairi

Updated 20 May 2024
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Emirati actress Meera AlMidfa reflects on Cannes and her first feature-length film, co-starring Saudi actor Fahad Al-Butairi

DUBAI: Emirati actress and filmmaker Meera AlMidfa has two short films screening on the sidelines of the ongoing Cannes Film Festival — “Shame” and “Umm Salama The Matchmaker”. 

Set to entertain audiences in the French Riviera, although the films are not playing on the official calendar of the film festival, each provides sharp insight and commentary on Arab womanhood, while approaching the subject from separate viewpoints and taking a different tone.

While in “Shame” AlMidfa plays a woman whose attempt to flee from home is abruptly halted when her mother catches her and leads to an intense confrontation, in “Umm Salama The Matchmaker,” she plays the daughter of a matchmaker trying to avoid getting hitched.

Meera AlMidfa (right) in “Umm Salama The Matchmaker”. (Supplied)

“The two films were made as part of Arab Film Studio workshop by Image Nation Abu Dhabi. And I was cast by the filmmakers who were doing the filmmaking course, both female directors. And they both explore similar issues about women and marriage,” AlMidfa said in an interview with Arab News.

However, AlMidfa is most excited about her first full-length feature, “Al Eid Eiden,” Image Nation Abu Dhabi’s Saudi-Emirati family comedy. “I play an Emirati woman married to a Saudi man,” said AlMidfa.

Starring opposite AlMidfa is Saudi actor Fahad Al-Butairi (“Telfaz11,” “The Office,” “From A to B”), with the film’s worldwide release planned for July 4.

Meera AlMidfa will soon star in her first full-length feature, “Al Eid Eiden,” Image Nation Abu Dhabi’s Saudi-Emirati family comedy. (Supplied)

The production brings together an all-female Emirati creative team featuring first feature director Maitha Alawadi, producer Rawia Abdullah and writer Sara Al-Sayegh.

The film’s logline reads, “‘Al Eid Eiden’ follows a Saudi-Emirati family as they make the final preparations for an Eid getaway in Abu Dhabi. An unexpected turn of events on their day of travel changes things drastically for the parents, but not wanting to disappoint their three young children, they decide to go ahead as planned.

“What ensues is a roller-coaster ride of comedic mishaps and misunderstandings as they hurtle through uncharted parenting territory, a theme park, and Eid gatherings with relatives. Through the chaos, they discover unity as a family.”

Having been an integral part of the theatre and acting scene for more than a decade in the UAE, AlMidfa — who has a master’s degree in film directing from the American Film Institute — is also interested in working behind the camera as much as she is performing in front of it.

“I would say acting comes more naturally to me. But the more I do production work, the more it sinks in as well. But it’s like a complete personality switch. So, you need to kind of figure out how to balance yourself when you switch from one to the other based on the project. So, I don’t mix them up too much — I don’t direct something and then act like back-to-back,” she said.


Review: Cannes title ‘Everybody Loves Touda’ is a sparkling example of Nabil Ayouch’s work

Updated 20 May 2024
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Review: Cannes title ‘Everybody Loves Touda’ is a sparkling example of Nabil Ayouch’s work

CANNES: Directed by Morocco’s Nabil Ayouch, Cannes Film Festival title “Everybody Loves Touda” is a compelling look at a single mother, Touda (an excellent Nisrin Erradi), who lives by the age-old dictum “never say die.”

Living in a small town, she is a bundle of music and mirth and her dances seem to bring cheer to her audience, but she soon faces unwanted attention.

The Cannes screening ended with a standing ovation, and Ayouch’s fourth outing at the festival seemed to garner far more audience appreciation than in earlier years. In 2012, his critically acclaimed drama “Horses of God” played in the Un Certain Regard section, which is second in importance to the main competition and is widely seen as a platform for experimental cinema. But Ayouch has also played in the In Competition section for the coveted Palme d’Or — his 2021 feature “Casablanca Beats,” the first title from Morocco since 1962 to vie for this honor, proved a sensation.

 Maryam Touzani and Nabil Ayouch attend the "Everybody Loves Touda" Photocall at the 77th annual Cannes Film Festival. (Getty Images)

Like his other movies, Ayouch approaches “Everybody Loves Touda” with fascinating realism that at times may appear a little too harsh. Having written the script with Mayam Touzani (“The Blue Caftan”), Ayouch may have given us formulaic fare, but he infuses Touda with a kind of determination that is awesome. Striving to relocate to Casablanca, where her deaf son would have better schooling and she herself could find greater opportunities, Touda begins to sing in village nightclubs, bearing with a grin the lecherous gaze of men drunk with delusion.

This is not the first time that Ayouch puts women in such precarious positions. His 2008 “Whatever Lola Wants” talks about the trials of a postal worker in New York who dreams of becoming an Egyptian belly dancer, and “Much Loved” (which played at in the Director's Fortnight section) created a storm with its exploration of prostitution in Morocco.

Peppered with lively music (by Flemming Nordkrog), Touda croons folkloric songs on liberation and other forms of women’s rights. The actress’s gripping performance causes the narrative to sparkle —Erradi has a remarkable on-screen presence that makes the movie a joy to watch.