In step with global music trends, Coachella ropes in Korean, Pakistani, Indian artistes

Pakistani Singer Ali Sethi performs during the first weekend of the Coachella Valley Music and Arts Festival in Indio, California, on April 16, 2023. (AFP)
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Updated 17 April 2023
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In step with global music trends, Coachella ropes in Korean, Pakistani, Indian artistes

  • The 2023 edition of the festival has more than half of artistes hailing from outside the US
  • India's Diljit Dosanjh and Pakistan's Ali Sethi drew large crowds to their high-energy sets

Indio, United States: The original 1999 Coachella lineup was decidedly oriented towards rock acts and full of white men, but today, the premier music festival's lineup is more diverse and international than ever. 

The 2023 edition of the massive desert festival is a showcase of global talent, with more than half of the performing artists hailing from outside the United States, including artists from Puerto Rico, South Korea, Belgium and Pakistan. 

The centering of genre-spanning music performed in a variety of languages highlights the US industry's evolving response to global tastes, as streaming and social media offer obvious metrics on what's popular, and profitable. 

Bad Bunny, the Puerto Rican reggaeton master and world's biggest star, headlined the weekend's opening night with an adrenaline-pumping performance that paid homage to Caribbean music's influential lineage and had his fans screaming with delight. 

On Saturday night, the K-pop megastars BLACKPINK put on one of the weekend's buzziest shows -- and made history as the first Asian act to headline the festival -- with tens of thousands of revelers descending on the main stage for a bombastic set of pop bangers preceded by a mesmerizing, drone-powered light show and punctuated by pyrotechnics. 

For CedarBough Saeji, a professor of Korean and East Asian studies who specializes in K-pop, the festival lineup emphasizing the hottest acts from across the globe is long overdue. 

And when it comes to K-pop, "we've reached a point where the ongoing public demand for K-pop... is clear, even to people who may be watching the financial bottom line much more than they're watching trends," she said. 

"America's a very large music market, there's a lot of people there," Saeji continued. "It's a very, very important tastemaker -- but world cultural flows have shifted." 

"You don't have to be American to be the top group in the world." 

Major artists, including Spain's Rosalia, Iceland's Bjork and Nigeria's Burna Boy received top billings on the festival's main stage, while India's Diljit Dosanjh and Pakistan's Ali Sethi drew large crowds to their high-energy sets. 

"When I saw those brown faces in their best, sort of like, South Asian regalia with a twist, it gave me so much courage," Sethi told AFP following his set. 

For "those of us who are coming from other places, coming from other traditions, who are speaking languages -- musical languages, visual languages, and literally languages that haven't been heard here before -- that Coachella welcomes us and has us here, it's a new trip." 

Sethi was already wildly popular prior to his Coachella performance: his song "Pasoori" was Google's most searched song in 2022 and boasts more than half a billion views on YouTube. 

According to scholar Saeji, the internet has played a vital role in "leveling the playing field." 

"The internet is the reason why worldwide audiences have so much more awareness now of artists coming out of countries that aren't traditional hegemons," she said. 

"I predict that no matter how much the US music industry may try to continue to try to gatekeep, eventually, we're going to see a situation where we have charting music coming from multiple languages all the time." 

"And that's beautiful." 

Also on feature were France's Christine and the Queens, Argentina's Los Fabulosos Cadillacs and Belgium's Angele. 

And Palestinian-Chilean Elyanna broke ground as the first artist to perform a full set in Arabic at the festival. 

Turkish electronic artist Omer Mesci, who performs under the name Minus the Light, was born and raised in Turkey and told AFP after his set that it's particularly "inspiring" as a DJ to encounter an international slate of performers. 

"Music is music," he said. "That's what makes it beautiful. It's so colorful in terms of the music, in terms of the people." 

Rosalia -- the Spanish superstar who made her name as a flamenco revisionist before soaring to the top of pop with her blockbuster third album, "Motomami" -- was among the weekend's most hotly anticipated acts, with fans clamoring for her as she blasted through a set of her daring, kaleidoscopic songs blending styles. 

"Buenas noches, Coachella!" she shouted as cheers cascaded through the crowd. "You fill my heart with your presence. I come from Barcelona, that's why this stage is so special. It's because of you that I'm here." 


Supermodel Bella Hadid celebrates Palestinian symbols 

Updated 34 sec ago
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Supermodel Bella Hadid celebrates Palestinian symbols 

DUBAI: US Dutch Palestinian supermodel Bella Hadid on Wednesday took to Instagram to explain the symbolism behind the keffiyeh print and spotlight designers who have “highlighted the Palestinian cause over the years.”

The catwalk star, daughter of real estate mogul Mohamed Hadid and US Dutch model Yolanda Hadid, made a powerful fashion statement on the sidelines of the Cannes Film Festival on May 23 by wearing a red-and-white dress inspired by the keffiyeh. The dress was designed by US designers Michael Sears and Hushi Mortezaie in 2001.

This week, the model shared pictures of the dress with her 61.1 million followers on Instagram, describing the ensemble as “a beautiful way to represent the history, labor of love, resilience, and most importantly the art of historic Palestinian embroidery.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Bella (@bellahadid)

She then explained the meanings behind the patterns of the Palestinian keffiyeh, noting that they symbolize various themes.

The olive leaves represent “strength, resilience and perseverance,” she wrote. 

“The larger part of the of the keffiyeh is the fishnet pattern which resembles the relationship between the Palestinian fisherman and the sea. It symbolizes abundance and grace,” she explained. “To many of us, the sea also means freedom, especially to Palestinians living in the West Bank (who) have no access to the sea due to restricted movement.”

Hadid added that the sea waves resemble the “strength and resilience” of those who “persevered after 73 years under military occupation and oppression.”

Some commenters have claimed that the sea waves actually represent olive leaves, which Hadid considers an “important symbol.” However, after speaking with Judeh Hirbawi, the founder of the Hirbawi Factory fabric manufacturer in Hebron, she says she learned that the pattern indeed represents sea waves.

The bold lines “represent the trade routes going through Palestine, which played a vital role in carving the history and rich and diverse culture of our communities,” the supermodel added. 

Her post also included a heartfelt message about her heritage.

“Palestine on my mind, in my blood and on my heart (sic),” she said. "Always… while I still have to go to work, even through this horror, to wear our culture makes me a proud Palestinian and I want the world to continue to see Palestine, wherever we go.”


Adele wears Elie Saab gown at Las Vegas concert

Updated 28 May 2024
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Adele wears Elie Saab gown at Las Vegas concert

DUBAI: British singer Adele showed off a gown by Lebanese designer Elie Saab during her Las Vegas residency over the weekend.  

The Grammy-winning singer performed her 42nd “Weekends with Adele” concert in a sleek black, off-shoulder gown with a deep V-neck.

 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by ELIE SAAB (@eliesaabworld)

 

“Captivating elegance, @adele graces the stage in Vegas in (a) … custom made Haute Couture gown,” read a post on the official Instagram page of Elie Saab.

Adele has previously chosen other designers from the region to wear during her residency, including Zuhair Murad and Georges Hobeika.

The residency is set to conclude in November this year.


Georgina Rodriguez collaborates with Faces Middle East beauty store

Updated 28 May 2024
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Georgina Rodriguez collaborates with Faces Middle East beauty store

DUBAI: Argentine model Georgina Rodriguez took to social media to share images from her recent visit to beauty store Faces in Riyadh Park Mall.

The social media sensation – partner to football legend Cristiano Ronaldo – posted a reel on Instagram featuring moments from her trip to the store, captioning the post, “Beauty time with @facesmiddleeast,” along with a pink heart emoji.

 

 

Rodriguez can be seen getting an analysis with Faces’ skincare diagnosis machine and trying on several of the store’s products.

Rodriguez also took a moment to congratulate Ronaldo on Instagram Stories as the Portuguese footballer – who plays for Saudi football club Al-Nassr – set a new record for goals scored in a Saudi Pro League season.

The 39-year-old took his tally of goals scored to 35 after he netted two goals against Al-Ittihad on Monday night.


New film festival in London seeks to ‘reclaim, celebrate’ Muslim identity

Updated 28 May 2024
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New film festival in London seeks to ‘reclaim, celebrate’ Muslim identity

  • Event features narratives from Muslim filmmakers, productions inspired by Muslim culture and faith

LONDON: A new film festival in the UK is on a mission to explore Muslim experiences through film.

The inaugural Muslim International Film Festival will begin on May 30 in London’s Leicester Square.

The four-day event features narratives from international Muslim filmmakers as well as productions inspired by Muslim culture and faith.

“The idea behind the festival is about reclaiming our identity and celebrating it. For the longest time, being Muslim has felt like something we can’t be proud of,” MIFF director Sajid Varda told Arab News.

He added: “We’ve had to hide our identity, and the narrative around our faith and identities has often been controlled by others.

“There’s been a persistent frustration with how to change those perceptions and how to reconnect with wider audiences and communities.

“We want to give them a glimpse into our lives and lived experiences, while also showcasing the cinematic brilliance of our creative community and its contributions to cinema.”

The event will begin with the London premiere of “Hounds” (“Les Meutes”) by Moroccan director Kamal Lazraq. The film follows a father and son in Casablanca’s suburbs who make ends meet by committing petty crimes for a local mob until a kidnapping goes horribly wrong.

Other highlights include critically acclaimed films set in the UK, France, Turkiye, Tunisia, Jordan, Iran and Sudan.

The festival will include Q&A sessions, panels and networking events in partnership with the British Film Commission, Netflix and the BBC.

Organizers have made the festival as accessible as possible to wider audiences, Varda said.

“We wanted to ensure that the films align with our faith and ethos, avoiding gratuitous violence, nudity and overtly sexual themes. This makes the content accessible to all, not just Muslims, but also people of other faiths and beliefs who might be sensitive to these issues.”

He added: “Our ticket costs are much lower compared to other festivals. We’ve also given out many tickets at no cost to various organizations, and offered discounts to students and those facing financial hardship.”


Review: ‘Norah’ makes Cannes history with its delicate handling of a Saudi story

“Norah” had its official screening at the 77th Cannes Film Festival. (AN/ Ammar Abd Rabbo)
Updated 27 May 2024
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Review: ‘Norah’ makes Cannes history with its delicate handling of a Saudi story

CANNES: Director Tawfik Alzaidi's “Norah” made history when it was selected as the first Saudi film to screen on the official calendar at the Cannes Film Festival.

The film premiered at December’s Red Sea International Film Festival in Jeddah before heading to the French Riviera last week, where it ran in the famed festival’s Un Certain Regard section.

“Norah” is the story of a restless young woman (played with wonderful ease by Maria Bahrawi), who dreams of a life beyond her immediate surroundings.

Set in 1990s Saudi Arabia when conservatism ruled and the pursuit of all art, including painting, was frowned upon, a new world opens up for Norah when Nader (Yaqoub Alfarhan), a failed artist and teacher from the city, comes to her village. Despite the rigid rules of society, the pair form a platonic relationship, linked by a passion for the arts. What emerges is a story in which the characters inspire each other, played out against the backdrop of the scenic AlUla region in Saudi Arabia, a location that is becoming a major moviemaking hub.

Norah, brought up by her uncle and aunt after having lost her parents early on, listens to music and pores over magazines. She encourages Nader to follow his passion for drawing, and their affection for each other gradually develops into an unshakable union.

The director strives to walk a tightrope, maintaining an equilibrium between Saudi sensibilities and a daringly emotional outlook. He explores the hesitant heartbeats of Norah and Nader but stops short of entering any overt romantic territory. The love affair, in this case, in one with the arts — both lead characters yearn for the chance to creatively express themselves.

While the narrative carries on at a gentle pace, the tone and tenure seem ruffled and out of place in the finale — with a rather bizarre ending marred by uncertainty. Alzaidi loses his grip over the narration, which until then seemed to have traversed a smooth road.