Recipes for success: Chef Shaw Lash talks childhood memories, loving lime, and great steaks 

Shaw Lash grew up in the border state of Texas, immersed in Mexican culture. (Supplied)
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Updated 16 March 2023
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Recipes for success: Chef Shaw Lash talks childhood memories, loving lime, and great steaks 

DUBAI: On Dubai’s Jumeirah Beach Road, sandwiched between an old-school cafeteria and a mini mart, there’s a new kid on the block that is becoming the talk of the town. An homage to bona-fide Mexican flavors, Lila Taqueria was established last year by American chef Shaw Lash — who grew up in the border state of Texas, immersed in Mexican culture — and her Dutch-Syrian husband Tarek Islam. They bill it as the region’s first wood-fired taqueria (a restaurant specializing in tacos).  

The core of Shaw’s menu is heirloom corn imported directly from Mexican farms. Her multicultural team in the kitchen produce around 800 hand-made tortillas every day. “I thought there was an opportunity to tell the narrative of Mexico,” Lash tells Arab News. “We’re representing the origin story of Mexican food. This process dates back 5,000 years to the indigenous women of Mexico.”  




Wood-grilled ribeye. (Supplied)

Accommodating up to 35 guests, the place itself is warm and modern — far from the stereotypical decor of maracas and sombreros. Every detail has a meaning. The name Lila, inspired by the great Mexican singer Lila Downs, was Lash’s nickname during her twenties, which she spent in Mexico. The logo’s colors are inspired by earthy terracotta and the silver-grey skies of the city of Oaxaca. Small sculptures of mythical animals, known as alebrijes, sit beneath banners. One reads, in rhyming Spanish, “Without corn, there is no country.” The walls are decorated with a mural designed by a Mexican artist depicting traditional Mexican cooking tools. “We wanted it to be cozy and inviting,” says Lash.  

You get the feeling that Lila Taqueria is a love letter to a country that shaped the passionate chef’s life, career, and palate.  




Lila Taqueria was established last year by American chef Shaw Lash. (Supplied)

Here, Lash discusses a memorable childhood trip to Mexico, her “last supper,” and shares a salsa recipe.  

Q: What’s your earliest food memory?  

A: It not be my earliest, but it’s one of my most vivid. My family was in and out of Mexico a lot when I was young. I think I was 10 or 11. We went to the beach and I remember my parents were in the water for the day and then we were looking for dinner. In a wooden beach shack, there was a whole mahi-mahi (dolphin fish), slathered in roasted garlic, chili and lime. They gave us a stack of corn tortillas and that whole fish. I remember vividly what that tasted like and what that experience was. I think when I make a whole fish with a stack of tortillas that’s me recreating that dish.  

When you started out as a professional, what was the most common mistake you made?  

Having too much ego — thinking you know everything.  




Lamb tacos “al pastor.” (Supplied)

What one ingredient can instantly improve any dish?  

For Mexican food, it’s fresh lime. My favorite stuff outside of Mexican is fresh lemon and fresh basil. Just tear three or four leaves of basil on top of a dish and it will always taste instantly better.  

Are you a disciplinarian in the kitchen? Do you shout a lot? Or are you more laidback?  

I’m like a momma in the kitchen. I feel like I’m responsible for my team. I think that culture of pot throwers is going away a little bit. It used to be that all the chefs were unhealthy. They were doing a lot of drugs and smoking a lot and now chefs are more healthy, fit. But no, I’m not a screamer.     

What customer behavior most annoys you?   

Asking to change the dishes or modify something that’s integral to the dish. I go, “Are you the chef now?” (Laughs.)    




Open faced quesadillas mexico city style. (Supplied)

What’s your favorite dish to cook?  

I really love cooking a big steak. Beside the grilling, I really love the cast-iron skillet, garlic, French herbs, butter, nice sea salt and a beautiful piece of meat. That would be my last supper.  

When you go out to eat, do you find yourself critiquing the food? 

It’s very easy to see flaws, but I find myself to be far less critical if the entire experience has value. Everyone’s a critic, but I’d say I’m a little softer than most as far as, like, being more patient.  

What’s your top tip for amateur chefs?  

Eat as much as you can, travel, and be humble about what you know and what you don’t know.  




Chipotle Steak Tacos. (Supplied)

Chef Shaw’s chipotle steak tacos 

Ingredients (serves 2-4): 

450g of top sirloin or flank steak, sliced thinly crosswise; 2 white onions, sliced; vegetable oil (to sauté); 2 or 3 canned chipotle chiles en adobo; 2 tbsps of adobo sauce from the can; 3 Roma tomatoes, chopped; 2 avocados, sliced; 1 small pack of crumbly fresh cheese (ideally Mexican queso fresco — alternatively, firm, dry Feta cheese); 12 corn tortillas; fresh lime wedges; chopped white onion and finely chopped coriander as garnish; sea salt and freshly cracked black pepper, to taste. 

Instructions: 

1) Heat a heavy-bottomed cast-iron skillet over medium-high heat. 

2) Add a small amount of vegetable oil to the skillet and add the steak slices. Cook until almost ¾ finished, add salt and pepper to taste. Remove and place on a plate. 

3) Add the sliced onion to the pan, and sauté in vegetable oil until deep golden brown. Add chipotle chiles, adobo sauce, and chopped tomatoes. Sauté until mixture is reduced by about a quarter.  

4) Add the steak slices back into the pan. Sauté until warm and re-season, if necessary. Take the pan off the stove. 

5) Take the tortillas and warm them by either quickly passing them over a gas flame on the stove, or wrapping in a damp kitchen towel and microwaving for 20 seconds.  

6) Fill the warm tortillas with the meat filling. 

7) Top the tacos with sliced avocado, crumbled cheese, and a squeeze of fresh lime. Serve hot with a garnish of chopped onions and fresh coriander. 


Muhammad second most popular name for baby boys in England, Wales

Updated 17 May 2024
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Muhammad second most popular name for baby boys in England, Wales

  • Name ‘has soared in popularity in recent times’: Daily Mail
  • Layla, Maryam, Yusuf, Fatima, Musa, Ibrahim among popular Arabic names

LONDON: Muhammad was the second most popular name for baby boys in England and Wales in 2022, according to the Office of National Statistics.
The Daily Mail reported on Friday that the Arabic name “has soared in popularity in recent times,” having ranked 20th in 2012.
Variations of the name’s spelling, Mohammed and Mohammad, were also among the top 100 most popular baby boys’ names in 2022, ranked 27th and 67th respectively.
Other popular Arabic names for baby boys were Yusuf (93rd), Musa (99th) and Ibrahim (100th).
In the girls’ list, Layla ranked 56th, Maryam 75th and Fatima 99th.


India’s butter chicken battle heats up with new court evidence

Updated 17 May 2024
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India’s butter chicken battle heats up with new court evidence

  • Two Indian restaurant chains have been sparring since Jan. at Delhi High Court, both claiming credit for inventing the dish
  • The lawsuit that has grabbed the attention of social media users, food critics, editorials and TV channels across the globe

NEW DELHI: With new photographic and video evidence, an Indian court battle over the origins of the world famous butter chicken is set to get spicier.
Two Indian restaurant chains have been sparring since January at the Delhi High Court, both claiming credit for inventing the dish in a lawsuit that has grabbed the attention of social media users, food critics, editorials and TV channels across the globe.
The popular Moti Mahal restaurant chain said it had the sole right to be recognized as the inventor of the curry and demanded its rival, the Daryaganj chain, to stop claiming credit and pay $240,000 in damages. Moti Mahal said founder Kundan Lal Gujral created the cream-loaded dish in the 1930s at an eatery in Peshawar, now in Pakistan, before relocating to Delhi.
That “story of invention of butter chicken does not ring true” and is aimed at misleading the court, Daryaganj said in a new, 642-page counter-filing reviewed by Reuters.
Daryaganj says a late member of its founding family, Kundan Lal Jaggi, created the disputed dish when he helmed the kitchen at the relocated Delhi eatery, where Gujral, his friend-cum-partner from Peshawar only handled marketing.
Both men are dead, Gujral in 1997 and Jaggi in 2018.
Evidence in the non-public filing includes a black-and-white photograph from 1930s showing the two friends in Peshawar; a 1949 partnership agreement; Jaggi’s business card after relocating to Delhi and his 2017 video talking about the dish’s origin.
By virtue of the friends’ partnership, “both parties can claim that their respective ancestors created the dishes,” Daryaganj says in the filing, calling the dispute a “business rivalry.”
Moti Mahal declined to comment. The judge will next hear the case on May 29.
A key point of contention, which the court will have to rule on, is where, when and by whom the dish was first made — by Gujral in Peshawar, Jaggi in New Delhi, or if both should be credited.
Butter chicken is ranked 43rd in a list of world’s “best dishes” by TasteAtlas, and bragging rights about who invented it can matter, brand experts said.
“Being an inventor has a huge advantage globally and in terms of consumer appeal. You are also entitled to charge more,” said Dilip Cherian, an image guru and co-founder of Indian PR firm Perfect Relations.
Moti Mahal operates a franchisee model with over 100 outlets globally. Its butter chicken dishes start at $8 in New Delhi, and are priced at $23 in New York.
Late US President Richard Nixon and India’s first Prime Minister Jawaharlal Nehru are among the famous clients to have visited its primary outlet in Delhi.
Daryaganj started in 2019 and its butter chicken costs $7.50. It has 10 outlets, mostly in New Delhi, with plans to expand to other Indian cities and Bangkok.
In its 2,752-page Indian lawsuit, Moti Mahal had also accused Daryaganj of copying “the look and feel” of the interiors of its outlets.
Daryaganj has retorted with photographs of restaurant interiors which the judge will review, claiming it is Moti Mahal that has copied its “design of floor tiles.”


Tima Abid’s ‘sea-spired’ collection opens first Red Sea Fashion Week

Updated 17 May 2024
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Tima Abid’s ‘sea-spired’ collection opens first Red Sea Fashion Week

  • Beadwork, satin used to mimic waves, gleaming glints on water
  • Designer lauds support of Culture Ministry, Fashion Commission

RIYADH: Saudi Arabia designer Tima Abid opened the first Red Sea Fashion Week on Thursday with bridal wear inspired, or perhaps sea-spired, by the effervescent colors and tides of the ocean.

Backdropped by the glistening and clear turquoise waters of the St. Regis Red Sea Resort on the developing Ummahat Al-Sheikh island, Abid showcased luxurious, elegant and intricately-designed evening wear.

Abid incorporated sheer chiffon, micro ruffles, and malleable fabrics to mimic an underwater experience. (Arab News)

The Jeddah-born haute couture designer told Arab News: “When I was told that I would inaugurate Red Sea (Fashion) Week at the St. Regis and by the sea, it was a beautiful idea but very challenging. I was inspired for this collection by the Red Sea and its shades of sand. I used pearls, fishnets, and elements derived from the sea like the waves. I really aimed for couture to align with the mood that we’re in.”

Abid incorporated sheer chiffon, micro ruffles, and malleable fabrics to mimic an underwater experience.

(Arab News)

Embroidered white gowns incorporating delicate beadwork and sequins on sumptuous fabrics such as elevated fishnet and satin were subtly nods to the softness of waves and prominence of fishing culture on the coast.

But the intricate and sharp designs also suggested the strength and sureness of crashing waves. As air does for sea, the silky silhouettes drifted in the wind, creating an ocean swell-like appearance. Speckled in jewels, the pieces resembled the gleaming glints on water.

Bejeweled gloves, capes, veils, and draping fringed neck pieces married traditional and contemporary bridal wear. (Arab News)

Cream and beige looks also made it out to the dock-turned-runway, featuring chic feathered accents and unconventional fabrics that mimicked the Kingdom’s coral reefs. Bejeweled gloves, capes, veils, and draping fringed neck pieces married traditional and contemporary bridal wear while also taking inspiration from the ocean’s sea creatures.

Cream and beige looks also made it out to the dock-turned-runway. (Arab News)

Several well-known guests, which included TV presenter Lojain Omran and actress Mila Al-Zahrani, were all front row for the latest collection from Abid — whose meticulous attention to detail has birthed creations that incorporate deep sentiment and luxurious elegance for nearly two decades.

“I can’t thank the Ministry of Culture and the Fashion Commission enough for this opportunity and this trust. This inauguration is truly historic for me,” Abid said.


Saudi pop star Mishaal Tamer feels ‘honored and grateful’ ahead of sold-out London gig

Updated 17 May 2024
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Saudi pop star Mishaal Tamer feels ‘honored and grateful’ ahead of sold-out London gig

  • Singer tells Arab News his fans in the city have a special place in his heart but he owes his success to people all over the world who have embraced his music
  • He says his debut album, “Home is Changing,” out in October, is a tribute to the changes and reforms that have swept through the Kingdom in recent years

LONDON: Saudi singer Mishaal Tamer said he feels honored to be performing his first headline show outside Saudi Arabia in London and is grateful to his fans there for their support.

Speaking to Arab News ahead of his sold-out gig on Friday at Camden Assembly, a live music venue and nightclub in Chalk Farm, Tamer said his fans in London will always have a special place in his heart.

“The people attending the show in London have been with me from before the starting line and I really appreciate that,” he said of the 220 people who will attend the event. “I will love those people forever and they will be in my heart forever.”

Tamer also thanked his fans in Saudi Arabia and elsewhere in the world, saying he owes his success as an independent artist to them.

“The kids that are back home and the ones abroad that have found me have been supporting me,” he said. “This would be impossible without them. I am grateful to the fans for listening to the music and sharing it.

He told how he was approached by two fans in a restaurant after arriving in the UK, which helped him realize how his profile was growing.

“One of them was Saudi, the other wasn’t,” Tamer said. “When I looked at that, it made me realize that not only was this bigger than I expected for me, as an artist, but that what we’re doing is bigger than me.”

His debut album, “Home is Changing,” is due for release in October and he said it is a tribute to the changes and reforms that swept through the Kingdom in recent years.

“There are so many opportunities that keep popping up, so many cool new things,” he added. “People have the freedom and creativity to make the world around them and the environment around them, to shape it into what they see in their heads.

“It feels almost like every other country is decaying whereas the Kingdom is growing and that feeling makes me proud.”

The evolution of Saudi Arabia “sets an example of always being hopeful for the future and having a positive attitude,” Tamer said. “And I think the optimism that we have right now in the Kingdom is a beautiful thing.”


Saudi filmmaker Abdulrahman Sandokji’s ‘Underground’ discusses the Kingdom’s music scene

Updated 17 May 2024
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Saudi filmmaker Abdulrahman Sandokji’s ‘Underground’ discusses the Kingdom’s music scene

  •  ‘Unfolding the unseen is my thing,’ says Abdulrahman Sandokji

DUBAI: “In film school, they tell you that your first film should be a documentary — train in a simpler form, then go to fiction,” says Saudi filmmaker Abdulrahman Sandokji. “So, naturally, I started with documentaries. But I got hooked.”

Over 15 years later, Sandokji still hasn’t moved on to fiction. Not that that’s an issue for him. His documentaries — produced by the company he founded, Basar Media — have proven immensely satisfying.

“A fiction film can take one or two years to shoot. I have no patience with waiting days and days to shoot one scene. I want things faster and more surprising,” he tells Arab News.

Sandokji (front, center) on set, shooting “Underground.” (Supplied)

“And (documentaries) are honest. You’re talking about real stories. Unfolding the unseen is my thing, you know? I want to go into these deep places and show them to people,” he continues. “It’s a way to understand people, to really see people. To pick a flower from lots of beautiful gardens and plant them in your own garden. It’s more of a journey of discovery for me, you know? That’s what I love about documentaries.”

Sandokji’s breakthrough came with his 2014 film “Phosphine,” which he describes as a “Michael-Moore style” investigative documentary. It explored how the titular chemical — a potentially deadly respiratory poison — had been used (out of ignorance rather than malice) in homes to kill cockroaches, rats and other pests. While the actual occupants had been told to leave their apartments for five or six days, their neighbors were not, and the odorless gas killed them.
Sandokji put his documentary up on YouTube. It got 5 million views in five days, he says, adding that, at the time, he and his colleagues were delighted if they got 100,000 views on any of their videos, because they “weren’t funny — they weren’t comedies.” But “Phosphine” ended up making a difference to society, as well as to Sandokji’s career.

On set for “Underground.” (Supplied)

“We were on TV shows and talk shows — we were overwhelmed. Lots of social movement happened and governmental sectors held very urgent meetings about this substance. The Ministry of Health set up a hotline about it,” he says. “That was when I thought, ‘OK. Maybe this is your thing. Being a voice for those who want their voices to be heard.’”

Unlike “Phosphine,” Sandokji’s latest doc, “Underground,” is not a “tragic story.” But, once again, it was a “journey of discovery” for him — one that delves into the Kingdom’s burgeoning alternative music scene.

The idea — as for many of his films — was not Sandokji’s own. “When I analyze myself, I’m more of a person who receives an idea and then gets to enlarge it,” he says. “When I generate an idea myself, people go, ‘Mmm. No.’” He laughs. “They’ll go, ‘How about this idea instead?’ I’m like the gas — just throw the spark on me and I’ll explode, you know?”

Sandokji’s “Underground” was a “journey of discovery” for him. (Supplied)

The “spark” for “Underground” came from a friend, Tamer Farhan. “He’s passionate about underground music. He knows all these artists,” Sandokji says. “And he opened the window to me and said ‘Come and have a look.’”

What Sandokji found was a wealth of talent and experience that has largely gone unnoticed in Saudi Arabia — understandably, given that until recently live music was largely outlawed in the Kingdom, and music that wasn’t commercial Khaleeji pop or classical Arabic fare was frowned upon.

“These people are good people,” says Sandokji. “Over the years people talked about the music underground as this place with drugs and all this prohibited stuff. But no. They are nice. They have feelings. They love their music and they’re passionate and they’re kind.”

That passion shines through in “Underground,” whether from veterans such as metal band Wasted Land’s frontman Emad Mujallid or relative newcomers such as DJ Cosmicat (Nouf Sufyani) and Salma Murad. All the artists involved are given the opportunity to discuss their craft and love for music in depth, and to play some of their music live.

Sandokji believes “Underground” has the potential to grab international attention. (Supplied)

“(The songs) are not recorded and synced,” Sandokji says. “I wanted to show the audience how talented they are.”

So far, that audience is whoever attended the premiere on the opening night of the Saudi Film Festival on May 2 — another landmark for Sandokji, he explains. “Usually they choose fiction films — good fiction films — for the opening. I was always watching them thinking ‘When am I going to make a movie that could be screened in the opening? I’m a documentary maker, nobody would give me that chance.’ But it happened.”

And he believes “Underground” has the potential to grab international attention. It’s already been submitted for consideration at several large festivals, but the main aim since he started shooting it in 2022, Sandokji happily admits, has been to get the film on Netflix. There are also discussions underway about turning it into a TV series.

“It’s something people will want to know more about, I think,” he says, before citing the words the movie concludes with, when Murad is discussing what music means to her: “It’s powerful. It’s beautiful.”

“When Salma said that, I had goosebumps,” Sandokji says. “I thought, ‘Yes! These are the words the movie has to end with.’ Music is powerful; it can make you very strong, it can make you very weak… it’s magical.”