Pakistani films that caught global spotlight in 2022

This combination of pictures created on December 21, 2022 of four Pakistani movie stills shows (clockwise from top left) scenes from the short film Sandstorm released in September 2021, feature film Kamli released in June 2022, The Legend of Maula Jatt released in October 2022, and Joyland released in November 2022. (AN Photo)
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Updated 21 December 2022
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Pakistani films that caught global spotlight in 2022

  • The year 2022 has been ecstatic in terms of Pakistani cinema making waves worldwide
  • ‘Joyland,’ ‘The Legend of Maula Jatt,’ ‘Kamli’ became face of local cinema around the globe

KARACHI: The year 2022 was groundbreaking for Pakistani cinema in terms of its representation and recognition abroad.

From Saba Qamar-starrer ‘Kamli’ to ‘Joyland,’ the critically acclaimed Pakistani Oscar entry, to the reboot of ‘Maula Jatt,’ Arab News Pakistan brings you a list of Pakistani films that received international recognition in 2022 for their powerful storylines, brilliant skills of actors and the themes they were centered around.

Kamli




This screengrab, taken on December 14, 2022, from the trailer of the Pakistani movie "Kamli" features actors Sania Saeed (right) and Saba Qamar (left). (Photo courtesy: Khoosat Films)

Sarmad Sultan Khoosat’s film Kamli, which released in cinemas across Pakistan on June 3, is set for its European premiere next month at the 2023 International Film Festival Rotterdam’s (IFFR) the Limelight Programme. Prior to this, the film was screened at the Indus Valley International Film Festival (IVIFF) 2022 in Chandigarh, India.

Saba Qamar, who plays the lead role in Kamli, won the IVIFF 2022 Best Actress trophy for her performance. Kamli revolves around a woman’s struggle between loyalty to long-missing husband and her carnal desires. Besides Qamar, the critically and commercially acclaimed Pakistani movie starred Sania Saeed, Nimra Bucha and debutant Hamza Khawaja.

The film received immense appreciation after its release in Pakistan and had a full-house throughout its run in cinemas across the country.

Speaking of Pakistani cinema getting recognition abroad, Qamar told Arab News in an earlier interview: “Our dramas are popular beyond borders but films like The Legend of Maula Jatt, Kamli and Joyland represent the best of Pakistani cinema abroad.”

Joyland




This image released by Khoosat Films shows a scene from the film "Joyland." (Photo courtesy: Khoosat Films via AP)

Joyland, Pakistan’s official entry for the upcoming Academy Awards, made the most headlines this year. The movie first got critical acclaim in May after it won the Cannes “Queer Palm” prize for the best feminist-themed movie as well as the Jury Prize in the “Un Certain Regard” competition, a segment focusing on young, innovative cinema talent.

Joyland left Cannes audiences slack-jawed and admiring, and got a nearly 10-minute-long standing ovation from the opening night’s crowd.

The movie released across Pakistan, except the Punjab province, on November 18, after much speculation at home. While makers continue to fight for its release in the most populous Pakistani province, the film is headed to Sundance Film Festival 2023 that will take place from January 19 till January 29.

Besides, Joyland also screened at the Indian Film Festival of Melbourne, where it won the ‘Best Film’ from the subcontinent for 2022. Among other international festivals, the movie had its North American premiere at the Toronto International Film Festival earlier this year.

The Legend of Maula Jatt




This handout picture shows the movie poster of Pakistan's Punjabi film "The Legend of Maula Jatt" released in October 2022. (Photo courtesy: Online)

Bilal Lashari’s long-awaited cinematic outing, The Legend of Maula Jatt broke all previous box office records for any Pakistani movie, not just at home but across the globe. Besides Pakistan, the film released in the Middle East, the United States, Canada, Europe, Australia and New Zealand.

A reboot of the 1979 cult classic, Maula Jatt, the Punjabi action film starred Fawad Khan, Mahira Khan and Hamza Ali Abbasi in key roles. Touted as the most expensive film in Pakistan’s history, the film crossed the budget of almost 50 crores ($2.2 million), including marketing and advertising, according to the film’s distributor Nadeem Mandviwalla.

The film’s plot revolves around Maula Jatt, a fierce prizefighter with a tortured past who seeks vengeance against his arch nemesis, Noori Natt, considered the most feared warrior in Punjab.

According to official numbers, the film crossed the figure of 200 crores ($8.8 million) worldwide, while it crossed 95 crores ($4.2 million) in Pakistan as of December 19.

Sandstorm




This still from the Pakistani short film Sandstorm, released in September 2021, shows the protagonist Zara sitting in an empty classroom. (Photo courtesy: YouTube/Seemab Gul)

Pakistan director Seemab Gul’s short film, Sandstorm won big at Oscar-qualifying festivals, HollyShorts and the Flickers Rhode Island International Film Festival (RIIFF) 2022. Sandstorm emerged as one of the top three winners at HollyShorts 2022, while it won the Best Live Action title at RIIFF 2022.

The short film had its world premiere at the 78th edition of the Venice Film Festival in September 2021. Since then, it has made it to nearly 50 festivals worldwide, including the prestigious Sundance Film Festival and Ischia Film Festival (IFF) in 2022, where it bagged three trophies.

Written and directed by London-based filmmaker Gul, Sandstorm revolves around a schoolgirl in Pakistan’s southern port city of Karachi, who shares a dance video with a boy she meets online. The story takes a sinister turn, when the boy blackmails her with the video.

“It is wonderful to represent Pakistan and most importantly, a female story from the female perspective, which is actually rare in the mainstream industry,” Gul told Arab News in an interview in August.

The filmmaker is now eyeing the Oscars’ shortlist, for which only 10 films will be selected by the end of January. Out of these 10, only five are nominated for the award.


Irish performer ‘cries’ after Israel reaches Eurovision final as UK venues cancel watch parties

Updated 11 May 2024
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Irish performer ‘cries’ after Israel reaches Eurovision final as UK venues cancel watch parties

Bambie Thug, Ireland’s entry in the Eurovision Song Contest, claims to have cried  after Israel qualified for the final to be held on Saturday. 

“It is a complete overshadow of everything, goes against everything that Eurovision is meant to be,” Bambie Thug told journalists ahead of the event at Malmo Arena in Sweden. “I cried with my team.”

The 31-year-old singer and songwriter wore a keffiyeh and carried Irish flags while urging the European Broadcasting Union to show “conscience” and “humanity.”
 
The artist will perform “Doomsday Blue” in the final.

Israel’s performer, Eden Golan, will present her song “Hurricane” at the competition. The track underwent revisions after the initial version, “October Rain,” was deemed too political by the EBU.

Although the contest’s motto is “united by music,” this year’s event has attracted protests from Palestinians and their supporters, who say Israel should be excluded because of its conduct of the war in Gaza.

Thousands of people are expected to march for a second time this week through Sweden’s third-largest city, which has a large Muslim population, to demand a boycott of Israel and a ceasefire in the seven-month conflict. 

In Finland, a group of about 40 protesters stormed the headquarters of public broadcaster YLE on Saturday, demanding it withdraw from the song contest because of Israel’s participation.

Venues across England are canceling their gigs after Palestine protest groups instructed their followers to pressure pubs showing the contest - leading some venues to close due to staff safety concerns.

The Duke of York cinema in Brighton called off its Eurovision event this week, telling ticket holders it was doing so “due to safety concerns for our staff and customers,” the Guardian reported. The Brighton Palestinian Solidarity Campaign called the decision a “massive win.”


AlUla to have starring role in ‘Motor City’ to be filmed in Saudi Arabia

Updated 11 May 2024
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AlUla to have starring role in ‘Motor City’ to be filmed in Saudi Arabia

DUBAI: Saudi Arabia’s AlUla is expected to have a starring role in director Potsy Ponciroli’s upcoming action thriller “Motor City.”

Production is due to start on July 10 in New Jersey and Saudi Arabia. The film is part of production company Stampede Ventures’ 10-picture slate deal with Film AlUla.

The cast will include Alan Ritchson, Shailene Woodley, Ben Foster and Pablo Schreiber. 

“Motor City” is centered around John Miller (Ritchson), a Detroit auto worker who loses everything, including his girlfriend (Woodley), after being framed by a local gangster (Foster) and sent to prison.

After his release, Miller seeks revenge while trying to win his former girlfriend back.


 


Louvre Abu Dhabi to exhibit Van Gogh artwork

Updated 11 May 2024
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Louvre Abu Dhabi to exhibit Van Gogh artwork

DUBAI: Louvre Abu Dhabi is set to display an artwork by Dutch painter Vincent van Gogh at the “Post-Impressionism: Beyond Appearances” exhibition running from Oct. 16 to Feb. 9 next year.

The work, “Bedroom in Arles,” depicts van Gogh’s bedroom in his yellow house in Arles, where he set up his studio and lived from September 1888.

The exhibition will be curated by Jean-Remi Touzet, conservator for paintings at the Musee d’Orsay, and Jerome Farigoule, chief curator at Louvre Abu Dhabi, with the support of Aisha Alahmadi, curatorial assistant at Louvre Abu Dhabi.

It will delve into the period known as post-impressionism, focusing specifically on the years between 1886 and 1905. “These two decades were a time of immense artistic innovation and experimentation, marking the transition from impressionism to the explosive emergence of the ‘fauves’ at the Salon d’Automne,” a press release said.

Highlights from the Arab world include two masterpieces by French Egyptian artist Georges Hanna Sabbagh: “The artist and his family at La Clarte” (1920) and “The Sabbaghs in Paris” (1921).


Singer Elyanna makes her TV debut on ‘The Late Show’

Updated 11 May 2024
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Singer Elyanna makes her TV debut on ‘The Late Show’

  • Chilean Palestinian star performs hits from debut ‘Woledto’
  • Proudly adorned with Palestinian keffiyeh around her head

DUBAI: Chilean Palestinian singer Elyanna made her television debut this week on “The Late Show with Stephen Colbert.”

The 22-year-old music sensation delivered a medley of hits from her debut album “Woledto,” including “Callin’ U (Tamally Maak)” and “Mama Eh,” the first song performed entirely in Arabic on the show.

Her performance featured an ensemble of oud, tabla, riq and dancers.

“I had so much fun performing on this iconic stage,” she wrote to her 1.2 million followers after her show.

The hitmaker was adorned in a white lace dress featuring two thigh-high slits. She complemented the attire with coin-belt accessories, draping them over her shoulders and fastening them around her calves to add a Middle Eastern touch to her look.

In one of the pictures she shared with her fans, she proudly wore the Palestinian keffiyeh around her head as she posed in front of “The Late Show” desk.

Elyanna dropped her album in April. It features nine songs: “Woledto,” “Ganeni,” “Calling U,” “Al Sham,” “Mama Eh,” “Kon Nafsak,” “Lel Ya Lel,” “Yabn El Eh” and “Sad in Pali.”

Before releasing the album, she wrote to her Instagram followers: “This album is the embodiment of pride to be an Arab woman, to be from Nazareth, to be from the Middle East.”

“This is the closest I’ve been to where I come from,” she added. “The only feature on my album is my grandfather.”

The Los Angeles-based singer’s music is a mix of Arabic and Western beats, which she attributes to her multicultural upbringing.

Elyanna has been normalizing Arabic lyrics in the Western world throughout her career, taking inspiration from artists including Lana Del Ray and Beyonce, as well as Middle Eastern legend Fayrouz.

In 2023, Elyanna became the first artist to perform a full set in Arabic at California’s Coachella music festival.

She embarked on a North American Tour this year, gracing stages in Dallas, Houston, Toronto, Montreal, Washington, New York, Chicago, Detroit, San Francisco and Santa Ana.


REVIEW: ‘Kingdom of the Planet of the Apes’ a worthy addition to successful franchise

Updated 11 May 2024
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REVIEW: ‘Kingdom of the Planet of the Apes’ a worthy addition to successful franchise

DUBAI: When soulless, cookie-cutter franchises were but the norm, the “Planet of the Apes” reboot trilogy — starring Andy Serkis’s commanding Ceasar — cut through the noise to offer a textured, resonant story that not only did well with the critics but also broke box office records.

Coming seven years after the final instalment of that trilogy, “Kingdom of the Planet of the Apes” continues the legacy with a visually rich and emotionally layered story. It takes its inspiration from the original 1968 film, “Planet of the Apes,” which was in itself an adaptation of French author Pierre Boulle’s 1963 novel “La Planete des singes.” 

Director Wes Ball (“The Maze Runner” trilogy) continues his run of dystopian features, but this time explores it in a lush, Garden of Eden-adjacent setting.

“Kingdom of the Planet of the Apes” is set generations after Ceasar’s time, when the world has been taken over by intelligent apes. The same virus that evolved them has regressed humans into an echo of their former selves, rendering them primitive and without language.

A coming-of-age story, our protagonist is the young simian Noa (a poignant and scene-stealing Owen Teague). When his clan is murdered by a rival group of bloodthirsty apes, Noa goes on the adventure of his life as he sets out to save those he can from the tyrannical rule of Proximus Caesar (Kevin Durand). On his journey, he teams up with a human girl May (“The Witcher” star Freya Allan) and a wise orangutan named Raka (Peter Macon), who still live by the words of the original Caesar.

While the premise itself lacks the depth of the previous trilogy, Ball compensates through extensive character work. He poses thought-provoking questions about whether humanity deserves a second chance, whether the apes will continue to make the same mistakes humans did, and whether apes and humans can imagine a future of peaceful co-existence.

The action and emotions are supported by groundbreaking visuals that seamlessly blend convincing motion-capture performances with beautifully rendered CGI.

To sum up, “Kingdom of the Planet of the Apes” proves a more than worthy successor to a franchise that refuses to quit — and for good reason.