Exponential box-office revenue growth establishes Saudi Arabia as West Asia’s foremost cinema market

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The first edition of the Red Sea Film Festival marked a major turning point in Saudi cinema, drawing local talent and film stars from around the world. (Red Sea Film Festival)
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A picture taken on March 27, 2017 shows a general view of the opening ceremony of the 4th Saudi Film Festival held in Dammam. (AFP)
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Saudis gather at a theatre in Riyadh Park mall after its opening for the general public on April 30, 2018 in the Saudi capital. (AFP file photo)
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Saudi youth are driving cinema ticket sales, with admissions in 2030 expected to total 60-70 million. (Getty Images)
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Updated 24 April 2022
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Exponential box-office revenue growth establishes Saudi Arabia as West Asia’s foremost cinema market

  • Ticket sales recorded 95 percent increase in 2021 over 2020 to cross $238 million mark
  • Kingdom could have 2,600 movie screens by 2030 in an industry worth around $1.2 billion 

JEDDAH: In the four years since the resumption of movie screening across Saudi Arabia, the country has experienced an explosion of investment, filmgoing and box-office takings, establishing it as West Asia’s foremost cinema market.

Box office revenues in the MENA region as a whole are expected to grow by 4 percent compound annual rate to $1 billion between 2019 and 2024, compared with a 2.4 percent decline worldwide, according to data from market tracker Ventures ONSITE.

This regional growth is mainly due to the creation of a sizable new market following the resumption of movie screening in April 2018 after a decades-long ban. The Kingdom far outstrips its neighbors in market size, revenue per user, and growth rate.

Revenues in the Kingdom are expected to show an annual growth rate of 27.68 percent resulting in a projected market volume of $100 million by 2024, while the average revenue per user is expected to amount to $50.04.

This compares favorably with the UAE, which already has a very well-established cinema industry, where revenues are expected to show a smaller annual growth rate of 7.68 percent resulting in a projected market volume of $37 million by 2024 and an average revenue per user of $34.56.

Outside the Gulf region, market growth is forecast to be far smaller. In Egypt, revenues are expected to show an annual growth rate of 13.56 percent resulting in a projected market volume of $12 million by 2024 and an average revenue per user of $6.89.

 

 

For crisis-hit Lebanon, meanwhile, revenues are expected to show an annual growth rate of 7.58 percent resulting in a projected market volume of $4 million by 2024 and an average revenue per user of $12.21.

The lifting of the prohibition on cinema was first announced by Crown Prince Mohammed bin Salman in 2017 as part of the Vision 2030 reform agenda, with a view to improving overall quality of life and diversifying the economy away from oil.

If the revenues alone are anything to go by, the policy shift has been a resounding success. Since cinemas officially reopened, box office sales have exceeded 30.8 million tickets, the Saudi Press Agency reported on April 18.

INNUMBERS

56 Theaters licensed in 20 cities since resumption of movie screening.

4,439 Jobs created for young Saudi men and women in the sector.

2,600 Screens expected to come up in the Kingdom by 2030.

$950m Projected box office revenue in the Kingdom in 2030.

In 2021 alone, the industry saw box office-market grow to $238 million — a 95 percent increase over the previous year’s takings of $122 million — far outstripping the UAE’s 2021 total of $130 million, according to ​​a recent report in Variety magazine.

Several analysts believe Saudi Arabia is on pace to become a billion-dollar movie market in the next few years. The professional services network PwC estimates the Kingdom’s industry could be worth $950 million in 2030.

Taking into account non-admission revenues, including advertising and concessions like food and beverages that typically comprise 35 percent of overall takings, the sector could generate $1.5 billion in 2030.

Meanwhile, the General Commission for Audiovisual Media, one of the governing authorities established to regulate and operate cinemas in the Kingdom, estimates there will be 2,600 movie screens in Saudi Arabia by 2030 in an industry worth around $1.2 billion.




Saudi men arrive at a cinema theater in Riyadh Park mall after its opening for the general public on April 30, 2018 in the Saudi capital. (AFP file photo)

According to the Film Commission, a Saudi government body affiliated with the Ministry of Culture, established in February 2020, the sector has already created jobs for 4,439 young Saudis, fulfilling a core goal of the Kingdom’s Vision 2030 reform agenda.

Variety magazine confirmed in a November 2020 report, citing figures released during the META Cinema Forum exhibitors’ conference, that Saudi Arabia had overtaken the UAE to become the region’s top-grossing territory, with more than $73 million in theatrical movie ticket sales over the past 40 weeks — a roughly $2 million increase in box office returns compared with the same period in 2019.

The UAE during the same period in 2020 had generated about $51 million, roughly a quarter of its 2019 box-office takings , the magazine said.

“We believe that Saudi Arabia is the only cinema market globally to have expanded in 2020,” Cameron Mitchell, CEO of prominent Middle East exhibitor VOX Cinemas, was quoted by Variety as saying. This despite the fact that, due to the pandemic, cinemas were shuttered in the Kingdom between March and the middle of June.




Saudi youth are driving cinema ticket sales, with admissions in 2030 expected to total 60-70 million. (AFP)

Mitchell said that as a theatrical market, the Middle East in 2019 was worth $600 million, of which Saudi accounted for a $110 million share and the UAE roughly $250 million. 

Much of Saudi Arabia’s remarkable box-office success in the space of just four years is attributable to the huge investments the Kingdom has seen in the form of multiplex cinemas.

Under Vision 2030, the Kingdom aims to attract domestic and international investors, increase household spending on entertainment from 2.9 percent to 6 percent, and develop a market worth SR30 billion ($1.9 billion) in recreational services.

In April 2018, coinciding with the resumption of movie screening, the Kingdom’s Development Investment Entertainment Company opened its first cinema in the King Abdullah Financial District in Riyadh.

Since then, 56 theaters with 518 screens have been licensed in 20 cities, according to the Film Commission. In that time, 1,144 movies in 22 languages ​​from 38 countries have been shown, including 22 Saudi films.

According to a recent Variety magazine report, citing data from US marketing analysis firm Comscore, the number of multi-screen movie theaters in Saudi Arabia grew from 33 locations at the start of 2021 to 53 venues by December 2021 — an increase of 20 new locations.

With Saudi Arabia’s population forecast to be 39.5 million by 2030, analysts believe the Kingdom has the potential to absorb up to 2,600 screens.


Top 10 box office hits in Saudi Arabia, 2021

 

  • 1. “Waafet Reggaala,” Empire, $15.08 million 

  • 2. “Spider-Man: No Way Home,” Sony, $11.2 million   

  • 3. “Cruella,” Disney, $9.1 million   
  • 4. “Wrath of Man,” Eagle Films, $8.3 million   
  • 5. “Mesh Ana,” N Stars, $8.2 million 
  • 6. “No Time to Die,” Phars, $8 million 
  • 7. “Fast & Furious 9,” Universal, $7.8 million 
  • 8. “Venom: Let There Be Carnage,” Sony, $6.7 million 
  • 9. “A Quiet Place 2,” Paramount, $6.1 million 
  • 10. “Mama Hamel,” Empire, $5.9 million 

Depending on how rapidly the Kingdom’s market evolves, it could potentially generate 60 to 70 million admissions in 2030.

Saudi-owned Muvi Cinemas operates the highest number of local cinemas, followed by (Dubai-based) VOX Cinemas, US theater chain AMC, the world’s largest cinema operator, Lebanon’s Empire Cinema, and Mexican-owned Cinepolis.

Prior to the pandemic, VOX set out plans to invest $533 million in the Kingdom to open 600 screens, including at least four multiplexes in partnership with IMAX, creating 3,000 new jobs over a period of five years.

Cinepolis and Al-Tayer Group have partnered with Al-Hokair Group, while iPic Entertainment is exploring opportunities with BAS Global Investments Company to develop 25 to 30 sites over the coming decade.

Meanwhile, India’s PVR Limited is exploring options with the UAE-based Al-Futtaim Group, while CJ 4DPLEX has signed a deal with Cinemacity.

 

 

Kuwait National Cinema Company and Dubai-based distributor Front Row Filmed Entertainment expect to develop 12 multiplexes through their subsidiary Cinescape, while Al-Rashed Empire Cinema consortium has received a license to enter the Kingdom’s marketplace.

Infrastructure and investment are not the only reasons for the Saudi success story. Understanding the audience and knowing what films to screen has also been integral.

Around one third of Saudi Arabia’s total population is made up of expatriates, including 3 million Indians, concentrated in the provinces of Riyadh and Makkah.

Market analysts say a strategy that offers filmgoers a mix of Hollywood, regional, Bollywood and local content is a surefire way to pull audiences into cinemas.

To cater for such a broad array of tastes and interests, some 340 new feature films were released into Saudi cinemas in 2021 alone — up from 222 in 2020.

Of course, what Saudi officials would like to see in the coming years is homegrown movies making the top box-office rankings.

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DJ rediscovers Saudi music through vinyl

Updated 29 April 2024
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DJ rediscovers Saudi music through vinyl

  • Yaser Hammad says researching Saudi singers fueled passion for cultural preservation through music

JEDDAH: The timeless ritual of visiting record stores to unearth original Saudi and Arabic vinyl records fuels Yaser Hammad, a Saudi DJ specializing in Arabic musical treasures.

“I prefer to label myself as a selector rather than a traditional DJ,” he tells Arab News. “This allows me to introduce the audience to classical songs that may be new to them, setting my offerings apart from other DJs in the region.”

DJing with vinyl is an art that can be a bit more complicated: “Being a vinyl DJ involves more than just playing music … it’s about carrying physical songs, which is quite valuable. Unlike digital formats using a USB to carry songs, vinyl DJing requires a hands-on approach and adds a unique quality to my performances, creating a distinct ambiance for the audience.”

Amid changing online and digital music trends, Saudi DJ Yaser Hammad, known professionally as Adulsamee3 Allamee3, is upholding the tradition of vinyl. (Supplied)

Depending on the venue, Hammad typically selects music that blends with the location and audience. Given his Hijazi heritage, the historic Al-Balad district in Jeddah is a regular spot where he plays music focusing on Hijazi female singers from the golden age, such as Touha, Ibtisam Lutfi, as well as renowned singers like Talal Maddah and Fawzi Mahsoun.

“My education has fueled my love for Saudi classics and cultural preservation through music,” Hammad said. “Researching Saudi singers has enriched my appreciation for their role in shaping our cultural heritage.”

Hammad’s passion for vinyl records began during his time in film school in Los Angeles, where he frequented Amoeba, the world’s largest record store. Delving into the world music section, he discovered Arabic records, both secondhand and new represses. Inspired by this period, Hammad sought to uncover more genres within Arabic music.

Amid changing online and digital music trends, Saudi DJ Yaser Hammad, known professionally as Adulsamee3 Allamee3, is upholding the tradition of vinyl. (Supplied)

During his years in Cairo and Beirut, he searched for record shops, connecting with fellow music enthusiasts who shared his love for Arabic music. Upon returning to Saudi Arabia, he met Mohannad Nassar, a local vinyl DJ professionally known as Vinyl Mode, who encouraged him to share his collection through DJing. Mohannad became Hammad’s mentor, teaching him the art of vinyl DJing and offering unwavering support.

Going analog in a digital world

Hammad’s journey as a DJ began with his first performance at Medd Cafe in Jeddah, just before the COVID-19 pandemic. During the lockdown, he embraced virtual platforms like Zoom and Instagram Live sessions by MDLBeast that gave him a platform to explore and experiment with his music in new ways.

Arabic and Saudi music reflect Hammad’s identity, intertwining poetry and storytelling, often overlooked but crucial in revitalizing the cultural landscape. Despite challenges, particularly matching classical Arabic with the beat-matching technology of modern DJing, performing through vinyl offers a unique analog experience, relying on intuition and auditory senses, enriching the audience’s connection to the music.

I enjoy exploring record shops worldwide for Arabic music, uncovering unique stories like discovering Umm Kulthum’s classics in Annecy, France, pressed by Arab migrants with superior quality.

Yaser Hammad, Saudi vinyl DJ

“I enjoy exploring record shops worldwide for Arabic music, uncovering unique stories like discovering Umm Kulthum’s classics in Annecy, France, pressed by Arab migrants with superior quality. Personal interactions with shop owners and their recommendations add value to the records, unlike online purchases.

“Despite travels, I rarely found Saudi music until discovering Abu Mubarak’s WhatsApp group during COVID-19, auctioning rare vinyls of folk Saudi singers like Basher Hamad Shenan and Issa Al-Ahsa’i, fostering a vibrant community of Saudi music collectors,” he added.

Yaser Hammad, Saudi vinyl DJ

Hammad, also a film director, said that music inspires his writing, helping him tell stories through curating music. One of his most memorable mixes called “Pass by Jeddah,” available on his SoundCloud page, narrates a love story that starts in Jeddah, moves to Makkah and ends with heartbreak on the road to Madinah.

Despite growing up listening to 2000s Egyptian and Lebanese pop music, Hammad's iPod post-high school helped him to explore various Arabic music genres, discovering traditional Saudi singers. Their music resonated with him, offering a newfound sense of representation and connection.

Dubbed as Adulsamee3 Allamee3, a funky Arabic moniker inspired by the renowned late Egyptian actor and comedian Samir Ghanim’s character, Hammad has performed at significant events and venues within the Kingdom and internationally, including MENA Night at Cannes Lions Festival organized by media group SRMG and streaming platform Anghami in Cannes, France; the Islamic Arts Biennale opening night in Jeddah; and the FenaaPhone exhibition’s closing night in Riyadh.

Amid changing online and digital music trends, Hammad is upholding the tradition of vinyl.

“Playing in public venues is an experience. Some find it hard to grasp that without the physical vinyl, I can’t fulfill their requests, even if it’s a TikTok trend,” he said. “Despite the amusing encounters, there are heartfelt moments, too, especially when the audience appreciates Saudi singers’ vinyl records.”

Hammad’s cultural plea is for Saudis to safeguard their heritage, particularly their music culture, by cherishing old cassette tapes, CDs, vinyl records and other items.

To discover Hammad’s collections, check out his SoundCloud show, Sama3i or “listening sessions.”

 


King Salman academy opens registration for global Arabic language prize

Updated 28 April 2024
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King Salman academy opens registration for global Arabic language prize

  • Al-Washmi praised the support and guidance of Minister of Culture Prince Badr bin Abdullah bin Farhan, the chairman of the academy’s board of trustees, for the programs organized by the academy, including the prize

RIYADH: The King Salman Global Academy for Arabic Language has announced that registrations for its prize are now open to individuals and organizations from all over the world.

Registration closes on June 30 and the total value of prizes to be awarded amounts to about SR1.6 million ($427,000), the Saudi Press Agency reported.

The prize promotes the Arabic language and acknowledges the efforts of individuals and institutions serving the language, encouraging them to maintain its development, preserve its integrity and develop ways of using Arabic.

Abdullah bin Saleh Al-Washmi, secretary-general of the academy. (SPA)

Abdullah bin Saleh Al-Washmi, secretary-general of the academy, said that the prize falls within the framework of efforts by the academy to nurture Arabic, whether in terms of promoting the language or supporting its status, locally and internationally.

“Individuals and institutions working in the field will be praised for their efforts, exceptional individuals will be honored, loyalty to Arabic will be deepened, and communication between the Arab community members will be improved,” he said of the upcoming prize.

“Arabic language-related disciplines will also be praised to ensure a great future for the language and maintain it at the forefront of all languages, while enriching the Arabic knowledge content and raising awareness of our timeless language,” he added.

The King Salman Global Academy Prize for Arabic Language is one of the main initiatives launched by the academy to serve and enhance the Arabic language.

Abdullah bin Saleh Al-Washmi, Secretary-general, King Salman Global Academy for Arabic Language

Al-Washmi praised the support and guidance of Minister of Culture Prince Badr bin Abdullah bin Farhan, the chairman of the academy’s board of trustees, for the programs organized by the academy, including the prize.

“The King Salman Global Academy Prize for Arabic Language is one of the main initiatives launched by the academy to serve and enhance the Arabic language,” the secretary-general said. “This initiative falls within the academy’s integrated foundational work stemming from the Human Capability Development Program, an objective of the Kingdom’s Vision 2030, aimed at strengthening the identity, reviving authenticity, and enriching the personality and skills of the human being.”

The prize comprises four branches, including teaching and learning the Arabic language; computerizing the Arabic language and serving it with modern technologies; Arabic language research and scientific studies; and spreading linguistic awareness and creating linguistic community initiatives.

The branches were established to ensure that the objectives of the prize are met while being able to improve the most relevant aspects affecting and related to the future of the language.

Arabic-speaking researchers, authors, specialists and others interested in the Arabic language may apply if they meet certain criteria.

Governmental and private institutions that serve the language may also apply for the prize, including higher education institutions and their components, specialized study organizations and centers, bodies that have prioritized the language, as well as documented and reliable projects.

The nominated works undergo three judging cycles: selection and qualification; scientific examination; and final judging.

The works will be assessed by 18 judges from various countries, according to criteria including creativity and innovation, production uniqueness, comprehensiveness and widespread dissemination, and effectiveness and impact.

For more information, visit prize.ksaa.gov.sa.

 


Saudi Arabia expresses ‘deep concern’ over military escalation in Sudan’s North Darfur

Updated 28 April 2024
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Saudi Arabia expresses ‘deep concern’ over military escalation in Sudan’s North Darfur

  • Ministry renewed Saudi Arabia’s call to all Sudanese parties to commit to the agreements

RIYADH: Saudi Arabia’s Foreign Ministry expressed on Sunday the Kingdom’s deep concern over the escalation of military tensions in Al-Fashir, North Darfur.

An attack on Al-Fashir in Sudan’s North Darfur region by the Rapid Support Forces is imminent, UN officials have warned.

The ministry renewed Saudi Arabia’s call to all Sudanese parties to commit to the agreements reached during peace talks in Jeddah between the RSF and Sudan’s army.

These agreements aim to expedite a cessation of hostilities and resolve the ongoing crisis through political dialogue, ultimately preserving Sudan’s unity and the security of its people and resources.

War erupted in Sudan one year ago between the Sudanese army and the paramilitary RSF, creating the world’s largest displacement crisis. Al-Fashir is the last major city in the vast, western Darfur region not under control of the RSF.

The RSF and its allies swept through four other Darfur state capitals last year, and were blamed for a campaign of ethnically driven killings against non-Arab groups and other abuses in West Darfur.


Saudi FM meets Algerian, Malaysian, Sri Lankan, Swiss, Norwegian counterparts in Riyadh

Updated 28 April 2024
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Saudi FM meets Algerian, Malaysian, Sri Lankan, Swiss, Norwegian counterparts in Riyadh

RIYADH: Saudi Foreign Minister Prince Faisal bin Farhan held meetings with his Algerian, Malaysian, Sri Lankan, Swiss and Norwegian counterparts on Sunday.
The meetings took place on the sidelines of a special meeting of the World Economic Forum in Riyadh, the Saudi Press Agency reported.
The talks focused on bolstering bilateral relations and addressing regional developments, particularly the situation in the Gaza Strip.


 


Riyadh forum highlights Saudi Arabia’s vision for healthcare and tourism

Tourism in Saudi Arabia contributes 4 percent to the national GDP. (AN Photo by Huda Bashatah)
Updated 28 April 2024
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Riyadh forum highlights Saudi Arabia’s vision for healthcare and tourism

RIYADH: Saudi Deputy Minister of Investment Transaction Saleh Al-Khabti said that the healthcare sector’s contribution to the Kingdom’s gross domestic product is projected to reach about $66.6 billion, with the creation of more than 245,000 jobs by 2030.

Al-Khabti shared the information during a panel discussion titled “The Kingdom and Vision 2030 as a Global Health Tourism Destination”, at the Health Tourism Future Forum, which began Sunday in Riyadh.

The three-day event features presentations, workshops, a young researchers' forum, business meetings, seminars, and interactive sessions. (AN Photo by Huda Bashatah)

The Health Tourism Club and the Health Tourism Association, in partnership with the Global Healthcare Travel Council, launched the forum to identify priorities and redefine visions for health tourism at regional and international levels.

The forum, which this year coincides with the eighth anniversary of the launch of Saudi Arabia’s Vision 2030, is an annual global platform for the health tourism industry aiming to develop future strategies in the Kingdom’s healthcare sector. The global healthcare industry is estimated to be worth $4.4 trillion.

Ahmed Al-Ouraij, President of the Health Tourism Association said the forum represents the birth of the first specialized health tourism initiatives. (AN Photo by Huda Bashatah)

Al-Khabti said that significant investment is needed in the Saudi healthcare sector over the next seven years, much of which will be driven by the National Investment Strategy.

“Regarding foreign direct investment, Saudi Arabia reached about $19 billion, a three-time increase since 2017,” he said.

Ahmed Al-Ouraij, president of the Health Tourism Association, said that the forum marked the beginning of the first specialized health tourism initiatives.

Healthcare London is a collaborative of nine healthcare providers - 23 hospitals - such as the Cleveland Clinic and Imperial College. (AN Photo by Huda Bashatah)

Health tourism involves individuals traveling to another country for medical treatment or wellness services. The sector has grown rapidly in recent years due to increasing healthcare costs in many countries and advances in medical technology and expertise in specific regions.

Mahmoud Abdulhadi, deputy minister of tourism for destination enablement, mentioned that Saudi Arabia’s tourism industry has made significant progress, exceeding its target of 106 million visitors seven years ahead of schedule.

“The total amount spent on the total population of visitors was about $66.6 billion, a direct contribution to the economy,” Abdulhadi said.

The three-day event features presentations, workshops, a young researchers' forum, business meetings, seminars, and interactive sessions. (AN Photo by Huda Bashatah)

The deputy minister also said that about 10 percent of all employment rates globally come from the tourism or tourism-related sectors. In Saudi Arabia, tourism contributes 4 percent to the national GDP.  

“Tourism is a key contributor to Vision 2030 because it creates employment. When we started our journey in 2019, we had 600,000 employees in the sector, and today we have 925,000.”

Abdulhadi added that increasing the number of employees to 1.6 million by 2030 seemed on target, given the current trajectory.

“Leisure is now our second-largest source of visitation after spiritual visits to the holy sites and our fastest growing sector,” he said.

Conversely, only a small percentage of visitors to the Kingdom travel for medical or wellness purposes.

Abdulhadi said: “The reason might be because health tourism hasn’t been marketed well enough or in the right way.”

While the health tourism sector is still in its early stages, Abdulhadi believes there is a strong domestic market, or potential, for wellness and health travel.  

Health tourism can range from medical treatment to wellness services. Abdulhadi said: “We have on the technical side people who are coming in for treatment for specific illnesses, and then we have on the soft side people who are coming in for what a spa experience in a nice destination is.”

He said that certain destinations lend themselves to potential wellness offerings, but that having the proper infrastructure in place is critical.

In the exhibition accompanying the conference, Healthcare London, a collaboration between nine healthcare providers, announced its official launch.

It was formed to allow more international patients to access the treatment that London’s leading private healthcare providers and NHS teaching hospitals can offer.

Michael Barker, project manager at Healthcare London, told Arab News: “Ever since we started working on Healthcare London, Saudi Arabia has been our No.1 market, especially because we know it very well.”

The forum also addresses challenges, proposes innovative solutions for sustainable growth, and works to raise awareness about the need to prioritize health and well-being. It is the culmination of the Kingdom’s drive to boost medical tourism and enhance the local and global healthcare sector.

The three-day event includes presentations, workshops, a young researchers’ forum, discussions, business meetings, seminars and interactive sessions. The activities focus on aspects of medical tourism such as innovation, investment, marketing and legislation.