How Ukraine crisis laid bare Western biases, prejudices and double standards

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Updated 16 March 2022
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How Ukraine crisis laid bare Western biases, prejudices and double standards

  • Vastly different treatments received by Ukrainians and Middle Eastern nationalities from European governments
  • Comments heard on TV testify to casual racism of Western journalists in their coverage of the war

LONDON: The invasion of Ukraine has exposed anti-Arab and anti-Muslim bias across European policymaking and news media. For hundreds of thousands of hounded, rejected or stranded refugees and asylum-seekers, the revelations of prejudice and favoritism must come as no surprise, though.

In the most recent incident — a textbook case of double standards — a Danish politician suggested that Ukrainian refugees could be exempt from laws that had allowed authorities to seize the assets of Syrian and Iranian refugees.

Rasmus Stoklund, immigration spokesman for Denmark’s Social Democratic government, told Danish paper Ekstra Bladet last week that the so-called jewelry law should not be applied to Ukrainians fleeing the conflict because they are from a “nearby region.”

Later, Stoklund said: “The jewelry law is made for if you leave the nearby region where you are safe, and travel through safe countries … but that is not the case for Ukrainians.”

The highly controversial laws meant incoming asylum-seekers were allowed to keep assets worth up to 10,000 Danish krone ($1,468), but anything valued above that figure could be seized by the state to pay for their stay in the country.

The potential exemption of Ukrainians from this law has highlighted the vastly different treatment that Ukrainians have received since their country was invaded, compared to what Syrians and other nationalities — most of them Middle Eastern and African — experienced while fleeing similar conflicts over the past decade.

“The 2016 law was largely symbolic, meant to send an unwelcoming, hostile message to people who might otherwise seek refuge in Denmark,” Judith Sunderland, associate director of Human Rights Watch’s Europe and Central Asia Division, told Arab News.

“Now the authorities want to send the opposite message of welcome, but only to Ukrainian refugees.

“Carving out an exemption for Ukrainian refugees is clearly discriminatory — if they don’t have to hand over their valuables, why should any refugee?”




French police officers proceed with operations during the eviction of migrants from a camp site in Calais, northern France. (AFP/File Photo)

The proposed change “crystallizes the stark contrast between the EU’s response to Ukrainian refugees and the bloc’s response to Syrians, Afghans, Iraqis, Eritreans … the list could go on.”

Sunderland added: “The empathy and generosity extended to Ukrainians should stretch further to all refugees, regardless of their nationality, religion or skin color.”

Her concerns are echoed by Chris Doyle, director of the Council for Arab-British Understanding, who believes “the Danish law was wrong in the first place — no matter who it applied to.

“So, at one level, (I am) delighted if Denmark lifts this law for Ukrainian refugees,” he told Arab News. “But, as we are seeing in many countries, there is a completely different reaction to taking in and how people deal with, Ukrainian refugees than refugees from Syria, Afghanistan and other areas.”

This, according to Doyle, “should not be the way countries concoct their refugee policies.”

Denmark’s London embassy did not respond to a request for comments by Arab News.

INNUMBERS

* 6.7 million Syrian refugees.

* 2.7 million Afghanistan.

* 2 million Ukrainian refugees.

Source: UNHCR

As of Tuesday, more than two million people had fled Ukraine, a country with a pre-war population of about 40 million. The vast majority of those displaced by the Russian invasion have poured into the EU.

Poland has been a key European voice amid the Ukraine crisis and has taken in the highest number of refugees — more than 1 million people in less than two weeks.

Likewise, as of Monday according to UN figures, Hungary, the Czech Republic and Slovakia had provided refuge to at least 180,000, 100,000 and 123,000 people, respectively.

“We will do everything to provide safe shelter in Poland for everyone who needs it,” Mariusz Kaminski, Poland’s interior minister, said last week, failing to mention that, during the Syrian war, Poland, as well as Hungary and the Czech Republic, had essentially refused to take in any Syrian refugees.

This outright refusal to shelter Syrians earned them a reprimand from the European Court of Justice for refusing to follow EU-wide laws on refugee intake. Slovakia, for its part, only accepted a minute number of Christian refugees during the Syrian crisis.




During the Syrian war, Poland, as well as Hungary and the Czech Republic, had essentially refused to take in any Syrian refugees, while many other refugees have faced unsympathetic treatment at the hand of authorities in France and the UK. (AFP/File Photos) 

Kaminski also omitted to mention that, just months ago, his government erected a $380 million wall between Poland and neighboring Belarus to block thousands of non-European refugees seeking asylum in the EU.

As many as 19 of those refugees died in the months of that border crisis — now largely forgotten amid the Ukrainian furor — which displayed to the world, unequivocally, the Polish government’s hostility toward non-European refugees.

Doyle said: “There is an argument that geographic proximity can perhaps lead a country to take more numbers of refugees … but it certainly shouldn’t lead to discriminatory policies based on race, ethnicity and so forth.

“The world is watching. The world is seeing a very different set of standards being applied to Ukraine and conflicts in the developing world,” he said.

News of the proposed changes to Danish legislation follows a plethora of controversies online and in the media surrounding coverage of the Ukrainian conflict compared with other such conflicts and crises outside of Europe.

Twitter videos circulating online, accruing millions of views, have testified to the casual racism mainly of Western journalists in their coverage of the war.




In contrast to refugees from Syria or Afghanistan, almost 2 million refugees have fled Ukraine in the weeks since the invasion by Russia, with many of them welcomed by neighboring European countries. (AFP)

For example, early in the conflict and live from Kyiv, Charlie D’Agata, CBS News senior foreign correspondent, said: “Now with the Russians marching in, it’s changed the calculus entirely. Tens of thousands of people have tried to flee the city. There will be many more, people are hiding out in bomb shelters.

“But this isn’t a place, with all due respect, like Iraq or Afghanistan that has seen conflict raging for decades. This is a relatively civilized, relatively European — I have to choose those words carefully, too — city where you wouldn’t expect that, or hope that it’s going to happen.”

His “relatively civilized, relatively European” comment — for which he later issued an apology — drew widespread condemnation, with accusations of racism pouring in from Arab journalists, many of whom had been covering conflicts in the Middle East and elsewhere for years.

In another case, a guest invited onto the BBC’s coverage said that the Ukrainian war was “very emotional for me because I see European people with blue eyes and blond hair being killed.”

But for Doyle, this kind of media discourse is not causing anti-Arab or anti-Middle Eastern bias; in fact, it is a “reflection of a broader, underlying racism,” he said.

Doyle added: “I think there is a public opinion issue here. We’ve seen for some time the growth of far right, anti-immigrant views and anti-refugee views.

“And that has confirmed what most of us came to realize: That they are anti-immigrant if they come from non-European countries, from Muslim majority countries — but they are not so anti-immigrant if they come from European countries like Ukraine.”


Majarra to publish ‘Werathyat’ magazine in partnership with Saudi Society for Medical Genetics

Updated 10 May 2024
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Majarra to publish ‘Werathyat’ magazine in partnership with Saudi Society for Medical Genetics

  • Collaboration includes agreement to disseminate knowledge about genetic science and medicine in Arabic

DUBAI: Arabic digital content provider Majarra has signed an agreement with the Saudi Society for Medical Genetics to publish Arabic content that advances knowledge sharing in the field of genetics.

As part of the agreement, Majarra will publish SSMG’s quarterly journal “Werathyat,” which raises awareness, and provides education about genetic diseases and advancements in the field. 

The magazine also highlights SSMG’s new initiatives and social responsibilities, with the goal of promoting genetic literacy and reducing the prevalence of genetic diseases in Arab societies, the companies said in a statement.

Additionally, the two organizations will collaborate on publishing other high-quality Arabic content on genetic counseling in order to enhance community awareness of genetic diseases, rectify misconceptions surrounding them, and provide psychological and cognitive support to individuals affected by such conditions.

The partnership plays a key role in showcasing SSMG’s efforts “to provide health care, social support, and educational services to individuals with genetic diseases and their families” and “facilitates the dissemination of awareness and genetic guidance through the innovative projects and programs implemented by our Society,” said SSMG spokesperson Prof. Zuhair bin Abdullah Rahbini.

 For Majarra, the agreement “aligns with our mission to deliver the best Arabic content on the Internet” and the company will work with SSMG “in carrying out its mission of developing the medical practice of genetics, enriching scientific research, and providing awareness, the level of health awareness in our Arab societies,” said Dia Haykal, Majarra’s director of partnerships and branding.

“Werathyat” will be available on Majarra’s paid subscription-based mobile app. SSMG will provide Majarra subscriptions to all its members.


Britain’s Arab-focused SAFAR Film Festival to feature stories from 15 countries

Updated 10 May 2024
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Britain’s Arab-focused SAFAR Film Festival to feature stories from 15 countries

  • Biggest festival to date will include 60 screenings and events across four London venues, plus screenings in 8 other UK venues

LONDON: This year’s SAFAR Film Festival will be held from June 18-30 in nine British cities, making it the largest and longest-running Arab cinema event in the UK, according to the Arab British Center.

Curated by long-time SAFAR and Arab British Center collaborator Rabih El-Khoury, the 2024 program will explore the themes of dreams, hopes, and realities through stories from 15 Arab countries.

The festival’s program features 60 screenings and events across four London venues, as well as cinemas in Birmingham, Cardiff, Glasgow, Hull, Liverpool, Manchester, Oxford and Plymouth.

El-Khoury said the festival will include Sudanese and Palestinian cinema, and promised audiences “themes spanning family dynamics, loss, love, migration, and the harsh truths of war and politics.”

He said: “Within these stories, and through challenging and captivating cinema, we aim to facilitate exchange, reflection and share strength in solidarity.”

In its ninth year, SAFAR is viewed as the leading platform for showcasing Arab cinema in the UK.

The program features new releases, classics, archive film, and family-friendly screenings.

Highlights include the documentary “Life is Beautiful” by Mohamed Jalaby, which examines European solidarity, and the rigidity of borders, both physical and bureaucratic, amid the Gaza war in 2014.

Other works include “Bye Bye Tiberias” by Lina Soualem, a poignant exploration of four generations of Palestinian women; “The Burdened” by Yemeni director Amr Gamal, which follows Isra’a and Ahmed who struggle to provide a sense of normalcy for their three young children; and “Inshallah a Boy” by Amjad Al Rasheed.

“The festival forms a key part of our work to further understanding of the Arab world in the UK,” said Nadia El-Sebai, executive director of the Arab British Center.

“This year we are honored to work once more with Rabih El-Khoury and our guest curators and partners across the UK to present our biggest festival to date.

“Despite the shadows cast by the difficult realities faced across the region, SAFAR invites us to come together and find solace, hopes and dreams, in the universal language of cinema,” she said.


Taliban warn journalists and experts against cooperating with Afghanistan International TV

Updated 10 May 2024
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Taliban warn journalists and experts against cooperating with Afghanistan International TV

  • Cooperating with the London-based media outfit is a crime, says Taliban information ministry
  • During their previous rule in the late 1990s, the Taliban barred most TV, radio and newspapers

KABUL, Afghanistan: The Taliban on Thursday warned journalists and experts against working with Afghanistan International TV, saying they would be committing a crime if they cooperated with the station. It’s the first time they have told people not to cooperate with a specific outlet.

Afghanistan International TV, which is headquartered in London, is accessible through satellite, cable and social media.
A spokesman for the Taliban-controlled Ministry of Information and Culture alleged the station was committing professional violations and violating moral and legal boundaries.

Taliban security personnel sit along a street in Faryab province on March 10, 2024. (AFP)

The Media Violations Commission wanted all journalists and experts in Afghanistan to cease their collaboration with the station, said ministry spokesman Habib Ghofran.
“At the commission’s meeting held yesterday (Wednesday), it was decided that participating in discussions and facilitating the broadcast of this media outlet in public places is prohibited,” added Ghofran.
The deputy minister for broadcasting Zia ul Haq Haqmal said people would be committing a crime if they cooperated with the station.
He cited 10 reasons to avoid working with Afghanistan International TV, including its alleged distortion or falsification of information and campaigning against the ruling system.
“If someone does not cooperate on the basis of all these 10 reasons, then it’s the court’s job to give a punishment,” said Haqmal.

 

The director of Afghanistan International TV, Harun Najafizada, said the commission’s decision would not affect the channel because it had no employees or freelancers in the country.
“We don’t have anyone on the ground and rely on the reporting of Afghan citizens,” said Najafizada. “That’s more challenging, but we have tough verification. It’s a threat to free media, to other media, and to put pressure on us to forgo our professional standards. It’s not going to work.”
Afghanistan fares abysmally in terms of press freedom. The latest index from Reporters without Borders ranked the country 178 out of 180. It ranked 152 last year.
The organization said three radio reporters were arrested in April for broadcasting music and receiving calls from female listeners during shows. Local authorities weren’t available to confirm the arrests.
Also last month, the Taliban suspended two TV stations for failing to “consider national and Islamic values.”
The director for one of the suspended stations, Barya TV, rejected the Taliban’s allegations. The station is still off air.
Latif Sadiq said the station wasn’t informed about the suspension. “The reports that they repeatedly warned (Barya) are absolute lies,” Sadiq said Thursday. “They have decided on their own that (Barya) television is off, broadcasting is off, and they said the case will go to court.”
Many journalists lost their jobs after the Taliban takeover in 2021, with media outlets closing over a lack of funds or because their staff left the country. Women journalists face additional hardships because of work bans and travel restrictions.
During their previous rule in the late 1990s, the Taliban barred most television, radio and newspapers.


170 speakers and 1,000+ delegates gather for Gulf Creatives Conference at Harvard University

Updated 10 May 2024
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170 speakers and 1,000+ delegates gather for Gulf Creatives Conference at Harvard University

  • The 3-day event aims to be ‘the premier gathering for creative minds from the Gulf in the US,’ and to ‘empower, inspire and support Gulf creatives to drive positive change’
  • It is organized by The Diwan, a student-run organization intended to provide a platform for discussion of topics relevant to the Arab world, and particularly the Gulf region

BOSTON: A Gulf Creatives Conference will begin on May 10 at Harvard University, bringing together more than 170 speakers and over 1,000 delegates from sectors such as arts and culture, business and innovation, nonprofits and public policy, healthcare, and science and technology.

The three-day event is organized by The Diwan, a student-run organization at the university in Cambridge, Massachusetts.

Abdulla Almarzooqi, chairperson of the organization’s UAE Committee, and a graduate student at Harvard, told Arab News the aim is for the conference to “become the premier gathering for creative minds from the Gulf in the US,” and to “empower, inspire and support Gulf creatives to drive positive change.”

The Diwan was founded in the fall of 2023 as a platform for experts, academics, policymakers and students to discuss topics relevant to the Arab world, and particularly the Gulf region, including entrepreneurship, the empowerment of women and young people, and education, he added.

It organized a conference in November last year titled “Shaping the Arab World: Navigating Opportunities and Challenges” that addressed the geopolitics of the region and the ongoing war in Gaza. Almarzooqi said it was the largest gathering of Arab ambassadors in the history of Harvard University.

Now the organization is hosting the Gulf Creatives Conference, at a time when emotions are running high on many college campuses in the US amid protests against the conflict in Gaza by students and, in some cases, faculty members. However, the Harvard event will focus on “creativity and showcasing the region’s most promising talents,” said Almarzooqi.

“Amid the rising tensions on US college campuses, we believe firmly in the power of creativity and the arts in healing wounds and bridging divides,” he added.

The conference will include 24 discussion sessions and five workshops, covering topics such as public policy, innovation strategies, and the future of healthcare, in which all delegates are encouraged to actively participate, organizers said.

The speakers include prominent figures such as: Dr. Mahmoud Al-Yamany, sector head of health and well-being at the NEOM urban development megaproject in Saudi Arabia; Majid Ibrahim Al-Fayyadh, CEO of the King Faisal Specialist Hospital and Research Center in Riyadh; and Deemah Al-Yahya, secretary-general of the Digital Cooperation Organization.

The Gulf Creatives Conference will take place from May 10 to 12 at Harvard University.


‘Vision 2030 has set a blueprint for the future of the Kingdom,’ says TBWA\RAAD’s Saudi MD

Updated 09 May 2024
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‘Vision 2030 has set a blueprint for the future of the Kingdom,’ says TBWA\RAAD’s Saudi MD

  • Ad agency’s new Riyadh office to serve as a central hub for local, regional, global brands looking to succeed in Saudi Arabia

DUBAI: Advertising agency TBWA\RAAD appointed Dan Leach as its managing director for operations in Saudi Arabia following the establishment of a new office in Riyadh earlier this year. It is now bidding to cement its presence in the Kingdom.

The agency has been working with clients such as KFC, NEOM, and Nissan in the Kingdom for 20 years and now, with its new office, it aims to strengthen and serve as “a central hub for local, regional, and global brands looking to make their mark in the country,” Leach said.

He told Arab News: “The Middle East is renowned for its leadership and bold ambition, and Saudi Arabia exemplifies these qualities. But what I believe makes the Kingdom stand out further is its single-minded approach to disrupting the status quo … of everything.

“From building the largest vertical city in the world in NEOM; redefining luxury in the Red Sea; bringing the world’s sporting events to the country and more, there is no blueprint for what Saudi Arabia is doing.”

Staffing the new office is a “critical aspect of our expansion strategy” and the company is currently focusing on making “strategic hires,” including a new local senior management team, with the objective of ensuring “we have the right talent in place to meet the dynamic needs of our clients, driving our success not only in Riyadh, but across Saudi as a whole,” Leach said.

Saudi’s Vision 2030 has accelerated the growth of multiple industries, as well as technology and innovation, presenting new opportunities for advertising agencies like TBWA\RAAD.

Leach added: “Saudi’s story now belongs on the world stage, which implies that storytelling must be characterized by award-winning strategic and creative thinking.”

The country’s ambition to be at the forefront of technology such as artificial intelligence aligns with the agency’s vision.

Leach said: “We need to keep pace with the ambition of the Kingdom in this area and ensure our clients are benefiting from transformative innovation that can reach new customers.”

This ambition is evident in the growth of the creative and media industry, which is already seeing an “influx of bold award-winning campaigns fueling the emergence of incredible, young creative talent that will see the sector thrive for years to come,” he added.

Contrary to the common belief that Saudi lacks creative talent, Leach’s experience has been quite the opposite.

He said: “I have had a number of discussions with young creatives, and there is a genuine passion and hunger from this next generation to be at the forefront of the industry.”

He believes it is important for the industry to foster this talent in order to bolster the growth of the industry. The agency is therefore working with local universities to implement a graduate and internship program to help identify and support creative talent in the Kingdom.

Saudi Arabia’s growth and vision have attracted global attention and investment, with brands stepping up their game in the Kingdom. Leach, however, cautions brands against entering the market with a copy-and-paste approach.

He said: “We’re seeing a lot of brands come into the Kingdom with the approach of simply localizing copy and thinking that is enough to win; it’s not.”

He explained that Saudi consumers are savvy and can distinguish between brands that are being opportunistic and those truly embracing local culture.

Brands can also find success in aligning their story with that of the Kingdom and its leadership, Leach said.

He added: “Brands are entering a country that has near unlimited ambition — they need to match that energy.”

They do so by embracing new technology and aiming big, he said, and this also means brands should experiment and do things differently.

He said: “The Kingdom is an incredibly exciting place where there is room and opportunity to challenge the status quo.”

TBWA\RAAD, for example, has made significant advances in adopting AI — such as partnering with Core42 last year to harness the potential of Arabic large-language model Jais in the creative sector and launching its own ChatGPT-based tool Co-Pirate — to support clients. 

The agency is also working on bringing new products to the Kingdom, including dedicated social media programs, retail initiatives and internal communications platforms.

Leach said: “Our ambition is not to be the largest agency in the Kingdom but creatively the most exciting, and Saudi Arabia presents the perfect canvas upon which we can deliver that ambition.”