Prince Harry sues major British newspaper group

Prince Harry and Meghan Markle speak during the 2021 Global Citizen Live festival at the Great Lawn, Central Park in New York City on Sept. 25, 2021. (AFP file photo)
Short Url
Updated 24 February 2022
Follow

Prince Harry sues major British newspaper group

  • UK media say Harry was suing for libel over a Mail on Sunday article alleging he had sought to keep a request for British police protection under wraps

LOS ANGELES: Britain’s Prince Harry has launched new legal action against one of the country’s biggest newspaper groups, a spokesperson said Wednesday.
The complaint against Associated Newspapers — which publishes the Daily Mail, Mail on Sunday and MailOnline — follows his wife Meghan Markle’s recent victory in a separate, long-running case against the same group.
A spokesperson for the pair told AFP that a complaint had been filed by Harry, without specifying its nature or the publication being sued.
Multiple UK media reports said Harry — Queen Elizabeth II’s grandson — was suing for libel over a Mail on Sunday article alleging he had sought to keep a request for British police protection under wraps.
Markle, 40, and Harry, 37, live in California after stepping down from royal duties in 2019, which caused them to lose their UK taxpayer-paid protection.
Last month, Harry appealed to the UK courts after the government refused to allow him to pay for police protection out of his own pocket, arguing the decision means he cannot return home.
A lawyer for Harry told a London court last week that the UK “will always be his home,” but that his own private security team in the US does not have adequate jurisdiction or access to UK intelligence necessary to keep his family safe.
The government lawyer dismissed Harry’s offer to pay for police protection as “irrelevant,” writing to the court that personal “security by the police is not available on a privately financed basis.”
The couple have recently taken legal action against a number of publications, alleging invasion of privacy.
Following her second court victory against Associated Newspapers in December for breach of privacy — over the publication of a letter she wrote to her estranged father — Markle called for a reform of tabloid culture.
The industry, she said, “conditions people to be cruel and profits from the lies and pain that they create.”

 

 


London’s Arab Film Club launches podcast focusing on Palestine 

Updated 03 May 2024
Follow

London’s Arab Film Club launches podcast focusing on Palestine 

DUBAI: The Arab Film Club, a monthly gathering in London celebrating Arab cinema, launched a podcast on May 1.  

Spearheaded by the club’s founder, Sarah Agha, an Irish Palestinian actress and writer, the inaugural five-episode season of the interview-based podcast will focus on Palestinian filmmakers and cinema’s role in cultural resistance. 

The debut episode features Darin J. Sallam, director of “Farha,” Jordan’s Oscars entry in 2022. In other episodes, Agha interviews Lina Soualem, (“Bye Bye Tiberias”), Ameen Nayfeh (“200 Metres”) Annemarie Jacir (“Wajib”) and Farah Nabulsi (“The Teacher”). 

Sarah Agha is an Irish Palestinian actress and writer. (Supplied)

Agha told Arab News, “It is so urgent right now to do anything and everything we can to keep talking about Palestine. So I thought, ‘Why not do some interviews with some of my favorite Palestinian directors and put them online so everyone can listen to them?” 

Reflecting on Sallam’s episode, Agha highlighted the transformative potential of cinema. “She is linking educational talks with her film, and I do believe her film is like a tool of change,” the presenter said. 

Agha said she found Soualem’s documentary particularly intriguing, due to its departure from the scripted films typically showcased at the Arab Film Club.  

“The Teacher” by Farah Nabulsi. (Supplied)

“I wanted to make an exception for Soualem’s film because it’s another portrayal of the Nakba, but in very different terrains — like, totally different,” she explained. “My father is from Tiberias, so I was also attracted to it for that reason.” 

Agha believes her podcast is launching at a time when Palestinians are being censored in the arts. 

“200 Metres” by Ameen Nayfeh. (Supplied)

“There’s been a lot of cancellations of events to do with Palestine and Palestinian narratives,” she said. “So I think the best thing that we can do is not succumb to hopelessness. The fact that they’re trying to silence voices means those voices are significant. You don’t silence something that’s irrelevant. For example, the fact that the Israeli government tried to pressure Netflix into removing Darin’s film shows that it’s important.”  

Agha hopes the podcast will appeal to a diverse audience, including non-Arabs.  

“That, for me, is a really big thing. If we just talk to ourselves all the time, we won’t really get any further with reaching a wider audience,” she said.  


Robert De Niro’s publicist denies video shows actor shouting at Pro-Palestine supporters

Updated 02 May 2024
Follow

Robert De Niro’s publicist denies video shows actor shouting at Pro-Palestine supporters

  • Footage shared online was scene from upcoming Netflix series, Stan Rosenfield says
  • ‘Someone copied the post and fabricated an entirely different and bogus meaning,’ he says

DUBAI: Robert De Niro’s publicist has shut down a rumor that a video clip widely shared online shows the 80-year-old actor confronting pro-Palestinian protesters in New York.

The 34-second clip has been shared on social media with the caption: “Robert De Niro stands with Israel!”

But publicist Stan Rosenfield told CNN that the Hollywood veteran was actually rehearsing a scene for his upcoming series in which he plays a former president.

“What you saw was a direct scene from the Netflix series ‘Zero Day,’ with Robert De Niro reading lines as written in the script,” he said.

The video was shot on the streets of New York on Saturday and in the clip, De Niro’s character was confronting a crowd of people, he said.

“Someone copied the post and fabricated an entirely different and bogus meaning,” he said.

Netflix supported the story, according to a report by Just Jared.

In the clip, De Niro yells at the crowd: “This is not a movie! This is not a movie! Move behind the barricade. You like talkin’ nonsense? Then you gotta go home!

“That’s dangerous and they say they’re gonna do it again! Again! You don’t want that. You don’t want that. None of us want that. C’mon. Let’s all get serious.”

The footage was shared by various pro-Israel accounts on social media with some claiming the words “They say they’re gonna do it again” were a reference to the Hamas attack on Israel on Oct. 7.
 


Action! Saudi Film Festival returns for 10th edition

Updated 02 May 2024
Follow

Action! Saudi Film Festival returns for 10th edition

  • Everything you need to know about Ithra’s celebration of cinema 

DHAHRAN: The 10th Saudi Film Festival will begin May 2 at the King Abdulaziz Center for World Culture (Ithra) in Dhahran.  

This year’s eight-day event — organized by the Cinema Society in partnership with Ithra and with support from the Ministry of Culture — will feature 76 film screenings and 53 titles vying for 36 awards. The red carpet will be rolled out on both opening and closing nights, with filmmakers, actors and film buffs in attendance. There will be workshops and book signings and, of course, the opportunity for filmmakers from the Kingdom and the wider region to come together. 

The festival will open with “Underground,” a feature-length documentary by Saudi director Abdulrahman Sandokji about the Kingdom’s music industry. (Supplied)

The festival will open with “Underground,” a feature-length documentary by Saudi director Abdulrahman Sandokji about the Kingdom’s music industry. 

Festival director Ahmed Al-Mulla said at a press conference: “This event is fast developing into a must-attend festival across the GCC film community. This year’s 10th edition is shaping up to be the biggest and best yet.” 

“We have come a long way over the past decade and are pleased to see Saudi Film Festival’s importance and popularity across the region’s film community growing each passing year,” added SFF vice president, Mansour Al-Badran. “(It) has become a portal for cultural exchange and exploration, providing an avenue for cultural openness for the Kingdom and building bridges beyond borders for new programs and experiences.” 

Syrian filmmaker Mohammad Malas will be honored at this year’s Saudi Film Festival. (AFP)

The festival’s colorful history — back to its debut in 2008 — will be on display at the Cinema Society’s “Saudi Encyclopedia of Cinema,” which includes 20 books covering all aspects of film.  

This year’s edition has two main themes: Indian cinema and sci-fi films. The Spotlight on Indian Cinema program will explore India’s rich film industry beyond Bollywood and showcase Indian indie movies, which rarely get the chance to run in the Gulf region. Practical workshops and cultural seminars will be included for both the main themes, as well as programming designed especially for children.  

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by (@saudifilmfestival)

The Plaza at Ithra will bring the future to the present by providing a Virtual Production Experience (NeoCyb) experience. Combining live-action film with digital environments or elements in real-time, virtual production uses advanced technologies such as real-time rendering engines and motion-capture to create immersive virtual environments that performers can interact with, enabling filmmakers to visualize and capture scenes with complex visual effects more efficiently and cost-effectively, by reducing the need for extensive post-production work. 

And speaking of production, the festival also includes a production market where people can meet up to work towards a common goal: making more movies. Filmmakers, producers, funders — and those seeking funding — will be present. The market is designed, the organizers say “to enhance the film industry in Saudi Arabia by encouraging collaboration between artists, producers, and investors in the cinema industry.” 

A total of 53 features, shorts and documentaries, nominated by the festival’s technical committee, will compete for 36 prizes at this year’s SFF. They will be displayed at the festival in three categories: the Film Competition, the Unexecuted Screenplay Competition, and the Production Market Projects Competition.  

There will also be a new category of prizes up for grabs: The Golden Palm, which will be presented to the best Saudi documentary about the environment as well as a second-place award for the best animated short film on the topic. 

On the sidelines of all the high-profile screenings, the festival also includes a myriad of activities for film professionals, including 10 training workshops, two of which will focus on production market participants and short- and long-scenario development. There will also be a symposium and a total of 13 masterclasses covering a wide range of topics. More details are available on Ithra’s website. 

SFF will also continue to celebrate the achievements of film pioneers in the Kingdom and the Gulf region. This year, the festival will honor Saudi actor Abdulmohsen Al-Nemer, who hails from nearby Al-Ahsa.  

Al-Nemer has starred in numerous films over his decades-long career, including “The Sun” (1990), “Shadows of Silence” (2006), “Thobe: The Wedding” (2016) and “Long Road” (2022). 

He also starred in last year’s award-winning “Hajjan,” an Ithra Film Production that premiered at the 2023 Toronto International Film Festival and recently took home three awards at the Gulf Film Festival including Best Feature, Best Actor and Best Cinematography. 

The festival will also honor Syrian director, Mohammad Malas, whose work has often been banned in his homeland but is recognized as one of his country’s leading auteurs. His documentary about Palestinian refugee camps in Lebanon, shot in the Eighties, “Al-Manam” was awarded first prize at the first International Documentary Festival in France in 1987. 


Sci-fi franchise ‘Planet of the Apes’ gets new instalment 

Updated 02 May 2024
Follow

Sci-fi franchise ‘Planet of the Apes’ gets new instalment 

  • Wes Ball directs as dystopic series jumps centuries ahead 

DUBAI: Wes Ball, known for directing dystopic flicks including “Maze Runner” and “Ruin,” wasn’t fully on board when he was first approached to helm “Kingdom of the Planet of the Apes”, the latest instalment in the sci-fi franchise that has spawned 10 films. 

“I was skeptical,” Ball told Arab News. “I’m a big fan of this franchise. I grew up on the original (1968) one. I love the previous three movies (the reboot series that began in 2011). What Andy Serkis did and what Matt Reeves did in those movies, they're distinct; they're incredible movies. And I was questioning whether there was a need for a follow up. 

“I wasn't really into the idea until we figured out this concept that allowed us to be brave enough to go our own direction and not feel the need to be so tied to the previous movies,” he continued. “Of course, there's a lot of love and respect (for) the previous movies, but we wanted to do something new and fresh and original — have a reason to exist, and not just to do another one for the sake of it. So we tried really hard to come up with a story and a group of characters that felt new and different and would be a worthy addition to what's now been 10 movies over 35 years.” 

“Witcher” star Freya Allan plays Mae (centre). (Courtesy of 20th Century Studios)

“Kingdom” is intended as a sequel to 2017’s “War of the Planet of the Apes” — the third film in the rebooted series — but is set nearly 300 years after its events. 

Over those three centuries, ape civilizations have grown and they have become the dominant species on Earth. Humans, meanwhile, have faded and become an “echo” of their ancestors, regressing into a more feral, primitive form. 

Against this backdrop, “Kingdom” tells the coming-of-age story of a young ape called Noa (Owen Teague) as he goes up against the tyrannical ape leader Proximus Caesar (Kevin Durand), aided by a young woman named Mae (Freya Allan). 

The tyrannical ape leader Proximus Caesar is played by Kevin Durand. (20th Century Studios)

Before filming commenced, the cast attended six weeks of ape school, spearheaded by movement coach Alain Gauthier. Teague also spent some time observing chimpanzees. 

“I learned how much like an ape I am. I might be more ape than human,” Teague said. “One of the most fascinating things to me was how political they are, and how complicated their social hierarchy is; it's not entirely vertical, there's this kind of intermingling. Two apes will form a coalition and try to take down another, and the one who's in power will go and campaign. There's all these strategies they use to get where they want to be socially. And I had no idea that they could lie or deceive or backstab the way they do. It makes a lot of sense that we come from them.” 

“Witcher” star Allan — who plays the only significant human role in the film — says her time on the sets of the fantasy Netflix show helped with some of the stunts for this movie. 

“I have gained confidence from doing so much on ‘Witcher.’ And I've done dance in the past. I enjoy doing that physical stuff. I find it really exhilarating to do a stunt well. But there was stuff I did in this film that I haven't done in other things. There was some water stuff that was really fun to do. And just a lot of falling over. I was always bruised,” she said. 

Filmmaker Wes Ball on the set of  ‘Kingdom of the Planet of the Apes.’ (20th century Studios) 

A film set centuries after the fall of human civilization is familiar territory for Ball, who directed all the “Maze Runner” films. 

“I just kind of fall into these worlds for whatever reason,” he said. “But I didn’t come up with the world for ‘Maze Runner,’ it was in the books. I just had to implement and execute it. But that’s a world you don't want to go into: It's dirty. It's dangerous. Whereas this ‘Apes’ world… it's beautiful. It's nature reclaiming the Earth and it's becoming a new Eden in a way. I hope people don't use the word dystopian for this movie. I hope they use words like, ‘a lost world.’ 

“So much time has passed that all signs of humanity have almost been wiped away. I love the idea that it becomes a lovely world that you would like to explore,” he continued. “And the cool thing about it is, underneath all that beauty and tranquility, there's this haunting idea of the mistakes that mankind made.” 


DJ Peggy Gou makes waves in the Middle East, eyes collaborations with Arab artists

Updated 02 May 2024
Follow

DJ Peggy Gou makes waves in the Middle East, eyes collaborations with Arab artists

ABU DHABI: South Korean DJ and singer Peggy Gou is no stranger to the Middle East. She wowed fans this week at the Louvre Abu Dhabi in the UAE, performing in celebration of the newly opened exhibition “From Kalila wa Dimna to La Fontaine: Travelling through Fables,” and revealed that she would consider collaborating with Arab artists.

She performed in celebration of the newly opened exhibition “From Kalila wa Dimna to La Fontaine: Travelling through Fables.” (Supplied)

She told Arab News the morning after the event: “I woke up this morning and was thinking what happened last night. It is one of those events that is so meaningful. I’ve been to Abu Dhabi twice just to see the exhibitions. It’s more than a museum to me. It is a community, where people even go to hang out. That’s how beautiful that place is.”

Gou was among the first performers to take the stage at the Louvre Abu Dhabi in front of an audience, she said.

“I know David Guetta did it once before without an audience during COVID-19 … It was my first time playing in Abu Dhabi. It was insane. It was a very, very special night, and I want to do more,” she added. 

Gou was among the first performers to take the stage at the Louvre Abu Dhabi in front of an audience, she said. (Supplied)

Gou incorporates Arab-inspired music into her performances, noting that “people just love it, and they love percussion.”

To the artist, music is like a feeling. “It is really hard to rationalize it,” she said. “When you love it, you just love it,” she added, expressing her admiration for Arab melodies.

“This is maybe the reason why people support my music, even though they don’t understand the language. Sometimes they just feel it, they just love it,” she explained. 

“I love our music, but at the same time, I’m considering collaborating with an Arab artist because there are a lot of talented Arab musicians here,” she said. “I have many friends here who recommended me some artists, and I want to check it out.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Peggy Gou (@peggygou_)

“I never say no. I love making music with different languages.” 

Gou has performed in Saudi Arabia multiple times.

“Every time I go there, it’s different. But what I can say is it’s always changing in a good way. In the very beginning, I felt like they weren’t going to understand my music,” she recalled.

But the DJ said that her last performance in AlUla was one of her favorites. “People were just shouting, screaming, and dancing as if there was no tomorrow,” she said.