Calligraphic classics go under the hammer at Sotheby’s

Sotheby’s ‘Arts of the Islamic World & India’ sale was held March 31. (Supplied)
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Updated 03 April 2021
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Calligraphic classics go under the hammer at Sotheby’s

  • Highlights from Sotheby’s ‘Arts of the Islamic World & India’ sale, held March 31

Illuminated Qur’an copied by Ahmad Al-Rumi, dated 1447 CE

This manuscript, Sotheby’s said, “represents an outstanding calligraphic feat by one of the foremost practitioners in the history of the Islamic Arts of the Book, Ahmad Al-Rumi. He is known as a master of the six pens and was held in great esteem at the Timurid Court. … A small number of works by the scribe are known, including only one other Qur’an, rendering the manuscript to hand both extremely important and rare.” In this manuscript, Al-Rumi displayed his mastery of the art, using four different scripts — “a strong and angular Muhaqqaq interspersed with a fine and balanced Naskh for the main text, an elegant Thuluth for the surah headings, with the addition of Tawqi on the final page” — with extraordinary skill. “The colophon page is extraordinary, as not only do we see the text in four scripts, but also the use of the musalsal method, in which a pen isn’t lifted from the page, resulting in a seamless ‘chain’ of calligraphy,” Sotheby’s added in the catalogue notes. Sold for £378,000.

Illuminated Qur’an made for the chief justice of Jerusalem and Nablus, dated 1514 CE 

This remarkable complete copy of the Qur’an was scribed by master calligrapher Abu Al-Fadi Muhammad Ibn Abd Al-Wahhab Al-Shafi Al-Sunbati Al-Araj — a royal scribe to a Mamluk sultan and a student of Yasin Al-Jalali — and is dated 1514 CE. The piece was commissioned by a former chief justice of Jerusalem and Nablus, Jalal Al-Din Abu Al-Waffa Mohammad Ibn Junis Al-Hanafi, and was later owned by Hajj Uthman Kanoo Isma’il, who was mayor of Yanbu Al-Bahr, in Hijaz. The verses are written in the Naskh script, with surah headings in larger gold Thuluth script outlined in black. “The generous use of gold and silver in the illumination and text illustrates the wealth and prestige of the patron of this Qur’an,” the catalogue notes said. It also sold for £378,000 at the auction.

A compendium of works relating to the Hajj, from the 18th century

This manuscript contains two works — the first is an essay on Makkah, the Hajj, and the measurements of the Great Mosque; the second is a copy of the “Futuh Al-Haramayn,” a famous guidebook to the cities of Makkah and Madinah, originally written in the early 16th century, which included instructions for pilgrims on the rituals of the Hajj and the religious sites they could visit. This book, written in Nasta’liq script with important words written in red ink, also contains 19 illustrations of Makkah and Madinah. Sold for £50,400 at auction.

10th-century Qur’an leaf in gold Kufic script (12-18k sterling)

A real rarity — this folio containing five lines to the page of gold-colored script is part of one of just a handful of Qur’ans in which gold Kufic script was used. It would, the auction house explained, “have been a lengthy and expensive process, indicating a commission at the highest level of patronage.” It is believed to have originated from the Near East, and sold for £37,800 at auction.

Bifolium from the ‘Five Surahs,’ circa 1370

Pages taken from a manuscript of selected Qur’anic chapters (1, 5, 18, 34, and 35) that all begin with the phrase ‘Al-hamdulillah.’ The pages have been traced back to a manuscript that gives the name of the scribe as Abdul Qayyum Ibn Muhammad Ibn Karamshah-I Tabrizi. Sotheby’s cited calligraphy expert David James as describing Tabrizi’s work here in the Muhaqqaq script as, “Faultless perfection … equaled only by Suhrawardi in the Qur’an produced in Baghdad in the early years of the 14th century.” Sold for £37,800.

Illuminated Mamluk Qur’an from Egypt or Syria in the 14th century

“This lavishly illuminated section comes from what must have been an impressive Qur’an in several volumes,” said Sotheby’s of this manuscript — in which the verses are written in Muhaqqaq script and separated by gold florets, while the titles are written in white Kufiq script on blue backgrounds with gold embellishments. The 42 leaves of the manuscript are bound in leather. “Its decoration and illumination recall both Ilkhanid court production (and) early Mamluk manuscripts, rendering it testament to these cross influences at the beginning of the 14th century,” the catalogue notes continue. Sold for £50,400.

Mid-14th-century Qur’an leaf attributed to Arghun Al-Kamili

Pages from a Qur’an that is believed to have been scribed by Al-Kamili, one of the most prolific calligraphers working in Baghdad in the middle of the 14th century CE — a time when the Iraqi capital was the center of the calligraphic arts. Al-Kamili was one of the six famous pupils of Yaqut Al-Mustasimi — the secretary of the last Abbasid caliph, and was, Sotheby’s said, “renowned to a point that illuminators of his manuscripts signed their work in a wish to stress their association with him.” This leaf is written in Rayhani script and its verses are separated by blue and gold rosettes. It was expected to fetch around $20-25,000 at auction.

Illuminated Qur’an copied by Abdullah Al-Qadir Al-Husayni in the 16th century

“This magnificent and well-preserved Qur’an has all the hallmarks of the most refined manuscripts of the Safavid period,” the catalogue notes said. Copies of the Qur’an were traded between the Ottoman and Safavid empires despite the animosity between them, and Qur’ans such as this were often offered as gifts to the Ottoman court by Safavid envoys. This particular manuscript is written in Naskh script and contains some fine examples of full-page illumination.


Review: Cannes title ‘Everybody Loves Touda’ is a sparkling example of Nabil Ayouch’s work

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Review: Cannes title ‘Everybody Loves Touda’ is a sparkling example of Nabil Ayouch’s work

CANNES: Directed by Morocco’s Nabil Ayouch, Cannes Film Festival title “Everybody Loves Touda” is a compelling look at a single mother, Touda (an excellent Nisrin Erradi), who lives by the age-old dictum “never say die.”

Living in a small town, she is a bundle of music and mirth and her dances seem to bring cheer to her audience, but she soon faces unwanted attention.

The Cannes screening ended with a standing ovation, and Ayouch’s fourth outing at the festival seemed to garner far more audience appreciation than in earlier years. In 2012, his critically acclaimed drama “Horses of God” played in the Un Certain Regard section, which is second in importance to the main competition and is widely seen as a platform for experimental cinema. But Ayouch has also played in the In Competition section for the coveted Palme d’Or — his 2021 feature “Casablanca Beats,” the first title from Morocco since 1962 to vie for this honor, proved a sensation.

 Maryam Touzani and Nabil Ayouch attend the "Everybody Loves Touda" Photocall at the 77th annual Cannes Film Festival. (Getty Images)

Like his other movies, Ayouch approaches “Everybody Loves Touda” with fascinating realism that at times may appear a little too harsh. Having written the script with Mayam Touzani (“The Blue Caftan”), Ayouch may have given us formulaic fare, but he infuses Touda with a kind of determination that is awesome. Striving to relocate to Casablanca, where her deaf son would have better schooling and she herself could find greater opportunities, Touda begins to sing in village nightclubs, bearing with a grin the lecherous gaze of men drunk with delusion.

This is not the first time that Ayouch puts women in such precarious positions. His 2008 “Whatever Lola Wants” talks about the trials of a postal worker in New York who dreams of becoming an Egyptian belly dancer, and “Much Loved” (which played at in the Director's Fortnight section) created a storm with its exploration of prostitution in Morocco.

Peppered with lively music (by Flemming Nordkrog), Touda croons folkloric songs on liberation and other forms of women’s rights. The actress’s gripping performance causes the narrative to sparkle —Erradi has a remarkable on-screen presence that makes the movie a joy to watch.


Lebanese designer Georges Chakra puts on a show at the Cannes Film Festival

Updated 39 min 47 sec ago
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Lebanese designer Georges Chakra puts on a show at the Cannes Film Festival

DUBAI: Lebanese designer Georges Chakra is making a splash at the ongoing 77th Cannes Film Festival and has so far dressed a number of stars on the red carpet.

Australian actress Claire Holt hit the red carpet before the premiere of Kevin Costner’s “Horizon: An American Saga” in an all-white gown by the designer.

The Georges Chakra Couture look was created from white satin and chiffon and featured pleated detailing across the hips and a dramatic chiffon shoulder train. The look hailed from the designer’s Spring/Summer 2024 collection.

Meanwhile, Tunisian actress Dorra Zarrouk attended the “Women in Cinema” gala dinner hosted by Saudi Arabia’s Red Sea Film Festival in a white satin bustier gown with a satin cape encrusted with hand painted gold feathers from the label’s Fall/Winter 2023-2024 line.

Dorra Zarrouk in Georges Chakra. (Getty Images)

Finally, Chinese actress and model Crystal Zhang chose a Georges Chakra Couture gold sequined gown with a draped veil from the Spring/Summer 2024 collection to attend the Marie Claire China event which took place on the sidelines of the festival.

Holt showed off her choice at the premiere of Costner’s latest film on Sunday. “Horizon: An American Saga” sees the director return to his favorite Western genre with a three-hour film that is just the first of four mooted chapters.

Costner put millions of dollars of his own fortune into the decades-long passion project.

“At a certain moment I just said OK, I'm going to do this myself. And so I mortgaged property, I raised the money,” he told AFP at the festival.

The early reviews were mixed, with The Hollywood Reporter deriding it as a “clumsy slog” while British newspaper The Telegraph said it was “earnest yet hopeful... (and) perhaps its full grandeur won't be fully realized until part two.”

Costner says he is unconcerned about risking his money.

“If they take it away from me, I still have my movie. I still have my integrity. I still listened to my heart,” he said.

 


US comedian Jerry Seinfeld heckled by Pro-Palestinian supporter at standup show in Virginia

Updated 20 May 2024
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US comedian Jerry Seinfeld heckled by Pro-Palestinian supporter at standup show in Virginia

DUBAI: Pro-Palestine protests disrupted US comedian-actor Jerry Seinfeld’s Saturday night comedy set in Norfolk, Virginia, resulting in one protestor being escorted out of the venue.

Seinfeld has been vocal in his support for Israel following Hamas’s Oct. 7 attack. The comedian also met with families of the hostages and visited a kibbutz during a trip to Israel in December.

In videos posted online, Seinfeld’s show can be seen being interrupted by a man who stood in the crowd and yelled toward the comedian that he was “a genocide supporter.”

Another video posted to Instagram shows the individual yelling, “Save the children of Gaza,” “No more American tax dollars for genocide” and “You should be ashamed of yourself.”

Seinfeld responded to the heckler, later joking, “This is exciting. I like this.”

Last week, several students walked out of Duke University’s commencement ceremony to protest Seinfeld speaking at the event.


‘Goodbye Julia’ wins big at Critics Awards for Arab Films in Cannes

Updated 19 May 2024
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‘Goodbye Julia’ wins big at Critics Awards for Arab Films in Cannes

DUBAI: Sudanese first-time director Mohamed Kordofani’s “Goodbye Julia” won the best feature film and best screenplay awards at the eighth Critics Awards for Arab Films that took place on the sidelines of the Cannes Film Festival on Saturday.

French-Tunisian composer Amin Bouhafa, who worked on “Hajjan,” won the best music award for the Saudi Arabia-based film. 

Tunisian director Kaouther Ben Hania’s hybrid docudrama “Four Daughters,” which missed out on the Best Documentary win at this year’s Academy Awards, scored three prizes: Best director for Ben Hania, best documentary and best editing.

Amjad Al-Rasheed’s “Inshallah a Boy” picked up the best actress prize for Palestinian star Mouna Hawa and best cinematography for Kanamé Onoyama.

Palestinian actor Saleh Bakri nabbed the best actor prize for his role in “The Teacher” while Egyptian filmmaker Morad Mostafa’s “I Promise You Paradise” came out on top in the best short film category.

The awards ceremony is organized by the Cairo-based Arab Cinema Centre (ACC) and winners are voted on by 225 critics from more than 70 countries.  


Saudi Arabia’s RSIFF hosts ‘Women in Cinema’ gala in Cannes

Updated 19 May 2024
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Saudi Arabia’s RSIFF hosts ‘Women in Cinema’ gala in Cannes

  • Rosie Huntington Whitley, Richard Gere, Minnie Driver, Alexa Chung, Uma Thurman and Eiza González attended the event, among other international celebrities

DUBAI: Saudi Arabia’s Red Sea International Film Festival (RSIFF) hosted the “Women in Cinema” Gala in partnership with Vanity Fair Europe in Cannes on Saturday, attracting celebrities from across the world.

Richard Gere poses with Mohammed Al-Turki. (Ammar Abd Rabbo)

The glitzy gala dinner took place after RSIFF presented the “Women in Cinema” panel discussion during the Variety Global Conversations event earlier in the day.

The panel featured Egyptian actress and model Salma Abu Deif, Indian actress Kiara Advani,  Thai actress, model and singer Sarocha Chankimha (also known as Freen), Saudi actress Adhwa Fahad, Saudi singer and actress Aseel Omran, and French-Senegalese director Ramata Toulaye-Sy. The talents spoke about their early beginnings, their career breakthroughs and their sources of inspiration during the panel talk.

Aseel Omran pictured at the event. (Ammar Abd Rabbo)

Those stars and many more attended the evening’s festivities at the iconic Hotel Du Cap.

“The Ministry of Ungentlemanly Warfare” actress Eiza González, model Ikram Abdi, supermodel Naomi Campbell and actress Dorra Zarrouk were among the star-studded guest list.

Rosie Huntington Whitley, Richard Gere, Minnie Driver, Raya Abirashed, Alexa Chung, Wallis Day, Lucas Bravo and Uma Thurman also attended the event. 

Yousra attended the event in Cannes. (Ammar Abd Rabbo)

“The Red Sea International Film Festival (#RedSeaIFF) and Vanity Fair Europe reunited to host the #WomenInCinema Gala, championing the achievements of rising female talent on both sides of the camera who are reshaping the film industry in Saudi Arabia, Africa, Asia and the Arab world,” the Red Sea Film Foundation posted on Instagram.

Saudi Arabia is playing a key role at the 77th edition of the Cannes Film Festival, having supported four projects that are screening at the event.

Eva Longoria and Eiza González snap a selfie. (Ammar Abd Rabbo)

“Norah,” “The Brink of Dreams,” “To A Land Unknown” and “Animale” will screen as part of the Un Certain Regard, Directors’ Fortnight and Critic’s Week programs at Cannes. The Red Sea Film Foundation supported the projects through the Red Sea Fund and the Red Sea Souk.

RSIFF CEO Mohammed Al-Turki has been spotted on multiple red carpets throughout the event so far and walked the opening night’s red carpet alongside Jomana Al-Rashid, CEO of the Saudi Research and Media Group.