AMC Cinemas opens second location in Saudi capital

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Guests were treated to a sneak peek at the AMC Cinemas’s facilities at Panorama Mall in Riyadh on Sunday. (AN Photo/Hala Tashkandi)
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Guests were treated to a sneak peek at the AMC Cinemas’s facilities at Panorama Mall in Riyadh on Sunday. (AN Photo/Hala Tashkandi)
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Guests were treated to a sneak peek at the AMC Cinemas’s facilities at Panorama Mall in Riyadh on Sunday. (AN Photo/Hala Tashkandi)
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Guests were treated to a sneak peek at the AMC Cinemas’s facilities at Panorama Mall in Riyadh on Sunday. (AN Photo/Hala Tashkandi)
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Guests were treated to a sneak peek at the AMC Cinemas’s facilities at Panorama Mall in Riyadh on Sunday. (AN Photo/Hala Tashkandi)
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Updated 17 December 2019
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AMC Cinemas opens second location in Saudi capital

  • AMC's first location is in Riyadh's King Abdullah Financial District, which opened last year
  • CEO Adom Aron reveals plans to open up 50 theaters in the next 4 years

RIYADH: AMC Cinemas held an event at their new Panorama Mall location on Sunday evening to celebrate their second cinema opening in the Kingdom. The ten-screen, 800-seat theater has started selling tickets to the public, with screenings of films to begin tomorrow.

Guests were treated to a sneak peek at the cinema’s facilities, a chance to sample the food options on offer at the concessions stand, and a screening of their choice of some of the latest films in cinemas, such as “Dark Water,” “Jumanji: The Next Level,” and “Ford v Ferrari”.

During the opening ceremony, Adom Aron, CEO of AMC, welcomed guests to “our prettiest theater” and declared the cinema officially open.

He also revealed AMC’s future plans in the Kingdom. “We now have two theaters open in Riyadh, but we expect to open between eight and ten theaters by June, between 12 and 20 theaters next year, and 50 theaters in the next three, four years, and we expect to be the biggest and most luxurious cinema operator in Saudi Arabia,” he said.




Guests were treated to a sneak peek at the AMC Cinemas’s facilities at Panorama Mall in Riyadh on Sunday. (AN Photo/Hala Tashkandi)

Minister of Media Turki Al-Shabanah was also in attendance, and thanked Aron for helping him make his vision a reality.

“It’s my pleasure, seriously, to be next to you, with your expertise and your achievements worldwide, to open this beautiful luxury cinema here in Riyadh,” he said.

The AMC locations in the Kingdom are a result of a collaboration between the Development and Investment Entertainment Company (DEIC), a wholly owned subsidiary of the Public Investment Fund (PIF) and the US cinema chain.

The Panorama Mall location is the chain’s second location in Saudi Arabia. The first is located in the King Abdullah Financial District, which became the first cinema to officially open in the country on April 18 of 2018.

However, since then, competitor Vox Cinemas has already opened 7 locations in Saudi Arabia, with several more planned and in development.

AMC Marketing Manager Mishal Alsowayan echoed Aron’s statement that AMC was definitely looking to expand in the region: “We’re very happy to open AMC Panorama tonight, and we’re looking forward to opening more and more locations soon.”

However, many are hoping that the opening of a new location for AMC Cinemas will make for actual competition between Vox and AMC, giving people more of a choice in which cinema they will go to.

Movie afficionado and frequent cinema visitor Salman Al-Abdullatif told Arab News that he was hoping to see better customer service and decreased cinema prices if the two cinema chains became competitive.




Guests were treated to a sneak peek at the AMC Cinemas’s facilities at Panorama Mall in Riyadh on Sunday. (AN Photo/Hala Tashkandi)

He also pointed out that Vox essentially made the rules for moviegoers in the Kingdom, and was hoping they would loosen up on some of their policies now that competition was on its way.

“I go to the cinema at least once a week, and I’m always put off by how expensive it is each time. I also find it kind of unfair that they charge for things like 3D glasses when you’re going to see a 3D movie like having the glasses is optional, or the fact that they don’t ever issue refunds in any case. I’m hoping that will change if people aren’t forced to settle for one cinema option,” he said.

And indeed, not all cinema seats are created equal. AMC’s facilities are decidedly more luxurious than those of Vox, with comparable prices. A premium seat at Vox Cinemas will set you back SR60 ($16) while an AMC standard ticket is SR55, and a luxe seat is SR65. AMC’s luxe option is comparable to Vox’s Gold option, which will set you back SR140 for just the seat, with additional costs for food and beverages from the chain’s gourmet food bar, ThEATre by Rhodes.

However, another moviegoer, Samar Aljadid, argues that the experience is worth the price, and she is waiting to see if AMC is up to snuff.

“When I go to the cinema, I’m treating myself. It should feel luxurious. Yes, it’s expensive, which is why I don’t go often, but in my opinion going to the cinema is a rare treat, and when I go, I want to go all out. I don’t mind paying a higher price, but I’d better be getting everything I paid for,” she said.

Tickets for the Panorama Mall cinema, as well as the newly reopened and redecorated KAFD location are available on AMC’s official website.

 

 


'Material Woman' exhibition in London creates synergy of Arab women’s fashion and art

Updated 59 min 49 sec ago
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'Material Woman' exhibition in London creates synergy of Arab women’s fashion and art

  • Curation tells a “story about how women use their hands to craft their destinies,” Shoucair says

LONDON: The worlds of fashion and art from Arab female creatives converged this week at the “Material Woman” exhibition in London.

The exhibition, held from May 17 to May 19 at Soho Revue, is the brainchild of the art collective Hayaty Diaries, in collaboration with the fashion platform and pop-up series 3eib.

"The Warmth of My Bed" (2023) and "Thulathia" (2024) by Lebanese artist Yasmina Hilal. (Supplied)

Featuring an eclectic mix of sculptural art, mixed media, projection installations, fashion and jewelry, the exhibition explored craftsmanship and materiality.

“Each element came together to tell a cohesive and beautiful story about how women use their hands to craft their destinies and honor their heritages through both creative worlds of art and fashion,” Lebanese curator and Hayaty Diaries co-founder, Christina Shoucair, told Arab News. 

The curatorial process began with the pairing of artists and designers, creating a harmony between the works. 

"Communion" (2023) and "Wound" (2023) by Bahraini artist Zayn Qahtani

Bahraini artist Zayn Qahtani’s shrine-like objects, featuring delicate ethereal drawings on date paper, explore themes of venerative mourning. These are paired alongside a series of rustic sculptures and draped garments by Egyptian designer Nadine Mos.

Lebanese artist Yasmina Hilal’s photo sculptures, which incorporate her distinctivve metalwork and soldering technique, are complemented by a curated display of contemporary silver and gold accessories by Celine Dagher, a Lebanese jewelry designer.

Meanwhile, Egyptian artist Hanya Elghamry examines the process of remembering by graphically recreating various details and narratives in her installation “Abandoned Projection.” Set as a backdrop against her floating “Tampered Redux” series, along with Moroccan designer Hanan Sharifa’s mesh and delicate dresses, the space offers visitors an immersive experience.

Garments designed by Nadine Mos on display at "Material Woman" in London. (Jules Foad)

“Christina and Kinzy presented the vision for The Material Woman and I loved the idea of blending the worlds of fashion and art together and utilizing the theme of materiality as a vehicle of creative empowerment and liberation,” 3eib founder, Dania Arafeh, told Arab News. 

Hayaty Diaries, which focuses on celebrating the artwork of Arab women, marked its debut last December with its inaugural exhibition, “Through Their Eyes: Perspectives Unveiled,” in the British capital. 

“Our Hayaty Diaries journey has been incredible. We’ve had the privilege of meeting many creatives from the region and have felt the warmth and support of the community. We are immensely grateful for all the encouragement we have received along the way,” Egyptian-Saudi curator and Hayaty Diaries cofounder Kinzy Diab told Arab News.

The London-based collective is now preparing for its exhibition “Levitate,” which will run from June 6 to June 16 and center around themes of fantasy and imagination.
 


Ithra celebrates ‘creative voices’ at Cannes Film Festival

According to film director Hamza Jamjoom, the present opportunities for Saudi directors have greatly improved.
Updated 20 May 2024
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Ithra celebrates ‘creative voices’ at Cannes Film Festival

  • Panel discussion was held within the Saudi pavilion of the Film Commission, with attendees from the global cinematic industry
  • Panelists discussed the 15 projects that won support from the Ithra Film Production Program

RIYADH: Ithra organized a panel discussion entitled “Creative Voices” to shed light on young Saudi cinematic talents on the sidelines of the 77th Cannes Film Festival.

It was held within the Saudi pavilion of the Film Commission, with attendees from the global cinematic industry.

The panelists discussed the 15 projects that won support from the Ithra Film Production Program, including 11 short films and four feature-length films.

According to film director Hamza Jamjoom, the present opportunities for Saudi directors have greatly improved compared to previous years, allowing them to showcase local stories through cinematic works that reflect the Saudi culture internationally. 

Raneem Al-Muhandis, the director who debuted her film “Swing” in 2022 with support from Ithra, said Saudi Arabia boasts a rich pool of narratives ripe for cinematic exploration with worldwide appeal.   

Ithra cinema coordinator Mansour Al-Badran said that this program has taken local filmmaking to a new level.

“We produced the film ‘Hajjan’ within IFPP which has so far won nine awards in local and regional film festivals and was chosen to be the opening or closing film in prestigious festivals,” he said.

Al-Badran added that “Hajjan” is a prime example of the cinematic projects Ithra is working on.

He highlighted that Ithra is interested in stories that draw inspiration from the rich Saudi culture and aims to raise the standards of filmmaking in the local community through workshops and seminars.

Additionally, he highlighted Ithra’s collaboration with the Cinema Society to host the Saudi Film Festival, which is as a major platform for showcasing up-and-coming talents in the film industry. 

The Ithra event at the Saudi pavilion featured a luncheon bringing together representatives of organizations that support filmmakers in Saudi Arabia. The aim was to strengthen relationships and promote the exchange of cinematic experiences between industry professionals and enthusiasts. 


Dubai Fashion Week announces Spring/Summer 2025 edition dates

Updated 20 May 2024
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Dubai Fashion Week announces Spring/Summer 2025 edition dates

DUBAI: Dubai Fashion Week (DFW) has announced its Spring/Summer 2025 dates, with international labels set to hit the runway from Sept. 1-5, 2024.

 “By positioning it ahead of the fashion weeks of New York, London, Milan and Paris, DFW provides an opportunity for participating designers to set the season’s trends and capture the attention of buyers,” organizing bodies the Arab Fashion council and Dubai Design District said in a released statement.  

Previous iterations of DFW saw New York-based label Carolina Herrera as the guest of honor last October with a presentation by the brand’s Creative Director Wes Gordon; supermodel Naomi Campbell closing the October edition by walking for Rizman Ruzaini; and Moroccan designer Maison Sara Chaibi making her DFW debut in February after presenting her collection at Paris Haute Couture Week.


Emirati actress Meera AlMidfa reflects on Cannes and her first feature-length film, co-starring Saudi actor Fahad Al-Butairi

Updated 20 May 2024
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Emirati actress Meera AlMidfa reflects on Cannes and her first feature-length film, co-starring Saudi actor Fahad Al-Butairi

DUBAI: Emirati actress and filmmaker Meera AlMidfa has two short films screening on the sidelines of the ongoing Cannes Film Festival — “Shame” and “Umm Salama The Matchmaker”. 

Set to entertain audiences in the French Riviera, although the films are not playing on the official calendar of the film festival, each provides sharp insight and commentary on Arab womanhood, while approaching the subject from separate viewpoints and taking a different tone.

While in “Shame” AlMidfa plays a woman whose attempt to flee from home is abruptly halted when her mother catches her and leads to an intense confrontation, in “Umm Salama The Matchmaker,” she plays the daughter of a matchmaker trying to avoid getting hitched.

Meera AlMidfa (right) in “Umm Salama The Matchmaker”. (Supplied)

“The two films were made as part of Arab Film Studio workshop by Image Nation Abu Dhabi. And I was cast by the filmmakers who were doing the filmmaking course, both female directors. And they both explore similar issues about women and marriage,” AlMidfa said in an interview with Arab News.

However, AlMidfa is most excited about her first full-length feature, “Al Eid Eiden,” Image Nation Abu Dhabi’s Saudi-Emirati family comedy. “I play an Emirati woman married to a Saudi man,” said AlMidfa.

Starring opposite AlMidfa is Saudi actor Fahad Al-Butairi (“Telfaz11,” “The Office,” “From A to B”), with the film’s worldwide release planned for July 4.

Meera AlMidfa will soon star in her first full-length feature, “Al Eid Eiden,” Image Nation Abu Dhabi’s Saudi-Emirati family comedy. (Supplied)

The production brings together an all-female Emirati creative team featuring first feature director Maitha Alawadi, producer Rawia Abdullah and writer Sara Al-Sayegh.

The film’s logline reads, “‘Al Eid Eiden’ follows a Saudi-Emirati family as they make the final preparations for an Eid getaway in Abu Dhabi. An unexpected turn of events on their day of travel changes things drastically for the parents, but not wanting to disappoint their three young children, they decide to go ahead as planned.

“What ensues is a roller-coaster ride of comedic mishaps and misunderstandings as they hurtle through uncharted parenting territory, a theme park, and Eid gatherings with relatives. Through the chaos, they discover unity as a family.”

Having been an integral part of the theatre and acting scene for more than a decade in the UAE, AlMidfa — who has a master’s degree in film directing from the American Film Institute — is also interested in working behind the camera as much as she is performing in front of it.

“I would say acting comes more naturally to me. But the more I do production work, the more it sinks in as well. But it’s like a complete personality switch. So, you need to kind of figure out how to balance yourself when you switch from one to the other based on the project. So, I don’t mix them up too much — I don’t direct something and then act like back-to-back,” she said.


Review: Cannes title ‘Everybody Loves Touda’ is a sparkling example of Nabil Ayouch’s work

Updated 20 May 2024
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Review: Cannes title ‘Everybody Loves Touda’ is a sparkling example of Nabil Ayouch’s work

CANNES: Directed by Morocco’s Nabil Ayouch, Cannes Film Festival title “Everybody Loves Touda” is a compelling look at a single mother, Touda (an excellent Nisrin Erradi), who lives by the age-old dictum “never say die.”

Living in a small town, she is a bundle of music and mirth and her dances seem to bring cheer to her audience, but she soon faces unwanted attention.

The Cannes screening ended with a standing ovation, and Ayouch’s fourth outing at the festival seemed to garner far more audience appreciation than in earlier years. In 2012, his critically acclaimed drama “Horses of God” played in the Un Certain Regard section, which is second in importance to the main competition and is widely seen as a platform for experimental cinema. But Ayouch has also played in the In Competition section for the coveted Palme d’Or — his 2021 feature “Casablanca Beats,” the first title from Morocco since 1962 to vie for this honor, proved a sensation.

 Maryam Touzani and Nabil Ayouch attend the "Everybody Loves Touda" Photocall at the 77th annual Cannes Film Festival. (Getty Images)

Like his other movies, Ayouch approaches “Everybody Loves Touda” with fascinating realism that at times may appear a little too harsh. Having written the script with Mayam Touzani (“The Blue Caftan”), Ayouch may have given us formulaic fare, but he infuses Touda with a kind of determination that is awesome. Striving to relocate to Casablanca, where her deaf son would have better schooling and she herself could find greater opportunities, Touda begins to sing in village nightclubs, bearing with a grin the lecherous gaze of men drunk with delusion.

This is not the first time that Ayouch puts women in such precarious positions. His 2008 “Whatever Lola Wants” talks about the trials of a postal worker in New York who dreams of becoming an Egyptian belly dancer, and “Much Loved” (which played at in the Director's Fortnight section) created a storm with its exploration of prostitution in Morocco.

Peppered with lively music (by Flemming Nordkrog), Touda croons folkloric songs on liberation and other forms of women’s rights. The actress’s gripping performance causes the narrative to sparkle —Erradi has a remarkable on-screen presence that makes the movie a joy to watch.