How the Middle East reacted to the Game of Thrones finale

Updated 21 May 2019
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How the Middle East reacted to the Game of Thrones finale

  • Arabs join fans around the world at marking the end of the HBO series
  • The show became engrained in popular culture over eight epic years

DUBAI: After eight epic years, 47 Emmys and two dead dragons, “Game of Thrones” has said goodbye to devotees worldwide after having redefined weekly “event TV.”

Having been shown in 170 countries, “Game of Thrones” was the most expensive show ever, with a budget of $15 million per episode. 

The blood-spattered tale of noble families vying for the Iron Throne wrapped up on Monday with the 73rd and final episode of one of the most popular shows in TV history.

The final episode had some emotional and surprising scenes, so it kept me hooked.

Mohammed Mansour, an Egyptian student in the UAE

“I watched it on my phone as it premiered. Honestly, the show had kind of written itself into a corner, so I didn’t really think we’d go any further than what we already expected,” Ali Tirkawi, a 22-year-old American who lives in Saudi Arabia, told Arab News after watching the final episode.

“The finale pretty much boiled down to a horribly depressing epilogue about what the main characters want to do next. I feel that the show kind of robbed us of what we had grown to expect from it,” he said. “The whole sense of danger and anxiety, who’d perish, all that really just disappeared. If I could sum up my feeling toward the final episode: Disappointment.”

Both the show’s name and its now-famous tagline, “Winter is Coming,” spawned a plethora of memes that made their way into the global political discourse. 

US President Donald Trump famously alluded to the show in a warning to Iran last year. He posted an image of himself on Twitter with the line “Sanctions are coming” above “November 5.”

The TV-watching habits of millennials have undergone a radical transformation since the first episode aired in 2011. 

Streaming services have appeared on the scene to rival cable services, and the number of shows available to watch has nearly doubled.

One of the darkest and most controversial primetime series ever made, “Game of Thrones” has been the target of criticism over the years for senseless violence as a dramatic device. The scriptwriters brutalized women and killed children, all in glorious close-up.

The adult themes deterred neither the show’s fans nor the industry awards circuit, which saw fit to make the HBO show the most decorated fictional series in history. Season 6 was the first to move beyond the source material, George R. R. Martin’s “A Song of Ice and Fire” novels, and carve its own path. Critics said it marked a return to form, but the shortened final two seasons have been more of a mixed bag, with many fans furious over what they consider poor writing and a rushed conclusion of the plot strands.

“The show meant a lot to me, spanning eight years of my life. I can easily recall each and every time I watched an episode,” he added.

Elia Mssawir, a UAE-based entertainment company executive

The Season 7 finale set an all-time US record for premium cable TV, with 16.5 million people watching live or streaming on the day of transmission, and 15 million more tuning in later. The biggest question of all, who would be sitting on the Iron Throne, was answered — sort of — on Monday.

While thousands of viewers aired their gripes on social media, as they did all season, plenty of others thought it was a fitting end.

While millions watched at home, thousands celebrated or mourned the show’s denouement in public places and backyards from London to Dubai. Among them was Mira Kerbage, a 22-year-old Lebanese student of marketing communications in the UK. 

“I felt overwhelmed with everything. I don’t know if this was just because it was the end of one of my favorite shows, or because the story ended but didn’t really end,” she told Arab News.

 

 

“It was bittersweet, so I felt sad and disappointed. It was like the end of an era. You feel empty,” she said.

“I watched it at 4 a.m. in my room, went to sleep at 6 a.m. and woke up at 8 a.m. to go to university.”

Cries of joy, sobs and applause followed the peaks and troughs of what many regarded as a poignant but so-so finale. 

The episode proved to be as divisive as the rest of Season 8. Chief among the controversies was the rapid descent into the mass-murdering madness of Emilia Clarke’s Daenerys Targaryen, arguably the lead character in an enormous ensemble that has called on the talents of such luminaries as Charles Dance, Sean Bean, Jim Broadbent and Diana Rigg.

OSN, which aired the show in the Middle East with English and Arabic subtitles, had marked the arrival of Season 8 with a social media competition calling on fans to unleash their creativity. 

“From fashion or design to baking, braiding or painting, use your talents to show your love for the Throne,” an OSN press release said in March.

Mohammed Mansour, an Egyptian student in the UAE, was surprised and happy, but also a bit disappointed after watching the finale. 

“Happy because it gave closure, disappointed in the way some characters met their fate. It doesn’t do them justice. But the final episode had some emotional and surprising scenes, so it kept me hooked,” he told Arab News.

“It was one of the best shows I’ve seen in my whole life, although the last two seasons weren’t as great.”

A petition calling for the final season to be remade has now passed 1.1 million signatures. 

In China, the show’s rights holder triggered outrage among legions of die-hard fans — some of whom took the morning off work to tune in — by mysteriously delaying its broadcast just before it was due to air. That did not stop fans from flocking online, with one dramatic twist provoking a discussion on the Twitter-like Weibo platform that was viewed more than 230 million times.

“It was even more intense than a football finale,” said Ewald Klautky, 52, one of about 200 fans who watched the final episode together in Los Angeles.

Elia Mssawir, a UAE-based entertainment company executive, watched the episode alone at home. “I really kind of enjoyed it, and it was mostly because of the unexpected turn of events. I loved the fact that they put every character in their place without wasting any time,” he told Arab News. “This was something many ‘Game of Thrones’ fans felt uncomfortable about, but I really enjoyed it. Not every series or movie has to have a happy ending,” he said. 

“The show meant a lot to me, spanning eight years of my life. I can easily recall each and every time I watched an episode,” he added. “I lived in three different countries during this time, and I took the show with me on the road. One time I was touring with an artist, and I made it my mission to get data to stream it on the bus while going to the next gig.”

The ending of “Game of Thrones” was all too much for its stars, including Sophie Turner, who first appeared as Sansa Stark as a young teenager. She wrote on Instagram of her character: “I fell in love with you at 13 and now 10 years on ... at 23 I leave you behind, but I will never leave behind what you’ve taught me.”


Shanina Shaik takes part in Australian Mother’s Day campaign

Updated 08 May 2024
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Shanina Shaik takes part in Australian Mother’s Day campaign

DUBAI: Part-Arab model Shanina Shaik took part in her first-ever Mother’s Day campaign with fashion platform Witchery to mark the Australian iteration of the globally celebrated occasion, which lands on May 12.

The Australia-born model — who is of Saudi, Pakistani and Lithuanian descent — shares a son with her partner, Matthew Adesuyan.

Born in September 2022, their toddler Zai Adesuyan Matthew is also part of the campaign video and he can be seen laughing on his mother’s lap in a studio setting.

“Motherhood has changed me in so many ways… it’s definitely created more patience,” Shaik joked in the video campaign that she shared with her 3.4 million followers on Instagram.

“Now that I’m a mother, I would like to say to my mother, ‘I understand.’ I understand the worry, the concern, because you just want to protect your child every day at all costs,” she added.

The 33-year-old model also said: “If I could describe motherhood in one word, it would be ‘powerful,’” before concluding “the purest form of love is the bond between a mother and a child.”

Shaik announced the birth of her first child in September 2022 by sharing a picture of the couple’s bundle of joy on Instagram. “Welcome to the world baby Zai Adesuyan Matthew. @bausmatthew and I are so in love,” she captioned the post.

“I have taken this time to adjust to my baby’s schedule and to understand the role of being a mother. Bringing life into this world is a beautiful challenge. I would be happy to share my experience soon,” she wrote at the time.

Zai was born on Sept. 16 in Los Angeles, according to Shaik’s mother, Kim Shaik.

The grandmother wrote on Facebook: “My gorgeous grandson was born last night at 12:50 on the 16th September 2022.”

The catwalk star announced her pregnancy in May 2022 with a letter to her then-unborn child.

“To the new love of my life, thank you for choosing me to be your mum. I have always wanted you for as long as I can remember, and at times my patience was tested. The timing had to be right, and I can say with confidence that I am ready to be your guide, your protector and your best friend,” the former Victoria’s Secret model wrote.

“As each month goes by during this precious journey of pregnancy, I am learning what the role of being a mother entails. I worry a lot, especially about your wellbeing and development. It’s a feeling that I’ve never experienced before, not even about myself. I would do anything for you, be anything for you and sacrifice anything for you,” she continued.

She then praised her own mother, mentioning that she was raised by an “amazing woman” who taught her a lot about motherhood. “She has set the bar high and I don’t want to disappoint you. I want to raise you as she raised me.”

 


Qatar highlights Arab, South Asian and African films at the Venice Biennale

Updated 08 May 2024
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Qatar highlights Arab, South Asian and African films at the Venice Biennale

  • Highlights include Ali Cherri’s “The Dam” (2022), charting the story of a Darfuri seasonal worker from Sudan

VENICE: For its second showing during the Venice Biennale, Qatar is staging the exhibition “Your Ghosts Are Mine: Expanded Cinemas, Amplified Voices” that takes a profound, in-depth look at the last decade of film and video art by Arab, South Asian and African filmmakers.

While Qatar has yet to have its own national pavilion, its exhibition occupies the 459-year-old Palazzo Cavalli-Franchetti on the Grand Canal. The works on show are drawn from the collections of Mathaf: Arab Museum of Contemporary Art, the Doha Film Institute and the forthcoming Art Mill Museum (scheduled to open in 2030). It is divided into ten galleries, each comprising films and video art according to a specific theme such as ruins, women’s voices, borders, exile and deserts and is curated by Paris-based Matthieu Orlean, a film and video expert. The exhibition will run until November 2024.

“Film is very relevant to our institutions and is an important part of our collections,” Zeina Arida, Director of Mathaf: Arab Museum of Modern Arab Art in Doha, told Arab News.

“It is a great way to document our contemporary times,” she added. “Film is also a great way of to share who we are and what we are going through, what we as societies from these less represented countries are living and the issues we are facing.”

In-depth storytelling can be found in the films on view by Shirin Neshat and Shoja Azari, Larissa Sansour, Fares Fayyad, Ali Cherri, Shaima Al-Tamimi, Ramata-Toulaye Sy, Hassan Khan and Sophia Al-Maria, among others.

In a documentary and largely journalistic style, many of the works shed light on current events and issues not often covered in mainstream media, including the now one-year old conflict in Sudan or migrants seeking new homes such as those captured in the film by Yemeni East African filmmaker Shaima Al-Tamini who charted the journey of her family from Kenya and Zanibar to the UAE.

“I was looking at movies that were different from the rest — that take a risk of telling their own story in a specific way,” curator Orlean told Arab News. “The filmmakers of these films are foreigners in their own environment because they are capturing events, whether personal or collective, that many people don’t see even in the news. Many deal with the themes of migration, social differences and exile.”

The works on view showcase both long and short films. A few highlights include Ali Cherri’s “The Dam” (2022), charting the story of a Darfuri seasonal worker from Sudan who works during the night to create a mud-brick monument. The film is a political fable that tells of the power of imagination against the backdrop of the Sudanese revolution. There is also Qatari artist Sophia Al-Maria’s well-known work “Black Friday” (2016) and British-born Egyptian multimedia artist Hassan Khan’s “Jewel” (2010) featuring a luminescent fish in dark waters followed by two men dancing to Arabic music.

“‘Jewel’ was triggered by a moment witnessed on the street in Cairo in 2006 — two men dancing around a speaker with raw, brutal and beautiful music blaring out,” Khan told Arab News. “It took four years before I could finally produce the work for Mathaf's opening exhibition in 2010 and by then so much was bubbling around us that it seemed to channel something real. Imagine a one second flickering daydream slowed down and stretched into six intense minutes. It is about our deepest sources — history, culture, emotion — and how we communicate the alien that lives inside all of us.”


The Eurovision Song Contest kicked off with pop and protests as the war in Gaza casts a shadow

Updated 08 May 2024
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The Eurovision Song Contest kicked off with pop and protests as the war in Gaza casts a shadow

  • Israel is a Eurovision participant, and demonstrations are planned on Thursday and Saturday

MALMO, Sweden: Competition in the 68th Eurovision Song Contest kicked off Tuesday in Sweden, with the war in Gaza casting a shadow over the sequin-spangled pop extravaganza.
Performers representing countries across Europe and beyond took the stage in the first of two semifinals in the Swedish city of Malmo. It and a second semifinal on Thursday will winnow a field of 37 nations to 26 who will compete in Saturday’s final against a backdrop of both parties and protests.
Ten of the 15 acts performing Tuesday were voted through to the final by viewers. They include Croatian singer-songwriter Baby Lasagna, whose infectious electro number “Rim Tim Tagi Dim” is the current favorite to win, and Ukrainian duo alyona alyona and Jerry Heil, flying the flag for their war-battered nation with the anthemic “Teresa & Maria.”
Also making the cut were goth-style Irish singer Bambie Thug, 1990s-loving Finnish prankster Windows95man and Portuguese crooner Iolanda. Iceland, Azerbaijan, Poland, Moldova and Australia were eliminated.
Other bookmakers’ favorites who will perform Thursday include Swiss singer Nemo, Italian TikTok star Angelina Mango and the Netherlands’ Joost Klein with his playful pop-rap song “Europapa.”
Security is tight in the Swedish city, which expects an influx of some 100,000 Eurovision fans, along with tens of thousands of pro-Palestinian protesters. Israel is a Eurovision participant, and demonstrations are planned on Thursday and Saturday against the Israel-Hamas war, which has left almost 35,000 Palestinians dead.
Israel’s government warned its citizens of a “tangible concern” Israelis could be targeted for attack in Malmo during the contest.
Organizers told Israel to change the lyrics of its entry, originally titled “October Rain” in apparent reference to Hamas’ cross-border Oct. 7 attack that killed some 1,200 Israelis and triggered the war. The song was renamed “Hurricane” and Israeli singer Eden Golan was allowed to remain in the contest.
Jean Philip De Tender, deputy director-general of Eurovision organizer the European Broadcasting Union, told Sky News that banning Israel “would have been a political decision, and as such (one) which we cannot take.”
Police from across Sweden have been drafted in for Eurovision week, along with reinforcements from neighboring Denmark and Norway.
Sweden’s official terrorism threat level remains “high,” the second-highest rung on a five-point scale, after a string of public desecrations of the Qur’an last year sparked angry demonstrations across Muslim countries and threats from militant groups. The desecrations were not related to the music event.
Eurovision’s motto is “United by Music,” but national rifts and political divisions often cloud the contest despite organizers’ efforts to keep politics out.
Flags and signs are banned, apart from participants’ national flags and the rainbow pride flag. That means Palestinian flags will be barred inside the Malmo Arena contest venue.

Eric Saade, a former Swedish Eurovision contestant, had a keffiyeh, a headscarf associated with the Palestinian cause, tied around his wrist. (AFP)

Some musicians seem determined to make a point. Eric Saade, a former Swedish Eurovision contestant who performed as part of Tuesday’s show, had a keffiyeh, a headscarf associated with the Palestinian cause, tied around his wrist as he sang.
Afterwards, organizers said in a statement that “we regret that Eric Saade chose to compromise the non-political nature of the event.”
Performers are feeling political pressure, with some saying they have been inundated with messages on social media urging them to boycott the event.
“I am being accused, if I don’t boycott Eurovision, of being an accomplice to genocide in Gaza,” Germany’s contestant, Isaak, said in an interview published by broadcaster ZDF. He said he did not agree.
“We are meeting up to make music, and when we start shutting people out categorically, there will be fewer and fewer of us,” he said. “At some point there won’t be an event anymore.”
One person who knows how Eurovision unity can collide with bitter reality is singer Manizha Sangin, who represented Russia at the contest in 2021. The country was expelled the following year over its invasion of Ukraine.
Manizha, who performs under her first name, spoke out against the war. As a result, her performances were canceled in Russia and her music banned from public spaces. The singer remains in Russia but has found it all but impossible to work.
“People are afraid to work with me here because they’re afraid to have consequences after, problems after that,” she said.
Despite the difficulties, Manizha has recorded a single, “Candlelight,” which she is releasing on Wednesday as “a message of hope.”
“Music cannot stop war,” she said. But “what music can do is inspire people.”
Manizha thinks Russia will one day return to the Eurovision fold – but not soon.
“Maybe next generation,” she said. “But for now, relationships are too complicated. And then that makes me sad, you know, because that’s why people are not hearing each other. Because we are separated from each other. And the thing, is music should unite.”


Luxury jewelry brands dazzle at Riyadh showcase

Updated 07 May 2024
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Luxury jewelry brands dazzle at Riyadh showcase

  • Larsen said that House of GOL specializes in high-end jewelry and many people buy it to reflect their heritage and to pass it down to future generations

RIYADH: Saudi International Luxury Week, which is taking place in Riyadh until May 9, showcases a selection of fine jewelry from around the world.

The event offers a unique opportunity for Saudi clients to acquire exclusive and sophisticated pieces.

FerriFirenze, an Italian brand, is gaining significant acceptance among Saudi clients during the event. (Supplied)

House of GOL, a New York-based brand known for its colorful diamonds, has shown a rare pink diamond at the event.

Anna Larsen, head of business development at House of GOL, has been visiting Saudi Arabia for the past three years to meet clients.

Maitraya is an Indian brand that specializes in Khaleeji and Saudi pearls, led by Sanghvi Maitarya, the seventh-generation representative of his family business. (Supplied)

Larsen said that House of GOL specializes in high-end jewelry and many people buy it to reflect their heritage and to pass it down to future generations.

The brand had previously visited the ZAH creative hub in Riyadh and continued its tours across the Kingdom. House of GOL's participation in the luxury week was in collaboration with Clea Nasr, ZAH's head of marketing.

Maitraya is an Indian brand that specializes in Khaleeji and Saudi pearls, led by Sanghvi Maitarya, the seventh-generation representative of his family business. (Supplied)

"We're here today with House of GOL to support them at a luxury jewelry event, following our earlier private event at ZAH. We support local and international designers through all PR and marketing activities, creating targeted strategies to drive exposure and growth, especially in Saudi Arabia," Nasr said.

The brand stands out by involving its clients in the jewelry creation process, hand drawing and painting the designs and then allowing clients to keep the drawings, adding a personal touch to the design experience.

House of GOL, a New York-based brand that specializes in colorful diamonds, brought a rare pink diamond to the exhibition. The brand had previously visited ZAH Creative Hub in Riyadh and continued its tour across the Kingdom during Saudi International Luxury Week. (Supplied)

Another standout brand at the event is Maitraya, an Indian company specializing in pure Gulf pearls, including khaleeji and Saudi pearls.

The brand is led by Sanghvi Maitarya, a seventh-generation representative of his family’s pearl business.

House of GOL, a New York-based brand that specializes in colorful diamonds, brought a rare pink diamond to the exhibition. The brand had previously visited ZAH Creative Hub in Riyadh and continued its tour across the Kingdom during Saudi International Luxury Week. (Supplied)

“My great-grandfather used to travel by boat,” said Maitarya. “This was before the Second World War and the discovery of oil. The oyster industry had declined and no longer produced these kinds of pearls. These are Saudi natural lulu pearls.”

He said that the pearls were no longer found in the Gulf, adding: “We collected them from grandmothers, maharajas, royal families, and other sources around the world.”

FerriFirenze, an Italian brand, is also impressing Saudi clients at the event.

Giulia Lina Callegari, owner of FerriFirenze, said: “We came to Saudi for the first time five years ago. We’ve seen the changes, the enthusiasm, the projects, and we’re always excited to meet local ladies who know jewelry, appreciate style, and often become our guests in Florence.”

FerriFirenze is a family business that began 10 years ago, and Callegari added: “We create jewelry that moves, physically moves when touched, is flexible, and so on. This style of jewelry can only be made by hand in Italy.”

 


Macklemore shares teaser for new song in support of Gazans

Updated 08 May 2024
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Macklemore shares teaser for new song in support of Gazans

DUBAI: American rapper Macklemore is set to release a new song this week in support of Palestine.

Titled “Hind’s Hall,” the track honors Hind Rajab, the 6-year-old Palestinian girl who was killed by Israeli soldiers in Gaza while waiting to be rescued.

 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by BEN (@macklemore)

 

Drawing its inspiration from the global student protests, the singer released a teaser of the track on his Instagram feed and said that all proceeds from its sale would be donated to UNRWA.

“The people, they won’t leave / What is threatening about divesting and wanting peace? / The problem isn’t the protests, it’s what they’re protesting / It goes against what our country is funding / Block the barricade until Palestine is free,” he sings.

“What you willing to risk? / What you willing to give? / What if you were in Gaza? / What if those were your kids? You’d want the world to stand up / And the students finally did.”

The full song has yet to be released on streaming platforms.