How Shakespear befriended Saudi Arabia’s founding father Ibn Saud

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Ibn Saud near Thaj, Saudi Arabia, 1911. (Getty Images)
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Ibn Saud’s army on the march near Habl, Saudi Arabia. (Getty Images)
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Al-Jawf, Saudi Arabia. (Getty Images)
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Group of Al Sabah and Al Saud - British Political Agency - Kuwait (Abd al-Aziz Al Saud sits to left face unsmiling, Shaikh Mubarak of Kuwait sits in center with Sa'd bin Abd al-Rahman standing at his shoulder, Muhammad bin Abd al-Rahman sits to right), Kuwait, March 1910. (Photo by W.H.I. Shakespear/Royal Geographical Society/Getty Images)
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A rainpool near Hamma in the desert, Saudi Arabia. (Photo by W.H.I. Shakespear /Royal Geographical Society/Getty Images)
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Mid-day halt for coffee in the desert, Saudi Arabia, 28 November 1909. (Photo by W.H.I. Shakespear/Royal Geographical Society/Getty Images)
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Carrying the baby camel at As Safa (al Lisafah well)- Eastern Province, Saudi Arabia, 06 February 1910. (Photo by W.H.I. Shakespear/Royal Geographical Society/Getty Images)
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As Sabah (a member of Sulabah tribe dressed in gazelle skins) and others at Abu Dhahir (probably Aby Zahr, west of al-Sarrar), Saudi Arabia. (Photo by W.H.I. Shakespear /Royal Geographical Society/Getty Images)
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Natives of Riyadh (outside the city at Shamsiyyah), Saudi Arabia. (Photo by W.H.I. Shakespear /Royal Geographical Society/Getty Images)
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Watering camels, Saudi Arabia. (Photo by W.H.I. Shakespear /Royal Geographical Society/Getty Images)
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Bedouin women at al-Hinnah wells, near Thaj (just north-east of Thaj), Saudi Arabia. (Photo by W.H.I. Shakespear /Royal Geographical Society/Getty Images)
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Interior of Kasr Marid, Djauf, Interior of Qasr Marid (Dumat al-Jandal) - al-Jawf (panorama), Saudi Arabia, 5232. (Photo by W.H.I. Shakespear/Royal Geographical Society/Getty Images)
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Bedouin watering at al-Hinnah, near Thaj (just north-east of Thaj), Saudi Arabia. (Photo by W.H.I. Shakespear /Royal Geographical Society/Getty Images)
Updated 18 March 2019
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How Shakespear befriended Saudi Arabia’s founding father Ibn Saud

  • William Shakespear (not the famous playwright) is the man behind one of the first photographs of Saudi Arabia’s founder, Ibn Saud
  • The British captain became such a trusted friend that the ruler called him ‘brother,’ and he died in battle fighting his enemies

DUBAI: Among the artefacts on show in the “Roads of Arabia” exhibition, on show for the final weekend at Louvre Abu Dhabi, is a photograph of a handsome young man.

He is an imposing figure, with chiseled features and his eyes hinting at a shrewd intelligence. His is the face of a man accustomed to command, a man who might change history — as indeed he did.

Abdul Aziz bin Abdul Rahman bin Faisal bin Turki bin Abdullah bin Mohammed Al-Saud was such a man. Known more commonly as Ibn Saud, he became the founding father and first monarch of the country which bears his name: the Kingdom of Saudi Arabia.

The photograph was taken in Kuwait in 1910, when he was about 35, and is among the first pictures taken of the future king, for he had never seen a camera before. The man who arranged the sitting — and in all likelihood took the photograph — was only the second European Ibn Saud had encountered. But Captain William Shakespear, a British explorer and diplomat, became such a trusted friend that the Arab leader called him “brother” and made him his military advisor.

And it was thanks — certainly in part — to their closeness that Britain and Saudi Arabia signed a treaty to formalize a friendship that endures to this day.

William Henry Irvine Shakespear was a son of Empire. Born in Bombay in British India in 1878, he served as an officer in the Bengal Lancers before joining the British Foreign Office in 1904 and five years later was posted to Kuwait as a political agent.

He was not a typical colonial official. A gifted linguist, he spoke Urdu, Pashto, Farsi and Arabic, and indulged his passion for photography, botany and exploration with long expeditions into territory that had never been mapped, where he met and talked with Bedu tribesmen and studied the flora and fauna of the desert.

Shakespear soon formed the view that the man to watch was Ibn Saud, son of the emir of Najd and scion of a proud ruling tribe. He was physically imposing — well over six feet tall and a proven warrior who, after a decade in exile, had recaptured Riyadh, the Al-Saud power base from the rival Al-Rashid tribe. 

The chance to meet Ibn Saud came one day in February 1910 as Shakespear returned from a journey into the eastern desert. The trip had gone drastically wrong when tribesmen overran the camp, shot dead his chief guide and almost killed Shakespear himself. But then they recognized the rest of his party as old acquaintances and joined them around the campfire for gahwa (Arabic coffee) and storytelling.

On returning to Kuwait, Shakespear found an invitation from the ruler, Sheikh Mubarak Al-Sabah, to a banquet in honor of his visitor, Ibn Saud.

It was a most lavish affair which “cannot have cost less than £20,000 ($25,600),” Shakespear noted in his report. 

In his diary he recorded that Ibn Saud was “a fair, handsome man, considerably above average Arab height with a particularly frank and open face and, after initial reserve, of genial and very courteous manner.”

The two men, who were roughly the same age, hit it off straight away and Shakespear invited Ibn Saud to dine at the British diplomatic residence the following evening. Over a classic British meal of roast lamb with mint sauce, roast potatoes and tinned asparagus, the Arab nobleman was impressed not only by his host’s fluency in Arabic but by the way he could converse knowledgeably about aspects of desert life, including hunting with falcons and saluki hounds.

It was, as authors David Holden and Richard John wrote in their book “The House of Saud,” “a cordial meeting of minds” that deepened over many lengthy conversations in Riyadh and in remote desert camps.

Britain was keen to extend its influence over the Gulf, and Shakespear urged his masters to recruit Ibn Saud as an ally. But London hesitated. Kuwait was controlled by the Ottoman Turks, who in turn were Britain’s “buffer” against other, more hostile European nations trying to carve up the region, and Turkey was allied with the Al-Rashids, enemies of the Al-Saud. Even when Ibn Saud drove an Ottoman garrison out of the coastal oasis of Al-Hasa, Britain still would not commit, to Shakespear’s immense frustration.

However, as he was coming to the end of his stint as a political agent, London consented to his request to visit Riyadh on his way back home.

After five weeks on the back of a camel, he arrived to a warm welcome from his friend. It was during this stay that Shakespear took photographs of Ibn Saud and local scenes that comprise the first pictorial record of the Arabian heartland, showing Riyadh as little more than a village with mud walls, although, as Shakespear noted: “Quite a third of the town is taken up by the homes of the Saudi family.”

The outbreak of World War I changed everything. Turkey sided with Germany. Suddenly, the British were desperate to have Ibn Saud as an ally against Turkey and dispatched Shakespear back to Riyadh to keep him away from the Turks at all costs.

Within a week of his arrival in January 1915, Shakespear had drafted the first Anglo-Saudi document, which recognised Ibn Saud as independent ruler of Najd under British protection and sent it off to Kuwait for approval.

Meanwhile, Ibn Saud rode 400 kilometers north with 6,000 men to confront the forces of his old enemy, the Al-Rashids, at a spot called Jarrab in what was both a traditional bedouin battle, with camels and plenty of hand-to-hand combat, and a proxy war between Britain’s newly signed-up ally and the Turkish-backed Al-Rashids. Shakespear made the fateful decision to tag along to photograph the event.

On Jan. 24, scouts reported that Al-Rashid forces were mustering nearby. Ibn Saud urged Shakespear to stay behind at Qassim, but the Englishman wouldn’t hear of it. Riding in on a camel, wearing his British khaki uniform and pith helmet, he set up his camera in the center of the Saudi line on a hilltop. When the Al-Rashids charged, he made an easy target.

At the end of the battle, Shakespear lay dead, but nobody was sure how he had died until his personal cook, Khalid bin Bilal, provided a first-hand account. Bilal had been captured in battle but escaped two days later and overheard Al-Rashid fighters talking about the Englishman who had been killed.

Bilal went to the elevated spot where he had last seen his master carrying his camera and found his body, which bore three bullet wounds. A digitized form of his account was released by the British Library in 2015, a century later.

Shakespear was 37 when he was killed. His diaries, notes and photographs went to the Royal Geographical Society, but historians have speculated on what other diplomatic successes he might have achieved and how different both Gulf and British history might have been had he lived.  

What is known is that on Dec. 26,  1915, Britain and Ibn Saud signed the first Anglo-Saudi Treaty — the document drafted by Shakespear — and that the great Saudi leader never forgot his English friend.

Many years later, when he was king of Saudi Arabia, he was asked who he considered to be the greatest European he had met. Without hesitating, he replied: “Captain Shakespear.”


Joy Awards 2026 spotlights arts in the Arab world

Updated 18 January 2026
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Joy Awards 2026 spotlights arts in the Arab world

RIYADH: Riyadh hosted its annual Joy Awards, bringing together stars and creative projects from across the Arab world as part of an event that has been held annually since 2022. The 2026 ceremony continued its focus on recognizing storytelling and creative work, while highlighting projects released over the past year.
As audiences anticipated the winners following the release of the nominees, awards were presented across six sectors; music, cinema, series, directors, sports and influencers. In addition to category awards, the ceremony also honored recipients of special accolades including Personality of the Year, Lifetime Achievement, and Joy Honorary awards.
Previous events have recognized Arab and international figures for their contributions to the arts, including Matthew McConaughey, who received the Personality of the Year Award in 2025.
Amid the Kingdom’s expansion of its entertainment sector — spanning film, music and sports — the Joy Awards reflected Riyadh Season’s role in hosting large-scale cultural events.
This year’s fan-favorite nominees, many of whom were Saudi nationals, were cheered on as they walked the Joy Awards’ iconic lavender carpet, where fashion once again took center stage as a key expression of the region’s evolving creative identity.
Among winners who took home the Joy Awards was Saudi 14 year old Rateel Alshehri, who won Favorite Female Influencer. Speaking to Arab News on the lavender carpet, Rateel shared her excitement towards Joy Awards:
“I’m so excited about being at Joy Awards today, it’s something I’ve been looking forward to (…) Everyone here deserves to be here.” On her beautiful sky-blue gown, Rateel shared that she was wearing Saudi designer, Adnan Akbar.
Rateel’s excitement towards the awards was echoed by both Arab and non-Arab guests on the lavender carpet as many took in the unique atmosphere that Riyadh offers Joy Awards; where Arab entertainment and art is celebrated.
Lebanese actress Laila Abdullah also shared her enthusiasm towards both the award show and the Kingdom’s ambitions in hosting the Joy Awards and creating a hub for creative voices.
Speaking to Arab News she emphasized Saudi’s unique qualities: “It’s this mix of culture and luxury (…) It has that Gulf Arab character, the Saudi touch, you know? And that’s what really makes it stand out” Joy Awards was filled with a bustling energy that was eager and excited to give a platform to dreamers, artists, and talents who have been waiting to showcase their visions within the Arab world. It was a celebration that went beyond mere award-giving, reflecting the same ambition and creative momentum that defines Riyadh Season.
The lavender carpet paved way for international guests to speak to Saudi media on how it feels to be a part of an artistic celebration of Arab talent. Speaking to Arab News, Australian actor Luke Arnold shared his excitement towards attending the Joy Awards: “What I’m most excited about is kind of what I love about film and television, which is people from all over the world coming together to tell stories and share their expertise (…) It’s really exciting hearing about some of the potential projects happening, meeting some of the local talent here…just really excited to have more stories out in the world.”
Speaking to Arab News, Lebanese fashion influencer Karen Wazen reiterated the sentiment on Riyadh giving Joy Awards a special and unique energy for the arts, saying: “I am so impressed, I’m so proud to be at an event like this in our region, in Saudi Arabia. This is probably the most impressive and big carpet that I’ve ever seen (…) I’m very excited to watch the ceremony, but also I think to just meet so many people from our industries, it’s a beautiful place to do so.”
That vibrant atmosphere was on full display at the Joy Awards as the ceremony continued with stars like Millie Bobby Brown winning the Personality of the Year Award and the Lifetime Achievement Honor presented to acting legend Forest Whitaker. The stardom was not limited to the film sector, as American pop star Katy Perry performed her iconic songs live; and British singer Robbie Williams took to stage to give a standout performance.
The Joy Awards 2026 once again proved that setting new benchmarks in entertainment and creative expression is not only achievable, but celebrated when driven by local talent and support. As stars from around the world took to Riyadh’s lavender carpet, Arab culture was placed firmly at the forefront — spanning film, music, and digital creativity. The Joy Awards stand as a symbol of the broader cultural transformation that Riyadh is championing across the Arab world’s entertainment industry.