Now read this: How Saudi Arabia is aiming to end illiteracy by 2024

Updated 21 November 2018
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Now read this: How Saudi Arabia is aiming to end illiteracy by 2024

  • The Ministry of Education has introduced programs to boost the Kingdom’s literacy rate to 100 percent
  • International group says it’s a role model to others trying to do the same worldwide literacy by 2030

DUBAI: Saudi Arabia’s goal to eradicate illiteracy has been applauded by international experts and educational bodies, who say the Kingdom is a role model for countries in the Arab world, where more than a quarter of women, men and children are unable to read or write.
Earlier this year, Saudi Arabia pledged to raise its literacy rate from 94.4 percent to 100 percent by 2024, and experts say the Kingdom can now play a major part in helping to eradicate illiteracy in the wider region.
According to the Project Literacy alliance, a coalition of charities and businesses, illiteracy is a major barrier to worldwide economic development, costing at least
$1 trillion (SR3.75 trillion) per year. It says that today about 750 million adults worldwide are unable to read or write.
“If the Kingdom is able to make the investment to eradicate illiteracy in their country, it will be a great example to other countries in the Arab world, and worth sharing best practices and the model they used for their success,” Alesha Anderson, senior program officer for ProLiteracy, another advocacy group, told Arab News.
Anderson hailed the Kingdom’s efforts to boost literacy rates, especially the country’s projects to tackle adult illiteracy. According to Saudi Arabia’s Ministry of Education (MOE), the current literacy rate was achieved by boosting enrolment in thousands of schools, vocational colleges and universities, with the aim of achieving 100 percent literacy by 2024.
Among its many initiatives, the MOE has rolled out adult education centers across the Kingdom, introduced lifelong learning initiatives, neighborhood learning programs, educational and literacy campaigns in remote areas of the country and implemented financially based reward programs to work toward an illiteracy-free society.
The government has also granted $51 billion to the education sector in 2018 as part of Vision 2030, its ambitious program to reduce economic dependency on oil sales. Since launching the Adult Education and Literacy System in 1972, and the General Secretariat for Adult Education and Literacy in 1977, the country has seen illiteracy rates fall from 60 percent in 1972 to 5.6 percent in 2018.
“Having a 100 percent literacy rate is ambitious, but when a government makes a commitment to address adult literacy issues in their country, we are excited as adults can often be left out of the national education agenda and funding for adult education is often non-existent or very low,” said Anderson. “Yet research suggests that investing in youth and adults (particularly mothers) can directly impact and improve rates for children’s literacy as well.
“Limited funding and visibility are given to the issue of adult literacy on a global scale, and the proposed campaign the Kingdom of Saudi Arabia is planning has the potential to impact 27 countries in the Arab world by promoting and sharing the results of their program.”
Anderson said Saudi Arabia and the neighboring UAE, which also has several initiatives underway to improve literacy rates, could use their political and geographic influence to lead the way in the adult literacy discourse across the region.
“They can do this both in terms of providing funding to lower-income countries, and by starting a conversation and advocating for the importance of literacy, especially for women and girls.”
Anderson said Middle Eastern countries that have strong economies and are advanced in their development tended to have higher literacy rates. However, there was still a significant need for literacy, especially in the adult population, for many countries in the region.
“The disparity in literacy rates is especially evident in looking at the variance between literacy rates for men and women. In places like Afghanistan, Egypt, Morocco, Yemen and Sudan, women’s illiteracy rates, in particular, tend to be high. For example, the literacy rate, for adult females (ages 15 and above) in Egypt was reported at 68.06 percent in 2015, according to the World Bank. In Afghanistan, more than three times as many men as women are literate. Some 47 percent of Afghan men and a mere 15 percent of women can read and write, according to the UN Children’s Fund (UNICEF).”
According to Project Literacy, two-thirds of the worldwide illiterate population are women. Furthermore, 123 million 15- to 24-year-olds in the world today cannot read or write.
“Female literacy is absolutely important and should be a priority in the Arab region. Access to education for women is still extremely limited, especially in countries that restrict women’s role in society,” Anderson said.
“Research shows that educating a mother results in her children and community also being educated because she will pass it on. Despite cultural restrictions for women, there are ways to include women in the education process. For example, we have a partner program in Afghanistan that has educated women by only registering men in a class if they agree to bring their wife or sister. In this way, women are allowed to learn alongside men and not excluded from the literacy class.”
Traditionally, Anderson said, barriers to success in national or large-scale literacy campaigns include lack of teacher training, curriculum and support for learners after achieving a certain level of literacy.
Despite the social benefits, tackling illiteracy has huge economic advantages. Each year, illiteracy costs a developed nation 2 percent of its GDP, an emerging economy 1.2 percent of its GDP and a developing country 0.5 percent of its GDP, she said.
The UN defines illiteracy as “the inability to read and write a simple message in any language.” While Saudi Arabia and the UAE are setting benchmarks to tackle illiteracy, other countries across the Middle East paint a more dire picture, with Afghanistan topping the highest illiteracy rates (72 percent of the population over the age of 15), followed by Pakistan (50 percent), Mauritania (49 percent), Morocco (48 percent) and Yemen (46 percent), according to the Global Campaign for Education.
Andrew Kay, CEO and founder of the World Literacy Foundation, said almost 20 percent of the global population was illiterate, while in the Arab region, 27.1 percent of people were unable to read or write.
“This means that even these basic educational standards are unmet,” said Kay. “Despite significant progress since the 1980s, the black cloud of illiteracy is still weighing heavily on some Arab countries that are going through a critical phase and facing tremendous political, social and economic challenges.
“Saudi Arabia’s literacy rates are much better than other countries in the region, although there are still disadvantaged people that struggle to read. Increased funding and a holistic government approach is a step in the right direction, but we need to ensure the specialist literacy support goes to the people where there is the greatest need.
“Often minorities, migrants and disadvantaged people have low-level literacy skills. Therefore, providing gender equality and fairness to all people in our literacy support and intervention is fundamental.”
Kay said oil-rich countries such as Saudi Arabia could help its Arab neighbors through “leading by example,” and providing literacy grants, books, tutoring and support.
Mansoor Ahmed, director of health care, education, development solutions and PPP for the MENA region at the advisory firm Colliers International, also said the Kingdom was implementing “several commendable initiatives to achieve its aspiration to eradicate illiteracy by 2024.”
“Among several education reforms, the roll-out of adult education and literacy centers is expected to positively impact on the literacy levels in the country. There has been a significant increase in literacy rates over the past decade due to focused policy measures.”
Ahmed said the region was becoming more aware of the importance of literacy and education for all.
“For example, Egypt has also come up with ambitious targets in tackling illiteracy by improving educational infrastructure. We expect this trend to continue in the long term as the governments implement their economic transformation programs. The UAE, also, has recently launched a free e-learning platform which provides education videos to over 50 million Arab students.
“We believe initiatives such as these, if implemented sustainably, will help the region achieve higher levels of literacy,” he said.
Hegazi Idris Ibrahim, a program specialist in basic education and literacy at the regional office for education in Arab states at the UN Educational, Scientific and Cultural Organization (UNESCO), highlighted the Kingdom’s efforts in diversifying its educational programs, paying financial incentives to adult learners who join literacy programs and adopting a “lifelong learning initiative” to achieve an illiteracy-free society.
“Literacy is more important than ever given the increasing dependence on fast-growing technology, and the rapid changes in the labor market and inter-country mobilities,” said Ibrahim. “For the region, it is also important for peace and stability.
“UNESCO’s target is to provide the right to high-quality education to all, including adult learners, and to make lifelong learning a reality and reduce the illiteracy rate by 2030.”


‘Bridgerton’ actress says she was warned not to campaign for Palestinians

Updated 26 April 2024
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‘Bridgerton’ actress says she was warned not to campaign for Palestinians

  • Nicola Coughlan: Hollywood insiders told her advocacy could harm her career
  • Irish star feels ‘moral responsibility’ to campaign for ceasefire, continue to fundraise 

LONDON: Irish actress Nicola Coughlan has revealed that she was told her Palestinian advocacy could harm her career.

The “Bridgerton” and “Derry Girls” star told Teen Vogue she had been warned by people in Hollywood not to be openly supportive of Palestinian rights, but has continued to campaign for a ceasefire in Gaza and still publicly wears an Artists4Ceasefire pin.

“You do get told, ‘you won’t get work, you won’t do this,’ but I also think, deep down, if you know that you’re coming from a place of ‘I don’t want any innocent people to suffer,’ then I’m not worried about people’s reactions,” she said.

“My family lived in Jerusalem back in the late ‘70s, early ’80s, before I was born, so I heard first hand stories about them living there.”

She said her father, who served in the Irish military, went to a “lot of war-torn regions after the conflict and try and help rebuild,” and this had left a profound impression on her.

“I’m so lucky I’ve gotten to this point in my career, and I’m privileged as a white woman, first off.

“Then the fact that I get to do the job I love and travel the world and meet amazing people, I feel a moral responsibility to give back.”

She has made a point of continuing to campaign and raise money around the issue, adding: “To me, it always becomes about supporting all innocent people, which sounds oversimplified, but I think you’ve got to look at situations and just think, ‘Are we supporting innocent people no matter where they’re from, who they are?’ That’s my drive.”

Coughlan said social media plays a role in driving advocacy but it requires nuance. “More of us should be trying to understand how upsetting and traumatising this is for Jewish people, and how horrific it is that all these innocent people in Palestine are being murdered,” she added.

A number of Hollywood figures have faced repercussions for their open support of the Palestinians or criticism of Israel.

Mexican actress Melissa Barrera was fired from the latest “Scream” film over social media posts in support of Palestine, while director Jonathan Glazer caused controversy for using his acceptance speech at the Oscars for his film “The Zone of Interest” to criticize the Gaza war.


‘Game of Thrones’ star Liam Cunningham says world will ‘not forget’ those who stayed silent on Gaza

Updated 26 April 2024
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‘Game of Thrones’ star Liam Cunningham says world will ‘not forget’ those who stayed silent on Gaza

  • Irishman has been vocal advocate for Palestinian causes for decades

LONDON: Irish actor Liam Cunningham has said the public will “not forget” those who have not voiced support for Palestinians during the ongoing Israel-Hamas conflict in Gaza.

The “Game of Thrones” star has been a vocal advocate for Palestinian causes for decades. Speaking during a demonstration in Dublin led by Irish-Palestinian Ahmed Alagha, who has lost 44 family members in the recent Israeli assault on Gaza, Cunningham said he has been commended by his peers in the past for his activism.

“What concerns me is that the people who do care and are not doing anything are, in my opinion, worse than the people who don’t care,” he said.

Cunningham was asked if he had spoken to other actors to convince them to show support for the Palestinian cause, but responded by saying he could not speak for others, The Independent reported.

However, he added, “The internet doesn’t forget. When this comes around, when the ICJ (International Court of Justice) and ICC (International Criminal Court) hopefully do their work honorably, it is going to come out,” he said.

“And the people who didn’t talk — it is not going to be forgotten. It’s livestreamed, this genocide, and (saying) you didn’t know is not an option. You did know. And you did nothing. You stayed quiet. I need to be able to look in the mirror, and that’s why I speak,” he added.

A month after Israel launched its onslaught on Gaza in response to Hamas incursions on Oct. 7 in Israeli territory in which nearly 1,200 people were killed and around 250 hostages were taken, Cunningham said that for Irish people to ignore the treatment of Palestinians would be to “betray” their history.

“If we allow ourselves to accept this behavior, then we allow it to happen to us,” he said at the time. “We have to stand up for standards. We have to stand up for international law and it reduces us as human beings if we don’t.”

Israel’s assault on Gaza has killed more than 34,000 Palestinians, around two-thirds of them children and women, according to Hamas-run health authorities in the enclave.


Saudi Film ‘Hajjan’ wins 6 nominations at Critics Awards for Arab Films

Updated 26 April 2024
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Saudi Film ‘Hajjan’ wins 6 nominations at Critics Awards for Arab Films

DUBAI: Saudi Arabia-based film “Hajjan,” directed by Egyptian filmmaker Abu Bakr Shawky, is nominated for six categories at the eighth Critics Awards for Arab Films.

The movie is competing in the best feature film, best screenplay, best actor, best music, best cinematography and best editing categories. 

“Hajjan” tells the story of Matar, a boy who embarks on a journey across the desert with his camel, Hofira.

The movie is a co-production between the Kingdom’s King Abdulaziz Center for World Culture, or Ithra, and Egyptian producer Mohamed Hefzy’s Film Clinic. 

The movie, which is written by Omar Shama from Egypt and the Kingdom’s Mufarrij Almajfel, stars Saudi actors Abdulmohsen Al-Nemer, Ibrahim Al-Hsawi, among others. 

The awards ceremony, scheduled for May 18 on the sidelines of the Cannes Film Festival, is organized by the Arab Cinema Center in Cairo and assessed by a panel of 209 critics representing 72 countries. 

Sudanese director Mohamed Kordofani’s inaugural feature film, “Goodbye Julia,” and Tunisian filmmaker Kaouther Ben Hania’s Oscar-nominated documentary, “Four Daughters,” scored nominations in seven categories. 

Jordanian filmmaker Amjad Al-Rasheed’s “Inshallah A Boy” and Palestinian-British director Farah Nabulsi’s “The Teacher” have six nominations.


Emirati designer Hamda Al-Fahim dresses Anya Taylor-Joy for Tiffany event

Updated 26 April 2024
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Emirati designer Hamda Al-Fahim dresses Anya Taylor-Joy for Tiffany event

DUBAI: US actress Anya Taylor-Joy this week was spotted at the Tiffany & Co. celebration of the launch of Blue Book in Beverly Hills wearing a dress by Emirati designer Hamda Al-Fahim.

The actress from “The Queen’s Gambit,” who is the ambassador for the American luxury jewelry label, impressed her fans in a head-turning dark golden brown dress that featured a corset-styled bodice paired with a fitted velvet skirt that flowed down, culminating in a short train trailing behind her.

The dress is called the Velvet Canyon and is from Al-Fahim’s Earthy collection.

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Al-Fahim took to Instagram to share pictures of the star championing her design with her 498,000 followers.

“Anya Taylor-Joy (looks) stunning in our Velvet Canyon,” she wrote on her Stories. 

For her jewelry, Anya chose a glitzy diamond necklace embellished with red rhinestones, accompanied by matching earrings and a ring. She completed the ensemble with a statement chunky silver bracelet.

She styled her blonde hair with a side part, which cascaded in soft waves past her shoulders.

Taylor-Joy was accompanied by a star-studded lineup of celebrities, including Olivia Wilde, Emily Blunt, Gabrielle Union, Quinta Brunson, Rosie Huntington-Whiteley, Reese Witherspoon, Laura Harrier, Suki Waterhouse and Aimee Song, among others.

Wilde flaunted a black figure-hugging dress with a plunging neckline, Blunt was radiant in a white sequin dress, Union opted for a custom-made Staud dress in black and white, Brunson wore a black velvet midi-gown from Roland Mouret and Huntington-Whiteley chose a white Carolina Herrera dress.

Al-Fahim is an Abu Dhabi-based designer known for her elegant and ethereal aesthetic, often featuring intricate embellishments, delicate fabrics and flattering silhouettes. Her creations combine femininity and sophistication, blending traditional craftsmanship with modern sensibilities.

Seen on red carpets, premieres and high-profile events worldwide, Al-Fahim’s creations have captured the attention of international celebrities including Rihanna and Jennifer Lopez.

Al-Fahim has also previously teamed up with US luxury handbag designer Tyler Ellis on a limited-edition capsule collection in 2022.


REVIEW: Sofia Boutella’s heroic efforts can’t save ‘Rebel Moon — Part Two’

Updated 26 April 2024
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REVIEW: Sofia Boutella’s heroic efforts can’t save ‘Rebel Moon — Part Two’

DUBAI: “Rebel Moon — Part One: A Child of Fire” drew scathing reviews (our writer described it as perhaps “the most discombobulating collection of mismatched sci-fi tropes ever committed to film”). “Part Two: The Scargiver” simply adds to that legacy.

The story: Former Imperium soldier Kora and the surviving band of ragtag warriors she’s recruited return to the moon of Veldt — home to simple farming folk in danger of being blown to bits by the mighty Imperium for failing to supply the unreasonable grain quota demanded of them. With just a few days before the deadline, Kora and her band must train the villagers to fight (and harvest the grain in just three days to provide a bargaining chip). What Kora doesn’t know is that Admiral Noble, the bad guy she ‘killed,’ is still alive. And bent on vengeance.

Before the enemy arrives, the warriors tell their life stories in a trust-building exercise — one of the clunkiest pieces of exposition ever written. There are slow-mo shots of the harvest gathering and a brief interlude to show that Kora and farmer Gunnar are very much in love.

Then, thankfully, we’re into the battle(s). Here, at least, director Zack Snyder doesn’t disappoint, even giving an original twist to the ‘spaceship plummeting from the sky’ trope by staging a showdown between Kora, Gunnar and Admiral Noble on a floor that becomes increasingly vertical. Below them, the villagers fight heroically against odds very much stacked against them, even with the help of Nemesis and her two flaming definitely-not-lightsabers.  

The well-constructed battle scenes, though, aren’t enough. Not even with a cast fighting as heroically as the villagers to salvage something. Sofia Boutella, as Kora, emerges with most credit, proving herself a convincing action hero who deserves better than this material to work with (spoiler alert: perhaps even material that allows the heroine to kill the bad guy herself, without the intervention of her boyfriend).

Yes, no one’s sitting down to watch an “epic space opera” in the expectation of thought-provoking dialogue, but “Rebel Moon” is like the result of forcing a seven-year-old to watch all things “Star Wars” and “Star Trek” in random order, then asking them to write down what happened. The best thing to say about “The Scargiver” is that it finishes — but even that comfort is tainted by Snyder’s cynical setting up of a potential part three. Possibly because that seven-year-old fell asleep before writing an actual ending.