Review: ‘Hades 2’ is the best roguelike you will ever play

The sequel follows the original hero Zagreus’ sister, Melinoe, daughter of Hades and Persephone who is born after the events of ‘Hades.’ (Supplied)
Short Url
Updated 11 October 2025
Follow

Review: ‘Hades 2’ is the best roguelike you will ever play

DUBAI: “Hades 2” is a bold and dazzling sequel that leans into ambition at every turn. Where the 2020 original laid the foundation, this new chapter deepens the mythos, sharpens the combat and turns the visual dial up to 11.

The sequel follows the original hero Zagreus’ sister, Melinoe, daughter of Hades and Persephone who is born after the events of “Hades.” She returns to a shattered Underworld after Chronos usurps power and imprisons key figures.

From the first few runs, the story weaves tension and mystery: Who is the real threat of time? How do the fates and titans dodge their own destinies? The narrative is layered, with revelations gradually unlocked between runs, and many dialogue moments that feel earned.

Visually, “Hades 2” is a triumph, even if early runs may feel a little too familiar to the original. Every character is richly drawn; the environments shift from the, at times, claustrophobic corridors of the Underworld to the majestic heights of Olympus (and beyond) with grace. The color palette moves beyond reds and blacks, embracing verdant hues, turquoise veils and shimmering light. Even in fast-paced combat, the animations remain crisp and fluid.

Mechanically, “Hades 2” innovates significantly while retaining its signature intensity. Melinoe wields physical weapons but also commands Magick, with a new “Magick Bar” that depletes and recovers based on your actions. Boons now carry elemental affinities and infusions; Arcana cards add constant passive effects you choose pre-run; Hexes summon powerful spells that evolve mid-run; and the sprint mechanic encourages fluid repositioning rather than repetitive dashing.

While the added complexity is demanding and can be frustrating at times, it is definitely worth it.

In short, “Hades 2” offers a richer and more expansive mythic journey, stunning visuals, and a combat system that feels both familiar and fresh; standing as a worthy — and, often, superior — successor.


Saudi Oscar entry ‘Hijra’ has glittering premiere at RSIFF 2025

Updated 27 sec ago
Follow

Saudi Oscar entry ‘Hijra’ has glittering premiere at RSIFF 2025

DUBAI: Saudi filmmaker Shahad Ameen’s inter-generational road movie had a glittering premiere at the Red Sea International Film Festival in Jeddah.

The red carpet saw celebrities like Egyptian-British star Amir El-Masry, Egyptian actress Asmaa Galal and US actress Emily Ashby attend.

“Hijra” follows a grandmother and her two granddaughters as they journey from Taif to Makkah. When the eldest granddaughter vanishes, the two remaining women travel north to find her, with their search highlighting the deep cultural and generational bonds between Saudi women.

Set against the backdrop of the Hajj pilgrimage, “Hijra” portrays the intimate and emotional odyssey of these women, which evolves into a spiritual quest. Shot across eight Saudi cities, the film provides a deep dive into the Kingdom’s rich cultural tapestry.

“I had this missing girl idea that I had been playing around with for years. I had a script about a younger sister looking for her older sister with her father in Jeddah. The whole script was ready to go … And then, all of a sudden, I hated it. I outgrew it. I thought it was childish. I threw it out,” said director Ameen in an interview with Variety.

“Then, years later, I was talking to my producer Mohamed Al-Daradji — we really collaborate a lot on writing — and he said: ‘Aren’t you tired of the (patriarchal) father story that you already did in “Scales”? What if you make a woman’s story with a grandmother in a multi-generational context?’ So that’s how it restarted.”

Speaking about her personal connection to the story, Ameen said, “Well, my family — it’s not something I say a lot — but my father’s family are immigrants from China, fifth generation. So, I thought: ‘What if the missing girl is an immigrant?’ That became an exciting thread. Then, I went back to the earlier script, and the best scene in that was when they passed a checkpoint through Makkah with all the pilgrims and all of that during Hajj. And suddenly everything was connected, and it became a story about immigration. It’s a story about a girl trying to escape from her grandmother to a different country.”