Danielle Deadwyler shows off Elie Saab look at ‘The Piano Lesson’ screening in New York

Danielle Deadwyler showed off a dress by Lebanese designer Elie Saab in New York as she promoted her latest film, ‘The Piano Lesson.’ (AFP)
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Updated 15 September 2024
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Danielle Deadwyler shows off Elie Saab look at ‘The Piano Lesson’ screening in New York

DUBAI: US actress Danielle Deadwyler showed off a bubblegum pink cocktail dress by Lebanese designer Elie Saab at a screening of “The Piano Lesson” in New York.

The outfit hailed from Saab’s Spring/Summer 2024 ready-to-wear collection and featured a belted waist with a slightly flowing skirt.




Danielle Deadwyler showed off a dress by Lebanese designer Elie Saab in New York. (AFP)

Deadwyler stars in “The Piano Lesson,” an American drama directed by Malcolm Washington, who co-wrote the screenplay with Virgil Williams. Set to hit US theaters on Nov. 8, it will stream worldwide on Netflix on Nov. 22 and stars Samuel L. Jackson, John David Washington, Ray Fisher, Michael Potts, Erykah Badu, Skylar Aleece Smith, and Corey Hawkins.

The film is based on August Wilson’s 1987 Pulitzer Prize–winning play of the same name.

It is set in 1936 Pittsburgh during the aftermath of the Great Depression and follows the lives of the Charles family as they decide what to do with an heirloom, the family piano, which is decorated with designs carved by an enslaved ancestor.

The director spoke to Deadline about the upcoming release, saying: “’The Piano Lesson’ is a story that centers on a brother and sister’s disagreement on what to do with a family heirloom, but underneath the surface is a story about ancestry, legacy, and how the decisions that our ancestors made affect the lives we lived today.

“When I first read the script, I was in a place in my life where I was digitizing a bunch of family photos, and I was looking at the faces of my ancestors, thinking about the lives that they lived and the connection to my own. So when I actually read the text itself, it really spoke to me in a way that forced me to engage with the material in a meaningful way,” he added.

The film also played at the Toronto International Film Festival in September, with Deadwyler hitting the red carpet in a Dior Resort 2025 metallic embroidered dress that riffed on the current Joan of Arc-inspired trend with its armor-style aesthetic. 


Jory Almaiman named brand ambassador by Spanish jewelry label

Updated 14 October 2024
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Jory Almaiman named brand ambassador by Spanish jewelry label

DUBAI: Spanish jewelry brand PDPAOLA has appointed Saudi influencer Jory Almaiman as a brand ambassador.

The announcement is being marked with the launch of a new campaign featuring the content creator, in which Almaiman shows off key pieces from the label’s Icons Collection.

The collection boasts customizable initials, symbols, and minimalist designs and it is crafted using natural gemstones arranged with handset pavé detailing.

With 110,000 followers on Instagram, Almaiman is often spotted at international fashion industry events and recently attended the Tory Burch show at New York Fashion Week in September.

Earlier this year, PDPAOLA, founded by siblings Paola and Humbert Sasplugas, expanded into Saudi Arabia with the opening of new stores in the Kingdom.

“We feel there is a natural fit with our value and selling proposition in this market,” Humbert previously told Arab News of their decision to target Saudi Arabia. “The key of PDPAOLA is that it constitutes a new jewelry language that blends effortless elegance with contemporary lines to create timeless sophisticated pieces,” he said.

“Our desire and plan is to naturally engage with Saudi women in a fresh yet respectful way,” he added. 

The brand offers rings, earrings, necklaces, and bracelets. It is known for shaping natural gemstones into signature shapes using contemporary techniques and blending them with traditional artistry.

The element of traditional artistry is important to Paola, who told Arab News that she has been passionate about jewelry since she was a young girl.

“I used to hand-make jewelry pieces for myself, intuitively discovering my identity with every creation,” she said.

“Our pieces are designed for modern living, versatile designs with a comfortable fit that transcend occasions and become the ultimate symbol of self-empowerment,” she explained. 

The founders are also planning to expand into key markets in the region, including the UAE, Qatar, Kuwait, Bahrain and Oman.


Celebrated art curator champions vision of climate action, public engagement at Lahore Biennale

Updated 13 October 2024
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Celebrated art curator champions vision of climate action, public engagement at Lahore Biennale

  • John Tain’s career has spanned several countries where he digitally archived art before arriving in Pakistan
  • He shunned ‘museums and elite spaces’ and used public places for art installations to attract wider audience

LAHORE: A widely acclaimed art curator has transformed the third edition of the Lahore Biennale into an artistic engagement with ecology and the environment, selecting historic public spaces across Lahore for art installations to attract a wider audience and spark conversations about sustainable living.
Originally from Hong Kong, John Tain’s career has spanned several countries, including the United States, Taiwan, and India, where he digitally archived art before taking over curatorial duties in Pakistan.
The Lahore Biennale Foundation has been working since 2014 to preserve the city’s rich legacy of arts and culture, a heritage that stretches back thousands of years. This year’s theme, “Of Mountains and Seas,” reflects the pressing concern of how the Global South is disproportionately affected by the climate crisis.
Pakistan itself has witnessed a series of catastrophic floods, heatwaves and droughts that have claimed countless lives, caused massive financial damage and raised concerns about food security.
This is despite the fact that the country contributes less than one percent of global carbon emissions, yet remains one of the most severely affected by the impacts of climate change.
“[This year’s event] looks at the themes of ecologies and sustainable futures, but not from the perspective of the problems that we’re all facing, but really from thinking about what are the possible solutions,” Tain said while speaking to Arab News on Friday.
“Specifically, what are the solutions that we can find in a place like Lahore, Pakistan, and thinking about what resources are available locally and in the indigenous culture,” he added.
The event, which kicked off on October 5, will culminate in a Climate Congress next month, featuring international scholars, academics and artists, coinciding with the notorious smog season in the city.
Tain maintained that Lahore was the ideal location to carry out the biennale since it had been significantly impacted by the worsening climate.
“Working with 61 artists who come from over 30 countries, it’s really not about importing answers and knowledge from elsewhere,” he said. “It’s really about looking together for resources and what we can do together to find solutions for sustainability.”
Pointing to the paintings lining the walls of the Shalimar Garden, built by Mughal Emperor Shah Jahan in 1641, he highlighted works on melting glaciers and fossil fuels by artists like Hamra Abbas and Niamat Nigar.
“Lahore Biennale as a project is not located in art museums or elite spaces,” he said. “We’re really in the city. So, here we are at Shalimar Gardens, where families are playing football and taking strolls.”
Tain mentioned that art installations had also been placed at other public locations, such as the Orange Line metro system, which people use daily.
“So, it’s really meant to bring art to the people, rather than make people come to the art,” he added.
Asked about the Climate Congress at the end of the biennale, he said a lot of research on the environment had been done by experts and researchers, though it had not been properly communicated to the general public.
“The biennale is trying to think about how art and exhibitions can be vehicles for communicating these kinds of messages,” he continued, suggesting that the Climate Congress would be a continuation of the same effort.
While it has only been a week since the biennale installations were opened to the public, Tain said he was happy with the response.
“I think there was a good attendance on both of the opening days [of the inauguration],” he said, encouraging people to attend the event, which is open until November 8.


Logina Salah says Miss Universe Egypt 2024 win is a step towards greater inclusivity

Updated 13 October 2024
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Logina Salah says Miss Universe Egypt 2024 win is a step towards greater inclusivity

DUBAI: Egyptian model Logina Salah was recently crowned Miss Universe Egypt 2024, a victory that she believes signifies progress toward greater inclusivity in the world.

The 34-year-old makeup artist, model, body positivity advocate and single mother — who faced childhood bullying due to her vitiligo, a skin condition — triumphed over 12 finalists to win the title at an event in Cairo.

“I feel like the world is getting closer to including everybody. It wasn’t allowed for moms to participate, or any woman above 30, and I didn’t like participating in ‘moms pageantry’; I do not like labeling,” Salah, who is based in Dubai, said of the rules that changed in 2023.

She added: “When those restrictions were lifted, I saw it as the perfect opportunity. Pageantry was always on my mind, but I always said, ‘let me keep it for my daughter, maybe she would be interested’. I used to dream about it, but now the dream came back to life. I applied, and, thank God, I made it to Miss Universe!”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Logina Salah (@loginasalah)

When Salah was announced as the winner, the first thought that crossed her mind was, “I want to have a crown that never falls.”

She said: “Being a queen is wonderful and fulfilling, but my ultimate purpose is to be the queen of hearts.”

Reflecting on her journey with vitiligo, Salah highlighted the power of living as an example. “I do not come every day and talk about vitiligo on my platform, but living my life fearlessly and unapologetically is a message to people,” she said.

“When someone comes across my profile and they see me living fearlessly, this is an inspiration. So, I do both. I like to go out and inspire, not only for people with vitiligo, but for all young girls and women.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Pao Caniamo (@paoocaniamo)

The model will now represent Egypt at the global Miss Universe competition, to be held in Mexico this year from Nov. 14-16. The competition will see contestants from more than 130 countries compete.

As Salah prepares for the event, she explained her approach to the journey ahead: “I have never tied my dreams to a goal or a target. I always tie it to a mission and a purpose. With goals, when they end, that is it, it ends. I have a mission and a purpose to leave this world better than I found it. I have a mission and a purpose to inspire others and overcome adversity.”

The model also urged fans to show their support early on, not just after a victory. “We have this habit of supporting people only once they’ve won. I want people to vote now, to support now, to give everything they have now, because I am representing my country and the region. It truly lifts our spirits,” she said.


Hollywood star Andrew Garfield speaks up for Gaza

Updated 13 October 2024
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Hollywood star Andrew Garfield speaks up for Gaza

DUBAI: In a clip that went viral over the weekend, Hollywood actor Andrew Garfield spoke up for Palestinians on Josh Horowitz’s “Happy Sad Confused” podcast.

Garfield, currently promoting his romantic drama “We Live in Time” alongside Florence Pugh, had an extensive conversation with Horowitz at New York’s 92nd Street Y.

During Thursday’s podcast interview, Horowitz posed an open-ended question asking if Garfield had any personal needs.

Garfield replied by urging people to focus on the suffering of Palestinians in Gaza, saying that his personal happiness is more than sufficient.

“You know what, out of everyone in the world, I don’t need — I’m so happy,” Garfield said. “Like, we should be putting our energy toward something that actually matters, you know? Yeah, maybe the lives of, I don’t know, Palestinians in Gaza right now. Maybe that’s where we put our hearts and our energy.”

The actor continued: “And anyone suffering, anyone oppressed — anyone that is suffering under the weight of the horrors of our world right now. Anyone who doesn’t have a choice in, you know, living lives of dignity. Yeah — that’s where our energy should be going right now.”

With his stance on Palestine, Garfield joins the ranks of celebrities who have spoken out against Israel’s continuing onslaught in Gaza for the past year, including Palestinian American models and sisters Bella and Gigi Hadid, Marvel actor Mark Ruffalo, “Bridgerton” star Nicola Coughlan, and “Wednesday” actress Jenna Ortega.


 


Morocco’s tribeswomen see facial tattoo tradition fade

Updated 13 October 2024
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Morocco’s tribeswomen see facial tattoo tradition fade

  • Many attribute the near-disappearance of facial tattoos to Morocco’s changing religious attitudes in recent decades
  • The markings vary in design between the minority’s tribes and were used to signify the wearer’s origin while offering beauty and protection

IMILCHIL, Morocco: As a young girl growing up in the Atlas mountains, Hannou Mouloud’s family took her to have her chin tattooed with the cherished lines that generations of Moroccan Amazigh tribeswomen wore.
“When I was six, they told me tattoos were pretty adornments,” recalled the 67-year-old from Imilchil village of the once-common practice among women in North Africa’s Amazigh groups.
Long referred to as Befcerbers, many tribespeople from the area prefer to be called Amazigh, or Imazighen, which means “free people.”
Today, like in many of the Indigenous cultures across the world where facial tattoos were long prevalent, the practice has largely faded.
Many attribute the near-disappearance of facial tattoos to Morocco’s changing religious attitudes in recent decades, with interpretations of Islam where inked skin and other body modifications like piercings are prohibited taking hold.
“We would use charcoal to draw the designs on our faces, then a woman would prick the drawing with a needle until blood came out,” Mouloud told AFP, adding that they would rub the wound daily with a chewed green herb to deepen the tattoo’s color.
The markings vary in design between the minority’s tribes and were used to signify the wearer’s origin while offering beauty and protection.
Being tattooed would hurt, said Hannou Ait Mjane, 71, and “we couldn’t hold back our tears” but it “remains a tradition that our ancestors passed down to us.”

Amazigh women show their tattooed chin in the village of Imilchil in central Morocco's High Atlas Mountains on September on August 19, 2024. Many attribute the near-disappearance of facial tattoos to Morocco's changing religious attitudes in recent decades, with interpretations of Islam where inked skin and other body modifications like piercings are prohibited taking hold. (AFP)


Morocco has the largest Amazigh population in North Africa, with Tamazight, the community’s language, recognized as an official language alongside Arabic.
According to the most recent census in 2014, more than a quarter of Morocco’s 35 million inhabitants speak at least one dialect — Tarifit, Tamazight or Tachelhit.
Abdelouahed Finigue, a geography teacher and researcher from Imilchil, told AFP that women often had their chins, foreheads or hands tattooed.
“Some women had intimate areas tattooed as a wedding gift, expressing their love for their husband,” he added.
The designs held different meanings to the different communities.
“The woman, through her tattoos, expresses her beauty and her value as an individual independent of the man,” he said, explaining what the different shapes can mean.
“The circle, for example, represents the universe and beauty, just like the moon and the sun which occupied an important place in local rites,” he said.
But changing religious trends means fewer women are getting inked.
“In recent years, this custom has been tainted by preconceived ideas from Salafist currents,” he added, referring to a Sunni Islamist movement that seeks to return to the practices and teachings of the Prophet Muhammad.
Bassou Oujabbour, member of local development association AKHIAM, said women with the markings have faced social pressure.
“Fundamentalists sometimes describe tattooing as the devil’s book or as the first thing to be burned on the human body,” he said.
“Some women even removed the tattoos long after getting them for fear of punishment after death.”