Kawthar Alhoraish: ‘I feel a deep sense of pride as a Saudi designer’ 

Kawthar Alhoraish, founder of Kaf by Kaf, has established herself as a prominent figure in Saudi Arabia’s burgeoning fashion scene. (Supplied)
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Updated 05 September 2024
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Kawthar Alhoraish: ‘I feel a deep sense of pride as a Saudi designer’ 

  • The Kaf by Kaf founder is a finalist in this year’s FTA Awards 

DUBAI: Kawthar Alhoraish, founder of Kaf by Kaf, has established herself as a prominent figure in Saudi Arabia’s burgeoning fashion scene. Her recent nomination as a finalist for the Ready-to-Wear Award at the 2024 Fashion Trust Arabia Awards is a testament to her growing influence — placing her in a select group of designers from across the region, each vying for one of the most prestigious accolades in Middle Eastern fashion — and reflecting her dedication to her craft and her commitment to showcasing Saudi culture on the international stage. 

“It’s a dream come true to be recognized alongside such talented designers from the region. I am deeply grateful for the support and encouragement I have received from my team, family, and the fashion community,” Alhoraish tells Arab News. “As a Saudi designer, I feel a deep sense of pride and responsibility to showcase the beauty and diversity of our culture through my work. I hope to inspire other Saudi designers and encourage them to pursue their dreams in the world of fashion.” 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by KAF BY KAF (@kafbykaf)

Her FTA nomination, Alhoraish knows, will give her a platform on which to showcase her work to a broader audience, attract new customers and engage with potential retailers and investors. “This recognition can open up new doors and opportunities for my business,” she said.  

There’s also the small matter of financial grants ranging from $100,000 to $200,000 for the winners, depending on the size of their business, plus another $50,000 for the recipient of the Franca Sozzani Debut Talent Award. Collections from the winners in the Evening Wear, Ready-to-Wear, Accessories, and Jewelry categories will also be showcased by the FTA’s retail partner, Harrods, for one season, providing invaluable exposure on a global stage. 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by KAF BY KAF (@kafbykaf)

“The impact of having my collection showcased at Harrods would be immense for Kaf by Kaf. It would elevate the brand’s prestige and credibility on the global stage,” Alhoraish says. “The association with such a prestigious department store would lend a sense of luxury and exclusivity to the brand, further solidifying its position as a leading name in Saudi fashion.” 

The winner of the Ready-to-Wear category, for which Alhoraish is a finalist, will also receive an internship in London with Huntsman and create a capsule collection to be sold on the retailer’s e-commerce platform. Furthermore, luxury ethical fashion retail platform Maison De Mode will provide a tailored mentorship to all seven winners, focusing on the importance of sustainability and ethical fashion practices. 

Alhoraish has already made plans for the financial grant if she wins, including investing in expanding her business — which she founded in 2019 — across the Middle East and North Africa region and into global markets.   

“I would invest in new equipment and machinery to increase production capacity and meet growing demands. I would also use the funds to explore new product categories, such as accessories or home goods, while staying true to the brand’s aesthetic.” she explains.  

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by shouq / شوق (@ju8b.b)

Alhoraish’s designs — which employ intricate textiles, vibrant colors, and traditional craftsmanship — are influenced by her Saudi heritage, which she blends with modern touches.  

“For example, I might use traditional embroidery techniques on contemporary silhouettes or incorporate traditional patterns into a more minimalist design,” she says. “I also believe in the power of storytelling, and I often draw inspiration from historical events or cultural narratives to create designs that have a deeper meaning.”  

Regardless of the outcome of the FTA Awards, Alhoraish has ambitious plans for Kaf by Kaf.  

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by KAF BY KAF (@kafbykaf)

“Within Saudi Arabia, I aim to establish the brand as a leading luxury fashion label, renowned for its quality, craftsmanship and cultural significance,” she says. “I envision Kaf by Kaf becoming a household name, synonymous with elegance and sophistication.” 


Celebrated art curator champions vision of climate action, public engagement at Lahore Biennale

Updated 39 sec ago
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Celebrated art curator champions vision of climate action, public engagement at Lahore Biennale

  • John Tain’s career has spanned several countries where he digitally archived art before arriving in Pakistan
  • He shunned ‘museums and elite spaces’ and used public places for art installations to attract wider audience

LAHORE: A widely acclaimed art curator has transformed the third edition of the Lahore Biennale into an artistic engagement with ecology and the environment, selecting historic public spaces across Lahore for art installations to attract a wider audience and spark conversations about sustainable living.
Originally from Hong Kong, John Tain’s career has spanned several countries, including the United States, Taiwan, and India, where he digitally archived art before taking over curatorial duties in Pakistan.
The Lahore Biennale Foundation has been working since 2014 to preserve the city’s rich legacy of arts and culture, a heritage that stretches back thousands of years. This year’s theme, “Of Mountains and Seas,” reflects the pressing concern of how the Global South is disproportionately affected by the climate crisis.
Pakistan itself has witnessed a series of catastrophic floods, heatwaves and droughts that have claimed countless lives, caused massive financial damage and raised concerns about food security.
This is despite the fact that the country contributes less than one percent of global carbon emissions, yet remains one of the most severely affected by the impacts of climate change.
“[This year’s event] looks at the themes of ecologies and sustainable futures, but not from the perspective of the problems that we’re all facing, but really from thinking about what are the possible solutions,” Tain said while speaking to Arab News on Friday.
“Specifically, what are the solutions that we can find in a place like Lahore, Pakistan, and thinking about what resources are available locally and in the indigenous culture,” he added.
The event, which kicked off on October 5, will culminate in a Climate Congress next month, featuring international scholars, academics and artists, coinciding with the notorious smog season in the city.
Tain maintained that Lahore was the ideal location to carry out the biennale since it had been significantly impacted by the worsening climate.
“Working with 61 artists who come from over 30 countries, it’s really not about importing answers and knowledge from elsewhere,” he said. “It’s really about looking together for resources and what we can do together to find solutions for sustainability.”
Pointing to the paintings lining the walls of the Shalimar Garden, built by Mughal Emperor Shah Jahan in 1641, he highlighted works on melting glaciers and fossil fuels by artists like Hamra Abbas and Niamat Nigar.
“Lahore Biennale as a project is not located in art museums or elite spaces,” he said. “We’re really in the city. So, here we are at Shalimar Gardens, where families are playing football and taking strolls.”
Tain mentioned that art installations had also been placed at other public locations, such as the Orange Line metro system, which people use daily.
“So, it’s really meant to bring art to the people, rather than make people come to the art,” he added.
Asked about the Climate Congress at the end of the biennale, he said a lot of research on the environment had been done by experts and researchers, though it had not been properly communicated to the general public.
“The biennale is trying to think about how art and exhibitions can be vehicles for communicating these kinds of messages,” he continued, suggesting that the Climate Congress would be a continuation of the same effort.
While it has only been a week since the biennale installations were opened to the public, Tain said he was happy with the response.
“I think there was a good attendance on both of the opening days [of the inauguration],” he said, encouraging people to attend the event, which is open until November 8.


Logina Salah says Miss Universe Egypt 2024 win is a step towards greater inclusivity

Updated 31 min 28 sec ago
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Logina Salah says Miss Universe Egypt 2024 win is a step towards greater inclusivity

DUBAI: Egyptian model Logina Salah was recently crowned Miss Universe Egypt 2024, a victory that she believes signifies progress toward greater inclusivity in the world.

The 34-year-old makeup artist, model, body positivity advocate and single mother — who faced childhood bullying due to her vitiligo, a skin condition — triumphed over 12 finalists to win the title at an event in Cairo.

“I feel like the world is getting closer to including everybody. It wasn’t allowed for moms to participate, or any woman above 30, and I didn’t like participating in ‘moms pageantry’; I do not like labeling,” Salah, who is based in Dubai, said of the rules that changed in 2023.

She added: “When those restrictions were lifted, I saw it as the perfect opportunity. Pageantry was always on my mind, but I always said, ‘let me keep it for my daughter, maybe she would be interested’. I used to dream about it, but now the dream came back to life. I applied, and, thank God, I made it to Miss Universe!”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Logina Salah (@loginasalah)

When Salah was announced as the winner, the first thought that crossed her mind was, “I want to have a crown that never falls.”

She said: “Being a queen is wonderful and fulfilling, but my ultimate purpose is to be the queen of hearts.”

Reflecting on her journey with vitiligo, Salah highlighted the power of living as an example. “I do not come every day and talk about vitiligo on my platform, but living my life fearlessly and unapologetically is a message to people,” she said.

“When someone comes across my profile and they see me living fearlessly, this is an inspiration. So, I do both. I like to go out and inspire, not only for people with vitiligo, but for all young girls and women.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Pao Caniamo (@paoocaniamo)

The model will now represent Egypt at the global Miss Universe competition, to be held in Mexico this year from Nov. 14-16. The competition will see contestants from more than 130 countries compete.

As Salah prepares for the event, she explained her approach to the journey ahead: “I have never tied my dreams to a goal or a target. I always tie it to a mission and a purpose. With goals, when they end, that is it, it ends. I have a mission and a purpose to leave this world better than I found it. I have a mission and a purpose to inspire others and overcome adversity.”

The model also urged fans to show their support early on, not just after a victory. “We have this habit of supporting people only once they’ve won. I want people to vote now, to support now, to give everything they have now, because I am representing my country and the region. It truly lifts our spirits,” she said.


Hollywood star Andrew Garfield speaks up for Gaza

Updated 13 October 2024
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Hollywood star Andrew Garfield speaks up for Gaza

DUBAI: In a clip that went viral over the weekend, Hollywood actor Andrew Garfield spoke up for Palestinians on Josh Horowitz’s “Happy Sad Confused” podcast.

Garfield, currently promoting his romantic drama “We Live in Time” alongside Florence Pugh, had an extensive conversation with Horowitz at New York’s 92nd Street Y.

During Thursday’s podcast interview, Horowitz posed an open-ended question asking if Garfield had any personal needs.

Garfield replied by urging people to focus on the suffering of Palestinians in Gaza, saying that his personal happiness is more than sufficient.

“You know what, out of everyone in the world, I don’t need — I’m so happy,” Garfield said. “Like, we should be putting our energy toward something that actually matters, you know? Yeah, maybe the lives of, I don’t know, Palestinians in Gaza right now. Maybe that’s where we put our hearts and our energy.”

The actor continued: “And anyone suffering, anyone oppressed — anyone that is suffering under the weight of the horrors of our world right now. Anyone who doesn’t have a choice in, you know, living lives of dignity. Yeah — that’s where our energy should be going right now.”

With his stance on Palestine, Garfield joins the ranks of celebrities who have spoken out against Israel’s continuing onslaught in Gaza for the past year, including Palestinian American models and sisters Bella and Gigi Hadid, Marvel actor Mark Ruffalo, “Bridgerton” star Nicola Coughlan, and “Wednesday” actress Jenna Ortega.


 


Morocco’s tribeswomen see facial tattoo tradition fade

Updated 13 October 2024
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Morocco’s tribeswomen see facial tattoo tradition fade

  • Many attribute the near-disappearance of facial tattoos to Morocco’s changing religious attitudes in recent decades
  • The markings vary in design between the minority’s tribes and were used to signify the wearer’s origin while offering beauty and protection

IMILCHIL, Morocco: As a young girl growing up in the Atlas mountains, Hannou Mouloud’s family took her to have her chin tattooed with the cherished lines that generations of Moroccan Amazigh tribeswomen wore.
“When I was six, they told me tattoos were pretty adornments,” recalled the 67-year-old from Imilchil village of the once-common practice among women in North Africa’s Amazigh groups.
Long referred to as Befcerbers, many tribespeople from the area prefer to be called Amazigh, or Imazighen, which means “free people.”
Today, like in many of the Indigenous cultures across the world where facial tattoos were long prevalent, the practice has largely faded.
Many attribute the near-disappearance of facial tattoos to Morocco’s changing religious attitudes in recent decades, with interpretations of Islam where inked skin and other body modifications like piercings are prohibited taking hold.
“We would use charcoal to draw the designs on our faces, then a woman would prick the drawing with a needle until blood came out,” Mouloud told AFP, adding that they would rub the wound daily with a chewed green herb to deepen the tattoo’s color.
The markings vary in design between the minority’s tribes and were used to signify the wearer’s origin while offering beauty and protection.
Being tattooed would hurt, said Hannou Ait Mjane, 71, and “we couldn’t hold back our tears” but it “remains a tradition that our ancestors passed down to us.”

Amazigh women show their tattooed chin in the village of Imilchil in central Morocco's High Atlas Mountains on September on August 19, 2024. Many attribute the near-disappearance of facial tattoos to Morocco's changing religious attitudes in recent decades, with interpretations of Islam where inked skin and other body modifications like piercings are prohibited taking hold. (AFP)


Morocco has the largest Amazigh population in North Africa, with Tamazight, the community’s language, recognized as an official language alongside Arabic.
According to the most recent census in 2014, more than a quarter of Morocco’s 35 million inhabitants speak at least one dialect — Tarifit, Tamazight or Tachelhit.
Abdelouahed Finigue, a geography teacher and researcher from Imilchil, told AFP that women often had their chins, foreheads or hands tattooed.
“Some women had intimate areas tattooed as a wedding gift, expressing their love for their husband,” he added.
The designs held different meanings to the different communities.
“The woman, through her tattoos, expresses her beauty and her value as an individual independent of the man,” he said, explaining what the different shapes can mean.
“The circle, for example, represents the universe and beauty, just like the moon and the sun which occupied an important place in local rites,” he said.
But changing religious trends means fewer women are getting inked.
“In recent years, this custom has been tainted by preconceived ideas from Salafist currents,” he added, referring to a Sunni Islamist movement that seeks to return to the practices and teachings of the Prophet Muhammad.
Bassou Oujabbour, member of local development association AKHIAM, said women with the markings have faced social pressure.
“Fundamentalists sometimes describe tattooing as the devil’s book or as the first thing to be burned on the human body,” he said.
“Some women even removed the tattoos long after getting them for fear of punishment after death.”
 


Headlining designers announced for Riyadh Fashion Week

Updated 12 October 2024
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Headlining designers announced for Riyadh Fashion Week

DUBAI: Saudi fashion labels Adnan Akbar, Dar Alhanouf, Tima Abid, and Honayda will headline the upcoming second edition of Riyadh Fashion Week, which runs from Oct. 17-21.

Set to take place in three venues — Tuwaiq Palace, Digital City, and JAX District — the event will feature a series of runway shows, brand presentations, and a designer showroom.

The Saudi Fashion Commission-organized event will feature more than 30 Saudi designers, with Adnan Akbar, Dar Alhanouf, Tima Abid, and celebrity-loved Honayda among the headlining shows.

Other highlights include Waad AlOqaili, Khawla Alaiban, Atelier Hekayat and Yaha Albashiri, among others.

Burak Cakmak, CEO of the Fashion Commission, stated: “Riyadh Fashion Week stands at the forefront of positioning Saudi Arabia as a dynamic center for fashion and creativity. This event is a gateway for fostering homegrown talent, igniting new opportunities in fashion and retail, and driving both local and international engagement. By creating a platform for cultural exchange, we are celebrating the diversity and innovation of Saudi designers while elevating their impact on the global fashion stage.