Simon Says ... what world leaders ought to heed in “The Good Country Equation”

SImon Anholt developed the Nation Brand Index (NBI), which scientifically measures public sentiment about country brands. (Supplied)
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Updated 17 September 2020
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Simon Says ... what world leaders ought to heed in “The Good Country Equation”

  • In his new book, Anholt sheds light on some of problems with the world today and explains what it takes to be a “Good Country”
  • As the creator of the concept of Nation Brands, he addresses common misconceptions many officials and marketing practitioners seem to repeat

When I start to read a book, I follow a simple rule for deciding whether to continue; if it fails to grab my attention in the first 90 seconds, I put it down and never pick it up again.

That is why I briefly hesitated when my good friend, the internationally renowned government adviser Simon Anholt, asked me to review his new book, “The Good Country Equation.” I have known Simon since 2008, when he was giving talks all over the world and being interviewed by major news outlets while I was still cutting my teeth as a junior section editor with Arab News’s sister publication, the London-based daily Asharq Al Awsat. Simon was kind enough to offer to discuss his work.

The result was a page-long interview titled “The Man Who Sold the World” (I was a Nirvana fan growing up, though the title didn’t sound quite so cool in Arabic). It was the first Arabic-language explanation of “nation brands,” a term Simon himself had coined in 1998.  By the time I met him he had also developed the Nation Brand Index (NBI), which scientifically measures public sentiment about country brands.

Of course, the topic itself is fascinating, and the interview gained much attention in the Arab world. But what has been more fascinating for me was to closely watch the evolution of this concept; something I was lucky enough to do at first hand, since Simon and I remained in touch, and became friends.

Thus my hesitation. What if I had to implement my rule and discard Simon’s new book after 90 seconds? As a friend, I am delighted to report that I did not; in fact, it captured my attention almost immediately. “Have you noticed how much time we spend worrying about the state of the world these days?” the book’s preface reads. As editor in chief of a major regional newspaper, a large part of my job is to worry about the state of the world.

Indeed, anyone who is not concerned with what is going on around us today is either naive or selfish. There has been a catastrophic global failure to deal with the coronavirus pandemic. This year’s series of monstrous natural disasters included horrific fires in Australia and California, and Hurricane Sally in the eastern US. At any time in human history, have we ever been so confused about what is true and what is not? What about the international rise of far-right movements? Heck, even the Pentagon encouraged belief in extraterrestrial life by publishing videos of unidentified flying objects.

OTHER BOOKS BY SIMON ANHOLT

Another One Bites the Grass Making Sense of International Advertising (2000).

Brand America The Mother of All Brands (2005).

Brand New Justice How Branding Places and Products Can Help the Developing World (2006).

Competitive Identity The New Brand Management for Nations, Cities and Regions (2006).

“The Good Country Equation” does not offer a solution to all the world’s problems, nor does it try. What it does, however, is give us an opportunity to reflect on how government thinking has evolved in the past two decades. What is fascinating, particularly if you have read Simon Anholt’s previous books, is how his theories evolved, and not necessarily in the same way as many world leaders.

In this context, “good” is not the opposite of “bad,” but the opposite of “selfish.” For a country to be classified as “good” (and score high in the Good Country Index the author created), it needs to be good not just for its own people, but for others too. This is the polar opposite of the “my country first” wave that politicians in many established democracies (and non-democracies) have been riding for the past few years; and while this wave may win you popular support, it is not necessarily sustainable or healthy for global well-being.

If we have learned anything from the COVID-19 pandemic, it is that we all need each other to survive. (You disagree? OK — but how would you feel if the country that created the first effective coronavirus vaccine refused to give it to anyone apart from their own citizens?) 

An evolving concept
In the wise words of the late Steve Jobs: “You can't connect the dots looking forward; you can only connect them looking backwards.” This crosses my mind every time Simon speaks of the first time he used the term “nation brand,” in a marketing journal in 1998. Little did he — or anyone else — realize that those two words would have a lasting global impact, and take on a life of their own. The argument was simple; countries with a positive image (Japan and Switzerland, for example) can trade at a premium, and find it easier to attract tourists, foreign investment, international events and consumers for its exports.

In the years that followed, people who used to sell detergents and shampoo suddenly reinvented themselves as “nation branding” consultants. A whole industry was created, embracing international conferences, publications and annual awards, with the single purpose of teaching government officials the “art” of winning hearts and minds.

You may assume that Simon was proud of his original article and its impact, but if if you read “The Good Country Equation” or listen to him speak you get the sense that he considers it his original sin!

He will tell you the term he used was “nation brand,” not “nation branding” – a concept he opposes.

Marketing tools such as advertising, PR and sales promotion have their place in positioning cities, bringing in foreign investment or promoting tourist destinations; but if you are a country, Simon believes actions speak louder than words.

“Bragging about your own country is like a standup comedian who goes on stage and tells the audience how funny he or she is,” he writes. “Don’t tell them to laugh. Be FUNNY. And likewise, for countries, don’t tell them to admire you. Be admirable.”

Soon after defining “nation brands,” Simon created a new term (and wrote a book about it too) called “Competitive Identity.” As you can read in his new book, the concept evolved to that of a “Good Country.” The heart and soul of this new argument is that what the world needs is cooperation, not competition, between countries.

“All governments in the 21st century have two tasks: Taking care of their citizens and participating in a bigger community of nations,” he argues. And if you think this is unattainable, the author provides examples of how countries that want to be good can find ways to combine these two tasks and juggle priorities and interests, although it is far from straightforward.

There are several ways to read this book. One is to see it as a collection of personal experiences and memories of a veteran adviser to nearly 50 governments. Another is as if it were a manual for officials to reflect and learn from other countries’ experiences, and possibly implement what Simon says. A third way, perhaps the most interesting one, is for readers — whether marketing practitioners, academics or government officials — to challenge everything they think they know about “nation brands.”

And if you accept that challenge, be ready to be surprised to learn that spending on PR could make your image problem worse; that we have been using buzzwords such as “soft power” all wrong; and that contrary to what many think, global sport events don’t necessarily make a country more likeable.

• Faisal J. Abbas is Editor in Chief of Arab News.

•• “The Good Country Equation,” by Simon Anholt, is published by Berret-Koehler and is available in online bookstores and Amazon worldwide.


What We Are Reading Today: The Empire of Climate

Updated 18 April 2024
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What We Are Reading Today: The Empire of Climate

Author: David N. Livingstone

Scientists, journalists, and politicians increasingly tell us that human impacts on climate constitute the single greatest threat facing our planet and may even bring about the extinction of our species. Yet behind these anxieties lies an older, much deeper fear about the power that climate exerts over us. 

“The Empire of Climate” traces the history of this idea and its pervasive influence over how we interpret world events and make sense of the human condition, from the rise and fall of ancient civilizations to the afflictions of the modern psyche.

Taking readers from the time of Hippocrates to the unfolding crisis of global warming today, David Livingstone reveals how climate has been critically implicated in the politics of imperial control and race relations; been used to explain industrial development, market performance, and economic breakdown; and served as a bellwether for national character and cultural
collapse. 


REVIEW: Amazon Prime Video’s ‘Fallout’ takes gaming adaptations to next level

Updated 18 April 2024
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REVIEW: Amazon Prime Video’s ‘Fallout’ takes gaming adaptations to next level

LONDON: Don’t say it too loud, but we might, finally, have reached the point when good TV adaptations of hit videogames become the norm, rather than the exception. Hot on the heels of “The Last of Us” and “The Witcher” comes “Fallout,” an eight-part series based on the post-apocalyptic world explored in the series of famed Bethesda games.

In an alternate future, with the world devastated by a global nuclear war, a community of wealthy individuals retreats to a series of underground vaults to ride out the fallout. Some 200 years later, wide-eyed vault dweller Lucy (Ella Purnell) is forced to leave the safety of her underground home when her father is kidnapped by raiders from the surface, kickstarting a journey that will not only make her confront the horrors of the unlawful society above, but also sees her meet a revolving door of eccentric (yet equally horrifying) characters along the way. Among these are Maximus (Aaron Moten), a squire in the militaristic Brotherhood of Steel, and The Ghoul (Walton Goggins), a terrifyingly mutated former actor now forging his way as a bounty hunter.

The key to the success of “Fallout” is that your enjoyment of the show is not dependent on whether or not the previous paragraph made any sense to you whatsoever. Rather, creators Graham Wagner and Geneva Robertson-Dworet, along with developers (and executive producers) Christopher Nolan and Lisa Joy have taken the wise decision to create a world wherein knowledge of the wider “Fallout” universe is a bonus, but not a prerequisite. So even if this is your first introduction to the world of Pip-Boys, gulpers and Vaulters, you won’t be penalized, and you certainly won’t feel like you’re missing out.

The world of “Fallout” is a gloriously gritty, bloody and savage one, but it’s also one of razor-sharp humor and fiendish satire — not least thanks to Goggins’ phenomenal turn as The Ghoul. Acerbic and frighteningly violent, The Ghoul is the very embodiment of the savage, unforgiving wasteland, and Goggins has a blast with perhaps the role of his career to date. Lucy is the polar opposite, and Purnell is equally as great as the naïve-yet-capable young woman entirely unprepared for the muck and murder she emerges into. Throw the two together with a razor-sharp, witty script and top-drawer production values and you have a show that’s about as much fun as you can have without a controller of your own.


What We Are Reading Today: Basic Equality

Updated 17 April 2024
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What We Are Reading Today: Basic Equality

Author: Paul Sagar

What makes human beings one another’s equals? That we are “basic equals” has become a bedrock assumption in Western moral and political philosophy. 

And yet establishing why we ought to believe this claim has proved fiendishly difficult, floundering in the face of the many inequalities that characterise the human condition. 

In this provocative work, Paul Sagar offers a novel approach to explaining and justifying basic equality. Rather than attempting to find an independent foundation for basic equality, he argues, we should instead come to see our commitment to this idea as the result of the practice of treating others as equals. 

Moreover, he continues, it is not enough to grapple with the problem through philosophy alone — by just thinking very hard, in our armchairs; we must draw insights from history and psychology as well.


What We Are Reading Today: ‘Lord of the Flies’

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Updated 16 April 2024
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What We Are Reading Today: ‘Lord of the Flies’

  • The novel explores themes of human nature, civilization, power and the inherent darkness within individuals

Author: William Golding

“Lord of the Flies” is a coming of age novel by British novelist William Golding. First published in 1954, the title has since become a classic of modern literature.

It tells the story of a group of British boys who find themselves stranded on an uninhabited island after their plane crashes during a wartime evacuation.

The novel explores themes of human nature, civilization, power and the inherent darkness within individuals. As the boys struggle to survive and establish order on the island, their society gradually descends into chaos and savagery.

The title refers to a severed pig’s head, symbolizing the evil and primitive instincts that take hold of the boys.

The main characters in the novel include Ralph, a charismatic and responsible boy who tries to maintain order and establish a signal fire to attract rescuers; Jack, a power-hungry and savage boy who becomes the leader of a group of hunters; Piggy, an intelligent but socially marginalized boy who serves as Ralph’s adviser; and Simon, a quiet and introspective boy who experiences a deep connection with nature.

As the story progresses, the boys’ civilization erodes, and they succumb to their primal instincts, engaging in violence and tribal warfare.

“Lord of the Flies” explores the destructive potential of unchecked power, the loss of innocence, and the conflict between civilization and savagery.

The novel has always been subject to various interpretations and perspectives by different readers and scholars. Much of it has been analyzed through the lens of allegorical human nature, political and social commentary, and even Freudian psychology.

“Lord of the Flies” has left a lasting impact on literature and popular culture through its exploration of universal themes, and its enduring relevance in contemporary society.

Its portrayal of the human condition and the fragility of civilization continues to resonate with readers, making it a classic that is worthy of being read again.

 


What We Are Reading Today: ‘Provenance and Possession’ by K. J. P. Lowe

Updated 15 April 2024
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What We Are Reading Today: ‘Provenance and Possession’ by K. J. P. Lowe

In the 15th and 16th centuries, Renaissance Italy received a bounty of “goods” from Portuguese trading voyages—fruits of empire that included luxury goods, exotic animals and even enslaved people.

Many historians hold that this imperial “opening up” of the world transformed the way Europeans understood the global.

In this book, K.J.P. Lowe challenges such an assumption, showing that Italians of this era cared more about the possession than the provenance of their newly acquired global goods.