A travel-experience company has Saudi Arabia’s nature and culture in its sights

Millions of residents and citizens across the Kingdom will be staying put for the foreseeable future and local tourism is set to take off. (Supplied)
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Updated 10 August 2020
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A travel-experience company has Saudi Arabia’s nature and culture in its sights

  • The Traveling Panther aims to bring the Kingdom’s natural wonders and cultural heritage alive through local narratives
  • The initial focus of the five female Saudi founders is on the Kingdom’s Eastern Province, Asir and the coast of Tabuk

DUBAI: Although the COVID-19 pandemic has brought the global travel, tourism and hospitality industry to a halt, five young Saudi women have found a silver lining.

The Traveling Panther (TTP), a Riyadh-based bespoke travel experience company, has turned to remote and forgotten areas of Saudi Arabia to display the country’s rich history and heritage.

With millions of residents and citizens across the Kingdom staying put for the foreseeable future and local tourism set to take off, their timing could not be better.

“Being a part of an industry that revolves around travel and personal interactions has definitely made things a little difficult today,” said Fahda Bander Al-Saud, TTP co-founder.

“Before the lockdown, the market was ripe with potential – the Kingdom opening up to tourism with the recent launch of the new visas was the start of a new era for the country and an exciting prospect for us as a company. The global lockdown has brought our industry to a near standstill.”

But TTP’s mission was to make the best out of a challenge. Instead of putting operations on hold, it used the time wisely to breathe, refocus, plan and prepare. “There are many things we wanted to develop, from access to a wider variety of facilities, to setting up our experience infrastructure across the Kingdom,” Al-Saud told Arab News.

“Trying to do all of that while also managing visitors and creating incredible experiences is possible, but it’s a bit like laying tracks while the train is moving.

“For all the stress that has come with the coronavirus, there’s also been a small sense of relief – we feel more prepared than ever to deliver on our promise: creating unique luxury experiences for the conscious traveler.”

Before becoming TTP, the young women were considered the “go-to” people for travelers wishing to discover places outside the London or New York norm.

“As world travelers, we were fortunate to experience the top tourist destinations,” Al-Saud said. “When TTP was created, we used our collective knowledge to explore the unexplored, and experience the world outside of what we see on social media.”

TTP has two major milestones: 2015, when the founders visited Cuba right before the embargo was lifted, causing them to reshape the way they thought about travel and starting the company; and 2017, when TTP was formalized and began to do business worldwide.

“We drew on our connections, knowledge and expertise to create one-of-a-kind experiences for select clients throughout Europe, Africa and Asia,” said Manayer Alsharekh, TTP co-founder.

“This was when that we found our two biggest strengths: our focus in engaging the local communities, and our hands-on approach to scouting and trialing all of the locations and experiences we offer. We took those two things and ran with them, and now here we are.”

“We look at everything we do through the lens of sustainability,” she said. “In this way, we ensure that we minimize our impact and help preserve these wonderful experiences for future generations. This is true for all our work, both international and local. We have a long list of destinations on offer, and we’re excited to continue developing that.”

The focus to start with is on Saudi Arabia, namely its Eastern Province, Asir and the coast of Tabuk. “Saudi Arabia has so many incredible experiences just waiting to be seen and explored,” Alsharekh said. “Our hope is to refine and promote as much of the country as possible, both for international and local travelers.”

FASTFACT

103,600sq km

Size of Al-Nafud desert, whose sweeping red dunes make for a picture-postcard setting.

The scouting process includes contacting locals in every area about their favorite locations and gaining a better understanding of the destination from those who know it best. They then look out for adventure sites and hidden gems, from interactions with locals and artisans to natural treasures and local cuisines.

“We research potential local partners at each destination and utilize their destination management services,” she said. “The TTP team then visits the destination on a test trip to see the quality and standard of our partners’ services. We then weave everything we’ve learned into a full experience for our clients.”




Although the COVID-19 pandemic has brought the global travel, tourism and hospitality industry to a halt, five young Saudi women have found a silver lining. (Supplied)

The process allows TTP to design the ideal trip for their customers, and gives them the confidence that everything has been taken care of well before their arrival.

Through these trials, the young women got to know the beauty of their own country. “We discovered the cultural diversity and natural wonders that exist within the Kingdom’s 13 regions, from topography and dialect to cuisine and attire,” Al-Saud said.

“We discovered that each locale has its own flavor and unique splendor. This is exciting for us to showcase, as you can completely immerse yourself in the culture and see the destination in its truest form.”

The women aim to display the natural wonders and incredibly diverse culture the Kingdom has to offer, from the towering snow-capped mountains of Tabuk and the lush green valleys of Asir, to the coral reefs in the Red Sea and the mangroves in the Gulf.

When people imagine Saudi Arabia, tropical seafronts are not the first thing that comes to mind. “And yet off of its western coast, there are white sandy beaches, atolls and incredible coral reefs,” said Al-Saud.

“There are whole towns in the mountains at risk of flooding from the amount of rainfall they get every year for as long as they’ve existed. In the north, entire regions are filled with lush farmland and, on both coasts, beautiful mangroves have been thriving for ages.

“Yet if you relied on common knowledge, you would think the Empty Quarter is characteristic of the entire country. There is just so much beauty,” Al-Saud said. “The Traveling Panther doesn’t just want to showcase it, we want to explore every inch of it ourselves.

“Everything that’s happening now isn’t just opening the region up to the international community but is also benefiting locals who are beginning to see what their country has to give. That’s what we’re most excited about.”

Every year, TTP scouts out and expands into one or two new destinations internationally and locally. “Saudi Arabia has its own strategy because we see it as tourism’s final frontier,” Alsharekh said.

TTP is building these destinations by engaging the local community and raising awareness for conscious tourism. It is supporting the Saudi tourism industry within each of the regions by consulting, designing, and developing experiences and services to bring them up to international standards.

The company also aims to build a community of individuals that share a love of travel and exploration. “The community will be built on the spirit of collaboration and the joy of discovery,” she said.

“This is a long-term, far-reaching project that we’re very excited about, and we’re finding that it is developing naturally just through our day-to-day interactions with clients, partners and personal connections.”

Although there is much international and local curiosity about Saudi Arabia, Al-Saud said, there is not much knowledge about where to go and what to do given the country’s recent opening. “As nationals, we feel it’s our responsibility to showcase our Kingdom’s beauty and tell its tales through local narratives,” she said.

She described the group as “experience hunters”, whose restless nature as travelers fuels their love of exploration and finding the perfect destinations and moments.

“We love to perfect these experiences and then share them with the world,” Al-Saud said. “Think Indiana Jones, but instead of finding relics, we find moments.”

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Twitter: @CalineMalek


Saudi development fund agrees $50m loan deal with St. Vincent and the Grenadines

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Saudi development fund agrees $50m loan deal with St. Vincent and the Grenadines

  • Funding will help rebuild and repair facilities damaged by natural disasters in the Caribbean island nation

RIYADH: The Saudi Fund for Development signed a $50 million loan agreement with St. Vincent and the Grenadines on Friday to assist communities affected by natural disasters, Saudi Press Agency reported.

The deal was signed by SFD CEO Sultan Abdulrahman Al-Marshad and Camillo Gonsalves, finance minister of St. Vincent and the Grenadines, during the 2024 spring meetings of the World Bank and the International Monetary Fund in Washington.

According to the World Bank, the southern Caribbean nation faces a host of natural threats, including floods, hurricanes, droughts, landslides, and volcanic eruptions.

The agreement will fund a project to rebuild and repair buildings and facilities damaged by natural disasters in the island nation.

This initiative includes the restoration and construction of essential infrastructure, such as housing, healthcare, educational, and sports facilities, aimed at boosting their durability and resilience against future disasters and climate change impacts.

The project will also include establishing four healthcare centers, building primary and secondary schools, renovating government buildings, and restoring homes damaged by volcanic activity.

The loan is in line with the SFD’s commitment to supporting vulnerable communities around the globe.

Since its inception in 1975, the Saudi fund has financed over 800 development projects and programs worldwide, with total funding exceeding $20 billion.
 


Art Jameel announces open call for Hayy Jameel Facade Commission

Updated 47 min 53 sec ago
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Art Jameel announces open call for Hayy Jameel Facade Commission

  • Antonia Carver, director of Art Jameel, said: “At Art Jameel, we are committed to fostering the role of the arts in public life

JEDDAH: The Hayy Jameel Facade Commission is inviting new and established artists in Saudi Arabia to reimagine the facade of the Hayy Jameel art building in Jeddah.

In its fourth year and third open call process, the commission will select a winning artwork that serves as conversation starter between the complex, the community it serves and the broader public.

Antonia Carver, director of Art Jameel, said: “At Art Jameel, we are committed to fostering the role of the arts in public life.

“Through this annual commission which positions the facade as the first point of contact with the Hayy Jameel community, we are providing a platform that propels mid-career artists forward and challenges them to produce a large-scale, highly imaginative work that remains in-situ, front and center in Jeddah, for around 10 months.”

The commission encourages artists to consider the site-specific nature of the project and the technical requirements of a public work.

Sustainability considerations are also appreciated in managing the carbon footprint of the artwork and its installation.

Eligibility is open to all Saudi and Saudi-based artists and collectives, with at least one member required to be a Saudi citizen or resident if applying as a collective.

The commissioned artists will receive a work fee and a production budget managed by Art Jameel.

The jury, consisting of local and international art professionals, curators, artists and museum directors, will select a single work for production.

Applicants are required to submit a concept statement (200-500 words), up to four sketches and diagrams, and an estimated production schedule through the application portal.

The deadline for the facade submission has been extended to May 1, with the launch scheduled for October. Following the unveiling, there will be a public viewing period from October 2024 to September 2025.

Previous works displayed on the building have showcased the talent of artists such as Nasser Al-Mulhim, Tamara Kalo, Mohammad Al-Faraj and Dr. Zahrah Al-Ghamdi.

 


Saudi universities participate in Geneva’s International Exhibition of Inventions

Mohammed Al-Sudairi
Updated 57 min 7 sec ago
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Saudi universities participate in Geneva’s International Exhibition of Inventions

  • More than 1,000 inventions from over 40 countries showcased at event

RIYADH: Mohammed Al-Sudairi, the Saudi deputy minister of education for universities, research and innovation, opened the Kingdom’s pavilion at the 49th Geneva International Exhibition of Inventions.

Some 26 Saudi Arabian universities are taking part at the event — including 19 government universities, two independents and five private bodies — and a total of 113 inventions have been produced, in scientific, theoretical, medical, and biological specializations, the Saudi Press Agency reported.

Among the universities taking part is Qassim University, which is showcasing a display that highlights innovations and several inventions.

Abdulaziz bin Bani Alharbi, a faculty member at Qassim’s College of Agriculture and Food, said that the college was showcasing a patent registered with the Saudi Authority for Intellectual Property: a method for desalinating salt water using a halophyte plant.

He said the invention involved introducing water and placing the plant in a closed system that allowed the collection of water from the plant after the transpiration process.

Alharbi added that gas exchange followed and then desalination to obtain salt-free water.

Fahad Alminderej, a faculty member at the College of Science, said his group had obtained a patent for extracting materials from date waste, and was then using them in pharmaceutical manufacturing in an innovative manner. This patent had also been registered with the Saudi Authority for Intellectual Property.

Abdullah Almohaimeed, the head of the Innovation Center and Intellectual Property at the university, said that Qassim was participating in the exhibition as part of the Ministry of Education’s initiative to enhance the international presence of Saudi universities, in line with national objectives.

He added that the university’s participation aimed to highlight its role in supporting the innovation system and entrepreneurship, as well as showcase many inventions.

The exhibition, which is taking place until April 21, is displaying more than 1,000 inventions from over 40 countries. Some 800 exhibitors are featured at the event and 30,000 visitors are expected to attend, in addition to 650 journalists.

It is the world’s largest annual event devoted exclusively to invention.

 


Al-Baha’s monuments: A pivotal testament to civilizational advancement

Updated 19 April 2024
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Al-Baha’s monuments: A pivotal testament to civilizational advancement

  • Characterized by intricate designs, the residential buildings, castles, and forts embody a harmonious fusion of environmental adaptability and cultural resonance

RIYADH: Nestled in Al-Baha region in southwestern Saudi Arabia lies a treasure trove of ancient architecture in the quaint villages that dot its landscape.

Characterized by intricate designs, the residential buildings, castles, and forts embody a harmonious fusion of environmental adaptability and cultural resonance.

Crafted with precision, these structures seamlessly integrate with the rugged terrain and fluctuating climate, while also paying homage to the long-standing customs and traditions of ancient Arab society.

Seventy-three-year-old Mohammed bin Salem Al-Ghamdi told Saudi Press Agency: “For decades, I have dedicated myself to the craft of stone house construction.”

Currently, he and his companions are diligently crafting a stone room, employing stones as their primary building material. Together, as a cohesive team of builders, craftsmen, and eager participants, they collaborate harmoniously to bring their vision to life. He described it as both a hobby and inheritance passed down through generations.

“In every construction endeavor, we rely on what’s known as the cornerstone, strategically positioned at the room’s corners. Additionally, a lengthy stone, referred to as the ‘link,’ is essential for connecting each stone within the structure. We also use sturdy stones known as ‘Al-Mateen’ or ‘Al-Daher’ to fortify the room’s foundation.

“Moreover, we meticulously place ‘Al-Lazza’ stones, tiny yet significant, within the larger stones, ensuring a seamless fit without any gaps or openings in the room’s structure,” he added.

“Once the corners are meticulously stacked and leveled, I proceed to roof the room with wood. This involves utilizing a series of wooden beams cut to specific lengths to interconnect all corners of the room. Next, I scatter small plants across the wooden framework to fully cover the ceiling, upon which clay is applied to secure the structure. This method ensures durability against erosion and rainfall, further reinforced by specific paving techniques.”

Al-Ghamdi emphasized the importance of post-construction plastering with clay, which not only gives the interior an earthy tone but also regulates the temperature — ensuring warmth in winter and coolness in summer.

He mentioned the practical use of juniper trees for doors and windows, facilitating easy replacement and serving a dual purpose in construction.

Dr. Abdulaziz bin Ahmed Hanash, professor of urban design at Al-Baha University, highlighted the profound significance of human construction in Al-Baha region, portraying it as a living chronicle of urban civilization’s evolution over time.

He underscored the traditional architecture and urban legacy of Al-Baha as foundational elements, inherently distinguishing the region. With its wealth of historical landmarks spanning the Sarat and Tihamah regions, the area has gained the attention of state authorities, who aim to nurture its potential as both a summer and winter tourism hotspot through strategic development initiatives.


Saudi minister of culture explores KSA pavilion at Venice Biennale

Updated 19 April 2024
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Saudi minister of culture explores KSA pavilion at Venice Biennale

  • Prince Badr met his Italian counterpart, Minister of Culture Gennaro Sangiuliano
  • Prince Badr also explored the “Journeys in Land Art: Towards Wadi AlFann, AlUla” exhibition

VENICE/LONCON: Prince Badr bin Abdullah bin Farhan, Saudi minister of culture and governor of the Royal Commission for AlUla, has concluded his official visit to Italy.

Throughout his trip, he engaged in discussions with prominent Italian cultural figures, aiming to strengthen cooperation and foster cultural exchanges between the two countries.

During the visit, the Saudi minister convened with his Italian counterpart, Minister of Culture Gennaro Sangiuliano.

They delved into strategies to strengthen cooperation and deepen cultural exchanges between the two countries.

The pair praised noteworthy cultural initiatives and projects that unfolded in 2023 across diverse spheres including heritage preservation, fashion, music, museum exhibitions, architectural innovation, design, and visual arts.

During this week’s trip, Prince Badr visited the Saudi Pavilion at the 60th Venice Biennale, hosted at the Arsenale center, which was showcasing Manal AlDowayan’s “Shifting Sands: A Battle Song.”

AlDowayan’s work illuminates the evolving role of Saudi women in the public sphere, and their efforts to redefine both their physical spaces and the narratives surrounding them.

Prince Badr also explored the “Journeys in Land Art: Towards Wadi AlFann, AlUla” exhibition, which serves as an introduction to the Kingdom’s culturally and historically rich region of AlUla.

It also features work by AlDowayan alongside exhibits by Agnes Denis, Michael Heizer, Ahmed Mater, and James Turrell, and includes photographs and video presentations.

The exhibition runs until April 30, and will host discussion panels on topics such as land art, art in public spaces, visitor experiences, museum curation, and the interplay of art and archaeology, offering a range of perspectives.