Hajj pilgrims arrive in Muzdalifah after spending the day in Arafat

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Pilgrims left Arafat for Muzdalifah after sunset on Thursday. (SPA)
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Muslim pilgrims gather on the Mount of Mercy on the plains of Arafat during the annual Hajj pilgrimage in 2019, and after the coronavirus disease (COVID-19) outbreak July 30, 2020. (Reuters)
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Updated 01 August 2020
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Hajj pilgrims arrive in Muzdalifah after spending the day in Arafat

  • Pilgrims left Arafat in coaches for Muzdalifah after sunset and will pray the Maghrib and Isha prayers there
  • They will then sleep, pray the Fajr prayer there tomorrow and then leave for Mina


JEDDAH: Hajj 2020 pilgrims arrived in Muzdalifah Thursday night to rest after spending the day in Arafat.

Earlier, the pilgrims scaled Mount Arafat to pray and repent, as a highly unusual Hajj approached its climax. They listened to a sermon delivered by Sheikh Abdullah Al-Manea and prayed Dhuhr and Asr prayers together at the Al-Namirah Mosque in Arafat.

This year’s pilgrimage is the smallest in modern times, after the number of participants was greatly restricted to prevent the spread of the coronavirus. 

Tight security was in place around the foot of the rocky hill outside Makkah, also known as Jabal Al-Rahma or Mount of Mercy, in preparation for the high point of the annual ritual.
Video footage shown on state television showed the pilgrims setting off on their climb to the summit. They wore face masks and observed strict social-distancing rules imposed by Saudi authorities.As sprinklers sprayed water on them to provide relief from the summer desert heat, the pilgrims raised their palms as they climbed the slopes of the hill — the site of Prophet Muhammad’s last sermon. When they reached the top they recited holy verses and prayed for forgiveness for their sins.




Muslim pilgrims gather on the Mount of Mercy on the plains of Arafat during the annual Hajj pilgrimage in 2019, and after the coronavirus disease (COVID-19) outbreak July 30, 2020. (Reuters)

Earlier, the pilgrims were taken in buses from Mina to Mount Arafat. Strict precautionary measures were in place, with each group accompanied by security teams, ambulances and civil defense vehicles. 
When they arrived, their temperatures were checked before they entered Namirah Mosque to hear a sermon that was translated into 10 languages.
“The camps were set up for pilgrims in Arafat early on,” said Minister of Hajj and Umrah Muhammad Salih Bentin. The sermon at Namirah Mosque was delivered by Sheikh Abdullah Al-Manea, who led the pilgrims in noon and afternoon prayers.
“During Hajj this year, we reiterate that it is essential for pilgrims, as well as everyone assisting them, to adhere to the precautionary regulations that have been implemented,” Al-Manea, a member of the Council of Senior Scholars, said during his sermon. “This is to be done for their own safety.
“Precautions have been put in place to protect lives against the damage that the pandemic can cause, and also to actualize Islam’s teachings pertaining to safeguarding human life by Allah’s permission.”

The stay in Arafat is described as the pinnacle of Hajj and Muslims around the world reflect the actions of pilgrims by asking for forgiveness and praying for their deepest desires.
Pilgrims left Arafat in coaches for Muzdalifah after sunset and will pray the Maghrib and Isha prayers there.

After sunset prayers, the pilgrims made their way down Mount Arafat to Muzdalifah, where they will spend the night before the final Hajj ritual, the symbolic stoning of the devil. 

This year, each pilgrim received sanitized pebbles in advance of the event on Friday, which is the first day of Eid Al-Adha.
This year the Kingdom faced the unprecedented challenge of ensuring pilgrims attending Hajj were protected as much as possible from the risks of the coronavirus.

They will then sleep, pray the Fajr prayer there tomorrow and then leave for Mina.


Art Jameel announces open call for Hayy Jameel Facade Commission

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Art Jameel announces open call for Hayy Jameel Facade Commission

  • Antonia Carver, director of Art Jameel, said: “At Art Jameel, we are committed to fostering the role of the arts in public life

JEDDAH: The Hayy Jameel Facade Commission is inviting new and established artists in Saudi Arabia to reimagine the facade of the Hayy Jameel art building in Jeddah.

In its fourth year and third open call process, the commission will select a winning artwork that serves as conversation starter between the complex, the community it serves and the broader public.

Antonia Carver, director of Art Jameel, said: “At Art Jameel, we are committed to fostering the role of the arts in public life.

“Through this annual commission which positions the facade as the first point of contact with the Hayy Jameel community, we are providing a platform that propels mid-career artists forward and challenges them to produce a large-scale, highly imaginative work that remains in-situ, front and center in Jeddah, for around 10 months.”

The commission encourages artists to consider the site-specific nature of the project and the technical requirements of a public work.

Sustainability considerations are also appreciated in managing the carbon footprint of the artwork and its installation.

Eligibility is open to all Saudi and Saudi-based artists and collectives, with at least one member required to be a Saudi citizen or resident if applying as a collective.

The commissioned artists will receive a work fee and a production budget managed by Art Jameel.

The jury, consisting of local and international art professionals, curators, artists and museum directors, will select a single work for production.

Applicants are required to submit a concept statement (200-500 words), up to four sketches and diagrams, and an estimated production schedule through the application portal.

The deadline for the facade submission has been extended to May 1, with the launch scheduled for October. Following the unveiling, there will be a public viewing period from October 2024 to September 2025.

Previous works displayed on the building have showcased the talent of artists such as Nasser Al-Mulhim, Tamara Kalo, Mohammad Al-Faraj and Dr. Zahrah Al-Ghamdi.

 


Saudi universities participate in Geneva’s International Exhibition of Inventions

Mohammed Al-Sudairi
Updated 9 min 18 sec ago
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Saudi universities participate in Geneva’s International Exhibition of Inventions

  • More than 1,000 inventions from over 40 countries showcased at event

RIYADH: Mohammed Al-Sudairi, the Saudi deputy minister of education for universities, research and innovation, opened the Kingdom’s pavilion at the 49th Geneva International Exhibition of Inventions.

Some 26 Saudi Arabian universities are taking part at the event — including 19 government universities, two independents and five private bodies — and a total of 113 inventions have been produced, in scientific, theoretical, medical, and biological specializations, the Saudi Press Agency reported.

Among the universities taking part is Qassim University, which is showcasing a display that highlights innovations and several inventions.

Abdulaziz bin Bani Alharbi, a faculty member at Qassim’s College of Agriculture and Food, said that the college was showcasing a patent registered with the Saudi Authority for Intellectual Property: a method for desalinating salt water using a halophyte plant.

He said the invention involved introducing water and placing the plant in a closed system that allowed the collection of water from the plant after the transpiration process.

Alharbi added that gas exchange followed and then desalination to obtain salt-free water.

Fahad Alminderej, a faculty member at the College of Science, said his group had obtained a patent for extracting materials from date waste, and was then using them in pharmaceutical manufacturing in an innovative manner. This patent had also been registered with the Saudi Authority for Intellectual Property.

Abdullah Almohaimeed, the head of the Innovation Center and Intellectual Property at the university, said that Qassim was participating in the exhibition as part of the Ministry of Education’s initiative to enhance the international presence of Saudi universities, in line with national objectives.

He added that the university’s participation aimed to highlight its role in supporting the innovation system and entrepreneurship, as well as showcase many inventions.

The exhibition, which is taking place until April 21, is displaying more than 1,000 inventions from over 40 countries. Some 800 exhibitors are featured at the event and 30,000 visitors are expected to attend, in addition to 650 journalists.

It is the world’s largest annual event devoted exclusively to invention.

 


Al-Baha’s monuments: A pivotal testament to civilizational advancement

Updated 34 min 1 sec ago
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Al-Baha’s monuments: A pivotal testament to civilizational advancement

  • Characterized by intricate designs, the residential buildings, castles, and forts embody a harmonious fusion of environmental adaptability and cultural resonance

RIYADH: Nestled in Al-Baha region in southwestern Saudi Arabia lies a treasure trove of ancient architecture in the quaint villages that dot its landscape.

Characterized by intricate designs, the residential buildings, castles, and forts embody a harmonious fusion of environmental adaptability and cultural resonance.

Crafted with precision, these structures seamlessly integrate with the rugged terrain and fluctuating climate, while also paying homage to the long-standing customs and traditions of ancient Arab society.

Seventy-three-year-old Mohammed bin Salem Al-Ghamdi told Saudi Press Agency: “For decades, I have dedicated myself to the craft of stone house construction.”

Currently, he and his companions are diligently crafting a stone room, employing stones as their primary building material. Together, as a cohesive team of builders, craftsmen, and eager participants, they collaborate harmoniously to bring their vision to life. He described it as both a hobby and inheritance passed down through generations.

“In every construction endeavor, we rely on what’s known as the cornerstone, strategically positioned at the room’s corners. Additionally, a lengthy stone, referred to as the ‘link,’ is essential for connecting each stone within the structure. We also use sturdy stones known as ‘Al-Mateen’ or ‘Al-Daher’ to fortify the room’s foundation.

“Moreover, we meticulously place ‘Al-Lazza’ stones, tiny yet significant, within the larger stones, ensuring a seamless fit without any gaps or openings in the room’s structure,” he added.

“Once the corners are meticulously stacked and leveled, I proceed to roof the room with wood. This involves utilizing a series of wooden beams cut to specific lengths to interconnect all corners of the room. Next, I scatter small plants across the wooden framework to fully cover the ceiling, upon which clay is applied to secure the structure. This method ensures durability against erosion and rainfall, further reinforced by specific paving techniques.”

Al-Ghamdi emphasized the importance of post-construction plastering with clay, which not only gives the interior an earthy tone but also regulates the temperature — ensuring warmth in winter and coolness in summer.

He mentioned the practical use of juniper trees for doors and windows, facilitating easy replacement and serving a dual purpose in construction.

Dr. Abdulaziz bin Ahmed Hanash, professor of urban design at Al-Baha University, highlighted the profound significance of human construction in Al-Baha region, portraying it as a living chronicle of urban civilization’s evolution over time.

He underscored the traditional architecture and urban legacy of Al-Baha as foundational elements, inherently distinguishing the region. With its wealth of historical landmarks spanning the Sarat and Tihamah regions, the area has gained the attention of state authorities, who aim to nurture its potential as both a summer and winter tourism hotspot through strategic development initiatives.


Saudi minister of culture explores KSA pavilion at Venice Biennale

Updated 19 April 2024
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Saudi minister of culture explores KSA pavilion at Venice Biennale

  • Prince Badr met his Italian counterpart, Minister of Culture Gennaro Sangiuliano
  • Prince Badr also explored the “Journeys in Land Art: Towards Wadi AlFann, AlUla” exhibition

VENICE/LONCON: Prince Badr bin Abdullah bin Farhan, Saudi minister of culture and governor of the Royal Commission for AlUla, has concluded his official visit to Italy.

Throughout his trip, he engaged in discussions with prominent Italian cultural figures, aiming to strengthen cooperation and foster cultural exchanges between the two countries.

During the visit, the Saudi minister convened with his Italian counterpart, Minister of Culture Gennaro Sangiuliano.

They delved into strategies to strengthen cooperation and deepen cultural exchanges between the two countries.

The pair praised noteworthy cultural initiatives and projects that unfolded in 2023 across diverse spheres including heritage preservation, fashion, music, museum exhibitions, architectural innovation, design, and visual arts.

During this week’s trip, Prince Badr visited the Saudi Pavilion at the 60th Venice Biennale, hosted at the Arsenale center, which was showcasing Manal AlDowayan’s “Shifting Sands: A Battle Song.”

AlDowayan’s work illuminates the evolving role of Saudi women in the public sphere, and their efforts to redefine both their physical spaces and the narratives surrounding them.

Prince Badr also explored the “Journeys in Land Art: Towards Wadi AlFann, AlUla” exhibition, which serves as an introduction to the Kingdom’s culturally and historically rich region of AlUla.

It also features work by AlDowayan alongside exhibits by Agnes Denis, Michael Heizer, Ahmed Mater, and James Turrell, and includes photographs and video presentations.

The exhibition runs until April 30, and will host discussion panels on topics such as land art, art in public spaces, visitor experiences, museum curation, and the interplay of art and archaeology, offering a range of perspectives. 


Saudi officials reveal details of highly-anticipated ‘Zarqa Al-Yamama’ opera

Updated 19 April 2024
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Saudi officials reveal details of highly-anticipated ‘Zarqa Al-Yamama’ opera

RIYADH: Saudi officials on Thursday revealed details of performances of “Zarqa Al-Yamama,” the first Saudi opera and the largest to be performed in the Arabic language.
The opera opens on April 25 and will run until May 4 at the King Fahd Cultural Center in Riyadh, the Theater and Performing Arts Commission announced at a press conference.
Sultan Al-Bazei, the CEO of the commission, said: “The ‘Zarqa Al-Yamama’ opera represents a new phase for Saudi culture, in which the most famous stories of our narrative and cultural heritage are embodied on the theater stages with qualitative works according to the highest international standards.”
He added that the new production is the result of years of work, and all its details were developed with great care and hard work.


He expressed appreciation for the follow-up and attention given by Minister of Culture Prince Badr bin Abdullah bin Farhan, who is also the chairman of the board of directors of the Theater and Performing Arts Commission.
Prince Badr announced the launch of the opera on Feb. 16 at a ceremony in London, which was attended by the Saudi and international creatives participating in the opera’s production.
Al-Bazei said that “Zarqaa Al-Yamama” derives its story, spirit and language from the cultures of the Arabian Peninsula.
The opera “in some way embodies a bloody tragedy, depicting ancient history and at the same time symbolizing the sorrows of the contemporary man in the world, without being devoid of the specter of hope that heralds a bright and prosperous tomorrow,” Al-Bazei explained.
He added that the first Saudi opera will include prominent names in the Saudi music scene, most notably the author of the text, Saleh Zamanan, and the participation of a number of Saudi artists in the show.
Al-Bazei said the Dresden Sinfoniker Orchestra will perform the musical pieces of the opera, and the Czech Philharmonic Choir will accompany the events of the story with distinctive vocals, while Swiss director Daniele Finzi Pasca will undertake the task of directing all the details of the opera.
International operatic composer Lee Bradshaw put together the tunes for this epic story, drawing inspiration from some traditional elements to create a contemporary framework.
The commission announced during the press conference the main partners are the Roshan Group and the King Fahd Cultural Center.
It also honored other official partners including Banque Saudi Fransi, Saudi Signs Media and Genesis Motor, and sponsors including Nova and Spirit of Saudi Arabia, and hospitality partners Bateel and Ramada by Wyndham.
Through the opera, the Theater and Performing Arts Commission aims to strengthen the Saudi cultural sector, highlight national talent, and reproduce and revive famous works and stories inherited from the Arabian Peninsula in a contemporary and creative form.
It also aims to enhance international cultural exchange, as one of the goals of the National Strategy for Culture derived from the Kingdom’s Vision 2030.