Woman says Weinstein yelled, ‘You owe me!’ before raping her

Film producer Harvey Weinstein departs New York Criminal Court after his sexual assault trial in the Manhattan borough of New York City on Jan. 31, 2020. (REUTERS/Lucas Jackson)
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Updated 01 February 2020
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Woman says Weinstein yelled, ‘You owe me!’ before raping her

  • The 34-year-old woman’s testimony is a pivotal moment in the rape case against Harvey Weinstein
  • A conviction could put the once-powerful movie producer behind bars for the rest of his life

NEW YORK: A key accuser in Harvey Weinstein’s trial testified Friday that he raped her twice, once bellowing, “You owe me!” as he dragged her into a bedroom.
The first time, the heavyset Hollywood tycoon trapped her in a New York hotel room in March 2013, and angrily ordered her to undress as he loomed over her, and then raped her, she told jurors.
Still, she kept in touch, sending him flattering emails, because “his ego was so fragile,” she said, and it “made me feel safe, worshipping him in this sense. … I wanted to be perceived as innocent and naive.”
Then, eight months later at a Los Angeles hotel where she worked as a hairdresser, she told Weinstein that she was dating an actor, she said.
“You owe me one more time!” he screamed, she told jurors. She said she begged him not to take off her clothes, but he said, “I don’t have time for games” and ripped off her pants before pushing her legs apart and raping her.
Afterward, she said, she crawled into the bathroom, her eyes red and swollen from tears, and worried that he’d get angry if he knew she was crying.
“OK, now go have your relationship,” he told her, according to her testimony. His apology: “I just find you so attractive, I couldn’t resist.”
The 34-year-old woman’s testimony, which is set to continue Monday,is a pivotal moment in the rape case against the once-powerful movie producer who became one of the #MeToo movement’s top targets. He is charged in New York with the March 2013 rape and also sexually assaulting Mimi Haleyi, a former “Project Runway” production assistant, in 2006. A conviction could put him behind bars for the rest of his life.
Weinstein, 67, has insisted that any sexual encounters were consensual. His lawyers aim to raise doubts about the rape accuser’s credibility by seizing on her complicated history with the former film producer.
The defense says the woman sent Weinstein warm emails that said things like “Miss you, big guy.” Not once, in more than 400 messages between the two, did the woman accuse Weinstein of harming her, his lawyers have said.
Asked by a prosecutor to describe Weinstein’s body, the woman said that when she first saw him naked, she noticed “extreme scarring” on his stomach and thought he had characteristics of both male and female genitalia.
“When I first saw him, I was filled with compassion, absolute compassion,” she said, adding, “It seemed his anger came from a place of pain.”
As he left the courtroom, Weinstein was asked if the description of body was accurate.
“Yeah, perfect,” he said, sarcastically. One of Weinstein’s attorneys, Arthur Aidala, said it wasn’t accurate.
Asked why she didn’t break off contact with Weinstein at the first sign of trouble, the woman testified she didn’t want to offend him. But defense lawyer Donna Rotunno asked whether it was really because the woman “wanted to benefit from the power he had.”
The woman responded that her relationship with the then-married Weinstein was more complicated than that.
The Associated Press has a policy of not publishing the names of sexual assault accusers without their consent. It is withholding name of the rape accuser because it isn’t clear if she wishes to be identified publicly.
The woman testified that she met Weinstein at a party in late 2012 or early 2013 after she moved from Washington state to Los Angeles to pursue acting.
The producer behind such Oscar-winning films as “Shakespeare in Love” and “Pulp Fiction” offered to help her, she said, asking her to meet him at a bookstore to learn about movie-business history.
“I thought it was a blessing,” she said.
Later, what she thought was a professional dinner at a Los Angeles hotel ended up in his suite, she testified. She said she thought Weinstein just wanted to avoid public attention, but he pressured her into giving him a massage on the bed with his shirt off.
At another point, he invited her and friend to a hotel suite to give them a script after telling them he wanted to cast them in a vampire film, the woman said.
“Oh, no. I know what that means,’’ she said she told him. “And he laughed at me and said, ‘I am a harmless old man.’”
Weinstein started undressing, went into a bedroom and called for her. When she went to find out what he wanted, he grabbed her arm, closed the door and started “trying to kiss me like crazy,” she said.
She said she tussled with him, and he grew increasingly angry and said: “I’m not letting you leave until I do something for you.” He then performed oral sex on her, she told jurors, her voice breaking.
She said she feigned orgasm to extricate herself from the encounter but later started having “non-forcible” oral sex with Weinstein.
“I was confused after what happened and I made a decision to be in a relationship with him,” she said. While she wasn’t sexually attracted to Weinstein, she felt compassion for him and wanted his approval, she added.
But the relationship quickly turned “degrading,”she said. Weinstein could be charming, but “if he heard the word `no,’ it was like a trigger for him,” she said.
The first rape happened after she agreed to meet Weinstein for breakfast with friends, she said. She was upset when he checked into a New York hotel where she was staying, she said, but she accompanied him to his room to tell him off in private.
Instead, the producer held the door shut, barked at her to undress and “stood over me until I was completely naked,” she told jurors.
Then he went into another room, emerged naked and raped her, she testified. Afterward in a bathroom, she found a needle in a trash can, she said, and believed, after some research, that he had injected himself with an erection-inducing drug.


Used missiles for sale: Iranian weapons used against Israel are up for grabs on Jordan-based website

Updated 7 min 42 sec ago
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Used missiles for sale: Iranian weapons used against Israel are up for grabs on Jordan-based website

  • Debris used in attack listed on OpenSooq online marketplace

LONDON: Fragments of missiles launched by Iran during the recent attack on Israel have been discovered for sale on Jordan’s prominent OpenSooq website, which is known for trading goods, including vehicles and real estate.

Al Arabiya reported on Sunday that the shrapnel was being advertised, with pieces described as “Used Iranian ballistic missile in good condition for sale,” and “One-time use ballistic missile for sale at an attractive price.”

The sellers had provided specifications and images of the missiles, describing them as “excellent type,” and mentioned their involvement in an “accident” resulting in “severe damage to the body.”

Some listings even included installment payment options.

Iran launched drones and missiles toward Israel late on Saturday as it retaliated following a suspected Israeli strike on the consulate annex building adjacent to the Iranian Embassy in Damascus, Syria, earlier this month.

While most projectiles were intercepted by a joint response from Israel, the US, UK, France, and Jordan, the attack marked Iran’s first direct military assault on Israeli territory, escalating tension and uncertainty in the region.

Following the attack, individuals shared photographs online showing debris that had fallen on Jordanian territory in areas such as Al-Hasa, Marj Al-Hamam, and Karak Governorate.

The Jordanian government confirmed that it had intercepted some flying objects in its airspace, with no reported damage or injuries.

Debris from such incidents often holds economic value. Metal debris from the Iraq War has been used by Iran-backed groups to finance their activities.

Similar items are sold online as military memorabilia, and there has been a surge in demand for such artifacts, as seen in Australia last year, preceding the country’s ban on the sale of hate symbols.


Google Doodle celebrates Lebanese-American poet and artist Etel Adnan

Updated 15 April 2024
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Google Doodle celebrates Lebanese-American poet and artist Etel Adnan

  • Etel Adnan rose to fame for her 1977 novel Sitt Marie Rose about the Lebanese civil war

DUBAI: Google released its latest Doodle on Monday honoring Etel Adnan, a Lebanese-American poet, essayist and visual artist, considered one of the most accomplished Arab-American authors of her era.

The poet, who rose to fame for her 1977 novel Sitt Marie Rose about the Lebanese civil war, was born in Lebanon in 1925 to a Greek mother and a Syrian father, and grew up in multiple cultures, languages, nationalities and religions. Sitt Marie Rose won the France-Pays Arabes award and become a classic of war literature, so much so that it is taught in American classrooms.

In 1949, Adnan went to Paris to study philosophy at the Sorbonne before going to America to study at Harvard and Berkeley.

From 1958 to 1972, she taught philosophy in California, during which time she also started painting and writing poetry. She developed her literary voice in English and said abstract painting was the entry point into her native Arabic.

Adnan returned to Beirut, where from 1972 to 1976 she worked as the arts editor for two newspapers. She returned to California in 1979, then spent her later years living between Paris and Beirut.

In 2003, Adnan was named “arguably the most celebrated and accomplished Arab American author writing today” by the academic journal MELUS: Multi-Ethnic Literature of the United States.

Adnan’s most recent honor was in 2020. Her poetry collection “Time,” which is a selection of her work — translated from French by Sarah Riggs — won the Griffin Poetry Prize.

The King Abdulaziz Center for World Culture, or Ithra, earlier this year opened an eponymous exhibition in her honor – “Etel Adnan: Between East and West” –  showcasing 41 of her works. The space at Ithra’s gallery is the first solo exhibition of Adnan’s work in Saudi Arabia, running until June 30.

The works on display span from the beginning of Adnan’s artistic career in the late 1950s through to her final creations in 2021, shortly before her death that year aged 96.

Some of the works are on loan from significant international institutions such as the Sharjah Art Foundation, Sfier-Semler Gallery and Sursock Museum. Some are part of private collections.


‘HELP’ written in palm fronds lands rescue for Pacific castaways

Updated 12 April 2024
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‘HELP’ written in palm fronds lands rescue for Pacific castaways

  • The trio became stranded on Pikelot Atoll, a tiny island in the remote Western Pacific, after their motor-powered skiff malfunctioned
  • A US Navy aircraft saw the "help" sign and a ship came later to rescue the stranded trio, all experienced mariners in their 40s

LOS ANGELES: Sometimes all you have to do is ask for “HELP“: That’s what three men stranded on a deserted Pacific island learned earlier this week, writing the message in palm fronds which were spotted by US rescuers.

The trio, all experienced mariners in their 40s, became stranded on a lonely island after setting off from Micronesia’s Polowat Atoll on March 31 in their motor-powered skiff which subsequently experienced damage.
They were reported missing last Saturday by a woman who told the US Coast Guard her three uncles never returned from Pikelot Atoll, a tiny island in the remote Western Pacific.
“In a remarkable testament to their will to be found, the mariners spelled out ‘HELP’ on the beach using palm leaves, a crucial factor in their discovery,” said search and rescue mission coordinator Lt. Chelsea Garcia.
She reported that the trio was discovered Sunday on Pikelot Atoll by a US Navy aircraft.
“This act of ingenuity was pivotal in guiding rescue efforts directly to their location,” she said.
The aircraft crew dropped survival packages, and rescuers one day later dropped a radio which the mariners used to communicate that they were in good health, had access to food and water, and that the motor on their 20-foot (six-meter) skiff was no longer working.
On Tuesday morning a ship rescued the trio and their equipment, returning them to Polowat Atoll, the Coast Guard said.
In August 2020, three Micronesian sailors also stranded on Pikelot were rescued after Australian and US warplanes spotted a giant “SOS” they had scrawled on the beach.
 


Dining hall with Trojan War decorations uncovered in ancient Roman city of Pompeii

Updated 12 April 2024
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Dining hall with Trojan War decorations uncovered in ancient Roman city of Pompeii

  • One fresco depicts Paris and Helen, whose love affair caused the Trojan War, according to classical accounts
  • Pompeii and the surrounding countryside was submerged by volcanic ash when Mount Vesuvius exploded in AD 79

ROME: A black-walled dining hall with 2,000-year-old paintings inspired by the Trojan War has been discovered during excavations at the Roman city of Pompeii, authorities said on Thursday.
The size of the room — about 15 meters long and 6 meters wide — the quality of the frescoes and mosaics from the time of Emperor Augustus, and the choice of characters suggest it was used for banquets, Pompeii Archaeological Park said.

A fresco of a mythological character inspired by the Trojan War is seen in this handout picture taken in the ancient archeological site of Pompeii and released on April 11, 2024. (Parco Archeoligico di Pompei/Handout via REUTERS)

“The walls were painted black to prevent the smoke from the oil lamps being seen on the walls,” Gabriel Zuchtriegel, head of the park, said.
“People would meet to dine after sunset, and the flickering light of the lamps had the effect of making the images appear animated, especially after a few glasses of good Campanian wine.”
Pompeii and the surrounding countryside was submerged by volcanic ash when Mount Vesuvius exploded in AD 79, killing thousands of Romans who had no idea they were living beneath one of Europe’s biggest volcanoes.
The site has seen a burst of archaeological activity aimed at halting years of decay and neglect, largely thanks to a 105-million-euro ($112 million) European Union-funded project.

A fresco of a mythological character inspired by the Trojan War is seen in this handout picture taken in the ancient archeological site of Pompeii and released on April 11, 2024. (Parco Archeoligico di Pompei/Handout via REUTERS)

The dominant theme of the newly discovered paintings is heroism and fate.
One fresco depicts Paris and Helen, whose love affair caused the Trojan War, according to classical accounts. Another one shows doomed prophetess Cassandra and the Greco-Roman god Apollo.
According to Greek mythology, Cassandra predicted the Trojan War after receiving the gift of foresight from Apollo, but no-one believed her. This was because of a curse Apollo put upon her for refusing to give herself to him.


Bosnian Formula One fan brings speed dreams to the mountains

Updated 10 April 2024
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Bosnian Formula One fan brings speed dreams to the mountains

  • The 36-year-old mechanic bought the car from another racing superfan in the capital Sarajevo last year
  • Since purchasing the vehicle, he has been methodically making tweaks to its exterior, while nursing hopes of one day replacing its engine

KLJUC, Bosnia and Herzegovina: Far from the glitzy racetracks where legendary drivers made their mark in the world of Formula One, Himzo Beganovic has turned his dreams of speed into reality along the dirt roads of northwestern Bosnia.
“I always wanted to own a Formula One car, to have it in front of the house, to be able to go for a spin,” Beganovic told AFP, as he tuned up a replica “Ferrari red” race car outside his home near the Bosnian town of Kljuc.
The 36-year-old mechanic bought the car from another racing superfan in the capital Sarajevo last year.
The replica, which took two years to build, remains a ramshackle mock-up, crafted with sheet metal — a far cry from the advanced carbon fiber used in the multimillion-dollar cars of Formula One teams.
Despite Beganovic’s limited means, he still hopes to make his car more efficient, bit by bit.
Since purchasing the vehicle, he has been methodically making tweaks to its exterior, while nursing hopes of one day replacing its engine.
Along with a more powerful motor, Beganovic hopes to install an automatic gearbox and better tires.
“When you drive Formula One, you feel like you are flying. It is not like a car,” he said.
“It is the only one in Bosnia-Herzegovina. There are no others.”
A self-professed lover of “fast driving” and taking “dangerous turns,” Beganovic has been turning heads along Bosnia’s mountain roads where he reaches speeds of up to 200 kilometers per hour (124 miles per hour).
Other times he simply parks the car in a popular area and lets people check it out.
“I sometimes put it on a trailer to take it to other places in the country. People come, photograph it, and ask questions,” he said.
“The feeling is indescribable.”
For Beganovic, there was no question of what color the car would be.
As a longtime fan of seven-time world champion Michael Schumacher, the Ferrari-red paint pays tribute to the driver who won five titles with the famous Italian team.
Since the legendary German champion’s skiing accident in 2013 in the French Alps, Beganovic said he has yet to find another driver that interests him as much.
With Schumacher in mind, he hopes to put an Audi V-8 engine into his car soon.
“When a German engine and Bosnian ingenuity combine, you get an Italian car,” laughed one of Beganovic’s neighbors.