Ramy Youssef wins Golden Globe for Arab-Muslim comedy

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Ramy Youssef received a Golden Globe Award for his stage performances in the 10-episode hit Hulu comedy series ‘Ramy.’ (AFP)
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Ricky Gervais arrives at the 77th annual Golden Globe Awards at the Beverly Hilton Hotel on Sunday, Jan. 5, 2020, in Beverly Hills, Calif. (AP)
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US actress Kirsten Dunst arrives for the 77th annual Golden Globe Awards on January 5, 2020, at The Beverly Hilton hotel in Beverly Hills, California. (AFP)
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Sofia Carson arrives at the 77th annual Golden Globe Awards at the Beverly Hilton Hotel on Sunday, Jan. 5, 2020, in Beverly Hills, Calif. (AP)
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Cuban actress Ana de Armas arrives for the 77th annual Golden Globe Awards on January 5, 2020, at The Beverly Hilton hotel in Beverly Hills, California. (AFP)
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Actress Naomi Watts and President of Premium Content Group of ViacomCBS Domestic Media Networks and Chairman and CEO of Showtime Networks, David Nevins attend Showtime's Golden Globe Nominees Celebration at Sunset Tower Hotel on January 04, 2020 in West Hollywood, California. (AFP)
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US actress Kate McKinnon arrives for the 77th annual Golden Globe Awards on January 5, 2020, at The Beverly Hilton hotel in Beverly Hills, California. (AFP)
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British host Ricky Gervais(L) and partner Jane Fallon arrive for the 77th annual Golden Globe Awards on January 5, 2020, at The Beverly Hilton hotel in Beverly Hills, California. (AFP)
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TV presenter Natalie Morales arrives for the 77th annual Golden Globe Awards on January 5, 2020, at The Beverly Hilton hotel in Beverly Hills, California. (AFP)
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Joe Alwyn arrives at the 77th annual Golden Globe Awards at the Beverly Hilton Hotel on Sunday, Jan. 5, 2020, in Beverly Hills, Calif. (AP)
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US actress Zoey Deutch arrives for the 77th annual Golden Globe Awards on January 5, 2020, at The Beverly Hilton hotel in Beverly Hills, California. (AFP)
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US actress Dakota Fanning arrives for the 77th annual Golden Globe Awards on January 5, 2020, at The Beverly Hilton hotel in Beverly Hills, California. (AFP)
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Peter Krause (L) and Lauren Graham attend the 77th Annual Golden Globe Awards at The Beverly Hilton Hotel on January 05, 2020 in Beverly Hills, California. (AFP)
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Director Lorene Scafaria arrives for the 77th annual Golden Globe Awards on January 5, 2020, at The Beverly Hilton hotel in Beverly Hills, California. (AFP)
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Australian actress Margot Robbie arrives for the 77th annual Golden Globe Awards on January 5, 2020, at The Beverly Hilton hotel in Beverly Hills, California. (AFP)
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Roman Griffin Davis arrives at the 77th annual Golden Globe Awards at the Beverly Hilton Hotel on Sunday, Jan. 5, 2020, in Beverly Hills, Calif. (AP)
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Rose Leslie, left, and Kit Harington arrive at the 77th annual Golden Globe Awards at the Beverly Hilton Hotel on Sunday, Jan. 5, 2020, in Beverly Hills, Calif. (AP)
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Updated 06 January 2020
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Ramy Youssef wins Golden Globe for Arab-Muslim comedy

  • The Golden Globes, Hollywood’s most freewheeling televised award show, could be unusually influential this year

CHICAGO: For the second year in a row, an Arab American, Ramy Youssef, received a Golden Globe Award for his stage performances in the 10-episode hit Hulu comedy series, “Ramy,” increasing expectations for a possible Oscar win next month.
With Arabian music and undulations in the background, Youssef entered the stage and accepted the 2020 Golden Globes Award for “Best Actor in a Comedy Series” for his performance as “Ramy.”




Ali Wong and Ramy Youssef speak onstage during Hollywood Foreign Press Association's Annual Grants Banquet at Regent Beverly Wilshire Hotel on July 31, 2019 in Beverly Hills, California. (File/AFP)

In “Ramy,” Youssef portrayed a first-generation Arab Muslim American who deals with the many stereotypes he has to face in America.
Youssef did not disappoint fans during his brief acceptance speech, remaining in his comedic role and carrying the stereotypes he tackled in his series to the live Golden Globe stage.
“Allah-uh-Akhbar … This is thanks to God and Hulu,” Youssef said in accepting the award. “Most of you haven’t seen my show … This means a lot. Thank you.”


The Golden Globes are important not only as a reflection of an actor’s performance but as a precursor to the more important Oscars which will be presented to many of the same nominees at the 92nd Academy Awards to be broadcast February 9.
Youssef beat out four fellow nominees including two heavyweight Hollywood actors, Michael Douglas for his performance in “The Kominsky Method” and Paul Rudd in “Living with Yourself.” Also nominated were Ben Platt for “The Politician” and Bill Hader for “Barry.”
“Ramy” was broadcast by Hulu as a 10-part streaming series in April 2019 and is scheduled for a second season later this Spring.
With episodes set in New Jersey and Cairo, where he visits relatives, the show hilariously portrays the humor and reality of being an Arab and Muslim in America. Much of the show’s focus is more on being Muslim and less on being Arab, a trend that reflects the reality of Arab American life in the wake of the Sept. 11, 2001 terrorist attacks.

The irreverent half-hour comedy series took on many of the stereotypes and challenges Muslims, and Arabs, face in America, from having to wash your feet before Masjid prayers and having sexual relations with non-Muslims while dealing with the concerns of his conservative and religious parents.
In one episode, Ramy dallies in a relationship with a Jewish American girl who drops him for another boyfriend when he refuses to join her in using drugs.
Rami Malek, who is also Egyptian American, missed his second Golden Globe for “Best Performance of an Actor in a Television Series – Drama” for his role in the popular USA TV Network series “Mr. Robot.” The award was instead awarded to actor Brian Cox for his performance in “Succession.”
Last year, Malek won the Golden Globe award for “Best Performance by an Actor in a Motion Picture” for his powerful dramatic role as the late musician Freddie Mercury in the hit Hollywood musical “Bohemian Rhapsody,” and went on to win the Oscar for “Best Actor” at the 2019 Academy Awards presentation for the same role.
Best actor in a limited series went to Russell Crowe for the Showtime series “The Loudest Voice.” He wasn’t in attendance due to the wildfires in his native Australia.
Ahead of Sunday’s show, some wondered how much the growing conflict in Iran would be talked about following Friday’s targeted killing of Iranian Gen. Qassem Soleimani. But in the show’s first hour, the fires in Australia were the most mentioned news event by Golden Globe winners.




Ali Wong and Ramy Youssef speak onstage during Hollywood Foreign Press Association's Annual Grants Banquet at Regent Beverly Wilshire Hotel on July 31, 2019 in Beverly Hills, California. (File/AFP)

Phoebe Waller-Bridge followed up her Emmy haul by winning best actress in a TV series comedy. Her co-star Andrew Scott (of “hot priest” fame) missed out on the category’s supporting actor award, which Stellan Skarsgård took for HBO’s “Chernobyl.”
HBO was also triumphant in best TV drama, where the second season of “Succession” bested Netflix’s “The Crown” and Apple TV Plus’ first Globe nominee, “The Morning Show.”
Best foreign language film went to Bong Joon Ho’s “Parasite,” the Cannes Palme d’Or winning sensation from South Korea.


Despite being an organization of foreign journalists, the Hollywood Foreign Press Association does not include foreign films in its top categories, thus ruling out “Parasite,” a likely best picture nominee at the Oscars.
The Golden Globes, Hollywood’s most freewheeling televised award show, could be unusually influential this year. The roughly 90 voting members of the HFPA have traditionally had little in common with the nearly 9,000 industry professionals that make up the Academy of Motion Picture Arts and Sciences.
The condensed time frame of this year’s award season (the Oscars are Feb. 9) brings the Globes and the Academy Awards closer. Balloting for Oscar nominations began Thursday. Voters were sure to be watching.

* with agencies


Moroccan director Asmae El-Moudir joins Cannes’ Un Certain Regard jury

Updated 25 April 2024
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Moroccan director Asmae El-Moudir joins Cannes’ Un Certain Regard jury

DUBAI: The Cannes Film Festival announced on Thursday that Moroccan director, screenwriter and producer Asmae El-Moudir will be part of the Un Certain Regard jury at the 77th edition of the event, set to take place from May 14-25. 

She will be joined by French Senegalese screenwriter and director Maïmouna Doucouré, German Luxembourg actress Vicky Krieps and American film critic, director, and writer Todd McCarthy. 

Xavier Dolan will be the president of the Un Certain Regard jury. 

The team will oversee the awarding of prizes for the Un Certain Regard section, which highlights art and discovery films by emerging auteurs, from a selection of 18 works, including eight debut films.

El-Moudir is the director of the critically acclaimed film “The Mother of All Lies.”

The movie took the honors in the Un Certain Regard section, as well as winning the prestigious L’oeil d’Or prize for best documentary at the festival in 2023. The film explores El-Moudir’s personal journey, unraveling the mysteries of her family’s history against the backdrop of the 1981 bread riots in Casablanca.

El-Moudir is not the only Arab joining the Cannes team. 

Moroccan Belgian actress Lubna Azabal this week was appointed the president of the Short Film and La Cinef Jury of the festival. The La Cinef prizes are the festival’s selection dedicated to film schools.


Second Ritz-Carlton Reserve in Saudi Arabia planned for Neom 

Updated 25 April 2024
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Second Ritz-Carlton Reserve in Saudi Arabia planned for Neom 

DUBAI: Marriott International, Inc. announced on Thursday that it has signed an agreement with Neom to open its second Ritz-Carlton Reserve in Saudi Arabia. 

The hotel is anticipated to open in Trojena, a year-round mountain destination located in the northwest region of the country. 

The resort is expected to feature 60 expansive one-to-four-bedroom villas. Plans also include a range of amenities including a spa, swimming pools and multiple culinary venues.

Chadi Hauch, the regional vice president of Lodging Development Middle East, Marriott International said in a statement: “Together with Neom, we look forward to bringing this ultra-luxury experience to Trojena. This signing also marks an important addition to our portfolio in Saudi Arabia where we continue to see a strong demand for our luxury brands.” 

“Trojena is a rare destination, and we are delighted that Ritz-Carlton Reserve has hand-picked the mountains of Neom for their next property.  Together we will create an experience that can’t be recreated anywhere else. Our visitors and residents will experience a sanctuary that will capture the magic of Saudi Arabia, embracing ultimate luxury in an unforgettable location,” executive director and Trojena region head Philip Gullett said in a statement. 

Trojena, one of the flagship developments within Neom, is being developed and positioned as a year-round adventure sports destination that will include activities such as skiing, water sports, hiking and mountain biking. It will also include apartments, chalets, retail, dining, entertainment, leisure, sports and recreational facilities, and other hospitality offerings, including a W Hotel and a JW Marriott Hotel.

Ritz-Carlton Reserve currently boasts a  collection of only six properties in destinations including Thailand, Indonesia, Puerto Rico and Mexico.


The Arab world at the Venice Biennale: Artists explore themes of identity, immigration, history

Updated 25 April 2024
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The Arab world at the Venice Biennale: Artists explore themes of identity, immigration, history

VENICE: No event in the international art scene is more anticipated, or debated, than the Venice Biennale. This year’s edition, “Foreigners Everywhere,” curated by Adriano Pedroso from Brazil, features 331 artists and 86 nations, including four Gulf countries as well as Lebanon and Egypt.  

Saudi Arabia 

Women’s voices chanting in unison fill the air of the Saudi Pavilion at Venice this year. “Shifting Sands: A Battle Song” was created by Saudi artist Manal AlDowayan, and hundreds of women from across the Kingdom participated in its creation. The exhibition, which includes large-scale installations in the form of desert roses filled with writing and drawings by the Saudi female participants whom AlDowayan worked with, aims to showcase the evolving role of women in the Kingdom while also striving to dispel media narratives that have long defined them. The chanting is derived from traditional battle songs once performed by Saudi men before they went into battle. Here they are chanted by women in a powerful chorus of strength and resilience, backed by recordings of the wind passing through sand dunes. The work, AlDowayan tells Arab News, “is about change, subtle changes — like those of a sand dune — the surface changes, but the core stays the same.”   

“Shifting Sands: A Battle Song” was created by Saudi artist Manal AlDowayan. (Supplied)

UAE  

Emirati artist Abdullah Al-Saadi is presenting “Sites of Memory, Sites of Amnesia” at the National Pavilion of the United Arab Emirates. It’s an introspective show consisting of drawings, sculptures, paintings and installations charting Al-Saadi’s travels around his homeland. “Traveling and understanding the natural world around me has always been an important part of my work,” Al-Saadi, who has even used rocks from the Emirates as his ‘canvas’ for some of the works, told Arab News. “Through this presentation in Venice, I hope visitors will enjoy tracing the travels I have taken over the past few years and also think about the world around us, and our place within it.”  

Visitors will also be presented with gifts: maps and scrolls in colorful traditional chests from the region, which will be removed and presented to guests by actors from the UAE.  

Emirati artist Abdullah Al-Saadi is presenting “Sites of Memory, Sites of Amnesia.” (Supplied)

Qatar  

While Qatar doesn’t have a national pavilion at the biennale, it is presenting “Your Ghosts Are Mine: Expanded Cinemas, Amplified Voices” — a group show of films by artists from across the Arab world, Africa and South Asia, as well as video installations from the collections of Mathaf: Arab Museum of Modern Art and the Art Mill Museum (scheduled to open in 2030). All the films were backed by the Doha Film Institute. 

“For me, it was important to show movies reflective of the theme of the biennale — so, revolving around immigration, foreigners, personal diaries and self-portraits and stories from women — all coming from independent (artists) in the Global South, whose voices are not always shared,” the Paris-based curator Matthieu Orlean told Arab News. 

Installation view of 'Your Ghosts Are Mine.' (Supplied) 

 

Egypt  

Alexandrian-born artist Wael Shawky has created “Drama 1882,” a 45-minute film for which he also composed the music, for Egypt’s national pavilion, which — in the first week of the biennale at least — has proved to be one of the most popular pavilions at this year’s event.   

The film is based around Egypt’s nationalist Urabi revolution against imperial influence in the late 19th century and Shawky uses historical and literary references as starting points from which to weave together a story that fuses fact, fiction and fable, while also exploring national, religious and artistic identity.  

“I worked with performers who enacted a play in a theater for the film,” Shawky told Arab News. “The film strives in part to connect the idea of history to drama — drama regarding the connection to catastrophe and drama regarding cynicism. I like to analyze the authenticity of history, especially Egyptian history. When one makes films about history there is this gap between truth and myth.” 

Wael Shawky has created “Drama 1882,” a 45-minute film for which he also composed the music, for Egypt’s national pavilion. (Supplied)

Lebanon 

Lebanese artist Mounira Al-Solh’s multimedia installation “A Dance with Her Myth” combines drawing, painting, sculpture, embroidery, video, and audio, and guides viewers through ancient Phoenicia. The piece, Al-Solh explains to Arab News, is inspired by the tale of Europa, the daughter of a Phoenician king who was abducted from the city of Tyre in Lebanon by the Greek god Zeus, who had transformed himself into a white bull to trick her into riding him, then took her off into the sea.  

“The (work) pays tribute to the ancient multicultural heritage of Lebanon,” Al-Solh says.  

In the center of the pavilion is an unfinished boat, that Al-Solh says references “the tension that women still face today, despite their emancipation.”  

Lebanese artist Mounira Al-Solh’s multimedia installation “A Dance with Her Myth” combines drawing, painting, sculpture, embroidery, video, and audio. (Supplied)

Oman  

Oman’s second participation in the biennale, is an exhibition titled “Malath — Haven.” It includes work from five Omani contemporary artists: Ali Al-Jabri, Essa Al-Mufarji, Sarah Al-Aulaqi, Adham Al-Farsi and Alia Al-Farsi (who also curated the show). “We used the word ‘haven’ in the title because, since antiquity, foreigners — including the Romans, Portuguese and Indians — have visited Oman,” Alia Al-Farsi told Arab News. The works on display — from Al-Farsi’s own colorful and expressive mixed-media murals (such as “Alia’s Alleys,” pictured here) to Al-Aulaqi’s “Breaking Bread,” which includes a large sculpture of a niqab made from silver spoons — reflect both traditional and contemporary life in Oman.  

“As an Omani creative with an international background, my aim was for the exhibition to serve as a sanctuary for visitors and travelers, allowing stories to unfold and intertwine, mirroring how our country finds its richness in intercultural dialogue,” the curator said in a statement.

'Alia’s Alleys' is on show in Venice. (Supplied)

 


Behind the scenes at Mazen Laham’s Middle East media powerhouse 

Updated 25 April 2024
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Behind the scenes at Mazen Laham’s Middle East media powerhouse 

  • Mazen Laham’s Different Productions, the company behind “Dubai Bling” and the regional version of “Shark Tank,” just celebrated its 10th anniversary 
  • Discussing Arabic-language adaptations of global shows, he said they preserve the original concept while respecting cultural sensitivities

DUBAI: Lebanese producer Mazen Laham’s Different Productions celebrated its 10th anniversary this month. The company is one of the driving forces of the television industry in the region, responsible for the creation of acclaimed shows including Netflix’s “Dubai Bling,” and “It’s OK” — a docuseries about the Lebanese pop superstar Elissa — as well as Arabic adaptations of popular franchises “Shark Tank,” “Say Yes to the Dress,” and “Chopped.”  

Laham told Arab News that shooting for the third season of “Dubai Bling” has already concluded, adding that it is “even bigger than the two previous seasons.” He confirmed that Emirati-Egyptian TV host Mahira Abdeaziz and Iraqi influencer Jwana Karim will be joining the cast, which already includes Zeina Khoury, Safa and Fahad Siddiqui, DJ Bliss, Danya Mohammed, Kris and Brianna Fade, Mona Kattan Al-Amin, Hassan Al-Amin, Loujain Adada, Ebraheem Al-Samadi, and Farhana Bodi.  

The previous two seasons both ranked in the global top 10 for non-English series on Netflix. “I believe in numbers,” Laham said. “It was (popular) globally. What I will say is that season three is a very big season.”  

While they suspected the show would be popular, Laham admitted that he and his team were not expecting it to get quite so big. “What we were aiming for is to have a good show but we never thought that it will be this successful,” he said.  

The show may be popular, but it has also attracted plenty of criticism online for its depiction of life in Dubai. Laham, though, seems unperturbed. 

“We never said that this is Dubai. From day one, we said it is about a group of friends living in Dubai,” he said. “It is not a documentary about the city. We are not saying ‘This is Dubai and this is life in Dubai,’ we only focused on a group of friends living in Dubai.” 

Discussing his company’s various Arabic-language adaptations of international shows, Laham said that they try to preserve the original concept of the show while ensuring they cater to the cultural sensitivities and preferences of the region. 

“Before getting the shows, we make sure that they fit our culture — anything that, culturally, does not pass, we do not even get it in the first place,” he said. “But, whenever we see something that could be adapted, yes, we (try to) get the rights for it. The most important thing is to keep the structure and the main spirit of the format the same.” 

Laham believes there are now two distinct audiences for shows: those for traditional television networks and those for streaming services such as Netflix, Shahid, Starzplay.  

“What is on TV does not work on a platform and vice versa, because the new generation want something fast — they want something will keep them hooked. So, it’s very challenging to make content for them,” he said.  

What Laham believes works best are docuseries such as “Dubai Bling” and “It’s OK.” 

“These are non-scripted, but they are serialized; they’re sticky,” he explained. “You want to keep on watching to follow the stories and this is when you binge watch. On TV channels, you still get to see classical standalone episodes.” 

Laham said Different Productions is currently working on an original docuseries for Starzplay called “Unstoppable.”  

“It’s a football-based reality show where children between the ages of 13 and 15 compete. There will be one winner, and the winner will hopefully play for one of the big Italian teams,” he said.  

Laham described the Saudi Arabia market as “promising,” not only due to the growing number of original productions but also because “the infrastructure, whether it’s Neom or AlUla,” is drawing in creatives from around the world. “I think it’s going to the biggest media hub out there very soon,” he added.  

“We care a lot about the viewership in Saudi Arabia because it’s the biggest market,” Laham said. “So we always look into the ratings — even if it’s not a pure Saudi show, we want our shows to be watched in Saudi Arabia.”  


Arab-American Heritage Month: Sama Alshaibi — ‘I’m trying to change this idea of what an Arab woman is’ 

Updated 25 April 2024
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Arab-American Heritage Month: Sama Alshaibi — ‘I’m trying to change this idea of what an Arab woman is’ 

DUBAI: The fourth in this year’s series focusing on contemporary Arab-American artists in honor of Arab-American Heritage Month. 

Born in Basrah to an Iraqi father and a Palestinian mother, Sama Alshaibi is an Arizona-based professor and artist who has mostly devoted her 20-year career to video, photography and performance art.  

During the Iran-Iraq war of the Eighties, Alshaibi and her family moved around the region, living in Saudi Arabia, the UAE, and Jordan, before eventually settling in the American Midwest when she was 13 years old.  

Sama Alshaibi_Water Bearer II. (Supplied)

“Growing up in the United States was strange. We were a ‘different’ family in Iowa and there wasn’t a lot of diversity. But I grew up in a place with nice people,” Alshaibi tells Arab News from Bellagio, Italy, where she is doing a residency at the Rockefeller Foundation.  

But she also says there were obstacles, mainly formed by major political events that impacted her. “It was challenging, because of where I’m from,” she says. 

Alshaibi’s work is largely inspired by her Arab roots. “Arts were so revered in my family,” she says. “I don’t even know if I would be making art if it wasn’t for my heritage.” It was her father, an avid photographer, who taught her to use a manual camera. She aspired to become a photojournalist herself — inspired by 20th-century African-American photographers, notably Carrie Mae Weems and Lorna Simpson, who documented Black culture in their imagery.  

Sama Alshaibi's 'Gamer Albumen' print. (Supplied)

Many of her images are portraits of herself wearing, for example, traditional Middle Eastern garments, referencing romanticized Orientalist portrayals of women, and in the end, challenging them.  

“I’m trying to change this idea of what you think an Arab woman is,” she explains. “I started seeing the power of communication, of taking political or social issues and using your body, your performance, your environment, to address them.”  

One of Alshaibi’s best-known series is called “Carry Over,” in which she photographed herself carrying large objects (or Orientalist props), such as a tower of container tins or a water vessel, above her head. The images poetically show a woman’s endurance and comment on a collective history, affected by colonialism and cultural loss.  

“I’ve always been interested in the notion of ‘aftermath’ — what happens after the destruction of your environment,” explains Alshaibi. “It gets you to the question of what we can’t hold onto anymore.”