Pearls of wisdom: Japan’s cultured farms still glisten

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An employee of Mikimoto jewellery displays a neckless, earings and a ring made of cultured Akoya pearls in Tokyo on December 4, 2018. (AFP)
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A farmer of the Sakaguchi Akoya pearl farm displays oysters with pearls on a table in Shima on October 12, 2018. (AFP)
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A farmer of the Sakaguchi Akoya pearl farm displays oysters with pearls on a table in Shima on October 12, 2018. (AFP)
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A farmer of the Sakaguchi Akoya pearl farm removes a net of oysters in Shima on October 12, 2018. (AFP)
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An employee of Mikimoto jewellery poses with a neckless made of cultured Akoya pearls in Tokyo on December 4, 2018. (AFP)
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An employee of Mikimoto jewellery tries a neckless made of cultured Akoya pearls in Tokyo on December 4, 2018. (AFP)
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An employee of Mikimoto jewellery tries a neckless made of cultured Akoya pearls in Tokyo on December 4, 2018. (AFP)
Updated 09 April 2019
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Pearls of wisdom: Japan’s cultured farms still glisten

  • Only around five percent of the oysters harvested will result in pearls of sufficient quality to adorn the windows of chic jewellers far away in Tokyo

SHIMA, Japan: In Japan’s picturesque Ago Bay, a couple sits in a little hut picking out oysters from a net, cleaning them carefully one-by-one before replacing them gently back in the water.
Their hope: in several months, these oysters will produce a glistening white pearl from a cultured farming technique invented in Japan that is in decline as experts die out in the aging country.
Cultured pearl farming was first commercialized in Ago Bay and spread throughout the world. There are still dozens of farms plying the trade there, which look from the sky like a series of rafts floating between the steep coast and a string of tiny islets.
In 1893, an Ago Bay local called Kokichi Mikimoto became worried the oyster pearls avidly sought in his waters were becoming extinct.
So he began introducing artificial foreign bodies into the oysters in a bid to replicate the natural process in which they secrete thousands of layers of nacre when a grain of sand or shell finds its way inside the pearl pocket.
After several setbacks — including a bacterial virus that decimated his crop — Mikimoto finally hit the jackpot: one day in July 1893 a semi-spherical pearl appeared, clinging to the oyster.
A decade or so later, he had refined his method to produce a perfectly round specimen and immediately patented his technique — the cultured pearl.
Success was not immediate — several viewed the cultured pearl as a vulgar replica of the “natural” variety — but eventually Mikimoto built a global empire and Japan became the reference for the small pearls known as “Akoya.”
Around the same time, two other Japanese, Tatsuhei Mise and Tokichi Nishikawa, applied for a patent.

The Sakaguchi family has been crafting these valuable pearls between three and 10 millimeters in diameter for three generations. Kasuhiro, 73, and Misayo, 68, are now supported by daughter Ruriko.
“Our job is to look after the oysters as well as we can for three to four years,” explained the energetic 43-year-old Ruriko, sporting an apron and headscarf.
“From harvesting the young oysters, introducing the graft, right up to extracting the pearl,” she added, as she dragged oysters from the net for inspection.

The whole delicate operation rests of the insertion of a nucleus — a small round polished ball made out of shellfish — and the “graft,” a piece of donor mantle tissue from another oyster.
Over a period of several months, the oyster reacts to the foreign bodies by secreting thousands of layers of nacre which form the pearl.
The pearls are harvested in December, when the water is around 15 degrees, said Ruriko. “Below this, the pearl will lack strength. Above that, it will lack shine,” she explained.
It is a thankless task. Of the 100,000 oysters harvested annually, half die immediately after the operation.
The vast majority produce either mediocre pearls or nothing at all. Only around five percent of the oysters harvested will result in pearls of sufficient quality to adorn the windows of chic jewellers far away in Tokyo.

The Sakaguchis are lucky to have Ruriko take up the family trade, which is suffering — like many other traditional Japanese crafts — from an aging population and a flight from the country to booming cities.
The number of specialized pearl farmers has dropped from 3,760 in the 1960s to just 680 in 2013, according to the most recent data from the Fisheries Agency.
But despite this, Japan still dominates the global market, accounting for around 30 percent in terms of value — helped by concentrating on the best quality pearls.
Japan has produced around 20 tons of farmed pearls annually over the past 10 years, bringing in around 16.6 billion yen, and is aiming to reach 20 billion yen by 2027.
But even that would be a far cry from the heady days of the late 1980s when Japan produced around 70 tons with a value of 88 billion yen.
So what sets Japanese cultured pearls apart from competitors in Tahiti, Indonesia, Myanmar, Philippines or Australia?
Aside from centuries of know-how, Japan is helped by its climate, said Yuichi Nakamura, vice-chairman of the Mie Pearl promotion council.
“The key is the winter season in Japan. It gives the pearls a better shine and sets them apart from the rest of world,” Nakamura told AFP.
Rivals from China at one point looked set to threaten Japan’s dominance but “they focused in quantity... whereas we concentrated on quality to stay in the race.”
That quality is on glittering display at the luxurious, multistory flagship store of Mikimoto, in the plush Tokyo district of Ginza.
Here a mannequin wears a priceless pearl necklace but pearls can range from a few hundred to a million dollars.
“For the Japanese, pearls are a family heirloom. We give them as necklaces to women about to marry or as earrings or rings,” said Mikimoto boss Hiroshi Yoshida.
They then wear them at grand occasions for the rest of their lives.
But perhaps an indication of a shift in the global economy: more than half of Mikimoto’s customers are Chinese. After them come Americans, other Asians such as Singaporeans, and then Europeans.


Used missiles for sale: Iranian weapons used against Israel are up for grabs on Jordan-based website

Updated 16 April 2024
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Used missiles for sale: Iranian weapons used against Israel are up for grabs on Jordan-based website

  • Debris used in attack listed on OpenSooq online marketplace

LONDON: Fragments of missiles launched by Iran during the recent attack on Israel have been discovered for sale on Jordan’s prominent OpenSooq website, which is known for trading goods, including vehicles and real estate.

Al Arabiya reported on Sunday that the shrapnel was being advertised, with pieces described as “Used Iranian ballistic missile in good condition for sale,” and “One-time use ballistic missile for sale at an attractive price.”

The sellers had provided specifications and images of the missiles, describing them as “excellent type,” and mentioned their involvement in an “accident” resulting in “severe damage to the body.”

Some listings even included installment payment options.

Iran launched drones and missiles toward Israel late on Saturday as it retaliated following a suspected Israeli strike on the consulate annex building adjacent to the Iranian Embassy in Damascus, Syria, earlier this month.

While most projectiles were intercepted by a joint response from Israel, the US, UK, France, and Jordan, the attack marked Iran’s first direct military assault on Israeli territory, escalating tension and uncertainty in the region.

Following the attack, individuals shared photographs online showing debris that had fallen on Jordanian territory in areas such as Al-Hasa, Marj Al-Hamam, and Karak Governorate.

The Jordanian government confirmed that it had intercepted some flying objects in its airspace, with no reported damage or injuries.

Debris from such incidents often holds economic value. Metal debris from the Iraq War has been used by Iran-backed groups to finance their activities.

Similar items are sold online as military memorabilia, and there has been a surge in demand for such artifacts, as seen in Australia last year, preceding the country’s ban on the sale of hate symbols.

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Google Doodle celebrates Lebanese-American poet and artist Etel Adnan

Updated 15 April 2024
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Google Doodle celebrates Lebanese-American poet and artist Etel Adnan

  • Etel Adnan rose to fame for her 1977 novel Sitt Marie Rose about the Lebanese civil war

DUBAI: Google released its latest Doodle on Monday honoring Etel Adnan, a Lebanese-American poet, essayist and visual artist, considered one of the most accomplished Arab-American authors of her era.

The poet, who rose to fame for her 1977 novel Sitt Marie Rose about the Lebanese civil war, was born in Lebanon in 1925 to a Greek mother and a Syrian father, and grew up in multiple cultures, languages, nationalities and religions. Sitt Marie Rose won the France-Pays Arabes award and become a classic of war literature, so much so that it is taught in American classrooms.

In 1949, Adnan went to Paris to study philosophy at the Sorbonne before going to America to study at Harvard and Berkeley.

From 1958 to 1972, she taught philosophy in California, during which time she also started painting and writing poetry. She developed her literary voice in English and said abstract painting was the entry point into her native Arabic.

Adnan returned to Beirut, where from 1972 to 1976 she worked as the arts editor for two newspapers. She returned to California in 1979, then spent her later years living between Paris and Beirut.

In 2003, Adnan was named “arguably the most celebrated and accomplished Arab American author writing today” by the academic journal MELUS: Multi-Ethnic Literature of the United States.

Adnan’s most recent honor was in 2020. Her poetry collection “Time,” which is a selection of her work — translated from French by Sarah Riggs — won the Griffin Poetry Prize.

The King Abdulaziz Center for World Culture, or Ithra, earlier this year opened an eponymous exhibition in her honor – “Etel Adnan: Between East and West” –  showcasing 41 of her works. The space at Ithra’s gallery is the first solo exhibition of Adnan’s work in Saudi Arabia, running until June 30.

The works on display span from the beginning of Adnan’s artistic career in the late 1950s through to her final creations in 2021, shortly before her death that year aged 96.

Some of the works are on loan from significant international institutions such as the Sharjah Art Foundation, Sfier-Semler Gallery and Sursock Museum. Some are part of private collections.


‘HELP’ written in palm fronds lands rescue for Pacific castaways

Updated 12 April 2024
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‘HELP’ written in palm fronds lands rescue for Pacific castaways

  • The trio became stranded on Pikelot Atoll, a tiny island in the remote Western Pacific, after their motor-powered skiff malfunctioned
  • A US Navy aircraft saw the "help" sign and a ship came later to rescue the stranded trio, all experienced mariners in their 40s

LOS ANGELES: Sometimes all you have to do is ask for “HELP“: That’s what three men stranded on a deserted Pacific island learned earlier this week, writing the message in palm fronds which were spotted by US rescuers.

The trio, all experienced mariners in their 40s, became stranded on a lonely island after setting off from Micronesia’s Polowat Atoll on March 31 in their motor-powered skiff which subsequently experienced damage.
They were reported missing last Saturday by a woman who told the US Coast Guard her three uncles never returned from Pikelot Atoll, a tiny island in the remote Western Pacific.
“In a remarkable testament to their will to be found, the mariners spelled out ‘HELP’ on the beach using palm leaves, a crucial factor in their discovery,” said search and rescue mission coordinator Lt. Chelsea Garcia.
She reported that the trio was discovered Sunday on Pikelot Atoll by a US Navy aircraft.
“This act of ingenuity was pivotal in guiding rescue efforts directly to their location,” she said.
The aircraft crew dropped survival packages, and rescuers one day later dropped a radio which the mariners used to communicate that they were in good health, had access to food and water, and that the motor on their 20-foot (six-meter) skiff was no longer working.
On Tuesday morning a ship rescued the trio and their equipment, returning them to Polowat Atoll, the Coast Guard said.
In August 2020, three Micronesian sailors also stranded on Pikelot were rescued after Australian and US warplanes spotted a giant “SOS” they had scrawled on the beach.
 


Dining hall with Trojan War decorations uncovered in ancient Roman city of Pompeii

Updated 12 April 2024
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Dining hall with Trojan War decorations uncovered in ancient Roman city of Pompeii

  • One fresco depicts Paris and Helen, whose love affair caused the Trojan War, according to classical accounts
  • Pompeii and the surrounding countryside was submerged by volcanic ash when Mount Vesuvius exploded in AD 79

ROME: A black-walled dining hall with 2,000-year-old paintings inspired by the Trojan War has been discovered during excavations at the Roman city of Pompeii, authorities said on Thursday.
The size of the room — about 15 meters long and 6 meters wide — the quality of the frescoes and mosaics from the time of Emperor Augustus, and the choice of characters suggest it was used for banquets, Pompeii Archaeological Park said.

A fresco of a mythological character inspired by the Trojan War is seen in this handout picture taken in the ancient archeological site of Pompeii and released on April 11, 2024. (Parco Archeoligico di Pompei/Handout via REUTERS)

“The walls were painted black to prevent the smoke from the oil lamps being seen on the walls,” Gabriel Zuchtriegel, head of the park, said.
“People would meet to dine after sunset, and the flickering light of the lamps had the effect of making the images appear animated, especially after a few glasses of good Campanian wine.”
Pompeii and the surrounding countryside was submerged by volcanic ash when Mount Vesuvius exploded in AD 79, killing thousands of Romans who had no idea they were living beneath one of Europe’s biggest volcanoes.
The site has seen a burst of archaeological activity aimed at halting years of decay and neglect, largely thanks to a 105-million-euro ($112 million) European Union-funded project.

A fresco of a mythological character inspired by the Trojan War is seen in this handout picture taken in the ancient archeological site of Pompeii and released on April 11, 2024. (Parco Archeoligico di Pompei/Handout via REUTERS)

The dominant theme of the newly discovered paintings is heroism and fate.
One fresco depicts Paris and Helen, whose love affair caused the Trojan War, according to classical accounts. Another one shows doomed prophetess Cassandra and the Greco-Roman god Apollo.
According to Greek mythology, Cassandra predicted the Trojan War after receiving the gift of foresight from Apollo, but no-one believed her. This was because of a curse Apollo put upon her for refusing to give herself to him.


Bosnian Formula One fan brings speed dreams to the mountains

Updated 10 April 2024
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Bosnian Formula One fan brings speed dreams to the mountains

  • The 36-year-old mechanic bought the car from another racing superfan in the capital Sarajevo last year
  • Since purchasing the vehicle, he has been methodically making tweaks to its exterior, while nursing hopes of one day replacing its engine

KLJUC, Bosnia and Herzegovina: Far from the glitzy racetracks where legendary drivers made their mark in the world of Formula One, Himzo Beganovic has turned his dreams of speed into reality along the dirt roads of northwestern Bosnia.
“I always wanted to own a Formula One car, to have it in front of the house, to be able to go for a spin,” Beganovic told AFP, as he tuned up a replica “Ferrari red” race car outside his home near the Bosnian town of Kljuc.
The 36-year-old mechanic bought the car from another racing superfan in the capital Sarajevo last year.
The replica, which took two years to build, remains a ramshackle mock-up, crafted with sheet metal — a far cry from the advanced carbon fiber used in the multimillion-dollar cars of Formula One teams.
Despite Beganovic’s limited means, he still hopes to make his car more efficient, bit by bit.
Since purchasing the vehicle, he has been methodically making tweaks to its exterior, while nursing hopes of one day replacing its engine.
Along with a more powerful motor, Beganovic hopes to install an automatic gearbox and better tires.
“When you drive Formula One, you feel like you are flying. It is not like a car,” he said.
“It is the only one in Bosnia-Herzegovina. There are no others.”
A self-professed lover of “fast driving” and taking “dangerous turns,” Beganovic has been turning heads along Bosnia’s mountain roads where he reaches speeds of up to 200 kilometers per hour (124 miles per hour).
Other times he simply parks the car in a popular area and lets people check it out.
“I sometimes put it on a trailer to take it to other places in the country. People come, photograph it, and ask questions,” he said.
“The feeling is indescribable.”
For Beganovic, there was no question of what color the car would be.
As a longtime fan of seven-time world champion Michael Schumacher, the Ferrari-red paint pays tribute to the driver who won five titles with the famous Italian team.
Since the legendary German champion’s skiing accident in 2013 in the French Alps, Beganovic said he has yet to find another driver that interests him as much.
With Schumacher in mind, he hopes to put an Audi V-8 engine into his car soon.
“When a German engine and Bosnian ingenuity combine, you get an Italian car,” laughed one of Beganovic’s neighbors.