Hajj through history: A 1,400-year spiritual odyssey

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Comparing a pilgrim’s Hajj journey in the past with today, the hardships have been greatly reduced as the advancements of the Saudi government in technology, logistics, hospitality, and security have considerably eased the burdens on pilgrims and their families. (Supplied)
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Comparing a pilgrim’s Hajj journey in the past with today, the hardships have been greatly reduced as the advancements of the Saudi government in technology, logistics, hospitality, and security have considerably eased the burdens on pilgrims and their families. (Supplied)
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Updated 19 August 2018
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Hajj through history: A 1,400-year spiritual odyssey

  • The railway was built on the order of the Ottoman Empire, financed by Deutsche Bank, and strongly supported by the then-German Empire
  • Modern transportation in the form of aircraft effectively began after World War II, with the Kingdom establishing the Arabian Transport Company in 1946

JEDDAH: The annual Muslim pilgrimage of Hajj is an Islamic practice more than 1,400 years old that holds an incomparable spiritual value for Muslims when performed during their lifetime.
It is one of the five pillars of Islam, and a journey that every Muslim must embark on at least once in their lifetime (so long as they are financially and physically able). It is a physically taxing five-day voyage that begins in Makkah, and has pilgrims trekking more than 50 kilometers by foot. Comparing a pilgrim’s Hajj journey in the past with today, the hardships have been greatly reduced as the advancements of the Saudi government in technology, logistics, hospitality, and security have considerably eased the burdens on pilgrims and their families.

Rocky road for pilgrims
Before the Saudi state was founded and the current monarchy formed, the Arabian Peninsula consisted of many small tribes and sheikhdom-governed territories. This frequently led to constant states of chaos and instability within the region, and often the most prone to this violence were often defenseless Hajj pilgrims making their way through unfamiliar territories. At the turn of the 19th century, the security conditions en route to Makkah were unforgiving. When pilgrim began their Hajj journey, most had full knowledge that they were indeed risking their very lives while leaving worried families behind, putting their faith to the ultimate test.
Nomadic Bedouin tribes would often attack convoys, pillaging vital food and supplies. Those who resisted would often pay the ultimate price. Others would be left with insufficient supplies to stay properly hydrated. The unforgiving weather conditions would naturally claim additional casualties.
The beginning of the 20th century saw additional advancements in transit methods with the Hejaz Railway opening in 1908, running from Damascus to Madinah.
The railway was built on the order of the Ottoman Empire, financed by Deutsche Bank, and strongly supported by the then-German Empire. Seemingly from one Hajj season to the next, a pilgrim’s journey to Makkah was now drastically reduced from weeks by steamboat to only four days by train.

King ushers in era of security
By the late 1920s King Abdul Aziz, Saudi Arabia’s founder-to-be, was consolidating his power having overrun most of the central Arabian Peninsula. After capturing the holy city of Makkah in 1925 from Sharif Hussein, he ended more than 700 years of Hashemite rule. Prominent figures from Makkah, Madinah, and Jeddah now acknowledged King Abdul Aziz as the King of Hejaz. Najd was soon elevated to a monarchy as well in 1927, and for the next five years King Abdul Aziz ran a dual Kingdom of Hejaz and Najd, operating them as separate territories but both firmly under his control. In 1929, King Abdul Aziz would formally unite Hejaz and Najd into what we now recognize as the Kingdom of Saudi Arabia, in 1932.
Not long after that, oil was discovered in Saudi Arabia in 1938 by American geologists working for the Standard Oil Company partnered with Saudi officials. King Abdul Aziz’s tremendous influence over the region had increased exponentially. Rather than use this tremendous power to conquer additional territories, King Abdul Aziz used this heavy influence to promote peace and stability across his newfound Kingdom, forcing Bedouins to abandon intertribal conflicts that frequently involved Hajj pilgrims. For King Abdul Aziz, establishing the safety and security of Hajj pilgrims was of paramount importance.
Modern transportation in the form of aircraft effectively began after World War II, with the Kingdom establishing the Arabian Transport Company in 1946 and the Bakhashab Transport Company in 1948. Although the first official air transit contract for Hajj pilgrims was established between the Saudi government and Misr Airlines of Egypt in 1937, the airline frequently experienced engine trouble that disrupted the transport flow of pilgrims. This, coinciding with the impending WWII from 1939 to 1945, had Hajj pilgrim numbers decrease greatly. Once the war ended, though, traveling by plane proved highly effective for the pilgrims. By 1950, the use of camels as a means of transport during Hajj virtually ended.

Comfort, guidance for all
Today’s Hajj pilgrimage, in many ways, bears little resemblance to its early 20th-century counterpart. Aircraft have, for the most part, replaced sea and rail travel, and in doing so, have transformed Hajj from a months-long multi-site journey into a much more rapid, safe, and fairly direct voyage to Makkah.
Today, the Makkah Metro is expected to shuttle more than 350,000 pilgrims from Mina to Arafat and back to Mina. That is more than two million pilgrims every day. There are electronic maps equipped with multiple languages to accommodate the diversity of pilgrims, and water supply has improved considerably, as well as waste management, with more than 36,000 restrooms readily available. Thousands of government security officials, emergency services, and volunteers constantly guide pilgrims at every stage of their journey.
New medical equipment is regularly updated to adapt to the wide range of illnesses and changing environmental factors. Free medical care is provided with more than 100 ICU ambulances, each equipped with a physician, a nurse, and the latest technology on board.

While many aspects of Hajj have evolved with the times, some traditions have stood the test of time. Pilgrims used to pray on open fields on their Hajj journey, and likewise today, people do not hesitate to pray on the open path. The means of transport may have changed but the commitment to the punctuality of prayer has always endured. While larger in numbers, and many tents are now equipped with air-conditioning, Saudi Arabia has maintained this aspect of Islamic heritage. During Hajj, the “Kiswa,” made of pure silk with gold and silver threads that drape over the Kaaba, is annually replaced and folded up about 10 feet to protect it from harsh weather conditions, as well as overcrowding during the peak days of Hajj. To this day, this practice is maintained to prevent the cover of Kaaba from suffering any damage.
Throughout the 20th century, and still to this day, Makkah is constantly going through changes. The biggest is the expansion of the Holy Mosque itself, but many advancements have been made in the form of logistics, hospitality, security, and medical care. Some traditions and methods, however, have remained the same. A balance of tradition and progression that has the Saudi government recognizing Islamic customs while taking into consideration pilgrims’ primary needs of safety and security.


Art is ‘translating feelings,’ says 16-year-old Saudi artist

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Art is ‘translating feelings,’ says 16-year-old Saudi artist

  • Jawad Al-Omair has established himself as a painter, drawing inspiration from the beauty and pain surrounding him

RIYADH: While his classmates took part in sports activities, Saudi teenage artist Jawad Al-Omair daydreamed about the next time he would pick up a paintbrush or pencil to draw again.

At only 16 years of age, Al-Omair has established himself as an artist, drawing inspiration from the beauty and pain surrounding him.

Jawad Al-Omair said he noticed a dramatic change in his artistic abilities after being introduced to a group of local artists who taught him painting techniques to implement in his artworks. (Supplied)

He told Arab News that his breakthrough moment came when he discovered his artistic abilities in the third grade.

“All the kids used to go to play. I always found myself opening my notebook and just drawing. I remember one day, I drew something at school, and when I got home, I showed it to everyone. I told myself, ‘I should do this more often.’”

HIGHLIGHT

Jawad Al-Omair views color as an arsenal to communicate emotion in his artworks.

He uses acrylic paint to portray his vivid ideas on canvas.

Jawad Al-Omair said he noticed a dramatic change in his artistic abilities after being introduced to a group of local artists who taught him painting techniques to implement in his artworks. (Supplied)

“With every painting I do, I usually have a vision of what the color palette is going to be and the composition, and most importantly what message and feeling I am trying to deliver through the painting.”

The young artist views color as an arsenal to communicate emotion in his artworks. “If I wanted to paint something that conveys the feeling of being lost, I would usually use cool toned colors like greys and blues.”

Jawad Al-Omair said he noticed a dramatic change in his artistic abilities after being introduced to a group of local artists who taught him painting techniques to implement in his artworks. (Supplied)

Al-Omair said that he noticed a dramatic change in his artistic abilities after being introduced to a group of local artists who taught him painting techniques to implement in his artworks.

“Dana Almasoud is one of my best friends who has helped me so much. Three years ago, I used to be a completely different artist. I used to be unable to draw small portraits, but she taught me how to. I can’t picture how my life would be if I had not met them,” he said.

Jawad Al-Omair said he noticed a dramatic change in his artistic abilities after being introduced to a group of local artists who taught him painting techniques to implement in his artworks. (Supplied)

In a recent artwork, Al-Omair painted a large-scale self-portrait inspired by the style of John Singer Sargent, an American artist renowned for his portrait paintings in the late 19th and early 20th centuries.

He described Sargent as one of his favorite artists. “If you see his self-portrait, It is similar to mine. I was looking at his artwork while I was painting so I could capture that same vibe.”

It took Al-Omair about 12 hours to complete the self-portrait, which emphasizes his prominent features.

“I get commented on my nose a lot, so I painted it in the center. I wanted to immortalize my 16-year-old self, because who knows what I will look like five years from now?”

The young artist aims to turn all sorts of experiences — even those of friends or family members — into art.

“How would life be if we did not have music or anything beautiful to look at? When you think of an artist, people usually imagine someone with a brush, but it is much bigger than that.

“Art is translating feelings with a certain skill. Movies taught humanity so much because you get to learn about people. Writing, songs and music are emotional things that we share. Art is one of the most important parts of life. Everyone has an artistic side to them that they may have not found yet,” he said.

 


Saudi development fund agrees $50m loan deal with St. Vincent and the Grenadines

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Saudi development fund agrees $50m loan deal with St. Vincent and the Grenadines

  • Funding will help rebuild and repair facilities damaged by natural disasters in the Caribbean island nation

RIYADH: The Saudi Fund for Development signed a $50 million loan agreement with St. Vincent and the Grenadines on Friday to assist communities affected by natural disasters, Saudi Press Agency reported.

The deal was signed by SFD CEO Sultan Abdulrahman Al-Marshad and Camillo Gonsalves, finance minister of St. Vincent and the Grenadines, during the 2024 spring meetings of the World Bank and the International Monetary Fund in Washington.

According to the World Bank, the southern Caribbean nation faces a host of natural threats, including floods, hurricanes, droughts, landslides, and volcanic eruptions.

The agreement will fund a project to rebuild and repair buildings and facilities damaged by natural disasters in the island nation.

This initiative includes the restoration and construction of essential infrastructure, such as housing, healthcare, educational, and sports facilities, aimed at boosting their durability and resilience against future disasters and climate change impacts.

The project will also include establishing four healthcare centers, building primary and secondary schools, renovating government buildings, and restoring homes damaged by volcanic activity.

The loan is in line with the SFD’s commitment to supporting vulnerable communities around the globe.

Since its inception in 1975, the Saudi fund has financed over 800 development projects and programs worldwide, with total funding exceeding $20 billion.
 


Art Jameel announces open call for Hayy Jameel Facade Commission

Updated 19 April 2024
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Art Jameel announces open call for Hayy Jameel Facade Commission

  • Antonia Carver, director of Art Jameel, said: “At Art Jameel, we are committed to fostering the role of the arts in public life

JEDDAH: The Hayy Jameel Facade Commission is inviting new and established artists in Saudi Arabia to reimagine the facade of the Hayy Jameel art building in Jeddah.

In its fourth year and third open call process, the commission will select a winning artwork that serves as conversation starter between the complex, the community it serves and the broader public.

Antonia Carver, director of Art Jameel, said: “At Art Jameel, we are committed to fostering the role of the arts in public life.

“Through this annual commission which positions the facade as the first point of contact with the Hayy Jameel community, we are providing a platform that propels mid-career artists forward and challenges them to produce a large-scale, highly imaginative work that remains in-situ, front and center in Jeddah, for around 10 months.”

The commission encourages artists to consider the site-specific nature of the project and the technical requirements of a public work.

Sustainability considerations are also appreciated in managing the carbon footprint of the artwork and its installation.

Eligibility is open to all Saudi and Saudi-based artists and collectives, with at least one member required to be a Saudi citizen or resident if applying as a collective.

The commissioned artists will receive a work fee and a production budget managed by Art Jameel.

The jury, consisting of local and international art professionals, curators, artists and museum directors, will select a single work for production.

Applicants are required to submit a concept statement (200-500 words), up to four sketches and diagrams, and an estimated production schedule through the application portal.

The deadline for the facade submission has been extended to May 1, with the launch scheduled for October. Following the unveiling, there will be a public viewing period from October 2024 to September 2025.

Previous works displayed on the building have showcased the talent of artists such as Nasser Al-Mulhim, Tamara Kalo, Mohammad Al-Faraj and Dr. Zahrah Al-Ghamdi.

 


Saudi universities participate in Geneva’s International Exhibition of Inventions

Mohammed Al-Sudairi
Updated 19 April 2024
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Saudi universities participate in Geneva’s International Exhibition of Inventions

  • More than 1,000 inventions from over 40 countries showcased at event

RIYADH: Mohammed Al-Sudairi, the Saudi deputy minister of education for universities, research and innovation, opened the Kingdom’s pavilion at the 49th Geneva International Exhibition of Inventions.

Some 26 Saudi Arabian universities are taking part at the event — including 19 government universities, two independents and five private bodies — and a total of 113 inventions have been produced, in scientific, theoretical, medical, and biological specializations, the Saudi Press Agency reported.

Among the universities taking part is Qassim University, which is showcasing a display that highlights innovations and several inventions.

Abdulaziz bin Bani Alharbi, a faculty member at Qassim’s College of Agriculture and Food, said that the college was showcasing a patent registered with the Saudi Authority for Intellectual Property: a method for desalinating salt water using a halophyte plant.

He said the invention involved introducing water and placing the plant in a closed system that allowed the collection of water from the plant after the transpiration process.

Alharbi added that gas exchange followed and then desalination to obtain salt-free water.

Fahad Alminderej, a faculty member at the College of Science, said his group had obtained a patent for extracting materials from date waste, and was then using them in pharmaceutical manufacturing in an innovative manner. This patent had also been registered with the Saudi Authority for Intellectual Property.

Abdullah Almohaimeed, the head of the Innovation Center and Intellectual Property at the university, said that Qassim was participating in the exhibition as part of the Ministry of Education’s initiative to enhance the international presence of Saudi universities, in line with national objectives.

He added that the university’s participation aimed to highlight its role in supporting the innovation system and entrepreneurship, as well as showcase many inventions.

The exhibition, which is taking place until April 21, is displaying more than 1,000 inventions from over 40 countries. Some 800 exhibitors are featured at the event and 30,000 visitors are expected to attend, in addition to 650 journalists.

It is the world’s largest annual event devoted exclusively to invention.

 


Al-Baha’s monuments: A pivotal testament to civilizational advancement

Updated 19 April 2024
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Al-Baha’s monuments: A pivotal testament to civilizational advancement

  • Characterized by intricate designs, the residential buildings, castles, and forts embody a harmonious fusion of environmental adaptability and cultural resonance

RIYADH: Nestled in Al-Baha region in southwestern Saudi Arabia lies a treasure trove of ancient architecture in the quaint villages that dot its landscape.

Characterized by intricate designs, the residential buildings, castles, and forts embody a harmonious fusion of environmental adaptability and cultural resonance.

Crafted with precision, these structures seamlessly integrate with the rugged terrain and fluctuating climate, while also paying homage to the long-standing customs and traditions of ancient Arab society.

Seventy-three-year-old Mohammed bin Salem Al-Ghamdi told Saudi Press Agency: “For decades, I have dedicated myself to the craft of stone house construction.”

Currently, he and his companions are diligently crafting a stone room, employing stones as their primary building material. Together, as a cohesive team of builders, craftsmen, and eager participants, they collaborate harmoniously to bring their vision to life. He described it as both a hobby and inheritance passed down through generations.

“In every construction endeavor, we rely on what’s known as the cornerstone, strategically positioned at the room’s corners. Additionally, a lengthy stone, referred to as the ‘link,’ is essential for connecting each stone within the structure. We also use sturdy stones known as ‘Al-Mateen’ or ‘Al-Daher’ to fortify the room’s foundation.

“Moreover, we meticulously place ‘Al-Lazza’ stones, tiny yet significant, within the larger stones, ensuring a seamless fit without any gaps or openings in the room’s structure,” he added.

“Once the corners are meticulously stacked and leveled, I proceed to roof the room with wood. This involves utilizing a series of wooden beams cut to specific lengths to interconnect all corners of the room. Next, I scatter small plants across the wooden framework to fully cover the ceiling, upon which clay is applied to secure the structure. This method ensures durability against erosion and rainfall, further reinforced by specific paving techniques.”

Al-Ghamdi emphasized the importance of post-construction plastering with clay, which not only gives the interior an earthy tone but also regulates the temperature — ensuring warmth in winter and coolness in summer.

He mentioned the practical use of juniper trees for doors and windows, facilitating easy replacement and serving a dual purpose in construction.

Dr. Abdulaziz bin Ahmed Hanash, professor of urban design at Al-Baha University, highlighted the profound significance of human construction in Al-Baha region, portraying it as a living chronicle of urban civilization’s evolution over time.

He underscored the traditional architecture and urban legacy of Al-Baha as foundational elements, inherently distinguishing the region. With its wealth of historical landmarks spanning the Sarat and Tihamah regions, the area has gained the attention of state authorities, who aim to nurture its potential as both a summer and winter tourism hotspot through strategic development initiatives.